Tesi sul tema "South African Apartheid"
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Potgieter, Carla. "Reading rubbish: pre-apartheid to post-apartheid South African kitsch". Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/1782.
Testo completoENGLISH ABSTRACT: This thesis is concerned with kitsch as cultural phenomena, which it will approach as a specific ‘aspect’, or ‘product’ of modernity. In doing so, this thesis aims to interrogate the notion of modernity, through an analysis of kitsch. In the first place, modernity can be thought as a collection of progressive material changes, usually associated with the onset of the industrial revolution. In this sense, it is easy to establish kitsch as a typical product of modernity, as the latter literally provided the objective conditions of possibility for the production of cheap, easily reproducible industrial goods, with which kitsch is often associated. In the second place, more than a set of material changes however, modernity also entailed a concomitant series of cultural values, the rational, scientific worldview associated with the onset of the Enlightenment. The thesis will therefore also consider how kitsch can be regarded as a direct expression of these values, in as much as the characteristic falseness and conformity of kitsch might be seen as a typical product of this rational, utilitarian worldview. In the third place, modernity also refers to the combined effect of these material conditions and cultural values. Kitsch will be considered, then, also in relation to this ‘life-world’. Importantly, the thesis seeks to demonstrate how the inherent contradictions of modernity become particularly apparent in kitsch. The connection between colonialism and the Enlightenment is nothing new. Indeed, the colonial project was driven by the notion that the West was responsible for the “modernization” and “upliftment” of the rest of the world. However, the idea of modernity as a universal, ideologically neutral concept is deeply problematic. Indeed, this can also be considered as one of the contradictions inherent in modernity. By looking at South African kitsch, this thesis will examine the possibility that, as a typical product of modernity produced in a local context, it can reveal much about the manifestations or ‘trajectory’ of modernity outside the metropolitan centres, where it is usually located. This will be explored by examining, on the one hand, the local ‘trajectory’ of the discourse of modernity, and, secondly, to the place assigned to people within the creation of these local modernities
AFRIKAANSE OPSOMMING: Die onderwerp van hierdie tesis is kitsch as ’n kulturele verskynsel, wat dit as volg benader. Eerstens word daar gevra of dit moontlik is om kitsch as een van die mees tipiese ‘produkte’ van moderniteit te beskou. Die bogenoemde vraagstelling maak dit dus moontlik om moderniteit te ondersoek deur ‘n analise van kitsch. In hierdie tesis, word moderniteit as volg benader: ten eerste, die materiële veranderings in terme van die produksie proses wat gewoonlik met die industriële revolusie geassosieer word; en tweedens, die rasionele, wetenskaplike, kommersiële en utilitêre lewensbeskouing ingelei deur die ‘Verligting’ (of sogenaamde Enlightenment) in die sewentiende eeu. Meer as net ’n versameling fisiese en filosofiese omwentelings, verwys moderniteit egter ook ten derdens na die gekombineerde impak van die bogenoemde in terme van die effek van tegnologie op kultuur, en hoe dit die menslike ‘leefwêreld’ betekenisvol beïnvloed en vervorm. Die bogenoemde skep dus ‘n raamwerk waarbinne kitsch benader kan word. Ten eerste is dit maklik om ‘n verband tussen kitsch en tegnologiese ontwikkelinge, wat dit moontlik maak om vinnige reproduksies van ‘n lae gehalte te vervaardig, te trek. Maar soos beskou vanuit ‘n meer filosofiese perspektief, kan die valsheid en patroonmatigheid van kitsch teruggetrek word na rasioneel utilitaristies wêreldbeskouing van die ‘Verligting’, wat deur die neig na abstrakte, universele