Libri sul tema "Scénarios critiques"
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1949-, Boulais Stéphane-Albert, a cura di. Le cinéma au Québec: Tradition et modernité. [Saint-Laurent, Québec]: Fides, 2006.
Allen, Robert Clyde. Film history: Theory and practice. New York: McGraw-Hill, 1985.
Allen, Robert Clyde. Film history: Theory and practice. New York: Knopf, 1985.
Braudy, Leo. The world in a frame: What we see in films. 2a ed. Chicago: University of Chicago Press, 2002.
Kauffmann, Stanley. Distinguishing features: Film criticism and comment. Baltimore: John Hopkins University Press, 1994.
Bordwell, David. Narration in the fiction film. Madison, Wis: University of Wisconsin Press, 1985.
1947-, Grant Barry Keith, a cura di. Film genre reader. Austin: University of Texas Press, 1986.
Peter, Lehman, a cura di. Close viewings: An anthology of new film criticism. Tallahassee: Florida State University Press, 1990.
McDougal, Stuart Y. Made into movies: From literature to film. Fort Worth: Harcourt Brace Jovanovich College Publishers, 1990.
McDougal, Stuart Y. Made into movies: From literature to film. New York: Holt, Rinehart, and Winston, 1985.
Armes, Roy. Action and image: Dramatic structure in cinema. Manchester: Manchester University Press, 1994.
Nannicelli, Ted. A philosophy of the screenplay. New York: Routledge, 2013.
Kaes, Anton. Deutschlandbilder: Die Wiederkehr der Geschichte als Film. München: Edition Text + Kritik, 1987.
Blank, Richard. Hollywood, goodbye!: Plädoyer für eine eigenständige Filmkunst. Berlin: Alexander Verlag, 2015.
Abel, Richard. French cinema: The first wave, 1915-1929. Princeton, NJ: Princeton University Press, 1996.
McMurtry, Larry. Film flam: Essays on Hollywood. New York: Simon and Schuster, 1987.
McMurtry, Larry. Film flam: Essays on Hollywood. New York: Simon and Schuster, 1987.
Maryel, Locke, Warren Charles 1948-, Godard Jean Luc 1930- e Miéville Anne-Marie, a cura di. Jean-Luc Godard's Hail Mary: Women and the sacred in film. Carbondale: Southern Illinois University Press, 1993.
Kozloff, Sarah. Invisible storytellers: Voice-over narration in American fiction film. Berkeley: Univ.California P., 1988.
Chatman, Seymour Benjamin. Coming to terms: The rhetoric of narrative in fiction and film. Ithaca, N.Y: Cornell University Press, 1990.
Rothwell, Kenneth S. A history of Shakespeare on screen: A century of film and television. 2a ed. Cambridge, UK: Cambridge University Press, 2004.
Rothwell, Kenneth S. A history of Shakespeare on screen: A century of film and television. Cambridge: Cambridge University Press, 1999.
Magistrale, Tony. Poe's children: Connections between tales of terror and detection. New York: Peter Lang, 1999.
Allen, Robert Clyde. Dian ying shi: Li lun yu shi jian (Wai guo dian ying li lun ming zhu). Xin hua shu dian jing xiao, 1997.
Tessier, Max, e Nagisa Oshima. Images du cinéma japonais. Henri Veyrier, 1990.
Allen, Robert C., e Douglas Gomery. Film History: Theory and Practice. McGraw-Hill Humanities/Social Sciences/Languages, 1993.
Allen, Robert C., e Douglas Gomery. Film History: Theory and Practice. McGraw-Hill Humanities/Social Sciences/Languages, 1993.
Liehm, Mira. Passion and Defiance: Italian Film from 1942 to the Present. University of California Press, 1986.
Liehm, Mira. Passion and Defiance: Italian Film from 1942 to the Present. University of California Press, 1986.
Bang, James. Script Analysis: Deconstructing Screenplay Fundamentals. Taylor & Francis Group, 2022.
Bang, James. Script Analysis. Taylor & Francis Group, 2022.
Bang, James. Script Analysis: Deconstructing Screenplay Fundamentals. Taylor & Francis Group, 2022.
Bang, James. Script Analysis: Deconstructing Screenplay Fundamentals. Taylor & Francis Group, 2022.
Bang, James. Script Analysis. Taylor & Francis Group, 2022.
Polan, Dana B. Power and Paranoia: History, Narrative, and the American Cinema, 1940-1950. Columbia University Press, 1990.
Armes, Roy. Action and Image: Dramatic Structure in Cinema. ManchesterU. P., 1994.
Nannicelli, Ted. Philosophy of the Screenplay. Taylor & Francis Group, 2013.
Nannicelli, Ted. Philosophy of the Screenplay. Taylor & Francis Group, 2013.
Nannicelli, Ted. Philosophy of the Screenplay. Taylor & Francis Group, 2013.
Nannicelli, Ted. Philosophy of the Screenplay. Taylor & Francis Group, 2013.
Marshall, Herbert. Masters of the Soviet Cinema: Crippled Creative Biographies. Taylor & Francis Group, 2015.
Marshall, Herbert. Masters of the Soviet Cinema: Crippled Creative Biographies. Taylor & Francis Group, 2013.
Marshall, Herbert. Masters of the Soviet Cinema: Crippled Creative Biographies. Taylor & Francis Group, 2013.
Kaes, Anton. Deutschland Bilder. Edition Text & Kritik GmbH, 1987.
Marshall, Herbert. Masters of the Soviet Cinema: Crippled Creative Biographies. Taylor & Francis Group, 2013.
Bonitzer, Pascal. Le champ aveugle. Cahiers du Cinema Livres, 1999.
Carrière, Jean-Claude. Raconter une histoire: Quelques indications. FEMIS, 1993.
Abel, Richard. French Cinema: The First Wave, 1915-1929. Princeton University Press, 1987.
McMurtry, Larry. FILM FLAM: Essays on Hollywood. Touchstone, 1988.
McMurtry, Larry. Film Flam : Essays on Hollywood. Simon & Schuster, 2001.