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Tesi sul tema "Samuel"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 29 luglio 2024

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1

Smits-Veldt, Mieke B. "Samuel Coster, ethicus-didacticus : een onderzoek naar dramatische opzet en morele instructie van Ithys, Polyxena en Iphigenia /." Groningen : Wolters-Noordhoff/Forsten, 1986. http://catalogue.bnf.fr/ark:/12148/cb37148521m.

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2

Sardón, José Luis. "Samuel P. Huntington." Universidad Peruana de Ciencias Aplicadas (UPC), 2013. http://hdl.handle.net/10757/285453.

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3

Poiana, Peter. "Entre la voix et le texte : quelques modeles de rhetorique dans trois oeuvres de Samuel Beckett /." Title page, contents and summary only, 1986. http://web4.library.adelaide.edu.au/theses/09ARM/09armp749.pdf.

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4

Pichon, Samuel. "Système de sécrétion de type IV et protéines à domaines ankyrines dans les interactions Wolbachia-arthropodes." Poitiers, 2009. http://theses.edel.univ-poitiers.fr/theses/2009/Pichon-Samuel/2009-Pichon-Samuel-These.pdf.

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Wolbachia est une bactérie Gram(-) intracellulaire modifiant la reproduction de nombreux arthropodes. Chez l'isopode Armadillidium vulgare, la souche wVulC entraîne la féminisation des mâles. Nous avons caractérisé deux opérons vir s’exprimant dans tous les tissus hôtes et codant un système de sécrétion de type IV (T4SS) pouvant permettre d'exporter des effecteurs bactériens vers le cytoplasme de l'hôte. La comparaison des séquences et de l'organisation des gènes de 37 souches de Wolbachia a révélé la forte conservation des deux opérons vir suggérant l'importance du T4SS dans la biologie de la

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5

Schubert, Gesa. "Die Kunst des Scheiterns : die Entwicklung der kunsttheoretischen Ideen Samuel Becketts." Berlin [u.a.] Lit, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2976401&prov=M&dokv̲ar=1&doke̲xt=htm.

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6

Klement, Herbert H. "2 Samuel 21-24 : structure, context and meaning in the Samuel conclusion." Thesis, Coventry University, 1995. http://curve.coventry.ac.uk/open/items/19c8c1ce-e727-420e-9a9f-31f95d6b1c26/1.

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The examination of the final chapters of the books of Samuel offered here proceeds initially from an unease about the frequent pejorative appraisal of them as an unsuitable, late addition that is out of place in its context. Taking a cue from the recent interest in initial and concluding texts in the context of literary and "Canonical" methods, the work attempts to describe this text complex, with its six chiastically arranged units, in terms of its literary function as a concluding text in relation to the rest of the preceding book. Following remarks of W. Brueggemann and J. Flanagan, the rin

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7

Pajares, Infante Eterio. "Richardson en España." León : Secretario de publ., Universidad de León, 1989. http://catalogue.bnf.fr/ark:/12148/cb376797169.

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8

Daphinoff, Dimiter. "Samuel Richardsons "Clarissa" : Text, Rezeption und Interpretation /." Bern : Francke Verl, 1986. http://catalogue.bnf.fr/ark:/12148/cb34933974v.

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9

Jones, Robert. "Beckett and the philosopher." Diss., Connect to the thesis, 2004. http://hdl.handle.net/10066/684.

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10

Tan, Tijen. "Existentialism And Samuel Beckett." Master's thesis, METU, 2007. http://etd.lib.metu.edu.tr/upload/12608995/index.pdf.

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This thesis carries out an analysis of the plays by Samuel Beckett, Endgame and Happy Days. It achieves this by exploring how the playwright&rsquo<br>s characterization, setting and use of language in these plays display his tendency to employ some existentialist concepts such as despair, anxiety and thrownness on the way to authenticity. This study argues that there are some similarities between Beckett&rsquo<br>s two plays and Existentialism, and some characters in both plays display the existentialist man who is looking for becoming an authentic man. In other words, although there are some

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11

Whidden, M. "Samuel Colman : 1780 - 1845." Thesis, University of Edinburgh, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.372982.