waarhede, dikwels vervlakking lei en ook spesifieke etiese gevolge het. Derdens, wanneer daar na die impak van modernisasie op die leefwêreld gekyk word, sal faktore soos die opkoms van die middelklas en sekularisasie ook in ag geneem word. Deur die bogenoemde te ondersoek, sal daar dan ook gedemonstreer word dat die teenstrydighede wat noodwendig deel vorm van die konsep van moderniteit self, in kitsch duidelik sigbaar word, juis in die manier hoe kitsch hierdie teenstrydighede probeer verberg. Díe drie areas dan in ag geneem, is dit verder nodig om ‘n vierde definisie in te sluit om die ondersoek van moderniteit, soos dit in hierdie tesis benader word, te verdiep. Die idee dat kolonialisme en moderniteit ten diepste verbind is, is niks nuuts nie. Die gedagte dat die Weste juis die onontwikkelde kolonies moes “ophef” en “moderniseer” was inderdaad dikwels die ideologiese beweegrede vir die koloniale projek. Maar by nadere ondersoek blyk dit onwaarskynlik dat moderniteit bloot ‘n ideologies neutrale konsep is, wat oral eenvormige resultate sou behaal. Inderdaad, laasgenoemde kan ook as een van hierdie sogenaamde “teenstrydighede” inherent tot die konsep van moderniteit beskou word. Dus, deur na kitsch te kyk wat spesifiek in ‘n Suid-Afrikaanse konteks ontstaan het, wil hierdie tesis ook die moontlik ondersoek dat plaaslike kitsch (as tipiese produk van moderniteit) ons iets meer kan vertel oor die spesifieke verloop en gevolge van hierdie sogenaamde “projek van moderniteit” binne ‘n plaaslike konteks. Dit sal gedoen word deur die volgende twee vraagstukke aan te spreek, aan die hand van plaaslike vorme van kitsch. Eerstens sal daar aandag aan die spesifieke “verloop” en manifestasies van die diskoers van moderniteit in ‘n plaaslike konteks ondersoek word. Tweedens, gaan hierdie tesis ook aandag gee aan die spesifieke plek wat aan verskillende groepe mense binne hierdie plaaslike vorme van moderniteit toegeken word. So ‘n ondersoek sal dan op die plaaslike manifestasies van moderniteit konsentreer, om die aanname dat moderniteit oral eenvormige resultate en vooruitgang sou bereik, ongeldig te verklaar. Die idee van “moderniteit” as universele en eenvormige konsep breek dus letterlik uit mekaar, soos dit met die idee van geografiese spesifieke weergawes van moderniteit gekonfronteer word.
Kgoale, M. M. "Apartheid : the dilemma of South African universities". Thesis, University College London (University of London), 1986. http://discovery.ucl.ac.uk/10019625/.
Testo completoPfister, Roger. "Apartheid South Africa's foreign relations with African states, 1961-1994". Thesis, Rhodes University, 2004. http://hdl.handle.net/10962/d1007632.
Testo completoValsamakis, Antoinette. "The role of South African business in South Africa’s post apartheid economic diplomacy". Thesis, University of Birmingham, 2012. http://etheses.bham.ac.uk//id/eprint/3391/.
Testo completoCoupe, Stuart Andrew. "Apartheid in South African industrial relations, 1955-1980". Thesis, University of Oxford, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.386449.
Testo completoKalley, Jacqueline Audrey. "Apartheid in South African libraries : the Transvaal experience /". Lanham (Md.) : Scarecrow press, 2000. http://catalogue.bnf.fr/ark:/12148/cb40223810g.
Testo completoBibliogr. p. 217-228. Notes bibliogr. Index.
Kolbe, Hilton Robert. "The South African print media from apartheid to transformation /". Access electronically, 2005. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20060515.094805/index.html.
Testo completoRoux, Rowan. "Post-apartheid Speculative Fiction and the South African City". Doctoral thesis, Faculty of Humanities, 2021. http://hdl.handle.net/11427/33005.
Testo completoVon, Veh Karen Elaine. "Transgressive Christian iconography in post-apartheid South African art". Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1002220.
Testo completoGready, Paul. "South African life stories under apartheid : imprisonment, exile, homecoming". Thesis, SOAS, University of London, 1997. http://eprints.soas.ac.uk/29574/.
