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1

Settles, G. S. Schlieren and Shadowgraph Techniques. Berlin, Heidelberg: Springer Berlin Heidelberg, 2001. http://dx.doi.org/10.1007/978-3-642-56640-0.

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2

United States. National Aeronautics and Space Administration., a cura di. Interferograms, schlieren, and shadowgraphs constructed from real- and ideal-gas, two- and three-dimensional computed flowfields. [Washington, DC: National Aeronautics and Space Administration, 1992.

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3

Schlieren and shadowgraph techniques: Visualizing phenomena in transparent media. Berlin: Springer, 2001.

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4

United States. National Aeronautics and Space Administration., a cura di. Images constructed from computed flow fields. [Washington, DC: National Aeronautics and Space Administration, 1992.

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5

Snow, Walter L. Improvement in the quality of flow visualization in the Langley 0.3-meter Transonic Cryogenic Tunnel. Hampton, Va: Langley Research Center, 1986.

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6

Krishnamurthy, Muralidhar, e SpringerLink (Online service), a cura di. Schlieren and Shadowgraph Methods in Heat and Mass Transfer. New York, NY: Springer New York, 2012.

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7

Panigrahi, Pradipta Kumar, e Krishnamurthy Muralidhar. Schlieren and Shadowgraph Methods in Heat and Mass Transfer. New York, NY: Springer New York, 2012. http://dx.doi.org/10.1007/978-1-4614-4535-7.

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8

Settles, G. S. Schlieren and Shadowgraph Techniques: Visualizing Phenomena in Transparent Media. Berlin, Heidelberg: Springer Berlin Heidelberg, 2001.

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9

Springer, Anthony M. A shadowgraph study of space transportation system (STS): the space shuttle launch vehicle (SSLV). Huntsville, Ala: George C. Marshall Space Flight Center, 1994.

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10

Springer, Anthony M. A shadowgraph study of two proposed Shuttle-C launch vehicle configurations. Huntsville, Ala: George C. Marshall Space Flight Center, 1993.

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11

Pokora, Darlene C. A shadowgraph study of the National Launch System's 1 1/2 stage vehicle configuration and heavy lift launch vehicle configuration. Huntsville, Ala: George C. Marshall Space Flight Center, 1994.

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12

Norman, Tom. Application of the wide-field shadowgraph technique to rotor wake visualization. Moffett Field, Calif: National Aeronautics and Space Administration, Ames Research Center, 1989.

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13

Norman, Tom. Application of the wide-field shadowgraph technique to rotor wake visualization. Moffett Field, Calif: National Aeronautics and Space Administration, Ames Research Center, 1989.

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14

Norman, Tom. Application of the wide-field shadowgraph technique to rotor wake visualization. Moffett Field, Calif: National Aeronautics and Space Administration, Ames Research Center, 1989.

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15

C, Pokora D., e United States. National Aeronautics and Space Administration. Scientific and Technical Information Program., a cura di. A shadowgraph study of two proposed Shuttle-C launch vehicle configurations. [Washington, D.C.]: National Aeronautics and Space Administration, Office of Management, Scientific and Technical Information Program, 1993.

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16

George C. Marshall Space Flight Center, a cura di. A shadowgraph study of space transportation system (STS): The space shuttle launch vehicle (SSLV). MSFC, Ala: National Aeronautics and Space Administration, Marshall Space Flight Center, 1994.

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17

Center, Langley Research, a cura di. Development of a large field of view shadowgraph system for a 16 ft. transonic wind tunnel. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 2000.

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18

United States. National Aeronautics and Space Administration. Scientific and Technical Information Program., a cura di. NASA Dryden Flow Visualization Facility. [Washington, D.C.]: National Aeronautics and Space Administration, Office of Management, Scientific and Technical Information Program, 1995.

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19

Schafer, R. Murray. Shadowgraphs and legends. Indian River, ON: Arcana Editions, 2004.

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20

Lye, Len. Shadowgraphs: Photographic portraits by Len Lye. Wellington, N.Z: Adam Art Gallery, 2011.

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21

Lye, Len. Shadowgraphs: Photographic portraits by Len Lye. Wellington, N.Z: Adam Art Gallery, 2011.

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22

Adamovsky, Grigory. Optical techniques for determination of normal shock position in supersonic flows for aerospace applications. [Washington, D.C.]: NASA, 1990.

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23

Adamovsky, Grigory. Optical techniques for determination of normal shock position in supersonic flows for aerospace applications. [Washington, D.C.]: NASA, 1990.

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24

Las sombras/the shadows. Austin: University of Texas Press, 2012.