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12

Johnston, F. "Samuel Johnson's diminutive histories." Thesis, University of Cambridge, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.605670.

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"The greater part of readers [...] will wonder that on mere trifles so much labour is expended, with such importance of debate, and such solemnity of diction. To these I answer with confidence, that they are judging of an art which they do not understand; yet cannot much reproach them with their ignorance, nor promise that they would become in general, by learning criticism, more useful, happier or wiser" (<I>Yale, </I>VII, 108-9). There is an ethics of attention deep in the conduct of this extract, hostile to mockery of trifles but somewhat ashamed of elevating minutiae. It is typically hones

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13

Mommer, Peter. "Samuel : Geschichte und Überlieferung /." Neukirchen-Vluyn : Neukirchener Verl, 1991. http://catalogue.bnf.fr/ark:/12148/cb35698496v.

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14

Clavier, Évelyne. "Danser avec Samuel Beckett." Thesis, Bordeaux 3, 2018. http://www.theses.fr/2018BOR30022.

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Ce travail de recherche se propose d’analyser le rapport de Samuel Beckett (1906-1989) à la danse ainsi que la relation de deux chorégraphes contemporains Dominique Dupuy (1930-) et Maguy Marin (1951-) à ses œuvres. La première partie démontre que Samuel Beckett a été influencé par la danse moderne qu’il a découverte dans l’entre-deux-guerres. Son écriture est devenue plus gestuelle et son propos plus politique. Ainsi, aux corps sains et glorieux promus par les arts nazis, oppose-t-il dans son premier théâtre les corps vulnérables travaillés par la vieillesse et les handicaps, ceux d’hommes qu

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15

Vigus, James. "Platonic Coleridge /." London : Legenda, 2009. http://catalogue.bnf.fr/ark:/12148/cb413640637.

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16

Kirlic, Alma. "Samuel Klingenstierna: Spel och sannolikhetsteori." Thesis, Uppsala University, Department of Mathematics, 2003. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-121417.

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17

Johnstone, Patrick Douglas. "Samuel Beckett's Trilogy in context." Thesis, Birkbeck (University of London), 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.498293.

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This thesis examines the relationship between Samuel Beckett's Trilogy - 'Molloy', 'Malone Dies' and 'The Unnamable' - and the contexts in which it was written and has been read. Chapter 1 considers the Trilogy's critical reception, reflecting on its contentious construction as a distinctly Irish set of texts, and the broader contexts in which this takes place. It focuses on the writing of early Beckett critics Vivian Mercier and Hugh Kenner, and of Irish Studies critics in the 1980s and 1990s. Chapter 2 presents close readings of the novels which explore how Beckett's experience of Ireland an

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18

Grosse-Onnebrink, Jörg. "Der Gottesbegriff bei Samuel Hahnemann." [Gauting] Irl, 2004. http://deposit.ddb.de/cgi-bin/dokserv?id=2621547&prov=M&dok_var=1&dok_ext=htm.

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19

Williams, Katherine Ruth. "Samuel Richardson and amatory fiction." Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.422578.

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20

Prince, Eric Samuel. "The stagecraft of Samuel Beckett." Thesis, University of Ulster, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260836.

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21

Adair, James Robert. "Reconstructing 1 Samuel chapter 3." Thesis, Stellenbosch : Stellenbosch University, 1993. http://hdl.handle.net/10019.1/58117.

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Thesis (MA)--Stellenbosch University, 1993.<br>ENGLISH ABSTRACT: My Ph.D. dissertation proposed a four-step procedure for recovering the earliest possible text of the Old Testament: (1) detennining the lexical and grammatical characteristics of the various secondary (non-Hebrew) witnesses; (2) determining the literary and theological characteristics of the same witnesses; (3) retroverting the non-Hebrew witnesses wherever significant variants occur; (4) evaluating the Hebrew and retroverted variants and reconstructing a Hebrew Vorlage presumed to lie behind all of the extant witnesses. T

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22

Kirschbaum, Saul. "Samuel Rawer: profeta da alteridade." Universidade de São Paulo, 2000. http://www.teses.usp.br/teses/disponiveis/8/8152/tde-02052002-160552/.