Testo completoVisser, Gustav Etienne. "Spatialities of social justice : reflections on South African cities". Thesis, London School of Economics and Political Science (University of London), 2000. http://etheses.lse.ac.uk/1557/.
Testo completoSteenveld, Lynette Noreen. "South African anti-apartheid documentaries 1977-1987: some theoretical excursions". Thesis, Rhodes University, 1991. http://hdl.handle.net/10962/d1002939.
Testo completoRoux, Daniël. "Presenting the prison : the South African prison autobiography under apartheid". Doctoral thesis, University of Cape Town, 2007. http://hdl.handle.net/11427/8099.
Testo completoThis thesis investigates a range of South African autobiographical accounts of imprisonment, most of them by political prisoners under apartheid. Its principal focus is on the ways in which the prison as physical and ideological space intersects with a conscious literary construction of identity. The argument is that in these accounts, the prison features as both object and subject: it appears as one of the objects of description, a referent among others in a structured succession of events, but in fact it also serves as the very frame that enables and structures the consciousness that speaks about - and from within - the prison. In other words, the prison is one of the important coercive instruments that governed the forms of consciousness, literary and otherwise, that emerged in South Africa under apartheid. A broader topic engaged by this discussion is therefore also the role played by materially based disciplinary structures in the emergence of autobiographical literary forms.
Meewes, Sarah Jessica. "South African Ballet : a Performing Art during and after Apartheid". Diss., University of Pretoria, 2019. http://hdl.handle.net/2263/76715.
Testo completoDissertation (MSocSci)--University of Pretoria, 2019.
Historical and Heritage Studies
MSocSci
Unrestricted
Haecker, Allyss Angela. "Post-Apartheid South African choral music: an analysis of integrated musical styles with specific examples by contemporary South African composers". Diss., University of Iowa, 2012. https://ir.uiowa.edu/etd/3461.
Testo completoMkhize, Gabisile. "African Women| An Examination of Collective Organizing Among Grassroots Women in Post Apartheid South Africa". Thesis, The Ohio State University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3710319.
Testo completoThis dissertation examines how poor black South African women in rural areas organize themselves to address their poverty situations and meet their practical needs – those that pertain to their responsibilities as grandmothers, mothers, and community members – and assesses their organizations' effectiveness for meeting women's goals. My research is based on two groups that are members of the South African Rural Women's Movement. They are the Sisonke Women's Club Group (SSWCG) and the Siyabonga Women's Club Group (SBWCG). A majority of these women are illiterate and were de jure or de facto heads of households. Based on interviews and participant observation, I describe and analyze the strategies that these women employ in an attempt to alleviate poverty, better their lives, and assist in the survival of their families, each other, and the most vulnerable members of their community. Their strategies involve organizing in groups to support each other's income-generating activities and to help each other in times of emergency. Their activities include making floor mats, beading, sewing, baking, and providing caregiving for members who are sick and for orphans. I conclude that, although their organizing helps meet practical needs based on their traditional roles as women, it has not contributed to meeting strategic needs – to their empowerment as citizens or as heads of households.
MacDonald, T. Spreelin. "Steve Biko and Black Consciousness in Post-Apartheid South African Poetry". Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1273169552.
Testo completoBarrett, J., A. Dawber, B. Klugman, I. Obery, J. Shindler e J. Yawitch. "Vukani Makhosikazi South African Women Speak". Catholic Institute for International Relations, 1985. http://encore.tut.ac.za/iii/cpro/DigitalItemViewPage.external?sp=1000713.
Testo completoRichmond, Samantha. "South African Public opinion on Government's performance in the area of School Education in Post-Apartheid South Africa". Master's thesis, University of Cape Town, 2010. http://hdl.handle.net/11427/3720.
Testo completoAlexander, Peter. "Industrial conflict, race and the South African State, 1939-1948". Thesis, University of London, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.308390.
