Letteratura scientifica selezionata sul tema "Sharpe Gallery"
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Articoli di riviste sul tema "Sharpe Gallery"
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Palupi, Andita Eka, Tri Novianto P. Utomo e L. Maureen Nuradhi. "PERANCANGAN FURNITUR BERBAHAN ROTAN DAN FASILITAS PENDUKUNGNYA". KREASI 2, n. 1 (11 aprile 2017): 56–72. http://dx.doi.org/10.37715/kreasi.v2i1.264.
Testo completoAbstract (sommario):
Pal’S Gallery is a furniture design business that will be open in Surabaya, East Java. The showroom location will be in the 2nd floor of Marvell City Mall, Raya Ngagel 123, Wonokromo, Surabaya City, East Java. Pal’S Gallery specialize in furniture design and furniture product using rattan as the main materials. The purpose of this business are to fulfill the market demand for furnitures, and to enrich the Indonesia design with its uniqe rattan furniture design. Pal’S Gallery will serve customer with furniture design service and also selling the finished or ready-to-use furniture products. This research covered the design research, concept, and implementation report of the furniture, product, and its display space. Pal’S Gallery’s display space are consist of showroom and exhibition booth. The division area showroom and booth are less the same, there are public areas and private areas. Area divider of diplay space base on the showroom and booth existing. The existing area of showroom itself has 90 m2 total area. While, the booth has several alternatives design base on the booth size and type, there are the booth with a size of 3x3m surrounded with three backdrop in three different sides, the booth with a size of 3x3m surrounded with two backdrop in two different sides, the booth with a size of 3x6m surrounded with a backdrop in the 6m sides, and the island booth with a size of 6x6m. The concept for Pal’s Gallery display will be use rattan materials designed in a modern space planning and enclosure shape.
2
Arias, Maria Paula. "From takeover to debacle: An analysis of the Nympghate network using Twitter data". Museum and Society 18, n. 2 (4 luglio 2020): 132–50. http://dx.doi.org/10.29311/mas.v18i2.3275.
Testo completoAbstract (sommario):
On January 26, 2018 the painting Hylas and the Nymphs was temporarily removed from the Manchester Art Gallery’s walls and taken underground to its store. The removal was part of a ‘takeover’ event that questioned the relationships between historic works of art and contemporary social-cultural contexts. The following days saw a barrage of online comments accusing the Gallery of censorship, of ‘feminism gone mad’, and of inadequacy. In this article I use Twitter data and Actor Network Theory to explore how a community and a narrative took shape around the takeover. The analysis shows how this Nymphgate network was influenced by a series of human and non-human actors, as well as by Twitter’s technological affordances. This study is part of a larger project, as such it leads to question the potential effects of this mediatized debacle to the Gallery’s organizational strategy — including the roles of, and relationships between, decision-makers, social media, and visitors within it.
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BILOTTA, ELEONORA, GIANPIERO DI BLASI, FAUSTO STRANGES e PIETRO PANTANO. "A GALLERY OF CHUA ATTRACTORS PART V". International Journal of Bifurcation and Chaos 17, n. 05 (maggio 2007): 1383–511. http://dx.doi.org/10.1142/s0218127407018099.
Testo completoAbstract (sommario):
Chua Oscillator and its generalizations display a variety of chaotic behaviors, whose most startling manifestation is the presence of strange attractors. These come in many different shapes and sizes yet share a special kind of beauty. In the work reported in this paper, we explored the universe of these attractors — much of which is still virgin territory. We then recorded the most interesting and significant in a "Gallery of Chua attractors". In papers, published in previous issues of this journal, we showed how different versions of the Oscillator follow different "routes to chaos". Parts II–IV of the Gallery describe the attractors generated by the dimensional and dimensionless forms of the Oscillator as well as attractors generated by circuits with a cubic equation for the characteristic function of the Chua diode. Here, we provide a detailed discussion of single scroll Chua systems and present 248 attractors generated by such systems. For each attractor, we provide a three-dimensional image, time series and FFTs. We go on to describe the techniques used to create the Gallery and the main characteristics of the attractors it includes. We use techniques such as PCA to represent the gallery in parameter space. The same techniques allow us to manipulate the shape of the attractors by enlarging them along their main axes of development. We use Hausdorff distances to compare shapes, and exploit the results to create landscapes in parameter space. Finally, we present experimental data from a single scroll attractor, using inertial ellipsoids and Hausdorff distances to show how the shape of the attractor evolves.
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Saulaka, Oky Tri Suci, Mesra Amirudin Mesra e Daulat Saragi Daulat. "Analisis Kerajinan Boneka Berbahan Koran Bekas Produk Galeri J-ART". Journal of Education, Humaniora and Social Sciences (JEHSS) 3, n. 2 (2 dicembre 2020): 294–300. http://dx.doi.org/10.34007/jehss.v3i2.205.
Testo completoAbstract (sommario):
This study aims to describe the craft of dolls made from used newspapers from the indicators of shape, and plasticity carried out in the J-Art Gallery. This research is a qualitative descriptive study. The subjects of this study were 3 doll craft works made from used newspapers from J-Art Gallery. The accuracy of the shape of the doll and its plasticity are the objects in this study. Data collection methods used are observation, documentation, and interviews. Analysis of the data used is descriptive qualitative analysis techniques. The results of this study indicate that the accuracy of the shape and plasticity of dolls made from used newspapers on the J-Art Gallery products is quite good. The accuracy of the shape and plasticity of doll products made from used newspapers in the J-Art Gallery have shown the accuracy of the shape and the nature of plasticity that are in accordance with the characters of adult human dolls and also in accordance with consumer interests and support the preservation of regional culture.
5
Crosby, Brian. "Private Concerts on Land and Water: The Musical Activities of the Sharp Family, c.1750–c. 1790". Royal Musical Association Research Chronicle 34 (2001): 1–118. http://dx.doi.org/10.1080/14723808.2001.10540993.
