Tesi sul tema "Russian and East European Institute"
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Kadyrbekova, Zaure. "Ecosystemic worldview in Russian fairy tales". Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=121571.
Testo completoLes analyses des animaux dans la littérature se concentrent pour la plupart sur la signification de l'animal métaphorique ou symbolique et negligent par là même l'animal réel qui disparaît souvent derrière sa représentation métaphorique ou mythologique. Ces interprétations traditionnelles révèlent l'anthropocentrisme qui domine dans les sciences humaines en général, et les études littéraires en particulier. Pourtant, les animaux dans la littérature retiennent encore des caractéristiques spécifiques à leur espèce. En analysant certains contes de fées russes du point de vue des études animales, je vais montrer que les animaux gardent leur capacité d'être agent, qu'ils conservent leur spécificité animale et qu'ils sont impliqués dans des relations complexes comme compagnons des humains. Cette représentation des animaux dans les contes de fées russes montre que la vision traditionnelle du monde russe est écosystémique – c'est-à-dire que les humains sont sur un même plan d'égalité que les autres êtres vivants. Compte tenu du nombre insuffisant d'analyses sur les contes de fées russes, et du manque d'analyses sur les animaux dans les contes de fées en général, la présente étude représente une étape importante pour combler cette lacune.
Rose, Katherine Mae. "Multivalent Russian Medievalism: Old Russia Through New Eyes". Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493416.
Testo completoSlavic Languages and Literatures
Krasnova, Irina. "Concept chest' in the Russian worldview Koncept chest'v russkoi iazykovoi kartine mira". Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=92179.
Testo completoThe study analyzes the integrated structure of concept chest' which includes different components (Chapter 2). The analysis uses a variety of methods, including etymological and componential approaches, followed by an examination of relevant conceptual metaphors and the correlation between such concepts in the Russian Worldview as honor conscience (chest' sovest'), honor dignity (chest' dostoinstvo), honor shame (chest' pozor), conscience shame (sovest' styd). The gender component of concept chest' is also examined.
Since concept chest' is one of the key words of Russian Romanticism and has a culture-specific meaning that reflects society's past experience, Chapter 3 not only discusses the evolution of the concept connected to the cultural changes, but also traces the reconstruction of the concept chest' in the literary context of the period focusing on the works of K.Ryleev, A.Bestuzhev-Marlinskii, and M.Lermontov. Concept chest' was shaped in a gentleman's code of honor and bound to a dueling ritual (duel of honor) and gambling (debt of honor). Although it was the golden age of noble personal honor, the explication of the given notion in Lermontov's works shows the beginning of the concept's transformation that led to the subsequent devaluation of the meaning of chest' in society.
Cette thèse constitue une étude interdisciplinaire des mots spécifiques à une culture, qui sont importants pour une société donnée (des "concepts") et plus précisément le concept tchest' (honneur), ayant un poids considérable dans la tradition culturelle russe. L'étude a comme but de transcender les frontières disciplinaires afin d'examiner la construction culturelle de l'honneur dans la perception russe du monde. Les « concepts » ne sont pas seulement des termes de vocabulaire, mais également des « dossiers » contenant de l'information sémantique et esthétique. Les « concepts » reflètent et transmettent des valeurs humaines, des idées, des attitudes, ainsi qu'une manière déterminée de percevoir le monde. Ils fournissent des pistes importantes permettant de comprendre une culture. L'élucidation du concept tchest' d'une perspective morale permet de mieux comprendre une période particulière de l'histoire culturelle russe, soit les premières quatre décennies du XIX siècle.
Cette étude analyse la structure intégrée du concept tchest' prenant en considération différents composants (chapitre 2). L'analyse utilisée s'appuie sur une variété de méthodes, incluant les approches étymologique et componentielle, suivies d'un examen de métaphores conceptuelles importantes et d'une corrélation des concepts dans la conception du monde russe tels que : honneur conscience (tchest' sovest'), honneur dignité (tchest' dostoinstvo), honneur honte (tchest' pozor), conscience pudeur (sovest' styd). Le composant du genre du concept tchest' est également abordé.