Testo completoPicardie, Michael. "The drama and theatre of two South African plays under apartheid". Link to the Internet, 2009. http://cadair.aber.ac.uk/dspace/handle/2160/3102.
Testo completoHu, Xiaoran. "Undoing apartheid, becoming children : writing the child in South African literature". Thesis, Queen Mary, University of London, 2017. http://qmro.qmul.ac.uk/xmlui/handle/123456789/31798.
Testo completoClack, Beverley Teresa. "Racial Contact and Isolation in a Post-Apartheid South African School". Thesis, Lancaster University, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514449.
Testo completoPichaske, Kristin. "Colour adjustment : race and representation in post-apartheid South African documentary". Doctoral thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/8248.
Testo completoIncludes bibliographical references (p. 251-267).
The goal of this dissertation is to examine the process of racial transformation within South Africa's documentary film industry and to assess how the nation's shifting identity is both influenced by and reflected in documentary film. Drawing examples from a diverse collection of local and international films, I have examined changes in who is making documentaries in South Africa and how, as well as the representations of race that result. In particular, I have focused on how the balance of insider vs. outsider storytelling may be shifting and to what effect. At the same time, I have qualitatively examined the representations produced by black/insider filmmakers as compared to those of white/outsider filmmakers in order to assess the impact of the filmmaker's racial status on outcomes. Finally, I have investigated ways in which the tradition of white-onblack storytelling must change in order to satisfy the political shift that has taken place in South Africa and the cultural sensitivities that have resulted.
Fletcher, Elizabeth. "South African crime fiction and the narration of the post-apartheid". Thesis, University of the Western Cape, 2013. http://hdl.handle.net/11394/4287.
Testo completoIn this dissertation, I consider how South African crime fiction, which draws on a long international literary history, engages with the conventions and boundaries of the genre, and how it has adapted to the specific geographical, social, political and historical settings of South Africa. A key aspect of this research is the work’s temporal setting. I will focus on local crime fiction which is set in contemporary South Africa as this enables me to engage with current perceptions of South Africa, depicted by contemporary local writers. My concern is to explore how contemporary South African crime fiction narrates post-apartheid South Africa. Discussing Margie Orford’s Daddy’s Girl and the possibilities of South African feminist crime fiction, my argument shoes how Orford narrates post-apartheid through the lens of the oppression and abuse of women. The next chapter looks at Roger Smith’s thriller Mixed Blood. Smith presents the bleakest outlook for South Africa and I show how, even though much of his approach may appear to be ‘radical’, the nihilism in his novel shows a deep conservatism. The third South African crime novel I examine is Diale Thlolwe’s Ancient Rites and I discuss it in the light of his use of the conventions of ‘hardboiled’ crime fiction as well as rural/urban collocations. In this case, the author’s representation of postapartheid South Africa appears to reveal more about the author’s personal views than the country he attempts to describe. The fourth and final novel I discuss is Devil’s Peak by Deon Meyer. My discussion here focuses on the notion of justice in post-apartheid South Africa and Meyer’s ambiguous treatment of the subject. This discussion of contemporary South African crime fiction reveals what the genre might offer readers in the way they understand post-apartheid South Africa, and how it might be seen as more than simple ‘entertainment’.
Mkhize, Gabisile Promise. "African Women: An Examination of Collective Organizing Among Grassroots Women in Post Apartheid South Africa". The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1357308299.
Testo completoWills, Mary Jo. "Analysis of the Appointment of the First African American Ambassador to Apartheid-Era South Africa". Diss., Virginia Tech, 2014. http://hdl.handle.net/10919/70875.
Testo completoPh. D.
Drummond, Urvi. "Music education in South African Schools after apartheid : teacher perceptions of Western and African music". Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/6298/.
Testo completoLeibowitz, Vicki, e Vicki dan@gmail com. "Making memory space: recollection and reconciliation in post apartheid South African architecture". RMIT University. Architecture and Design, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20091022.114900.