Testo completoAbstract (sommario):
Hitherto there have only been glimpses into the musical activities of William, James and Granville Sharp in London during the second half of the eighteenth century. These have been afforded by Prince Hoare's Memoirs of Granville Sharp, William Shield's anecdotal review of Granville's A Short Introduction to Vocal Music, the brothers' own catalogue of their music and the Leigh and Sotheby Sale Catalogue of 1814 which marked that music's dispersal, and, more recently, by the publication of the memoirs of R.J.S. Stevens who sang as a treble at the Sharps' concerts in 1772. From these sources it transpired that the three Sharps were capable amateur musicians who hosted private concerts of sacred music in their homes, and that at different times many of the leading professional musicians of the period either played or sang on one of Sharps' vessels on the Thames. These shadowy images gained bodily form in 1978 when the National Portrait Gallery acquired on indefinite loan ‘The Sharp Family’ by Johann Zoffany, a portrait which revealed that the three brothers were but part of a larger musical family.
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Portesine, Chiara. "Poems in the Shape of Collage: The Case of Antonio Porta". Italica 99, n. 4 (1 dicembre 2022): 505–22. http://dx.doi.org/10.5406/23256672.99.4.06.
Testo completoAbstract (sommario):
Abstract Since he was a young poet, Antonio Porta has always shown a strong interest in visual arts, in particular for abstract and conceptual painting. Porta began to experiment with collage in 1959, attending some key exhibitions at the Galleria Blu (Milan) and at the Galleria Arco d'Alibert (Rome) together with other Novissimi poets, including Alfredo Giuliani and Nanni Balestrini. This creative phase is often overlooked by critics and scholars. From this viewpoint, this article will show how these works brightly anticipate some crucial stylistic strategies that Porta will adopt in his linear poems later on in his poetic career—especially as regards the assembly of verses and lines. The contribution aims to investigate the connection between these earlier artistic projects and Porta's later works (focusing in particular on La palpebra rovesciata and L'enigma naturale). Lastly, thanks to archival materials stored at the Centro APICE, attention will be given to the profound relationship between these works and the private art gallery of the Paolazzi's family. From some unpublished bills of sale and artist agreements, I will rebuild this form of patronage and the links between paintings hanging on the domestic wall and pictures that Porta describes in his poetical verses. From this viewpoint, the article will investigate the pivotal relationship with Piero Manzoni—whose Achromes were formerly in Porta's father's collection—and Carlo Ramous—a Milanese painter related to his family by an official Atto di accordo, signed in January 1960. In the same year, Ramous drew the cover of La palpebra rovesciata and Porta, for his part, described one of his sculptures (Di fronte alla luna) in the homonymous poem of Rapporti. This philological approach will enable a better understanding of the poems that contain seemingly nonsensical elements but which actually depend on artistic sources.
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Chen, Yang, Gang Liu e Hong Gao. "Research and Analysis on Fire Simulation of Underground Pipe Gallery Based on Pyrosim Software". Journal of Physics: Conference Series 2185, n. 1 (1 gennaio 2022): 012069. http://dx.doi.org/10.1088/1742-6596/2185/1/012069.
Testo completoAbstract (sommario):
Abstract In order to analyze the influence of the abrupt section of the underground pipe gallery on the spread of smoke, this paper uses fire simulation software to establish a numerical model to study and analyze the pipe gallery with abrupt sections. The simulation results show that under the condition of working condition 2, the temperature of the pipe gallery increases and then decreases. The highest temperature is at 182s, and the highest temperature is 698.51°C; in the sudden change section, the smoke spreading rate decreases, and the smoke peak The surface presents a “convex” shape; due to the thermal effect pressure difference and the mechanical wind pressure difference, when the wind speed in the pipe gallery is 0-50s, the wind speed changes greatly; when the inlet wind speed is 1m/s, the wind speed in the pipe gallery will eventually Tend to be 2.5m/s.
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Korn, Randi. "Evaluation Methods and Findings Shape a Junior Gallery". Visitor Studies 5, n. 1 (gennaio 1992): 180–90. http://dx.doi.org/10.1080/10645579209445772.
Testo completo
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Vartiainen, Elina. "Improving the User Experience of a Mobile Photo Gallery by Supporting Social Interaction". International Journal of Mobile Human Computer Interaction 1, n. 4 (ottobre 2009): 42–57. http://dx.doi.org/10.4018/jmhci.2009062604.
Testo completoAbstract (sommario):
Today, image gallery applications on mobile devices tend to be stand-alone and offline. For people who want to share photos with others, many add-on tools have been developed to connect the gallery applications to Internet services to enable photo-sharing. The authors argue that photo-centric social interaction is best supported when the gallery application is fully integrated with an Internet service. In this case, no additional tools are needed and the user’s image content is fully synchronized with the service. They designed and implemented a service-integrated mobile gallery application with a corresponding Internet service. Moreover, they conducted a field study with 10 participants to compare our application with a state-of-the-art gallery application combined with an add-on photo-sharing tool. Their application was preferred by most participants and it was especially appreciated because of the user experience. Above all, the results show that social activity increased amongst the participants while using our application.
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Friedman, Lee, Hal Stern, Vladyslav Prokopenko, Shagen Djanian, Henry Griffith e Oleg Komogortsev. "Biometric Performance as a Function of Gallery Size". Applied Sciences 12, n. 21 (3 novembre 2022): 11144. http://dx.doi.org/10.3390/app122111144.
