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1
Verstraten, Peter. Dutch Post-war Fiction Film through a Lens of Psychoanalysis. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463725330.
Testo completoAbstract (sommario):
Dutch Post-war Fiction Film through a Lens of Psychoanalysis is a sequel to Humour and Irony in Dutch Post-war Fiction Film (AUP, 2016), but the two studies can be read separately. Because of the sheer variety of Fons Rademakers’ oeuvre, which spans ‘art’ cinema and cult, genre film and historical epics, each chapter will start with one of his titles to introduce a key concept from psychoanalysis. It is an oft-voiced claim that Dutch cinema strongly adheres to realism, but this idea is put into perspective by using psychoanalytic theories on desire and fantasy. In the vein of cinephilia, this study brings together canonical titles (Als twee druppels water; Soldaat van Oranje) and little gems (Monsieur Hawarden; Kracht). It juxtaposes among others Gluckauf and De vliegende Hollander (on father figures); Flanagan and Spoorloos (on rabbles and heroes); De aanslag and Leedvermaak (on historical traumas); and Antonia and Bluebird (on aphanisis).
2
Fytche, Eugene L. -- may safely graze: Protecting livestock against predators : the predators, risk and protection models, potential protective measures and their effectiveness. Almonte, Ont: E.L. Fyteche, 1998.
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3
England), Nottingham Contemporary (Nottingham, a cura di. But what of Frances Stark, standing by itself, a naked name, bare as a ghost to whom one would like to lend a sheet? Nottingham: Nottingham Contemporary, 2009.
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4
Bland, Julia E. The Shepherd and His Sheep: Eight Children's Sermons and Activity Pages for Lent and Easter. CSS Publishing Company, 2002.
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5
Maltby, Mark. From bovid to beaver. A cura di Umberto Albarella, Mauro Rizzetto, Hannah Russ, Kim Vickers e Sarah Viner-Daniels. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199686476.013.14.
Testo completoAbstract (sommario):
This chapter reviews evidence for the exploitation of animals in Medieval northwest Russia, highlighting the evidence from the town of Novgorod and its hinterland. The zooarchaeological evidence from this region has been complemented by other sources of archaeological and documentary evidence. Most faunal assemblages are dominated by cattle, which were of small stature and exploited mainly for their meat and milk. There is evidence that pigs became less important in later periods. Sheep and goat were poorly represented on most sites, but with goats forming a higher proportion of the sheep/goat remains than on many other European sites. Evidence for fur trade in the region comes mainly from sites deep in the forest zone. Horsemeat was consumed, although horses were mainly valued as transport animals. The high-status site of Ryurik Gorodishche produced evidence for organized carcass-processing, ritual deposition of horse skulls, and the import of exotic species.
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MacKinnon, Michael. Animals, acculturation, and colonization in ancient and Islamic North Africa. A cura di Umberto Albarella, Mauro Rizzetto, Hannah Russ, Kim Vickers e Sarah Viner-Daniels. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199686476.013.31.
Testo completoAbstract (sommario):
Zooarchaeological comparisons of Roman and Islamic North Africa indicate changes in animal use largely resultant from shifting parameters of urban and economic expansion and development, presence and involvement of the military, cultural preferences, and restrictions in dietary resources. ‘Urbanized’ and ‘militarized’ zones, such as Carthage, and the Egyptian delta and eastern desert, typically display increases in pork consumption during Roman times; others areas, such as Morocco and inland Tunisia and Libya, regions arguably less affected by, or exposed to, Roman dietary and cultural customs or demands, maintain greater temporal consistency. Islamic patterns display regional diversity, with sheep/goat pastoralism predominating, integrated husbandry schemes and animal breed manipulation generally diminishing, and cultural taboos against pork consumption registering in many areas.
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Sheen, Fulton J. Lent and Easter Wisdom from Fulton J. Sheen: Daily Scripture and Prayers Together With Sheen's Own Words (Redemptorist Pastoral Publication). Liguori Publications, 2004.