Testo completoPretorius, Jené. "An exploration of a sample of South African caregivers’ experiences of apartheid". University of Western Cape, 2019. http://hdl.handle.net/11394/7433.
Testo completoApartheid created deep-rooted emotional scars of inequality, discrimination, and racial tension within the South African population. Literature regarding the population of contemporary South Africans remains, to some extent, divided by racial lines (Naidoo, Stanwix, & Yu, 2016; Harris, 2016). Since caregivers are the main socialisation agents influencing adolescents this research study sought to explore caregivers’ experiences of apartheid as a means to create an understanding of the views and perspectives of apartheid that are relayed by South African caregivers to their children.
Lloyd, Clive N. V. "H C Bosman : South African history in black and white". Thesis, University of Sussex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362269.
Testo completoNorton, Michelle Lesley. "Judges and politics : a study of sentencing remarks in South African political trials, 1960-1990". Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323677.
Testo completoFisher, Genevieve. "Y-culture and the challenge of subculture in post-apartheid South Africa". Master's thesis, University of Cape Town, 2005. http://hdl.handle.net/11427/3579.
Testo completoWright, L. S. "'Iron on iron': Modernism engaging apartheid in some South African Railway Poems". Routledge, 2011. http://eprints.ru.ac.za/2208/1/Iron_on_Iron_for_ESiA.pdf.
Testo completoJosephy, Svea Valeska. "The development of a critical practice in post-apartheid South African photography". Thesis, Stellenbosch : Stellenbosch University, 2001. http://hdl.handle.net/10019.1/52508.
Testo completoENGLISH ABSTRACT: South African photography in the 20th century was dominated by the documentary genre. This genre has its roots in 19th century Modernist and colonialist belief in the accuracy of the camera as a tool of representation, and faith in the camera's objectivity and ability to present empirical evidence and 'truth'. These positivist notions were carried into South African documentary practice during the apartheid era. Apartheid-era South African documentary photography was particularly focused on exposing the socio-political ills of apartheid in order to gain support for the liberation movement, both locally and abroad. It was serious and didactic in its purpose and did not allow for creative responses to the medium, as the camera was seen as a 'weapon' of the struggle. The 1990s saw the beginning of the emergence of a liberated South Africa. The documentary imperative to record and expose apartheid practices was now increasingly redundant. Photographers, particularly after the elections, were faced with a 'crisis' of sorts in documentary as the main focus of their subject had been removed. The upshot of this was that documentary photographers had to find new subjects, which they had to approach in different ways. The arrival of Postmodernism in South Africa coincided with the demise of apartheid. It had in essence been kept at bay by what seemed to be the more pressing issues of the struggle. Postmodern art and its theoretical base, post-structuralism, argued for an erosion of the previously fixed concepts of genre, and allowed for the mixing of the previously separate categories of 'documentary' and 'art'. There was a radical questioning of previously fixed constructs of race, identity, class and gender. The erosion of the documentary imperative to record allowed for more creative responses to the medium than ever before. Artists were able to experiment technically, with video, multi-media, digital photography, historical processes, colour, composite work and interactive pieces. In this thesis I explore the above-mentioned shift and situate my practical work within this contemporary paradigm.