Testo completoAbstract (sommario):
Many developers of biometric systems start with modest samples before general deployment. However, they are interested in how their systems will work with much larger samples. To assist them, we evaluated the effect of gallery size on biometric performance. Identification rates describe the performance of biometric identification, whereas ROC-based measures describe the performance of biometric authentication (verification). Therefore, we examined how increases in gallery size affected identification rates (i.e., Rank-1 Identification Rate, or Rank-1 IR) and ROC-based measures such as equal error rate (EER). We studied these phenomena with synthetic data as well as real data from a face recognition study. It is well known that the Rank-1 IR declines with increasing gallery size, and that the relationship is linear against log(gallery size). We have confirmed this with synthetic and real data. We have shown that this decline can be counteracted with the inclusion of additional information (features) for larger gallery sizes. We have also described the curves which can be used to predict how much additional information would be required to stabilize the Rank-1 IR as a function of gallery size. These equations are also linear in log(gallery size). We have also shown that the entire ROC-curve was not systematically affected by gallery size, and so ROC-based scalar performance metrics such as EER are also stable across gallery size. Unsurprisingly, as additional uncorrelated features are added to the model, EER decreases. We were interested in determining the impact of adding more features on the median, spread and shape of similarity score distributions. We present evidence that these decreases in EER are driven primarily by decreases in the spread of the impostor similarity score distribution.
Tesi sul tema "Sharpe Gallery"
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Kelloniemi, Per, Jesper Birch e Josef Quennerstedt. "Rörelsemönstrets betydelse : Att öka attraktiviteten i en galleria med Space syntax". Thesis, Tekniska Högskolan, Högskolan i Jönköping, JTH, Byggnadsteknik, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-19113.
Testo completoAbstract (sommario):
The functional connection between the building and the streetscape affects the city and its attractiveness. Stores located in shopping malls with their entrances facing internal walkways, creates segregation between the mall and the streetscape. This segregation implies that the shopping mall loses some of its attractiveness, which may result in a so-called Greyfield mall. The expression Greyfield mall is used for shopping malls that have lost its visitors. Competition from new modern malls and a lack of investments are examples of factors that influence the development of Greyfiled malls. To clarify the relationship between the building and the streetscape, Space syntax has been used. Space syntax can be explained as the order between the different spaces. A Space syntax analysis provides an intergration value that indicates how the streets are linked. The pupose of this paper is to investigate and develop methods that will increase the attractiveness of shopping centers and malls in danger of developing into, or already classified as Greyfield malls. Improvements to these sites contributes to a better urban environment. The question formulation has been focused on the streetscape- and building design, and the movement patterns of the visitors. The questions have been answered through literature studies within the areas of; Space syntax, Shared space and Greyfield malls. In addition, a new proposal for the design of the building and the surrounding streetscape has been done. Analyses using Depth map has been used in a case study of Rosengallerian. Rosengallerian is located in the center of the city Husqvarna and has potential to act as a gathering place for city residents. By using Shared space, Woonerf-streets and axial analyzes with Space syntax a new proposal for mall and its surroundings has been developed. The new proposal is based on the prioritation of the pedestrians instead of the motor traffic. The streets surrounding the shopping mall has been converted into walking-speed areas, where the streets have been given a more narrow character. These changes creates a more attractive environment for the pedestrians around the mall. The results of the studies shows that the problem mainly lies in the design of the building and the priorities of the surrounding street network. The planning and prioritations of a street network are important to city residents, when the traffic moves according to the terms of the pedestrians a center where people can move freely is created. The ability to move around freely along with the city's walkways being extended into the building means that people wants to come back to the shopping mall. The proposal increase the attractiveness of the shopping mall since people attracts other people. The conclusion is that the mall is to be seen as an individual building being fitted into the existing surrounding environment. The shopping mall should be a natural part of the city's movement pattern, but also allowed to stand out architecturally.Den funktionella kontakten mellan byggnaden och gaturummet påverkar staden och dess attraktivitet. Butiker som är placerade i gallerior och som har sina entréer mot interna stråk skapar en segregation mellan gallerian och gaturummet. Denna segregering innebär att gallerian förlorar en del av sin attraktivitet, vilket kan resultera i en så kallad Greyfield mall. Uttrycket Greyfield mall används för gallerior som förlorat sina besökare. Konkurrensen från nya moderna gallerior samt brist på investeringar är exempel på faktorer som påverkar uppkomsten av Greyfield malls. För att klargöra sambandet mellan byggnaden och gaturumet har ”Space syntax” använts. Space syntax kan förklaras som ordningen mellan de olika rummen. En Space syntax-analys ger ett integrationsvärde som visar hur stadens gator hänger samman. Syftet med detta examensarbete är att undersöka och utveckla metoder för att öka attraktiviteten hos köpcentrum och gallerior som riskerar att utvecklas till, eller redan klassas som Greyfield malls. Förbättringar av dessa platser bidrar till en godare stadsmiljö. Frågeställningarna har inriktats på gatans och byggnadens utformning samt besökarnas rörelsemönster. Frågeställningarna har besvarats genom litteraturstudier inom områdena Space syntax, Shared space och Greyfield malls. Därtill har ett nytt förslag på utformning av gatunätet och byggnaden utförts. Analyser med hjälp av Depth map har gjorts i en fallstudie av Rosengallerian. Rosengallerian är placerad i Huskvarna centrum och har potential att fungera som en samlingspunkt för stadens invånare. Områdets nuvarande utformning gynnar biltrafiken vilket har resulterat i en nedprioritering av gångtrafikanterna. Med hjälp av; Shared space, Boone-gator och axialanalyser med Space syntax har ett nytt förslag för Rosengallerian och dess omgivning tagits fram. Förslaget bygger på att stadens gångtrafikanter istället prioriteras. Gatorna runt gallerian har omvandlats till gångfartsområde, där gatorna har fått en smalare karaktär. Dessa förändringar skapar en attraktivare miljö för gångtrafikanterna kring Rosengallerian. För att öppna upp gallerian har de ursprungliga gångarna inne i gallerian ändrats till två raka tvärgator igenom byggnaden som sammanbundits med den övriga staden. Resultatet av studierna visar att problemet huvudsakligen ligger i byggnadens utformning samt det omkringliggande gatunätets prioriteringar. Ett gatunäts planering och prioriteringar är av vikt för stadens invånare, då biltrafiken förflyttar sig på de gåendes villkor skapas ett centrum där människor kan röra sig fritt. Den fria rörelsen tillsammans med att stadens gator förlängs in i byggnaden medför att invånarna vill återkomma till gallerian. Förslagets förändringar ökar gallerians attraktivitet då människor attraherar andra människor. Slutsatsen är att gallerian skall ses som en enskild byggnad som skall passas in i den omkringliggande befintliga miljön. Gallerian bör vara en naturlig del av stadens rörelsemönster samtidigt som den gärna får markeras arkitektoniskt.