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8
Nobes, Christopher. 4. Financial reports of listed companies. Oxford University Press, 2014. http://dx.doi.org/10.1093/actrade/9780199684311.003.0004.
Testo completoAbstract (sommario):
‘Financial reports of listed companies’ considers the components of an annual report and the types of financial statement that companies generally provide: balance sheet, income statement, statement of changes in equity, and cash flow statement. It addresses the following questions: what are assets and how are they measured? What is the difference between depreciation and impairment? Why are various expected expenses and losses not accounted for as liabilities? How can an investor decide which company to lend to or buy shares in? How could managers use accounting to mislead investors? Tangible assets, intangible assets, and financial assets are defined along with liabilities and accounting ratios.
9
Sillis, Margaret, e David Longbottom. Chlamydiosis. Oxford University Press, 2011. http://dx.doi.org/10.1093/med/9780198570028.003.0017.
Testo completoAbstract (sommario):
Chlamydial pathogens cause a wide-range of infections and disease, known as chlamydioses, in humans, other mammals and birds. The causative organisms are Gram-negative obligate intracellular bacteria that undergo a unique biphasic developmental cycle involving the infectious elementary body and the metabolically-active, non-infectious reticulate body. At least two species, Chlamydophila psittaci and Chlamydophila abortus, are recognized as causes of zoonotic infections in humans worldwide, mainly affecting persons exposed to infected psittacine and other birds, especially ducks, turkeys, and pigeons, and less commonly to animals, particularly sheep. Outbreaks occur amongst aviary workers, poultry processing workers, and veterinarians. Infection is transmitted through inhalation of infected aerosols contaminated by avian droppings, nasal discharges, or products of ovine gestation or abortion. Person to person transmission is rare. Control strategies have met with variable success depending on the degree of compliance or enforcement of legislation. In the United Kingdom control is secondary, resulting from protection of national poultry flocks by preventing the importation of Newcastle disease virus using quarantine measures. Improved standards of husbandry, transport conditions, and chemoprophylaxis are useful for controlling reactivation of latent avian chlamydial infection. Vaccination has had limited effect in controlling ovine infection. Improved education of persons in occupational risk groups and the requirement for notification may encourage a more energetic approach to its control.
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Leask, Nigel. Stepping Westward. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198850021.001.0001.
Testo completoAbstract (sommario):
Stepping Westward is the first book of its kind dedicated to the literature of the Scottish Highland tour 1720-1830, a major cultural phenomenon that attracted writers and artists like Pennant, Johnson and Boswell, William and Dorothy Wordsworth, Coleridge, Scott, Hogg, Keats, Daniell, and Turner, as well as numerous less celebrated travellers and tourists. Addressing more than a century’s worth of literary and visual representations of the Highlands, the book casts new light on how the tour developed a modern literature of place, acting as a catalyst for thinking about improvement, landscape, and the shaping of British, Scottish and Gaelic identities. Attention is paid to the relationship between travellers and the native Gaels, whose world was plunged into crisis by rapid and forced social change. At the book’s core lie the best-selling tours of Pennant and Dr Johnson, associated with attempts to ’improve’ the intractable Gaidhealtachd in the wake of Culloden. Alongside the Ossian craze and Gilpin’s picturesque, their books stimulated a wave of ’home tours’ from the 1770s through the romantic period, including writing by women like Sarah Murray and Dorothy Wordsworth. The incidence of published Highland Tours (many lavishly illustrated), peaked around 1800, but as the genre reached exhaustion, the ’romantic Highlands’ were reinvented in Scott’s poems and novels, coinciding with steam boats and mass tourism, but also rack-renting, sheep clearance and emigration.
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Banal-Estanol, Albert, Enrique Benito e Dmitry Khametshin. Asset Encumbrance and CDS Premia of European Banks. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198815815.003.0021.
