Articoli di riviste sul tema "Saariaho, kaija"
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Gray, Mary W. "Émilie by Kaija Saariaho". Mathematical Intelligencer 38, n. 4 (19 ottobre 2016): 84–85. http://dx.doi.org/10.1007/s00283-016-9642-5.
Testo completovan, Herck. "Spatiality as creativity in the music of Kaija Saariaho: A reflection with a focus on 'Lichtbogen'". Zbornik Akademije umetnosti, n. 9 (2021): 155–73. http://dx.doi.org/10.5937/zbaku2109155h.
Testo completoMunk, J. "Kaija Saariaho. By Pirkko Moisala." Music and Letters 92, n. 1 (1 febbraio 2011): 174–76. http://dx.doi.org/10.1093/ml/gcq096.
Testo completoMoisala, Pirkko, e Camila Durães Zerbinatti. "Gender Negotiation of the composer Kaija Saariaho in Finland: The Woman Composer as Nomadic Subject." Revista Vórtex 3, n. 2 (31 dicembre 2015): 1–24. http://dx.doi.org/10.33871/23179937.2015.3.2.886.
Testo completoTsaregradskaya, Tatiana V. "Kaija Saariaho and Her Laterna Magica". Vestnik of Saint Petersburg University. Arts 11, n. 4 (2021): 607–35. http://dx.doi.org/10.21638/spbu15.2021.403.
Testo completoSkhaplok, Galina. "ON THE REALIZATION OF NOANOA AND PRES, TWO PIECES FOR SOLO INSTRUMENTS AND IRCAM SIGNAL PROCESSING WORKSTATION (Xavier Chabot, Kaija Saariaho, Jean-Baptiste Barrière)". Muzykal'nyj al'manah Tomskogo gosudarstvennogo universiteta, n. 12 (2021): 73–82. http://dx.doi.org/10.17223/26188929/12/7.
Testo completoKucia-Kuśmierska, Katarzyna. "Simone Weil i Kaija Saariaho. Paradoksy literacko-muzyczne". Czytanie Literatury. Łódzkie Studia Literaturoznawcze, n. 10 (30 dicembre 2021): 67–97. http://dx.doi.org/10.18778/2299-7458.10.04.
Testo completoSivuoja-Gunaratnam, Anne. "Desire and distance in Kaija Saariaho's Lonh". Organised Sound 8, n. 1 (aprile 2003): 71–84. http://dx.doi.org/10.1017/s1355771803001080.
Testo completoSaamishvili, N. N. "True Fire by Kaija Saariaho: Poetics of Composition". Art & Culture Studies, n. 2 (giugno 2021): 198–229. http://dx.doi.org/10.51678/2226-0072-2021-2-198-229.
Testo completoStein, Robert. "London, Proms 2012 (2): Olga Neuwirth, Kaija Saariaho". Tempo 67, n. 263 (gennaio 2013): 73–75. http://dx.doi.org/10.1017/s0040298212001416.
Testo completoRomero Ortiz, M. ª. Dolores. "Jardín japonés en Six Japanese Gardens de Kaija Saariaho". Quodlibet. Revista de Especialización Musical, n. 75 (22 giugno 2021): 272–340. http://dx.doi.org/10.37536/quodlibet.2021.75.1458.
Testo completoRomero Ortiz, M. ª. Dolores. "Jardín japonés en Six Japanese Gardens de Kaija Saariaho". Quodlibet. Revista de Especialización Musical, n. 75 (22 giugno 2021): 272–340. http://dx.doi.org/10.37536/quodlibet.2021.75.1458.
Testo completoOliveira, Levy, e João Pedro Oliveira. "Procedimentos Estruturais na Peça A Twilight's Song de Matthias Pintscher". Per Musi, n. 40 (30 ottobre 2020): 1–19. http://dx.doi.org/10.35699/2317-6377.2020.15108.
Testo completoAnderson, Julian, e Kaija Saariaho. "Seductive Solitary. Julian Anderson Introduces the Work of Kaija Saariaho". Musical Times 133, n. 1798 (dicembre 1992): 616. http://dx.doi.org/10.2307/1002509.
Testo completoLister, Rodney. "Boston: Saariaho's ‘Circle Map’". Tempo 67, n. 264 (aprile 2013): 74–75. http://dx.doi.org/10.1017/s0040298213000144.
Testo completoHowell, Tim. "OUT OF THE SHADOWS AND SILENCES: THE LOTTA WENNÄKOSKI IN PROFILE". Tempo 66, n. 259 (gennaio 2012): 2–14. http://dx.doi.org/10.1017/s0040298212000010.