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Pape, Eléonore. "A shared ideology of death ? : the architectural elements and the uses of the Late Neolithic gallery graves of western Germany and the Paris Basin". Thesis, Paris 10, 2016. http://www.theses.fr/2016PA100171.
Testo completoAbstract (sommario):
Au sein du vaste phénomène pan-européen de l’émergence de nombreuses sépultures collectives apparaissent à partir de la deuxième moitié du 4e millénaire av. J.-C. des structures dites allées sépulcrales dans deux régions distinctes, notamment en Hesse et Westphalie, dans le Bassin parisien et avec de faibles effectifs en Belgique et aux Pays-Bas. Ces caveaux de matériaux diverses et de forme rectangulaire sont organisés en une antichambre courte réservée au dépôt de mobiliers collectifs et en une vaste chambre funéraire réservée aux dépôts successifs de nombreux défunts. Les similitudes architecturales entre les structures de ces deux aires géographiques furent reconnues dès le 20ème siècle et la nature de leurs liens a été dès lors interrogée à partir de perspectives diffusionnistes. La trajectoire d’influences unilinéaires varia au cours du temps en fonction du progrès des méthodes et de la mise en œuvre de datations par le radiocarbone. Ce travail s’est penché une fois de plus sur cette question, en effectuant une analyse comparative à deux niveaux: une comparaison empirique de toutes les tombes recensées afin de vérifier en quoi les structures collectives correspondent effectivement à un stéréotype architectural et afin de saisir les variations potentielles entre elles sur le plan régional, et d’autre part une comparaison qualitative de trois Galeriegräber et six allées sépulcrales afin de déceler à quel degré leurs modes de fonctionnement convergent ou diffèrent en fonction d’aspects architecturaux distincts et régionaux. Ce travail interroge enfin la manière dont on peut considérer ces tombes comme les vestiges d’une idéologie partagée de la mortAmidst the pan-European phenomenon of the rise of numerous collective burials in the second half of the 4th millennium BC appear so-called gallery graves in two distinct regions, notably in Hessia and Westphalia, in the Paris Basin, and in scarce numbers also in Belgium and the Netherlands. These collective burial vaults of diverse construction materials and of rectangular shape are organised in a short antechamber reserved to the deposit of collective grave good assemblages and in a long chamber sheltering numerous deceased individuals, which were deposited successively. The similarities of the structures of both main study regions in terms of architecture were already noted since the 20th century and the nature of the ties binding latter have since then been interrogated in the line of diffusionist approaches. The resulting presumptions of the direction of unilinear diffusionist processes changed according to the progress of dating methods and processing of radiocarbon samples. With the present research work, the issue was revived anew, and this time via a twofold comparative analysis: A first, empirical comparative analysis is destined to check at what level the collective structures correspond to a structural stereotype and to inform us in terms of potentially regional variations. A second, qualitative comparison included three Galeriegräber and six allées sépulcrales in order to determine to what degree their uses conferred or differed according to distinct architectural and regional features. The resulting observations are finally argued jointly concerning to what extent we finally can consider them the remains of a shared ideology of death
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Kasalová, Nicol. "MORAVSKÉ VINAŘSKÉ CENTRUM BRNO". Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2016. http://www.nusl.cz/ntk/nusl-354971.
Testo completoAbstract (sommario):
The study design includes the new building of the Moravian wine and cultural center on the Hlinky street in Brno. There are spaces designed for wineries (producing, maturing and storing wine), administration, congress center (with business lounges), spa, restaurant and gastro-studio, shops, exhibition, hotel and parking. The building is trapezoidal shape and replace the existing object in a vacant lot, only some historical cellars will be retained. The supporting structure consists of reinforced concrete skeleton system and reinforced concrete reinforcing inner core around the staircase leading to all floors, the building is covered by a flat green roof. On the facade dominates the element that its shape resembles the vine shoots, which holds the glass facade. The construction is divided into two expansion units - the main part of the building and garage, which is set into the ground sloping towards the south. The building has six floors and one underground floor. The first four floors are connected by open gallery at the southern facade.
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Vjaclovský, Jaromír. "Centrum Ponava Brno, Královo Pole". Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2014. http://www.nusl.cz/ntk/nusl-226756.
Testo completoAbstract (sommario):
My diploma thesis is mainly focusing on analyzing the potential of chosen site and it’s possibilities to be used for building a community center. Designed building should serve as a starting point for revitalization of Ponava. It is designed in a way, which makes this building an icon of the whole revitalization process and also is offering a wide variety of cultural events. In a combination with proposed solution for traffic and people flow a meeting point for a wide spectrum should be achieved with designed building as a podium for city life. Office block is then stepping out a bit from this coulisse and is the most dominant part which is supporting the other cantilevered volumes. By doing so, the important role of municipality is captured in the image of the building itself.
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CHANG, YUAN CHENG, e 張淵程. "The Study of Ultra Small U-shape Whispery Gallery Mode Optical Fiber Sensor". Thesis, 2015. http://ndltd.ncl.edu.tw/handle/sj4696.