Étant donné que le concept tchest' est un des mots-clefs dans le romantisme russe et possède une signification culturelle qui reflète l'expérience sociale découlant du passé, le chapitre 3 discute non seulement de l'évolution du concept reliée aux changements culturels, mais aussi redéfinit le concept tchest' dans le contexte littéraire de cette période, se centrant sur les uvres de K. Ryleev, A. Bestuzhev-Marlinskii et M. Lermontov. Le concept tchest' fut bâti dans le code d'honneur des gentilshommes et était relié à un rituel de duels (duels d'honneur) et de jeux (dettes d'honneurs). En dépit du fait que c'était l'époque dorée de l'honneur personnel des nobles, l'explication de ce concept dans l'uvre de Lermontov montre le début de la transformation du concept qui a véhiculé la dévaluation subséquente de la signification de tchest' dans la société.
Migdissova, Svetlana. "An analysis of a Russian cultural phenomenon: A.S. Pushkin's prisoner of the caucasus and beyond". Thesis, McGill University, 2011. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=103520.
Testo completoLa thèse présente une analyse de contenu d'oeuvres issues de la littérature et du cinéma russes regroupées par l'apparition des morphèmes «kavkaz» et «plen» dans leurs titres. Depuis deux siècles, au moins dix œuvres similaires sont apparues dont la plus connue Prisonnier du Caucase d'Alexandre Pouchkine. Celles-ci sont devenues un fascinant phénomène de la culture russe et l'objectif de mon étude est d'analyser l'intertextualité des liens parmi ces œuvres. L'étude est basée dans son ensemble sur les approches développées par Lotman, Barthes, Zholkovsky, Likhachev, et autres. L'étude prend aussi en considération de façon spécifique l'arrière-plan social, historique et culturel, soulignant le phénomène. La structure des thèmes et ses éléments fondamentaux tels «plen», «smert», «zhizn», «zerkalo», etc. ont aussi été pris en considération. Cela est donc nouveau dans une publication académique et n'a jamais été tenté auparavant. Cette étude développe donc des clés d'interprétation pour ces textes. Elle réinterprète les thèmes sur lesquels les textes sont fondés et souligne les thèmes qui n'ont jamais été utilisés précédemment dans la littérature.
Johnson, James Alan. "Societies of the southern Urals, Russian Federation, 2100 -- 900 BC". Thesis, University of Pittsburgh, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3690747.
Testo completoIn the past ten years or more, social complexity has taken center stage as the focus of archaeologists working on the Eurasian steppe. The Middle Bronze Age Sintashta period, ca. 2100 - 1700 BC, is often assumed to represent the apex of social complexity for the Bronze Age in the southern Urals region. This assumption has been based on the appearance of twenty-two fortified settlements, chariot burials, and intensified metal production. Some of these studies have incorporated the emergence and subsequent development of mobile pastoralism as their primary foci, while others have concerned themselves primarily with early forms of metal production and their association with seemingly nascent social hierarchies. Such variables are useful indicators of more complex forms of social organization usually accompanied by strong degrees of demographic centralization and social differentiation.
This dissertation explores the relationship between demographic centralization and the balance between social differentiation and integration based on the data collected during archaeological survey of 142 square km around and between two Sintashta period settlements, Stepnoye and Chernorech'ye, located in the Ui River valley of the southern Urals region, Chelyabinsk Oblast, Russian Federation. Because of the multi-component nature of archaeological survey, materials recovered date from the Mesolithic to the twentieth century. However, the focus was on Bronze Age materials to better identify and evaluate changes between demographic centralization and social differentiation.
Center-hinterland dynamics and the use of historical capital (materials, practices, and places re-used in identifiable ways) were evaluated from the Middle Bronze Age Sintashta period through to the end of the Final Bronze Age. Based on the results of the Sintashta Collaborative Archaeological Research Project (SCARP) project, the ongoing work of Russian scholars, and the results of this dissertation, there is considerable evidence that it was in the Late Bronze Age that social complexity may have become more pronounced, even as the demographically centralized Sintashta period communities dispersed. The results of the landscape and materials analyses indicate strong possibilities for land-use and craft traditions carried through to the end of the Final Bronze Age, with such traditions acting as historical capital for later communities.
Fouts, Jordan. "After the end of the line: apocalypse, post- and proto- in Russian science fiction since Perestroika". Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=18304.