Testo completoKiseyeva, Elena V., e Emma S. Korotkiyeva. "Interpretation of the Genre in Kaija Saariaho’s Opera Innocence". Problemy muzykal'noi nauki / Music Scholarship, n. 4 (dicembre 2023): 128–41. http://dx.doi.org/10.56620/2782-3598.2023.4.128-141.
Testo completoVriezen, Samuel. "Kaija Saariaho Only the Sound Remains, Dutch National Opera, Muziektheater, Amsterdam". Tempo 70, n. 277 (10 giugno 2016): 96–97. http://dx.doi.org/10.1017/s0040298216000255.
Testo completoPotter, Caroline. "Kaija Saariaho - Kaija Saariaho: Graal Théâtre, Circle Map, Neiges, Vers toi qui es si loin. Peter Herresthal, violin/Oslo Philharmonic/Clément Mao-Takacs, conductor. BIS 2402." Tempo 74, n. 292 (6 marzo 2020): 89–90. http://dx.doi.org/10.1017/s0040298219001347.
Testo completoGotcheva, Angelina-Ogniana. "The True Sense оr to My Only Desire: The Music as a Reason for Sun Reflections". Filosofiya-Philosophy 33, n. 1 (25 marzo 2024): 93–105. http://dx.doi.org/10.53656/phil2024-01-05.
Testo completoCagney, L. "Kaija Saariaho: Visions, Narratives, Dialogues. Ed. by Tim Howell, Jon Hargreave, and Michael Rofe". Music and Letters 95, n. 3 (1 agosto 2014): 493–95. http://dx.doi.org/10.1093/ml/gcu052.
Testo completoPeraino, Judith A. "Sonograms of Desire, Medieval and Modern". Paragraph 41, n. 1 (marzo 2018): 26–41. http://dx.doi.org/10.3366/para.2018.0248.
Testo completoCampion, Edmund. "Dual Reflections: A Conversation with Kaija Saariaho and Jean-Baptiste Barrière on Music, Art, and Technology". Computer Music Journal 41, n. 3 (settembre 2017): 9–20. http://dx.doi.org/10.1162/comj_a_00426.
Testo completoGOTCHEVA, Angelina-Ogniana. "The Position of Women Composers in the World and in Bulgaria – is the Audience of Contemporary Classical Music Privileged or Deprived?" Balkanistic Forum 32, n. 3 (15 settembre 2023): 290–308. http://dx.doi.org/10.37708/bf.swu.v32i3.17.
Testo completoKucia, Katarzyna. "The Figure of Kenosis in Literature and Music. The Case of Kaija Saariaho’s Oratorio La Passion de Simone". Rocznik Komparatystyczny 8 (2017): 231–61. http://dx.doi.org/10.18276/rk.2017.8-11.
Testo completoRickards, Guy. "Kaija Saariaho: Visions, Narratives, Dialogues. Edited by Tim Howell with John Hargreaves and Michael Rofe. Ashgate, £55.00." Tempo 67, n. 265 (luglio 2013): 95–97. http://dx.doi.org/10.1017/s0040298213000612.
Testo completoPousset, Damien, Joshua Fineberg e Ronan Hyacinthe. "The works of Kaija Saariaho, Philippe Hurel and Marc-André Dalbavie—Stile concertato, stile concitato, stile rappresentativo". Contemporary Music Review 19, n. 3 (gennaio 2000): 67–110. http://dx.doi.org/10.1080/07494460000640371.
Testo completoBauer, Amy. "Reconfiguring Myth and Narrative in Contemporary Opera: Osvaldo Golijov, Kaija Saariaho, John Adams, Tan Dun. By Yayoi Uno Everett". Music and Letters 99, n. 3 (1 agosto 2018): 500–502. http://dx.doi.org/10.1093/ml/gcy089.
Testo completoLeydon, Rebecca. "Review: Reconfiguring Myth and Narrative in Contemporary Opera: Osvaldo Golijov, Kaija Saariaho, John Adams, and Tan Dun, by Yayoi Uno Everett". Journal of the American Musicological Society 71, n. 1 (2018): 272–77. http://dx.doi.org/10.1525/jams.2018.71.1.272.
Testo completoPennington, Stephan. "Kaija Saariaho, and: Dusty! Queen of the Postmods, and: Big Ears: Listening for Gender in Jazz Studies (review)". Feminist Formations 23, n. 2 (2011): 232–37. http://dx.doi.org/10.1353/ff.2011.0029.
Testo completoTsaregradskaya, Tatiana V. "The Music of Fausto Romitelli: Concerning the Question of “Musical Material”". Problemy muzykal'noi nauki / Music Scholarship, n. 1 (2024): 81–90. http://dx.doi.org/10.56620/2782-3598.2024.1.081-090.