Testo completoAbstract (sommario):
博士國立高雄應用科技大學
機械與精密工程研究所
103
Optic Fibre Sensor have diameter thin, light, pH and electromagnetic effects from the general characteristics. This study depth research ultra small U-shape whispering gallery mode (WGM) optical fiber sensor, which is not etched nor taped fibre with cost down in research funding way. Start from reducing the bending redius of the fiber bending process, to the physical test in temperature sensing, carbon dioxide monitoring, saline and glucose concentration measured sensed in use. In this study, 7.5 mm bend radius from the film mode, to use the lamping process device, until the use of quartz glass tube, the bending radius from 7.5 mm to progress only 307.5 μm, dimensional changes in the wavelength shift of linearity up to 0.987 sensitivity 184 nm/mm, dip change up 31.01 dBm/mm linearity 0.913. We use bare optic fiber ultra small WGM sensor sensing the temperature sensitivity of 0.98 linearity 0.405 nm/℃. We further use a radius 500μm ultra small U-shape WGM sensor with PEHA coated monitoring CO2 sensitivity wavelength shift 2.554 nm/min, 0.976 linearity, dip variation 3.827 dBm linearity up to 0.91, glucose water monitoring results also showed excellent linearity of 0.999, sensitivity 0.78 nm/%. Finally quartz glass tube was used at flexible ultra-small U-shape WGM fiber optic sensor. It can not be broken when contact with the test object. The ultra-small whispering gallery mode optical fiber sensors capability is promoted a great step forward. Keywords:
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Lorbeck, Jeffrey Adam. "Quasi-optical shaped-reflector antennas for a whispering-gallery-mode gyrotron output". 1992. http://catalog.hathitrust.org/api/volumes/oclc/28087695.html.
Testo completoAbstract (sommario):
Thesis (Ph. D.)--University of Wisconsin--Madison, 1992.Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 360-364).
Libri sul tema "Sharpe Gallery"
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Gallery, Sharpe. James Albertson, Roberto Barni, Erwin Bohatsch, Francesco Bonami, Lorenzo Bonechi, Mark Dean .... New York, N.Y: Sharpe Gallery, 1985.
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W, Rothschild Henry, e Scottish Gallery, a cura di. Shape & decoration: An exhibition of contemporary British studio ceramics selected by Henry W. Rothschild at the Scottish Gallery ... Edinburgh, July 7-August 2 1986. [Edinburgh: Scottish Gallery], 1986.
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May, Susie. Shape (Children's Art Series from the National Gallery of Victoria). National Gallery Of Victoria, 2006.
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Roscoe, Lucy. The Book Tree Press. University of Edinburgh, 2024. http://dx.doi.org/10.2218/ed.9781836450580.
Testo completoAbstract (sommario):
The output is a collection of fifteen creative book works which explore how the formal and sculptural properties of the book can be used to communicate narrative. The research is an iterative, cumulative, practice-based approach to making books, where repetition leads to extended insights. Illustrated books currently sit within several fields including fine art, illustration, and design. Roscoe’s research invests the spaces between these fields to interrogate the way the physical book acts as a form of visual communication through materials, binding, shape, and audience interaction. Individual books from the output have been selected for inclusion in The Liverpool & Knowsley Book Art Exhibition, Kirby Gallery, Knowsley (2019) and ICON 10 Gallery Show, Red Bull House of Art, Detroit (2018). The entire collection has been selected annually, in different iterations, for exhibition at Artists’ BookMarket at The Fruitmarket Gallery, Edinburgh (2016–2020).
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Keck, Ludwig. Digital Pictures Basics - 2012: Organize, Improve, Share your Photos using Windows Photo Gallery and Microsoft SkyDrive. CreateSpace Independent Publishing Platform, 2012.
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KATHERINE, GAVIN;, CHAPIN; SUZANNE H, SHEFFIELD; LINDA JENSEN e CASA; TUTITA M. Project M2 Level 2 Unit 1 : Designing a Shape Gallery: Geometry with the Meerkats Student Mathematician Journal. Kendall Hunt Publishing Company, 2017.
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KATHERINE, GAVIN;, CHAPIN; SUZANNE H, SHEFFIELD; LINDA JENSEN e CASA; TUTITA M. Project M2 Level 2 Unit 1 : Designing a Shape Gallery: Geometry with the Meerkats Student Mathematician Journal. Kendall Hunt Publishing Company, 2020.
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Gavin, Katherine, Tutita M. Casa e Linda Jensen Sheffield. Project M2 Level 2 Unit 1 : Designing a Shape Gallery: Geometry with the Meerkats Teacher Guide Package. Kendall Hunt Publishing Company, 2017.
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Project M2 Level 2 Unit 1 : Designing a Shape Gallery: Geometry with the Meerkats Student Mathematician Journal. Kendall Hunt Publishing Company, 2010.
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Burkinshaw, Mal. Silhouettes en Dentelle. University of Edinburgh, 2024. http://dx.doi.org/10.2218/ed.9781836450092.
Testo completoAbstract (sommario):
Silhouettes en Dentelle is a series of eight transparent tailored jackets, designed by Burkinshaw. The jackets were made in response to historic ideals of beauty presented in the collection of Renaissance portraits at the Scottish National Portrait Gallery. Burkinshaw’s research explores the ways in which contemporary fashion design can learn from changing historical perceptions of body-image and ideals of beauty. Challenging normative approaches to design by directly addressing questions of gender and body shape through design and production process, it invests fashion design to stimulate discussion around contemporary issues of diversity within the fashion industry – an industry that has historically been notoriously impervious to diversity.
Capitoli di libri sul tema "Sharpe Gallery"
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Crooks, Andrew, Alison Heppenstall, Nick Malleson e Ed Manley. "Agent-Based Modeling and the City: A Gallery of Applications". In Urban Informatics, 885–910. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-8983-6_46.