Testo completoCette thèse examine les concepts de l’histoire et de la culture en six textes publiés entre 1986 et 2006, en relation avec la perte du futur Russe, selon Mikhail Epstein, suite à l’écroulement de l’Union Soviétique. En trois chapitres, les écrits sont classés par décennies comme suit : Moscow 2042 de Vladimir Voinnovich (1987) et Pushkin’s Photograph d’Andrei Bitov (1989); Look into the Eyes of Monsters d’Andrei Lazarchuck et Mikhail Uspenskii (1998)et Slynx par Tat’iana Tolstaia (2000); Girl with the Chinese Lighters par Sergei Luk’ianenko (2002) et Time Backwards! d’Aleksei Kalugin (2005). Malgré le fait que les auteurs sont habituellement associés à différents genres, l’ensemble de ces textes se servent de la caractéristique d’aliénation cognitive que la science fiction apporte afin de forger une parabole des conditions courantes, et ainsi acquérir un nouvel aperçu dans l’histoire et la culture. Étant donné la nature et l’athmosphère de la tombée du Communisme, l’apocalypse (ou l’utopie, autre fin à l’histoire) est le mythe dominant qui informe ces visions, un outil d’apprentissage supplémentaire de la science fiction. A travers la convention du genre, notamment le novum (terme utilisé par Darko Suvin pour décrire un nouvel élément formant le monde imaginaire) et son contrepartie kenotype d’Epstein (une expression d’un nouveau phénomène social), les écrits exemplifient leurs périodes respectives de perestroïka, les années ’90 post-Soviet et le début du vingt-et-unième siècle, ainsi qu’imaginer des alternatives sociales qui se rapprochent du concept de proto-era d’Epstein, un futur pour la Russie après le futur. Ce qui émerge d’une étude unifié de ces textes est la valeur que les auteurs trouvent aux outils de la science fiction pour renouveler l’imagination et venir à terme avec l’inconnu. De reconnaître le potentiel résistant du futur, l’incomplet et l’incon
Rankin, Colleen A. "International Agendas Confront Domestic Interests: EU Enlargement, Russian Foreign Policy, and Eastern Europe". The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1337888570.
Testo completoSchick, Christine Suzanne. "Russian Constructivist Theory and Practice in the Visual and Verbal Forms of "Pro Eto"". Thesis, University of California, Berkeley, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3616250.
Testo completoThis dissertation aims in part to redress the shortage of close readings of Vladimir Mayakovsky and Aleksandr Rodchenko's joint project, the book Pro Eto. It explores the relationship between the book's visual and verbal aspects, treating the book and its images as objects that repay attentive looking and careful analysis. By these means this dissertation finds that the images do not simply illustrate the text, but have an intertextual relationship with it: sometimes the images suggest their own, alternative narrative, offering scenes that do not exist in the poem; sometimes they act as literary criticism, suggesting interpretations, supplying biographical information, and highlighting with their own form aspects of the poem's.
This analysis reveals Pro Eto's strong links with distant forms of art and literature. The poem's intricate ties to the book of Genesis and Victor Shklovsky's novel Zoo, written while the former literary critic was in exile in Berlin, evince an ambivalence about the manifestations of socialism in early-1920s Russia that is missing from much of Mayakovsky's work. At the same time Rodchenko's images, with their repeated references to Byzantine icons and Dadaist photomontage, expand the poem's scope and its concerns far beyond NEP-era Moscow. Thus my analysis finds that although Pro Eto is considered to be an emblematic Constructivist work, many of the received ideas about Russian Constructivism—the unswerving zeal of its practitioners, the utility of its production, and in particular the ideology-driven, sui-generis nature of the movement itself—are not supported by the book. Pro Eto's deep connections with art and literature outside of Bolshevik Russia contradict the idea—first set out by the Constructivists themselves and widely accepted by subsequent scholars—of Constructivism as an autochthonous movement, born of theory, and indebted neither to historical art movements nor to contemporary western ones. My analysis suggests that reading Pro Eto through the lens of Constructivist theory denies the work the richness, ambivalence and humor it gains when that theory is understood as being in conversation with artistic practice, rather than defining it.
Willett, Gudrun Alyce. "Crises of self and other-- Russian-speaking migrants in the Netherlands and European Union". Diss., University of Iowa, 2007. http://ir.uiowa.edu/etd/130.
Testo completoKotsyuba, Oleh. "Rules of Disengagement: Author, Audience, and Experimentation in Ukrainian and Russian Literature of the 1970s and 1980s". Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:23845486.