Testo completoAbstract (sommario):
Asset encumbrance refers to the existence of bank balance sheet assets being subject to arrangements that restrict the bank’s ability to freely transfer or realize them. Asset encumbrance has recently become a much discussed subject and policymakers have been actively addressing what some consider to be excessive levels of asset encumbrance. Despite its importance, the phenomenon of asset encumbrance remains poorly understood. We build a novel data set of asset encumbrance metrics based on information provided in the banks’ public disclosures for the very first time throughout 2015. We provide descriptive evidence of asset encumbrance levels by country, credit quality, size, and business model, using different encumbrance metrics. Our empirical results point to the existence of an association between CDS premia and asset encumbrance that is negative, not positive. That is, on average, encumbrance is perceived to be beneficial. Still, certain bank-level variables play a mediating role in this relationship. For banks that have high exposures to the central bank, high leverage ratios, and/or are located in southern Europe, asset encumbrance is less beneficial and could even be detrimental in absolute terms.
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Taylor, Peter, Geoff O'Brien e Phil O'Keefe. Cities Demanding the Earth. Policy Press, 2020. http://dx.doi.org/10.1332/policypress/9781529210477.001.0001.
Testo completoAbstract (sommario):
Current climate change policy is necessary but insufficient. This is because the basic modus operandi – presenting scientific evidence to states for them to take action - misrepresents the complex process of anthropogenic climate change. The ‘anthropo’ bit is neglected in a misconceived supply-side (carbon) interpretation. The key question is, why is there so much demand for this carbon in the first place? This book introduces a demand-side interpretation bringing cities to the fore as central players in both generating climate changes and for finding solutions. Jane Jacobs’ urban analysis is combined with William F. Ruddiman’s historical tracing of greenhouse gases to provide a new understanding and narrative of anthropogenic climate change. The conclusion is that we are locked into a path to terminal consumption, which is accelerating as a consequence of Chinese urban growth, historically unprecedented in its sheer scale. To counter this we need to harness the power of cities in new ways, to steer urban demand away from its current destructive path. This is nothing less than re-inventing the city: not mitigation (the resilient city, necessary but not sufficient), not adaptation (sustainable city, also necessary but not sufficient) but stewardship, a process of dynamic stability creating the posterity city in sync with nature.
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Macintosh, Fiona, e Justine McConnell. Performing Epic or Telling Tales. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198846581.001.0001.
Testo completoAbstract (sommario):
Performing Epic or Telling Tales takes the new millennium as a starting point for an exploration of the turn to narrative in twenty-first-century theatre, which is often also a turn to Graeco-Roman epic. However, the dominant focus of Performing Epic is less on ‘what’ the recent epic turn in the theatre consists of than ‘why’ it seems to be so prevalent. The authors explain this turn with reference not only to the translation and scholarly histories of the epics but also to earlier performance traditions and, notably, to recent theoretical debates relating to text-based ‘drama’ and performance based ‘theatre’. What is perhaps most remarkable about this epic turn is not simply the sheer number of outstanding performances that it has produced; it is also that recent practice appears to have outstripped much theoretical discussion about theatre. In chapters ranging from spoken word performances to ballet, from the use of machines and technology, to performances that make space for voices occluded by the ancient epics, Performing Epic seeks to contextualize and explain the ‘narrative’/storytelling (re-)turn in recent live performances—a turn that regularly entails engagement with ancient Graeco-Roman epics, which provide poets, playwrights, artists, and theatre makers with a storehouse of rich, often perceived as ‘raw’, material. Refigured and refracted for the modern era, the epics of ancient Greece and Rome are found to be particularly revealing, and particularly ‘telling’ of the contemporary wider cultural sphere.
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Langsdale, Samantha, e Elizabeth Rae Coody, a cura di. Monstrous Women in Comics. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496827623.001.0001.