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25

Andreas, Hopf, a cura di. Schattenbilder: Scherenschnitte, Silhouetten, Weissschnitte, Schattenrisse = Silhouettes : black and white cut papers, portraits, shadowgraphs. München: Bruckmann, 1986.

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26

Andreas, Hopf, a cura di. Scherenschnitte: Schattenbilder, Silhouetten, Weisschnitte, Schattenrisse = Silhouettes : black and white cut papers, portraits, shadowgraphs. München: Bruckmann, 1989.

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27

M, Springer A., e George C. Marshall Space Flight Center., a cura di. A shadowgraphic study of the national launch system's 1 1/2 stage vehicle configuration and heavy lift launch vehicle configuration. Marshall Space Flight Center: National Aeronautics and Space Administration, Marshall Space Flight Center, 1994.

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28

Wunsch, John. Shadowgraph. John C. Wunsch, 2021.

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29

Shadowgraph: Poems. University of New Mexico Press, 2020.

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30

Settles, G. S. Schlieren & Shadowgraph Techniques. Springer, 2006.

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31

Images constructed from computed flow fields. [Washington, DC: National Aeronautics and Space Administration, 1992.

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32

Automatic processing system for shadowgraph and interference patterns. Washington, D.C: National Aeronautics and Space Administration, 1987.

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33

Panigrahi, Pradipta Kumar, e Krishnamurthy Muralidhar. Schlieren and Shadowgraph Methods in Heat and Mass Transfer. Springer, 2012.

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34

Schlieren and Shadowgraph Techniques: Visualizing Phenomena in Transparent Media. Springer, 2012.

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35

Schlieren And Shadowgraph Methods In Heat And Mass Transfer. Springer, 2012.

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36

Fundamental study of flow field generated by rotorcraft blades. Pasadena, Calif: National Aeronautics and Space Administration, Jet Propulsion Laboratory, California Institute of Technology, 1985.

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37

National Aeronautics and Space Administration (NASA) Staff. Development of a Large Field of View Shadowgraph System for a 16 Ft. Transonic Wind Tunnel. Independently Published, 2018.

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38

ShadowGrave. Page Publishing, Inc., 2017.

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39

Corby, Jose, e Phila H. Webb. Shadowgraphs Anyone Can Make. Running Pr, 1991.

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40

Shadowgraphs anyone can make. Philadelphia: Running Press, 1990.

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41

Hand Shadows The Complete Art Of Shadowgraphy. Home Farm Books, 2009.

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42

Trewey, Félicien. Art of Shadowgraphy; How It Is Done. Creative Media Partners, LLC, 2018.

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43

Nikola, Louis. Complete Book of Hand Shadows: Instructions for Shadowgraphy. Dover Publications, Incorporated, 2016.

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44

Trewey, Felicien. The art of Shadowgraphy; how it is Done. Franklin Classics, 2018.

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45

Nikola, Louis. Complete Book of Hand Shadows: Instructions for Shadowgraphy. Dover Publications, Incorporated, 2016.

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46

Williams, Keith. James Joyce and Cinematicity. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474402484.001.0001.

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Abstract (sommario):
This book investigates how the cinematic tendency of Joyce’s writing developed from popular media predating film. It explores Victorian culture’s emergent 'cinematicity' as a key creative driver of Joyce’s experimental fiction, showing how his style and themes share the cinematograph’s roots in Victorian optical entertainment and science. The book’s scope reveals and elucidates Joyce's references to optical toys, shadowgraphs, magic lanterns, panoramas, photographic analysis and film peepshows; while abundant close analysis shows how his techniques elaborated and critiqued their effects on modernity’s ‘media-cultural imaginary’, making Joyce’s writing appear in advance of the narrative forms of early film itself. The introduction historicises the visual culture during Joyce’s youth, as well as optical science, Dublin’s first screenings and the context of his Volta Cinematograph. Chapter 1 focuses on the key role of magic lantern themes and techniques in Dubliners’ breakthrough into Modernist style and form. Chapter 2 how experiments in photographic analysis and reanimation of movement furnished a model for Joyce’s representation of the dynamic development of consciousness through the three versions of A Portrait of the Artist. Chapter 3 demonstrates how Joyce created a literary equivalent to the moving panorama in Ulysses, providing an influential template for immersive representations of the city in both Modernist fiction and film. Finally, a Coda qualifies ‘radiophonic’ readings of Finnegans Wake arguing instead that it extends Joyce’s interest in the history and future of cinematicity, through ‘verbal dissolves’ and engaging with the emergent medium of television.
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