AFRIKAANSE OPSOMMING: Op die gebied van fotografie is die toneel in Suid-Afrika in die 20ste eeu deur die dokumentêre genre oorheers. Die genre het sy oorsprong in 'n Modernistiese en kolonialistiese, 19de-eeuse siening, naamlik dat die kamera 'n objektiewe en akkurate voorstellingsmiddel is waarmee empiriese bewyse ingesamel en die "waarheid" uitgebeeld kan word. Hierdie positiwistiese uitkyk is tydens die apartheidsjare op die dokumentêre praktyk in Suid-Afrika oorgedra. Tydens hierdie era was dokumentêre fotografie daarop gemik om die sosiopolitieke euwels van Suid-Afrika onder apartheid bloot te lê, ten einde sowel binnelands as buitelands vir die bevrydingsbewegings steun te werf Met hierdie gewigtige en didaktiese doel voor oë, was daar min ruimte vir 'n kreatiewe hantering van die medium, aangesien die kamera as 'n "wapen" in die stryd teen apartheid gesien is. Die 1990's het die begin van Suid-Afrika se bevryding ingelui. Die dokumentêre imperatief om apartheidsdade op rekord te stel en aan die groot klok te hang, het vervaag. Fotograwe het 'n soort "krisis" in die gesig gestaar, veral na die verkiesing, want die onderwerp van hulle fokus het verdwyn. Die resultaat was dat dokumentêre fotograwe nuwe temas moes vind, wat hulle vanuit 'n ander oogpunt moes benader. In Suid-Afrika het die koms van Postmodernisme met die ondergang van apartheid saamgeval. Voorheen is dit in wese oorskadu deur oënskynlik belangriker kwessies rondom die "struggle". Postmoderne kuns en die teoretiese grondslag daarvan, naamlik post-strukturalisme, bepleit 'n beweging weg van die vaste begrip van genre wat voorheen gegeld het. Hiervolgens raak 'n vermenging van die voorheen afsonderlike kategorieë 'dokumentêr' en 'kuns' moontlik. Dit bring ook 'n radikale bevraagtekening mee van die konstrukte ras, identiteit, klas en geslag, wat voorheen as vaste indelings beskou is. Die verflouing van die dokumentêre imperatief om dinge op rekord te stel, maak dit moontlik om op 'n meer kreatiewe wyse as ooit tevore met die medium om te gaan. Kunstenaars kan nou met die tegniese sy van fotografie eksperimenteer: video, multimedia, digitale fotografie, historiese prosesse, kleur, saamgestelde werke en interaktiewe stukke. In hierdie tesis kyk ek op verkennende wyse na die veranderings waarna hierbo verwys word, en situeer ek my praktiese werk binne hierdie kontemporêre paradigma.
Evans, Martha. "Transmitting the transition media events and post-apartheid South African national identity". Doctoral thesis, University of Cape Town, 2012. http://hdl.handle.net/11427/10475.
Testo completoUsing Dayan and Kat's theory of "media events" - those historic and powerful live broadcasts that mesmerise mass audiences - this thesis assesses the socio-political effect of live broadcasting on South Africa's transition to democracy and the effects of such broadcasts on post-apartheid nationhood. The thesis follows events chronologically and employs a three-part approach: firstly, it looks at the planning behind some of the mass televised events, secondly, it analyses the televisual content of some of the events; and thirdly it assesses public responses to events, as articulated in newspapers at the time.
Herman, Daniel David. "Begging for change: engaging with Johannesburg in post-apartheid South African film". Master's thesis, University of Cape Town, 2012. http://hdl.handle.net/11427/12316.
Testo completoThe city of Johannesburg is globally identified with issues of inequality, prejudice and transformation. This identification is reinforced by the city's representation in film, in particular those of the post-apartheid era, which tend to emphasize the city's problems. The transformative power of living in Johannesburg, in particular how this experience impacts and shifts the personalities and experiences of the city's inhabitants, is often ignored. This thesis sets out to explore and analyse the consequences of engagement with Johannesburg by exploring the impact of the city on the protagonists in four post-apartheid Johannesburg films. The films that will be analysed - Jump the Gun (1996), Hijack Stories (2000), Tsotsi (2005), and District 9 (2009) - portray life in post-apartheid Johannesburg. These films were chosen because they have narratives that illustrate character transformation through exposure to the city of Johannesburg. The decision to focus on films that depict this era is deliberate, and I have done this in order to identify a new way of living in Johannesburg that is unique to this time period. In addition, the spread of years highlights how the experience of living in Johannesburg has changed over time.
Sokutu, Litha Buhle Zukile. "'Imfuno neeMbawelo': ambition, desire and aspiration in South African post-apartheid migration". Master's thesis, University of Cape Town, 2016. http://hdl.handle.net/11427/22966.