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Esta pesquisa teve como objetivo central contribuir para o resgate da obra de Samuel Rawet, principalmente através da análise de sua primeira coletânea, Contos do Imigrante, publicado em 1956. Buscou-se estabelecer o lugar de sua produção literária, sob duas óticas concomitantes e convergentes: a da literatura judaica produzida no Brasil e a da literatura brasileira no gênero que Rawet privilegiou, o conto. Na busca da consecução dessas metas, a pesquisa foi dividida em cinco partes: O capítulo primeiro, Fortuna Crítica de Samuel Rawet, apresenta um levantamento, ao longo da carreira de Rawe

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23

Nishimura, Izumi. "Samuel Beckett : un univers polyphonique." Paris 8, 2006. http://www.theses.fr/2006PA083616.

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Cette étude est une recherche herméneutique qui implique une critique génétique se propose d’éclaircir le déploiement de la conscience intérieure des sujets à travers la structure intrinsèque de l’œuvre de Samuel Beckett. Il est courant de mettre en valeur la perte a posteriori de l’identité d’un sujet dans l’univers beckettien avec des termes négatifs liés au désespoir. Cependant, d’après les réécritures entre version anglaise et française, entre manuscrit et texte publié, nous pouvons affirmer que l’important réside dans l’interchangeabilité ou le décalage de nombreux sujets à l’intérieur de

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24

Wimbush, Andrew Darrell. "Still : Samuel Beckett and quietism." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709050.

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25

Zaitzow, Michael (Michael D. ). Carleton University Dissertation Religion. "Biblical parallelism in 2 Samuel." Ottawa, 1994.

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26

Chakraborty, Thirthankar. "Samuel Beckett and Indian literature." Thesis, University of Kent, 2017. https://kar.kent.ac.uk/59865/.

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Godot ke Intezar Mein (Hindi), Godor Pratikshay (Bengali), Eppo Varuvaru (Tamil), Kalpo Ke Kalpana Mari Parvari Chhe (Gujarati), Edin Ahibo Teu (Assamese), Su Yee (Kashmiri): these are just some of the translations and adaptations of Samuel Beckett's Waiting for Godot into Indian languages. They reveal how Beckett's chef d'oeuvre has reached every corner of the country, from Tamil Nadu in the South, to Kashmir in the North, Assam in the East, and Gujarat in the West. Just as Honoré de Balzac's fictitious Godeau returns prosperously from 'Les Indes' in Le Faiseur (1848), Beckett's Godot gains f

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27

Marotta, Donald John. "Samuel Taylor Coleridge and Opium." Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/etd/2181.

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Coleridge's usual use of opium was through laudanum, a mixture of opium and alcohol. This thesis presents the history of and criticism regarding the poet's use of laudanum and the physical and emotional consequences the drug held for him and his writing career.

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28

Weiss, Katherine. "The Plays of Samuel Beckett." Digital Commons @ East Tennessee State University, 2013. http://amzn.com/140814557X.

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Beckett remains one of the most important writers of the twentieth century whose radical experimentations in form and content won him the Nobel Prize for Literature in 1969. This Critical Companion encompasses his plays for the stage, radio and television, and will be indispensable to students of his work. Challenging and at times perplexing, Beckett's work is represented on almost every literature, theatre and Irish studies curriculum in universities in North America, Europe and Australia. Katherine Weiss' admirably clear study of his work provides the perfect companion, illuminating each pla

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29

Weiss, Katherine. "Samuel Beckett: History, Memory, Archive." Digital Commons @ East Tennessee State University, 2007. https://dc.etsu.edu/etsu-works/2281.