Testo completoSlavic Languages and Literatures
Mykhed, Oksana Viktorivna. "Not by Force Alone: Russian Incorporation of the Dnieper Borderland, 1762-1800". Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11591.
Testo completoHistory
Sundaram, Susmita. "Land of thought: India as ideal and image in Konstantin Bal'mont's Oeuvre". The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1087410693.
Testo completoGeorgiyeva, Natalya. "Impact of Indigenous Language on Achievement and Emotional Conditions: A Case Study of East European Students in Utah". BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/3194.
Testo completoChung, Bora. "Changing the shape of existence Utopia in Andrei Platonov's "Chevengur" and Bruno Jasienski's "I Burn Paris" /". [Bloomington, Ind.] : Indiana University, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3373500.
Testo completoTitle from PDF t.p. (viewed on Jul 6, 2010). Source: Dissertation Abstracts International, Volume: 70-10, Section: A, page: 3879. Adviser: Aaron B. Beaver.
Panyushkina, Irina P., Alexei A. Karpukhin e Asya V. Engovatova. "Moisture record of the Upper Volga catchment between AD 1430 and 1600 supported by a δ13C tree-ring chronology of archaeological pine timbers". ELSEVIER GMBH, URBAN & FISCHER VERLAG, 2016. http://hdl.handle.net/10150/622437.
Testo completoRenner-Fahey, Ona. "Mythologies of poetic creation in twentieth-century Russian verse". The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1056554664.
Testo completoHeywood, Emma. "Foreign conflict reporting post-9/11 and post-Cold War : a comparative analysis of European television news coverage of the Middle East conflict". Thesis, University of Manchester, 2014. https://www.research.manchester.ac.uk/portal/en/theses/foreign-conflict-reporting-post911-and-postcold-war-a-comparative-analysis-of-european-television-news-coverage-of-the-middle-east-conflict(1f514bbd-0779-44c9-bc27-66c26b507194).html.
Testo completoDavis, Brandon S. "State Cyber Operations and International Law: Russian and Western Approaches". The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1523531316393533.
Testo completoMulcahy, Robert Alan. "A Hero of Two Times: Erast Fandorin and the Refurbishment of Genre". The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1369768067.
Testo completoCotrell, Brittany Marie. "When Ambivalence Kills: The West and InternationalHIV Relief in Post-Socialist Russia". The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1366143332.
Testo completoPyanzina, Elizaveta Anatolyevna 1981. "Representation of the Peoples of the Caucasus in 20th Century Russian Literature and Cinematography". Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11489.
Testo completoFor centuries, Russian writers have stressed the important role the Caucasus played in the Russian Empire. In the last few decades, much attention has been directed at the Caucasians in literary works and movies as a result of the two Chechen wars. This thesis addresses the evolution of the Caucasian theme in Russian literature beginning from the 18th century with a focus on the contemporary representation of the peoples of Caucasus, mainly Chechens, in three works: a Soviet-era movie by Leonid Gaidai,
Committee in charge: Dr. Susanna Soojung Lim, Chairperson; Dr. Katya Hokanson, Member
Sorokina, Alfia. "Re-Inventing the Past, Defining the Future: Historical Representations and Regional Development in the Russian Northwest". Thesis, Université d'Ottawa / University of Ottawa, 2010. http://hdl.handle.net/10393/12910.
Testo completoWhittle, Maria Karen. "Subverting Socialist Realism: Vasily Grossman's Marginal Heroes". Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/pomona_theses/70.
Testo completoMarsh, Clayton E. "Germany and Russia: A Tale of Two Identities: The Development of National Consciousness in the Napoleonic Era". Wittenberg University Honors Theses / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=wuhonors161762574001347.
Testo completoMartin, Jeremy A. "RUSSIA AND THE “WEST:” A USEFUL PARADIGM OR AN IMAGINED ACTOR?" Miami University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=miami1178124728.
Testo completoKofman, Olha V. "Freed by Ideology, Imprisoned by Reality: the Representation of Women in the Cinemas of The Thaw and Perestroika". The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1366070656.
Testo completoMartin, Jeremy Andrew. "Russia and the "West" a useful paradigm or an imagined actor? /". Oxford, Ohio : Miami University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1178124728.
Testo completoEsno, Tyler P. "Trading with the Enemy: U.S. Economic Policies and the End of the Cold War". Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1486807359479029.
Testo completo