Testo completoMcDougall, Kathleen Lorne. "Discipline and savagery : the spectacle of the post-apartheid South African school". Master's thesis, University of Cape Town, 2003. http://hdl.handle.net/11427/11072.
Testo completoIn describing and evaluating a South African semiotic of order and disorder, this dissertation traces representations of school discipline through examples of colonial and apartheid to key contemporary discursive practices. In this interdisciplinary dissertation three contemporary sets of texts are analysed: the department of education policy document, Alternatives to corporal punishment (2001), news articles on school disruption from the Business Day, Mail & Guardian and the Sowetan newspapers (1996-2002), and photographs on delinquency and discipline taken by a group of Cape Town public secondary school students.
Taylor, Justin William. "The "life and work" of South African Historiography". Diss., University of Pretoria, 2017. http://hdl.handle.net/2263/61207.
Testo completoDissertation (MTh)--University of Pretoria, 2017.
Church History and Church Policy
MTh
Unrestricted
Ngazimbi, Xolani Sharon. "Negotiating identities in post-apartheid South Africa : black African managers' experiences in an English-speaking university". Master's thesis, University of Cape Town, 2006. http://hdl.handle.net/11427/11339.
Testo completoThis is a study about the subjective experiences of black African managers working in an English-speaking university in post-apartheid South Africa We investigated the adaptation strategies they employ as they navigate borders and boundaries between their home and work worlds, and how they negotiate identity in an environment dominated by Eurocentrism in one of the oldest English-speaking universities in South Africa. The theoretical framework was informed Berger & Luckmann's (1966) "Social Construction of Reality", in particular, their concepts of subjectivity and intersubjectivity; and Phelan, Davidson and Yu's (1993 & 1998) "Multiple Worlds Typology". The theories proposed by these writers acknowledge that individuals move between multiple worlds as they go about their daily lives. We adopted a typology from Phelan et al. (1993 & 1996) based on whether or not the "worlds" are congruent and what adaptation strategies individuals use in their transitions across borders and boundaries. We used a qualitative approach which involved face to face in-depth interviews with six black African managers using a semi-structured interview schedule. This, importantly, meant we allowed the respondents' subjective voices to emerge. The six respondents fell across four out of six types of transitions and we were able to construct their profiles which represent identity clusters showing how different individuals deal with common experiences and the variety of strategies they employ. The four types were Congruent Worlds/Smooth Transitions, Different Worlds/Border-crossings Managed, Different Worlds/Border-crossings Difficult, and Different Worlds/Borders Resisted. The strategies for negotiating identity in the workplace included conforming to the institutional culture, integrating or "plugging in" selected values of the African home culture into that of the company, resisting the dominant culture of the company and leaving the company altogether.
Wares, Heather Lynne. "Maritime archaeology and its publics in post-apartheid South Africa". University of the Western Cape, 2013. http://hdl.handle.net/11394/5106.
Testo completoSince the end of apartheid and with that the construction of a new South Africa, archaeology has experienced what can be seen as a resurgence in the public domain. With the creation of a new nation imagined as existing since time immemorial, there has been an emergence of archaeological pasts providing evidence of a nation believed to have existed before apartheid and colonialism. Due to this resurgence of interest in the pre-apartheid and pre-colonial pasts, there has been a ballooning of research and exhibitions around paleontological finds, rock art sites and Iron Age sites indicative of early state formation. This has transported the nation back into what Tony Bennett has called 'pasts beyond memory'. Where mainstream archaeology focuses on sites which reflect a history outside of a colonial past, maritime archaeology has had difficulty. Being a discipline with its main object of focus being the shipwreck, it is difficult to unravel it from a colonial legacy. In an attempt to move away from these older notions of 'public' through the allure of the shipwreck, some maritime archaeologists have looked at different mechanisms, or what I call 'modes of representation', to construct new South African publics. Two such mechanisms are discussed in this thesis: the temporary exhibition of the Meermin Project, and the Nautical Archaeology Society courses on Robben Island. This is in contrast to the older Bredasdorp Shipwreck Museum, where I argue by using Greenblatt’s notion of 'resonance and wonder', that the wonder of the object salvaged is the central feature of the way it constructs its publics. This thesis discusses how a group of maritime archaeologists, located at Iziko Museums and the South African Heritage Resources Agency, attempted to construct new publics by locating resonance with its subject in an exhibition, and by making new archaeologists through a hands-on course.