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30

Reginio, Robert, David Houston Jones, and Katherine Weiss. "Samuel Beckett and Contemporary Art." Digital Commons @ East Tennessee State University, 2017. https://www.amzn.com/3838210794/.

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This groundbreaking collection from scholars and artists on the legacy of Beckett in contemporary art provides readers with a unique view of this important writer for page, stage, and screen. The volume argues that Beckett is more than an influence on contemporary art―he is, in fact, a contemporary artist, working alongside artists across disciplines in the 1960s, 1970s, and beyond.The volume explores Beckett's formal experiments in drama, prose, and other media as contemporary, parallel revisions of modernism's theoretical presuppositions congruent with trends like minimalism and conceptual a

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31

Kennedy, Seán, and Katherine Weiss. "Samuel Beckett: History, Memory, Archive." Digital Commons @ East Tennessee State University, 2010. https://www.amzn.com/0230619444.

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This volume comprises ten essays challenging the dominant account of Samuel Beckett’s engagement with history. As the first full-length volume to address the historical debate in Beckett studies, Samuel Beckett: History, Memory, Archive provides both ground-breaking analysis of the major works as well as a sustained interrogation of the critical assumptions that underpin Beckett studies more generally. Drawing on a range of archival materials, and situating Beckett in historical context, these essays pose a strong challenge to the prevailing critical consensus that he was a deracinated moderni

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32

Weiss, Katherine. "Samuel Beckett and Contemporary Art." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/5597.

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33

Bugnon-Mordant, Michel. "Strange power of speech : Coleridge and the poetic use of language /." Fribourg : M. Bugnon-Mordant, 1990. http://catalogue.bnf.fr/ark:/12148/cb355044767.

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34

Adam, Klaus-Peter. "Saul und David in der judäischen Geschichtsschreibung Studien zu 1 Samuel 16 - 2 Samuel 5." Tübingen Mohr Siebeck, 2004. http://deposit.d-nb.de/cgi-bin/dokserv?id=2897436&prov=M&dok_var=1&dok_ext=htm.

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35

Adam, Klaus-Peter. "Saul und David in der judäischen Geschichtsschreibung : Studien zu 1 Samuel 16 - 2 Samuel 5 /." Tübingen : Mohr Siebeck, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2897436&prov=M&dok_var=1&dok_ext=htm.

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36

Mai, Hans-Peter. "Samuel Richardsons "Pamela" : Charakter, Rhetorik und Erzählstruktur /." Stuttgart : F. Steiner Wiesbaden, 1986. http://catalogue.bnf.fr/ark:/12148/cb34923223t.

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37

Milz, Manfred Beckett Samuel Giacometti Alberto. "Samuel Beckett und Alberto Giacometti : das Innere als Oberfläche ; ein ästhetischer Dialog im Zeichen schöpferischer Entzweiungsprozesse (1929 - 1936) /." Würzburg : Königshausen & Neumann, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2872853&prov=M&dok_var=1&dok_ext=htm.

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38

Glaser, Brigitte. "The body in Samuel Richardson's "Clarissa" : contexts of and contradictions in the development of character /." Heidelberg : C. Winter, 1994. http://catalogue.bnf.fr/ark:/12148/cb357455925.

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39

Zelen, Renata Halina. "The trial of pygmalion : twentieth-century reader response to heroines in the eighteenth-century novel, with special reference to Samuel Richardson's C̀larissa' /." [Hong Kong : University of Hong Kong], 1987. http://sunzi.lib.hku.hk/hkuto/record.jsp?B12365208.

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40

Fast, Arthur [Verfasser], Samuel A. [Akademischer Betreuer] Meek, Samuel A. [Gutachter] Meek, and Ansgar [Gutachter] Reiners. "Precision Spectroscopy on OH / Arthur Fast ; Gutachter: Samuel A. Meek, Ansgar Reiners ; Betreuer: Samuel A. Meek." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2019. http://d-nb.info/1188886924/34.