Testo completoAbstract (sommario):
AbstractAgent-based modeling is a powerful simulation technique that allows one to build artificial worlds and populate these worlds with individual agents. Each agent or actor has unique behaviors and rules which govern their interactions with each other and their environment. It is through these interactions that more macro-phenomena emerge: for example, how individual pedestrians lead to the emergence of crowds. Over the past two decades, with the growth of computational power and data, agent-based models have evolved into one of the main paradigms for urban modeling and for understanding the various processes which shape our cities. Agent-based models have been developed to explore a vast range of urban phenomena from that of micro-movement of pedestrians over seconds to that of urban growth over decades and many other issues in between. In this chapter, we introduce readers to agent-based modeling from simple abstract applications to those representing space utilizing geographical data not only for the creation of the artificial worlds but also for the validation and calibration of such models through a series of example applications. We will then discuss how big data, data mining, and machine learning techniques are advancing the field of agent-based modeling and demonstrate how such data and techniques can be leveraged into these models, giving us a new way to explore cities.
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Desmond, Adrian. "22. British Aborigines". In Reign of the Beast, 417–42. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0393.22.
Testo completoAbstract (sommario):
Saull’s switch from geology to primeval archaeology was not so strange. The upper geological strata and lowest archaeological layers were thought to share a porous border in the 1840s. Nor was the move any less central to his Owenite goal of proving nature’s perfectibility. He saw himself dealing with what he called British “aborigines”, and their rise from “savagery” towards modern mercantile man through changing cultural conditioning. In practice he developed a system, almost unique at this time, of Celtic cultural stages in pre-Roman Britain. Here we deal with his path to this singular position, from his study of ancient hut remains to reclamation and salvage archaeology, as London’s new sewerage works threw up Roman artefacts (which only his and Charles Roach Smith’s museums were prepared to receive). This led to his book Notitia Britanniae (1845), and a lower museum gallery filling up with archaeological remains. Lecturing now often took place at another radical hotbed, the Finsbury Social Institution. Here the old Spencean revolutionary Allen Davenport dedicated his poem “Urania” to Saull. It was also a feminist stronghold, and its leading light Mary Jenneson talked of Saull’s favourite (and levelling) topic, the rise of the British “aborigines”. The Owenite understanding of this concept in an imperial age is unpacked, as is Saull’s political agenda in Notitia.
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Pozzi, Laura. "China, the Maritime Silk Road, and the Memory of Colonialism in the Asia Region". In Regions of Memory, 139–60. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-93705-8_6.
Testo completoAbstract (sommario):
AbstractThis chapter analyzes how the city museums of Shanghai, Hong Kong, and Galle Fort deal with the memory and legacy of colonialism in the framework of the expanding economic and political power of the People’s Republic of China (PRC) in Asia. In the PRC, the historical memory of the country’s colonial past has been shaped by the Chinese Communist Party (CCP). In contrast to the transnational nature of the communist ideology, the CCP’s interpretation of history is strongly nationalist. China’s political expansion in the ex-British colony of Hong Kong and its economic ties to other Asian countries such as Sri Lanka open space for a discussion about its power to influence these countries’ understanding of their own history. How is the expansion of China, defined by many as a neo-colonial power, changing the way other countries in Asia understand the colonial past? Is China able to exports its own vision of colonialism and post-colonial order outside its own borders? This chapter answers these questions through an analysis of the permanent exhibitions of three city museums: The Shanghai History Museum; the Hong Kong Museum of History, and the Galle Fort Museum in Sri Lanka, part of the “One Belt, One Road” project.
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"Wedge-Shaped Gallery Grave". In Encyclopedic Dictionary of Archaeology, 1476. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-58292-0_230052.
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Lehman, David. "Rogues’ Gallery". In The Mysterious Romance of Murder, 246–51. Cornell University Press, 2022. http://dx.doi.org/10.7591/cornell/9781501763625.003.0028.
Testo completoAbstract (sommario):
This chapter lists some of the author's favorite noir villains, from Gregory Anton in 1944's Gaslight to Julian Wilde from Lured (1947). It explores the enduring appeal of these villains, as these characters are a significant presence in crime dramas. In such films the villains have to be wicked, but they also have to make that wickedness interesting. Whether by being singular in some way, or by virtue of fine acting, or because what they do is so despicable, they offend even those who might ordinarily root for the scoundrel. However, as the chapter shows, some of them can simply impress the audience with their roguish charm or sharp-toothed wit.
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Calè, Luisa. "The Literary Galleries and the Field of Art". In Fuseli’s Milton Gallery, 16–56. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780199267385.003.0002.
Testo completoAbstract (sommario):
Abstract IN 1737, picture dealers were flooding the country with ‘Ship Loads of dead Christs, Holy Families, Madona’s, and other dismal Dark Subjects’. Eight years later, after making this complaint under the name of ‘Britophil’, William Hogarth painted his self-portrait and chose to rest his bust, and therefore his fame, on volumes of Shakespeare, Milton, and Swift. Associating with the poets, Hogarth gave visual shape to what was a recurrent reply to Dubos and later Montesquieu and Winckelmann. While these foreigners claimed that art was alien to the British national character due to a climate hampering the imagination, British responses indicated in Shakespeare and Milton the counter- proof and promise of British genius.
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Calè, Luisa. "Conclusion". In Fuseli’s Milton Gallery, 231–36. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780199267385.003.0007.
Testo completoAbstract (sommario):
Abstract THIS book locates the act of reading within the vibrant experience of exhibitions which characterized public culture in late eighteenth-century London. After the new copyright laws of the 1770s offered authors to the public domain, an increasing number of texts circulated in the shape of cheap editions, anthologies, and abridgements. This wider market in turn identified in readers a constituency of viewers, and in subscriptions for literary prints and texts a way of funding historical and epic painting. The cultural practices emerging from this new culture of exhibitions and anthologies energized spectators and readers. Both exhibitions and anthologies excerpted literary texts, transforming them into a series of discontinuous turns which it was for readers and spectators to re-create into continuous wholes.
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Calè, Luisa. "The Reader Turned Spectator: Visual Narratives". In Fuseli’s Milton Gallery, 105–57. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780199267385.003.0004.