Testo completoHinkle-Turner, Elizabeth. "Kaija Saariaho: Private Gardens Compact disc, 1997, Ondine ODE 906-2; available from Electronic Music Foundation, 116 North Lake Ave., Albany, New York 12206, USA; World Wide Web http://www.cdemusic.org/". Computer Music Journal 23, n. 3 (settembre 1999): 117–18. http://dx.doi.org/10.1162/comj.1999.23.3.117.
Testo completoSternburg, Judith von. "Requiem für ein Genie". Opernwelt 65, n. 7 (2024): 14–15. http://dx.doi.org/10.5771/0030-3690-2024-7-014.
Testo completoWeber, Sabine. "Grenzerfahrungen". Opernwelt 63, n. 4 (2022): 79. http://dx.doi.org/10.5771/0030-3690-2022-4-079.
Testo completoSivuoja-Gunaratnam, Anne. "Miniatures and tensions: phenomenological reverberations in and around Kaija Saariaho's Lichtbogen (1985-86)". Articles 25, n. 1-2 (17 dicembre 2012): 44–66. http://dx.doi.org/10.7202/1013305ar.
Testo completoKANKAANPÄÄ, VESA. "Displaced time: transcontextual references to time in Kaija Saariaho's Stilleben". Organised Sound 1, n. 2 (agosto 1996): 87–92. http://dx.doi.org/10.1017/s1355771896000106.
Testo completoAnderson, Martin. "London, Barbican: Saariaho's ‘L'amour de loin’". Tempo 57, n. 224 (aprile 2003): 42–43. http://dx.doi.org/10.1017/s0040298203220155.
Testo completoRiikonen, Taina. "Shaken or stirred – virtual reverberation spaces and transformative gender identities in Kaija Saariaho's NoaNoa (1992) for flute and electronics". Organised Sound 8, n. 1 (aprile 2003): 109–15. http://dx.doi.org/10.1017/s1355771803001122.
Testo completoRIIKONEN, TAINA. "Shared sounds in detached movements: flautist identities inside the ‘local-field’ spaces". Organised Sound 9, n. 3 (dicembre 2004): 233–42. http://dx.doi.org/10.1017/s1355771804000421.
Testo completoBesada, José L., e Cristóbal Pagán Cánovas. "Timelines in Spectral Composition: A cognitive approach to musical creativity". Organised Sound 25, n. 2 (agosto 2020): 142–55. http://dx.doi.org/10.1017/s1355771820000059.
Testo completoReininghaus, Frieder. "Kaija Saariaho „AdrianaMater“ in Paris". Österreichische Musikzeitschrift 61, n. 5 (gennaio 2006). http://dx.doi.org/10.7767/omz.2006.61.5.62.
Testo completoJena, Stefan. "Kaija Saariaho „L’ amour de Loin“". Österreichische Musikzeitschrift 55, n. 7 (gennaio 2000). http://dx.doi.org/10.7767/omz.2000.55.7.48.
Testo completoSaamishvili, Natalia. "Saariaho, Maalouf, Sellars: co-authorship at the opera theatre". Ученые записки Российской академии музыки имени Гнесиных, 2024, 17–34. http://dx.doi.org/10.56620/2227-9997-2024-2-17-34.
Testo completoOinas, Cecilia. "Sonic Bridges and Pitch-Based Bonding in Two Songs by Saariaho". Music Theory Online 29, n. 3 (settembre 2023). http://dx.doi.org/10.30535/mto.29.3.6.
Testo completoFantapié, Henri-Claude. "Kaija Saariaho, compositrice, ou quand devient-on un compositeur classique ?" Études finno-ougriennes, n. 45 (1 dicembre 2013). http://dx.doi.org/10.4000/efo.2585.
Testo completoMorrison, Landon. "Encoding Post-Spectral Sound". Music Theory Online 27, n. 3 (settembre 2021). http://dx.doi.org/10.30535/mto.27.3.10.
Testo completo"Саамишвили Н.Н. The opera of Kaija Saariaho “L’amour de loin”: questions of libretto and composing technique". PHILHARMONICA. International Music Journal 2, n. 2 (febbraio 2015): 323–41. http://dx.doi.org/10.7256/2453-613x.2015.2.17088.
Testo completoDitche, Élisabeth Rallo. ""This extraordinarily therapeutic opera": Innocence de Kaija Saariaho et Sofi Oksanen, mis en scène par". Miranda, n. 23 (4 ottobre 2021). http://dx.doi.org/10.4000/miranda.40973.
Testo completoDuinker, Ben. "Interpretive Difficulty and Emergent Structure in Contemporary Music". Journal of Music Theory, 8 settembre 2022. http://dx.doi.org/10.1215/00222909-9930901.
Testo completo"Kaija Saariaho’s “Près”: The Transformation of Gesture". College Music Symposium 55 (2015). http://dx.doi.org/10.18177/sym.2015.55.ca.11103.
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