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41

Bland, Dave L. "Preaching from I and II Samuel." Theological Research Exchange Network (TREN), 1985. http://www.tren.com.

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42

Steen, Jane Elizabeth. "Samuel Johnson and aspects of Anglicanism." Thesis, University of Cambridge, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.259528.

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43

Dille, Catherine D. "Samuel Johnson and eighteenth-century education." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367772.

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44

Shepherd, Lynn B. "Samuel Richardson and eighteenth-century portraiture." Thesis, University of Oxford, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.439316.

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45

Tajiri, Yoshiki. "Samuel Beckett and the prosthetic body." Thesis, Birkbeck (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.407120.

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46

FERREIRA, FÁBIO ALVES. "SAMUEL BECKETT: ECHOES AND RESONANCES CONTEMPORARY." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2015. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=25563@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>Esta pesquisa investiga a contemporaneidade da obra do escritor irlandês Samuel Beckett. A investigação privilegia três eixos, em três ensaios que articulam aspectos historiográficos, filosóficos e cênicos. O primeiro ensaio pensa de que forma a poética do tempo em Beckett participa do debate atual sobre o contemporâneo. O segundo ensaio, voltado para a produção televisiva de Beckett e atentando em especial às leituras que dela fez Gilles Deleuze, reflete sobre a produção de um pensamento entre, sobre ecos e ressonâncias geradas por este en

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47

Hitchings, Christian Nicholas Henry. "Samuel Johnson and Sir Thomas Browne." Thesis, University College London (University of London), 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.398115.

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This thesis explores the literary and intellectual relationship between Samuel Johnson and Sir Thomas Browne. It demonstrates the importance of Johnson's contribution to the history of criticism of Browne, and also constitutes a case study of Johnson's methods in compiling his Dictionary. I show what grounds there are for believing that Browne was of special importance to Johnson, and that there were significant affinities between the two writers. I set my work against the background of existing scholarship, which tends to neglect the links between Johnson and Browne. I consider the decline of

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48

Curran, L. C. "Samuel Richardson : the author as correspondent." Thesis, University College London (University of London), 2012. http://discovery.ucl.ac.uk/1349011/.

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This thesis is a broadly chronological study of Samuel Richardson’s correspondence, from his early career as a novelist in the 1740s through to his death in 1761. It argues that Richardson’s sustained concern with the aesthetics and ethics of writing letters was central to his conception of authorship and its relation to publicity. It contends that the form and content of Richardson’s letters interact with his novels in ways that are more pervasive than has been previously acknowledged in Richardson studies; I read letters as an integral part of his literary oeuvre, not merely an adjunct to it

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49

Fernandes, Tiago da Cunha. "Um Samuel Rawet qualquer: pensamento-prosa." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-24102014-173748/.

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A presente dissertação consiste num estudo acerca da produção ensaísticonarrativa de Samuel Rawet. Trata-se de um ensaio no que há de mais disperso e não hierárquico no termo desenvolvido em contínua revisão. De um trabalho iniciado e inacabado, à medida em que sugere e proposita diversas trilhas, encruzilhadas e encontros entre autores e teorias ao redor dos escritos de Rawet. Se a disposição analítica segue a cronologia dos livros publicados pelo autor, isso se dá não porque pensamos sua produção numa totalidade sistêmica, formadora de uma obra fechada, mas como campo transitivo onde toda

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50

Merçon, Francisco Elias Simão. "Samuel Beckett: do figurativo ao figural." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8139/tde-09112012-115933/.

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Companhia, publicada originalmente em inglês no ano de 1980, é uma narrativa construída na fronteira entre imaginação e enunciação por um sujeito solitário que, deitado de costas no escuro, fabula continuadamente em busca de companhia. Ela se inclui entre as narrativas de Samuel Beckett cuja trama se passa no espaço mental de seus protagonistas, na região comumente chamada de manicômio do crânio. Conhecida por características que a mantêm distante dos esquemas teóricos universais, apresenta uma abundância de programas narrativos que se anulam uns aos outros, resultando num forte clima de incer

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