Testo completoAbstract (sommario):
Abstract Chapter 2 used Iser’s reader response to analyse the role and trans- formation of texts at exhibitions. That analysis is here pushed further as we move from the catalogue to the pictures. Much as gallery catalogues exemplify the ways in which texts construct their implied readers, so do literary galleries construct their implied spectators. This chapter sets the visual narrative explored by theorists alongside dictionary entries, developments in museum layouts as well as the visual spectacles of the day: magic lanterns, panoramas, and the Eidophusikon. In The Shows of London (1978), R. D. Altick offered a ground-breaking inventory of London’s spectacles. Eighteenth-century spectacles and viewing practices went across the barriers preserving high art and literature from what now falls in the precincts of popular culture. In order to reconstruct how language and painting turned readers into spectators in late eighteenth-century London, we need to explore the ways in which aesthetic experience was shaped by visual technologies as a series of integrated cultural practices. This chapter focuses on how reading shaped the experience of exhibitions and ends with an analysis of literary gallery narratives, culminating in a montage reading of Fuseli’s Milton Gallery.
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Gravett, Paul. "Hypercomics: The Shape of Comics to Come". In Comic Art in Museums, 202–5. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828118.003.0022.
Testo completoAbstract (sommario):
In 2010, the British curator, Paul Gravett, stretched the rules established for exhibiting comic art as far as possible, experimenting with the basic elements of sequential art itself. A variation on “gallery comics” (comics created specifically for gallery display), Gravett’s Hypercomics: The Shape of Comics to Come broke comics out of the page-by-page format and played with the concepts of multi-linear narrative and self-guided navigation. Taking its cue from the digital devices that are dominating our attention, Gravett wonders if this style of show might be the future of comics and comics exhibitions. Image: “The Rut” by Dave McKean.
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Bost, Suzanne. "Writing Latinx Memoir". In Shared Selves, 17–44. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042799.003.0002.
Testo completoAbstract (sommario):
Juxtaposes the works of two Puerto Rican–American writers: Judith Ortiz Cofer’s mixed-genre Silent Dancing: A Partial Remembrance of a Puerto Rican Childhood with Irene Vilar’s companion memoirs, The Ladies Gallery and Impossible Motherhood: Testimony of an Abortion Addict. These texts use the genre of memoir to highlight the fragmentation of human life through migration, violence, pregnancy, suicide, and interdependence. Building from feminist and postmodernist studies of memoir and autobiography, this chapter lays the groundwork for subsequent analyses of memoirs that push against the thresholds of human being.
Atti di convegni sul tema "Sharpe Gallery"
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Ra, Sarah A., e Seung K. Ra. "Cultural Influence in the Digital Age". In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.91.
Testo completoAbstract (sommario):
How do we study the cultural impact on urban environments in the digital age? In Charles Renfro’s discussion of the influence of film in his work, he notes that, “any film with an edit has a point of view. It can’t simply be an index of a place”.1 The tools that we use to capture impressions, whether of culture or space, put their own unique filter on the message. As a novel approach to our study abroad course, we looked to investigate the exclusive use of digital media as a tool for students to convey their experiences. The diversity of contemporary Asian cities, with their dynamic juxtapositions of ancient and modern, provide an astounding array of influences to explore. The course enabled students to visit the cities of Tokyo, Seoul, and Hong Kong, with excursions to nearby areas. Visiting both historic and contemporary works of architecture and urban space, we engaged local universities and design offices, and exposed students to alternative perspectives. Students unfolded these cultural influences by exploring and analyzing urban spaces and their relationship with the societies in which they exist, using primarily digital media. With the proliferation of digital tools and social media, study of culture reflects the interactive nature of these media. Through all of the course elements, we also utilized digital media to give students opportunity to shape their educational focus. In their 2013 book Rethinking Pedagogy for a Digital Age, Helen Beetham and Rhona Sharpe note that “Learning is a set of personal and interpersonal activities, deeply rooted in social and cultural contexts. When those contexts change, how people learn changes also”.2 The final component perhaps best highlighted the value of the digital media utilized; students overlaid their digital research (film, photography, and sound recordings) with their peers to map common issues and extrapolate important contemporary themes. The final gallery show exhibits the work of the group through the lens of images and omnibus films revealing contemporary issues.
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Borgmann, Tim. "Shape.69c, Shape.53a#2". In ACM SIGGRAPH 2006 Art gallery. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1178977.1178996.
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Martino, Jacquelyn A. "The immediacy of the artist's mark in shape computation". In ACM SIGGRAPH 2010 Art Gallery. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1836786.1836788.
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West, Ruth, J. P. Lewis, Todd Margolis, Joachim Gossmann, Jurgen Schulze, Daniel Tenedorio e Rajvikram Singh. "Multiscale meta shape grammar objects for "...a grain of sand turns the balance" and ATLAS in silico". In ACM SIGGRAPH 2009 Art Gallery. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1667265.1667297.
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Kordigel Aberšek, Metka. "WRITING VERSUS TYPING IN THE BIOLOGY CLASSROOM: A CASE STUDY IN SLOVENIA". In Proceedings of the 2nd International Baltic Symposium on Science and Technology Education (BalticSTE2017). Scientia Socialis Ltd., 2017. http://dx.doi.org/10.33225/balticste/2017.65.
Testo completoAbstract (sommario):
The act of writing is a complex cognitive process, relying on perceptual sensorimotor combinations (Mangen et. all, 2015). Writing is the process of externalizing the content of our thinking, what we know, what we think, what we feel … Writing always involves the skilful handling of mechanical/technical devices, and necessarily results in a visuographic representation: some kind of readable text in a form of letters or symbols (Mangen, Velay, 2010). The neuroscientific research points out writing is a process that requires the integration of visual, proprioceptive (haptics/kinaesthetic) and tactile information in order to be accomplished (Fogassi, Gallese, 2004). The acquisition of writing skills of previous generations involved a perceptual component, learning the shape of the letter, and a graphomotor component, learning the trajectory producing the letters shape (van Gallen, 1991) – the process, that is probably going to change with the Generation Z.