Testo completoAbstract (sommario):
Many studies of the monster and monstrosity have focused on women, and most do so (at least in part) in relation to some type of visual culture. However, few have examined the appearance of monstrous women in comics in particular. Like horror films, sequential art has an abundance of monsters and fantastical beings. No less important to this volume than the sheer abundance of monsters within comics is the fact that they are often marked by gender, race, and disability in complex ways. Each chapter provides a text-critical analysis of a particular (or perhaps several) comic, manga, or graphic novel in order to ask how the monster makes meaning within the text(s) and, what it means for the monster to be coded as a woman. Further, building on the work of monster studies scholars, such as Jeffrey Jerome Cohen, Barbara Creed, Margrit Shildrick, and Julia Kristeva, each author also reflects on the various ways their analysis of the comic, and the meaning made by the monstrous woman therein, connects to the broader cultural context in question. In order to further converse with existing scholarship on monsters, on gender, and to further enable dialogue between chapters, this book is organized along a number of common themes: power, embodiment, child-bearing, childhood, and performance. Women are often called monsters. With this collection, authors use comics to try to figure out what that monstrosity means and what women, scholars, and comics have done and should do about it.
15
St. Clair, Robert. Poetry, Politics, and the Body in Rimbaud. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198826583.001.0001.
Testo completoAbstract (sommario):
Bodies abound in Rimbaud’s poetry in a way that is nearly unprecedented in the nineteenth-century poetic canon: lazy, creative, rule-breaking bodies, queer bodies, marginalized and impoverished bodies, revolting and revolutionary, historical bodies. The question that this book seeks to answer is: what does this sheer, corporeal density mean for reading Rimbaud? What kind of sense are we to make of this omnipresence of the body in the Rimbaldian corpus from the earliest poems celebrating the simple delight of running away from wherever one is and stretching one’s legs out under a table, to the ultimate flight away from poetry itself? In response, it argues that the body appears—often literally—as a kind of gap, breach, or aperture through which Rimbaud’s poems enter into contact with history and a larger body of other texts. Simply put, the body is privileged “lyrical material” for Rimbaud: a figure for human beings in their exposed, finite creatureliness and in their unpredictable agency and interconnectedness. Its presence in the early work allows us not only to contemplate what a strange, sensuous thing it is to be embodied, to be both singular and part of a collective, it also allows the poet to diagnose, and the reader to perceive, a set of seemingly intractable, real socio-economic, political, and symbolic problems. Rimbaud’s bodies are, in other words, utopian bodies: sites where the historical and the lyrical, the ideal and the material, do not so much cancel each other out as become caught up in one another.
16
Raymer, Michael. Quantum Physics. Oxford University Press, 2017. http://dx.doi.org/10.1093/wentk/9780190250720.001.0001.
Testo completoAbstract (sommario):
Around 1900, physicists started to discover particles like electrons, protons, and neutrons, and with these discoveries they believed they could predict the internal behavior of the atom. However, once their predictions were compared to the results of experiments in the real world, it became clear that the principles of classical physics and mechanics were far from capable of explaining phenomena on the atomic scale. With this realization came the advent of quantum physics, one of the most important intellectual movements in human history. Today, quantum physics is everywhere: it explains how our computers work, how radios transmit sound, and allows scientists to predict accurately the behavior of nearly every particle in nature. Its application led to the recent discovery of the Higgs Boson, and continues to be fundamental in the investigation of the broadest and most expansive questions related to our world and the universe. However, while the field and principles of quantum physics are known to have nearly limitless applications, the reasons why this is the case are far less understood. In “Quantum Physics: What Everyone Needs to Know,” Michael Raymer distills the basic principles of such an abstract field, and addresses the many ways quantum physics is a key factor in today’s scientific climate and beyond. The book tackles questions as broad as the definition of a quantum state and as specific and timely as why the British government plans to spend 270 million GBP on quantum technology research in the next five years. Raymer’s list of topics is diverse, and showcases the sheer range of questions and ideas in which quantum physics is involved. From applications like data encryption and micro-circuitry to principles and concepts like Absolute Zero and Heisenberg’s Uncertainty principle, “Quantum Physics: What Everyone Needs to Know” is wide-reaching introduction to a nearly ubiquitous scientific topic.