Theo, Lincoln. "Performing the self : Making/Remaking White Male Identities in Post-Apartheid South Africa". Thesis, University of Cape Town, 2004. http://hdl.handle.net/11427/6770.
Testo completoMussi, Francesca. "Literary responses to the South African TRC : renegotiating 'truth', 'trauma' and 'reconciliation'". Thesis, University of Sussex, 2017. http://sro.sussex.ac.uk/id/eprint/66729/.
Testo completoOjewale, Olugbenga Samson Mr. "America’s Inconsistent Foreign Policy to Africa; a Case Study of Apartheid South Africa". Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etd/3439.
Testo completoFleetwood, Tamlynn. "Post-apartheid education and building 'unity in diversity' : voices of South African youth". Thesis, Durham University, 2012. http://etheses.dur.ac.uk/5934/.
Testo completoThurman, Christopher James. "Guy Butler from a post-apartheid perspective : reassessing a South African literary life". Doctoral thesis, University of Cape Town, 2007. http://hdl.handle.net/11427/8102.
Testo completoGuy Butler was a substantial public figure in South Africa over the second half of the twentieth century: performer of chameleon literary roles (professor, poet, playwright, autobiographer and historian), as well as cultural politician and opponent of apartheid legislation. Nevertheless, his is not a familiar name to the majority of South Africans, and where he is known, Butler remains a problematic figure. On the one hand, he has been criticised for expressing dated or even "colonial" ideas, or for lacking radical political conviction; on the other hand, he is often seen as a "grand old man" in South African literature rather than as a writer for a new generation of readers. These views do not take into account those elements in Butler's writing that were (and still are) subversive, intellectually compelling and of enduring literary value; nor do they consider the complex private man behind the public persona. Butler's response to the South African situation presents us with a challenge - to acknowledge frankly those elements in his life and work that distance him from us, without losing sight of the significance they hold. The current study makes use of Butler's private correspondence and unpublished material from the National English Literary Museum archives in Grahamstown, and combines the biographical insight gained from this documentation with criticism of his published work in every genre to offer a more balanced explication of Butler's life and work than has yet been achieved.
Magadla, Sibahle Siphokazi Sinalo. "Does a Child Penalty Exist in the Post-apartheid South African Labour Market?" Master's thesis, University of Cape Town, 2018. http://hdl.handle.net/11427/29486.
Testo completoOtavio, Anselmo. "A África do Sul pós-apartheid : a inserção continental como prioridade da nova geopolítica mundial". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/96685.
Testo completoDuring almost the past 20 years after the end of apartheid, South Africa has affirmed its presence more and more in African continent. In the economic and political sphere, either in regional scope or continental one, we can notice that the interest in acting in Africa has become predominant in South African foreign affairs. On the other hand, the relationships with some African countries and their reactions were not always the expected ones, considering that the South African insertion was attended by distrust and questioning about the South African role, opportunities and interests in the continent. In this sense, it is based on this complex dynamic that the following work presents the main objective of analyzing the foreign policy of South Africa into the post-apartheid and defend that the country gave up on a possible hegemonic approach to focus on the pacification and development of the continent. The methodology was worked through a revision of a variety of bibliography, such as reports, official documents from South African government and related International Organizations, books and articles from Center of Africa Studies and specialized publishers in this mentioned topic.
Lombard, Erica. "The profits of the past : nostalgic white writing of post-apartheid South Africa". Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:bb2c9ae1-e551-4931-9a44-3197fdc6e010.
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