Bibliografie tematiche / Snobberi

Letteratura scientifica selezionata sul tema "Snobberi"

Autore: Grafiati
Pubblicato: 26 luglio 2024
Ultima modifica: 27 luglio 2024

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Articoli di riviste sul tema "Snobberi"

1

Ennis, Susan G. "Nursing Snobbery". American Journal of Nursing 100, n. 3 (marzo 2000): 14. http://dx.doi.org/10.2307/3522046.

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Mangan, Paul. "Mere snobbery". Nursing Standard 3, n. 43 (22 luglio 1989): 46. http://dx.doi.org/10.7748/ns.3.43.46.s50.

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Ennis, Susan G. "NURSING SNOBBERY". American Journal of Nursing 100, n. 3 (marzo 2000): 14. http://dx.doi.org/10.1097/00000446-200003000-00011.

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TAYLOR, MICHAEL A., JOHNG MARTIN, ARTHUR R. I. CRUICKSHANK e CHRISTOPHER J. COLLINS. "Elizabethan snobbery?" Nature 349, n. 6305 (gennaio 1991): 98. http://dx.doi.org/10.1038/349098a0.

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COATES, M. I., J. A. CLACK e K. A. JOYSEY. "Elizabethan snobbery?" Nature 349, n. 6305 (gennaio 1991): 98. http://dx.doi.org/10.1038/349098b0.

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Allen, Brooke, e Joseph Epstein. "Awash in Snobbery". Hudson Review 55, n. 4 (2003): 680. http://dx.doi.org/10.2307/3852562.

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Dalrymple, T. "Snobbery with violence". BMJ 343, dec14 1 (14 dicembre 2011): d8048. http://dx.doi.org/10.1136/bmj.d8048.

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Patridge, Stephanie. "Snobbery in Appreciative Contexts". British Journal of Aesthetics 58, n. 3 (luglio 2018): 241–53. http://dx.doi.org/10.1093/aesthj/ayy024.

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Dixon, Nicholas. "Modesty, Snobbery, and Pride". Journal of Value Inquiry 39, n. 3-4 (31 gennaio 2007): 415–29. http://dx.doi.org/10.1007/s10790-006-5452-x.

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van Hulst, Noé, e Beverly Olds. "On high tech snobbery". Research Policy 22, n. 5-6 (novembre 1993): 455–62. http://dx.doi.org/10.1016/0048-7333(93)90012-7.

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Tesi sul tema "Snobberi"

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Chantoiseau, Jean-Baptiste. "Déjouer la transgression : du dandysme au terrorisme des images littéraires, plastiques et cinématographiques". Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030133.

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Abstract (sommario):
Les représentations artistiques de la transgression aux XXe et XXIe siècles offrent souvent au regard un spectacle violent et macabre. Son intensité attesterait l’existence d’une "pulsion de mort" (Freud, 1920) tout comme elle scellerait ce lien entre l’érotisme et la mort dépeint par Georges Bataille. Déjouer un tel "terrorisme de la transgression", qui épuise aussi bien l’œuvre que son spectateur, invite à démasquer le conformisme et les falsifications de telles entreprises. Aux antipodes de ces postures, existent d’autres manières d’envisager la transgression en art afin de faire de celle-ci l’occasion d’un questionnement en profondeur, ébranlant toute certitude. Ce « dandysme de la transgression » engage un travail formel intense. L’analyse d’un vaste corpus, aussi bien littéraire (Wilde, Barbey d’Aurevilly, Bataille, Genet…) plastique (Blake, Cocteau…) que cinématographique (Visconti, Bresson…), révèle un spectre de stratégies visant à jouer, affronter ou dépasser la transgression. Seule une attention aiguë portée aux spécificités de ces univers artistiques permet le dévoilement de trajectoires singulières, aux enjeux opposés : là où l’émergence de la transgression pose parfois problème (Bresson), c’est ailleurs dans l’impossibilité de lui échapper que réside le drame (Lynch). À y regarder de plus près, le secret de l’esthétique et de l’éthique des œuvres, à l’ère contemporaine, se déchiffrerait tout particulièrement dans l’observation du sort réservé aux limites et aux interdits. Doit aussi être soutenue la thèse d’un rôle central non plus d’une hypothétique "pulsion de mort" mais de l’inceste au cœur de toute démarche transgressive authentique
Artistic portrayals of transgression in the 20th and 21st centuries often present a violent, macabre spectacle. Its intensity would appear to simultaneously attest to a "death wish" (Freud, 1920) and forge a link between eroticism and death as depicted by Georges Bataille. Thwarting such "transgression terrorism", which exhausts both the work and the spectator, is an invitation to unmask the conformism and falsification involved in such endeavours. At the opposite extreme to these approaches exist other manners of envisaging transgression in art that seek to use it as an occasion for in-depth questioning or to shatter certitudes. This "transgression dandyism" involves intensive formal work. Analysis of a vast corpus, at once literary (Wilde, Barbey d’Aurevilly, Bataille, Genet…), plastic (Blake, Cocteau…) and cinematographic, reveals an array of strategies aiming to play on, confront or transcend transgression. Only on examination of the particularities of these artistic universes do singular trajectories with antithetical goals become manifest: whereas for one creative mind the emergence of transgression occasionally presents a problem (Bresson), for another the drama resides in the impossibility of escaping it (Lynch). On closer scrutiny, the secret of aesthetics and ethics in contemporary works might be elucidated by observing the fate reserved for limits and taboos. That the central role in any authentic transgressive approach is no longer played by a hypothetical "death wish" but by incest is also tenable
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Libri sul tema "Snobberi"