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Yacoby, Eyal, e Yosef London. "Saddle-shape whispering gallery mode resonators: µm- to cm- scale". In Electro-optical and Infrared Systems: Technology and Applications XX, a cura di Duncan L. Hickman, Helge Bürsing, Ove Steinvall e Gary W. Kamerman. SPIE, 2023. http://dx.doi.org/10.1117/12.2682043.
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Tan, Bo Xue, e Andrew W. Poon. "Visualizing Whispering-Gallery Modes through Second- Harmonic and Sum-Frequency Generation in Al0.4Ga0.6As- on-Insulator Microdisk Resonators". In CLEO: Science and Innovations. Washington, D.C.: Optica Publishing Group, 2023. http://dx.doi.org/10.1364/cleo_si.2023.sth1f.6.
Testo completoAbstract (sommario):
We report second-harmonic and sum-frequency generation in Al0.4Ga0.6As-on-insulator microdisk resonators at ~775 nm wavelengths. Our experiments reveal clear polygonal-shaped whispering-gallery mode profiles.
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Li, Cheng, Jiang Qiu, Adley Gin, Phuong-Diem Nguyen e Judith Su. "Particle shape analysis using whispering gallery mode polarization sensing (Conference Presentation)". In Nanoscale Imaging, Sensing, and Actuation for Biomedical Applications XVII, a cura di Dror Fixler, Sebastian Wachsmann-Hogiu e Ewa M. Goldys. SPIE, 2020. http://dx.doi.org/10.1117/12.2545252.
Testo completo
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Zhang, Binjie, Yixiao Ge, Yantao Shen, Shupeng Su, Fanzi Wu, Chun Yuan, Xuyuan Xu, Yexin Wang e Ying Shan. "Towards Universal Backward-Compatible Representation Learning". In Thirty-First International Joint Conference on Artificial Intelligence {IJCAI-22}. California: International Joint Conferences on Artificial Intelligence Organization, 2022. http://dx.doi.org/10.24963/ijcai.2022/225.
Testo completoAbstract (sommario):
Conventional model upgrades for visual search systems require offline refresh of gallery features by feeding gallery images into new models (dubbed as “backfill”), which is time-consuming and expensive, especially in large-scale applications. The task of backward-compatible representation learning is therefore introduced to support backfill-free model upgrades, where the new query features are interoperable with the old gallery features. Despite the success, previous works only investigated a close-set training scenario (i.e., the new training set shares the same classes as the old one), and are limited by more realistic and challenging open-set scenarios. To this end, we first introduce a new problem of universal backward-compatible representation learning, covering all possible data split in model upgrades. We further propose a simple yet effective method, dubbed as Universal Backward-Compatible Training (UniBCT) with a novel structural prototype refinement algorithm, to learn compatible representations in all kinds of model upgrading benchmarks in a unified manner. Comprehensive experiments on the large-scale face recognition datasets MS1Mv3 and IJB-C fully demonstrate the effectiveness of our method. Source code is available at https://github.com/TencentARC/OpenCompatible.
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Lusk, Craig. "Type Synthesis of Long Symmetric Planar Shape-Morphing Mechanism Arrays". In ASME 2021 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2021. http://dx.doi.org/10.1115/detc2021-71616.
Testo completoAbstract (sommario):
Abstract This paper describes a novel type synthesis methodology for creating planar shape-morphing mechanism chains of any length with specified mobility (degree-of-freedom). It is expected that this will be of use in designing complex shape-morphing objects. The methodology is based on using graph theory in conjunction with symmetry theory for borders (Frieze groups). It is shown that the methodology can produce chains of a variety of lengths and mobility, and these chains have symmetric topologies and that symmetric kinematics may be possible for some of the chains, which simplifies their analysis. Techniques for decreasing and increasing the mobility of the chains are discussed. Finally, a gallery of shape morphing chains is given to provide concrete illustrations of the diversity of designs generated using this methodology.
Rapporti di organizzazioni sul tema "Sharpe Gallery"
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Brison, Jeffrey, Sarah Smith, Elyse Bell, Antoine Devroede, Simge Erdogan, Christina Fabiani, Kyle Hammer et al. The Global Engagement of Museums in Canada. University of Western Ontario, 2021. http://dx.doi.org/10.5206/vdjm2980.
Testo completoAbstract (sommario):
The Global Engagement of Museums in Canada examines Canadian museum diplomacy, assessing the international activities of Canadian museums to consider the ways these institutions act as cultural diplomats on the global stage. The report presents the results of a multi-partner collaborative research project addressing the work of ten institutions, including the Art Gallery of Alberta; Aga Khan Museum; Canadian Museum of History; Canadian Museum of Immigration at Pier 21; Montreal Museum of Fine Arts; Museum of Anthropology at UBC; National Gallery of Canada; Ottawa Art Gallery; Pointe-à-Callière, Montréal Archaeology and History Complex; and the Royal Ontario Museum. Focusing on the period of 2009 to 2019, this report highlights new activities and methods within museum practice, while also grounding these within the context of developments in the last decade. Drawing on archival research, document analysis, and interviews with museum professionals, this research establishes baseline data on the global reach of Canadian museums and identifies best practices to share with the museum sector and cultural diplomacy community. Comprised of three sections, the report begins by presenting the framework for the project, explaining the logic behind the selection of institutions and the pedagogical considerations that informed our collective methodology. Second, the report provides a review of the literature in the field of cultural diplomacy, situating the research project. And third, the core of the project, are ten studies of specific institutions, drawn from the fieldwork conducted by the team. These institutional reports demonstrate the ways in which museums engage with a range of global activities and actors. They further address developing trends in the sector, while also suggesting future avenues for research. The Global Engagement of Museums in Canada is a research project led by Primary Investigators Jeffrey Brison and Sarah E.K. Smith. Funded by a Mitacs Accelerate Grant, the initiative is a collaboration between the Montreal Museum of Fine Arts and Queen’s University.