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1946-, Holm Bent, a cura di. Don Ranudo de Colibrados. Gråsten: Drama, 2006.

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2

Pārttacārati, Nā. Snobbery street. New Delhi: Sahitya Akademi, 1990.

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3

Chesney, Marion. Snobbery with Violence. New York: St. Martin's Minotaur, 2003.

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4

Barr, Andrew. Wine snobbery: An exposé. New York: Simon & Schuster, 1992.

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Bernstein, Leonard S. The official guide to wine snobbery. Fort Lee, N.J: Barricade Books, 2003.

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6

Fullick, Melonie. Cultural elitism, intellectual snobbery, rampant introspection! Montreal, Quebec, Canada: Melonie Fullick, 2002.

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Barr, Andrew. Wine snobbery: An insider'sguide to the booze business. London: Faber, 1990.

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Watson, Colin. Snobbery with violence: English crime stories and their audience. London: Methuen, 1987.

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9

Coldrey, Barry M. To remove much hurtful snobbery: A history of the Duke of York's camps, 1921-1939. Thornbury, Vic: The Author, 2000.

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10

Snobbery. Boston: Houghton Mifflin Trade and Reference, 2004.

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Capitoli di libri sul tema "Snobberi"

1

Galt, John. "Byron’s Snobbery". In Byron, 30–31. London: Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-06632-2_15.

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Holdier, A. G. "Chronological Snobbery". In Bad Arguments, 311–13. Chichester, UK: John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781119165811.ch71.

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Winnifrith, Tom. "Snobs and Snobbery". In The Brontës and their Background, 139–59. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19240-3_8.

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Clare, David. "Shaw and the Rise of Reverse Snobbery". In Bernard Shaw’s Irish Outlook, 7–20. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1007/978-1-137-54043-0_2.

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Boylan, Clare. "Sex, Snobbery and the Strategies of Molly Keane". In Contemporary British Women Writers, 151–60. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22565-1_8.

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Kastanakis, Minas N., e George Balabanis. "Seeking Distinction Through Snobbery in the Context of Luxury Markets". In The Sustainable Global Marketplace, 390. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-10873-5_233.

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Kinsella, Sharon. "Taste, snobbery and distinction on the periphery of European bourgeois hierarchies". In The Persistence of Taste, 222–35. 1 [edition]. | New York : Routledge, 2018. | Series: Culture, economy, and the social: Routledge, 2018. http://dx.doi.org/10.4324/9781315617299-18.

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Shackel, Brian. "Seeking the heart, brain and nerve in Oz: moving Internationalism beyond a cloak for commercial dominance or intellectual snobbery". In Human-Computer Interaction INTERACT ’97, 196. Boston, MA: Springer US, 1997. http://dx.doi.org/10.1007/978-0-387-35175-9_35.

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"Front Matter". In Snobbery, i—iv. Policy Press, 2018. http://dx.doi.org/10.2307/j.ctv80cc3x.1.

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"Political and social dramas". In Snobbery, 99–122. Policy Press, 2018. http://dx.doi.org/10.2307/j.ctv80cc3x.10.

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Atti di convegni sul tema "Snobberi"

1

Nicolau, Felix. "Academic confrontations at the end of high modernity". In Conferinta stiintifica nationala cu participare internationala „Lecturi in memoriam acad. Silviu Berejan”. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2021. http://dx.doi.org/10.52505/lecturi.2021.05.15.

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Abstract (sommario):
Academic novel is by definition a cultural enterprise, but it can properly surprise the hostility of an extremely hierarchical environment. Concepts, ideas and archetypes are preserved and melted in the literary substance even with the help of irony and pastiche. Or, better said, irony and pastiche are means of avoiding the hostility of a milieu blocked in stereotypes and snobbery. Kingsley Amis’s novel ”Lucky Jim” absorbs modernist cultural ingredients in order to demythologize them in a postmodern fashion. Anyway, it seems that the process of demythization implies the subsequent process of re-mythization. The cultural heritage is unavoidable in the last phase of postmodernism. In 1975 we can hardly speak about cultural aphasia. The individual with a postmodernist Weltanschauung plays the satirical role of the knight errant in search of falsified (dragonized) modernist mentalities and cultural options. This paper will analyse the risks and methods of demythization and the reverse process in an attempt to understand the cultural logic of antimodernist approaches.
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