Tesi sul tema "Rudyard"
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Louttit, Erin. "Rudyard Kipling and Victorian Buddhism". Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/3543.
Testo completoWelz, Stefan. "'Abreast of the age' : Arbeit und Technologie im Werk Rudyard Kiplings /". Hildesheim : G. Olms Verlag, 2003. http://catalogue.bnf.fr/ark:/12148/cb39248104c.
Testo completoSergeant, David. "Form and Ideology in Rudyard Kipling's Prose". Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491071.
Testo completoOzawa, Shizen. "Imperial foreignness : on Rudyard Kipling's early writings". Thesis, University of Essex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364511.
Testo completoWells, Selma Ruth. "Rudyard Kipling : the making of a reputation". Thesis, University of Sussex, 2012. http://sro.sussex.ac.uk/id/eprint/42978/.
Testo completoSwidzinski, Joshua. "Rudyard Kipling and the poetics of failure /". Access restricted. DAL users only, 2008.
Cerca il testo completoAmrani, Ourida. "La valeur symbolique de l'Inde chez Rudyard Kipling". Paris 4, 1990. http://www.theses.fr/1990PA040032.
Testo completoIn the symbolism of India, the word "symbol" is considered as meaning an "image". It is the "image" of India herself. Kipling's India is suggested by the immediate object and the description that he gives us grows into a "vision", then becomes a "symbol". India is the symbol of the world and of life. And, as India is intimately linked to the stages and roots of Kipling’s life, she is not only an external symbol, but also an inner one. India is linked to what is innermost in the personal nature of the man Kipling, his life, his sentiments and his ideas. To explain this, we have used the psychological method associated with the sociological one in the first part entitled "India in Kipling’s life", the second part is about Kipling’s search for identity, a quest for the other self with a whole symbolic value inherited of the realities of the west as well as of the dreams of childhood. Finally, in the third part we have described the landscape of India herself as a symbolic universe. Thus, Kipling’s India has been described as a symbol of paradise, of nostalgia, of hell, a symbol of the British Empire and the world of action, a symbol of the religious quest and lastly a symbol of the world
Dor, Laili. "L'ecriture plurielle dans la fiction de rudyard kipling". Paris 3, 1999. http://www.theses.fr/1999PA030100.
Testo completoNightingale, Nicola. "A man for all reasons : colonialism and the cult of masculine reticence in Kipling's writing /". Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19977001.
Testo completoKemp, Sandra Dawn. "Limits and renewals : transformations of belief in Kipling's fiction". Thesis, University of Oxford, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.385495.
Testo completoWelby, Elizabeth. "Out of Eden : mapping psychic spaces in Rudyard Kipling's fiction". Thesis, University of East Anglia, 2010. https://ueaeprints.uea.ac.uk/34230/.
Testo completoStuckey, Lexi. "Something of himself : textual and historical revision in Rudyard Kipling's Kim /". Read thesis online, 2008. http://library.uco.edu/UCOthesis/StuckeyL2008.pdf.
Testo completoDe, Brito Ana Cassilda Saldanha. "Rudyard Kipling's Just So Stories translated into Portuguese : contexts and text". Thesis, University of Glasgow, 1999. http://theses.gla.ac.uk/4874/.
Testo completoMiladi-Cherif, Hajer. "Lieux d'écriture : les patries imaginaires de Rudyard Kipling et Salman Rushdie". Paris 3, 2001. http://www.theses.fr/2001PA030053.
Testo completoKhanum, Suraiya. "Gender and the colonial short story: Rudyard Kipling and Rabindranath Tagore". Diss., The University of Arizona, 1998. http://hdl.handle.net/10150/282819.
Testo completoThreadgold, Jocelyn Marie. "Rudyard Kipling and the Empire : responses to The Jungle books and Kim /". Title page, contents and conclusion only, 2002. http://web4.library.adelaide.edu.au/theses/09AR/09art5311.pdf.
Testo completoRANDOL, GARRY. "Ordre et désordre dans les nouvelles et écrits journalistiques de Rudyard Kipling". Lille 3, 1992. http://www.theses.fr/1992LIL30008.
Testo completoIn the broad thematic diversity of kipling's short prose works, the sense of the fragility of structures of internal and external order constitutes a constant preoccupation. These works reveal the evolution of kipling's reflection on this question. In the early anglo-indian writings it is the man of action at the imperial frontier who assumes the function of defending a certain vision of order, whereas after leaving india, and especially after the boer war, a sense of national vulnerability leads kipling to take a politically reactionary and militaristic stance. In post-war years, marked by the death of his son, kipling turns his attention to more intimate themes: how best to cure the physical and mental disorders effecting thos returning from the fighting, and how best to adapt to the deep sense of injustice caused by bereavement. If kipling's treatment of the theme of order evolves in the course of his life, the writings trace a quest which comes to no successful issue
Wilkes, Jacob M. "Speaking of Myself: Independence, Self-Representation, and the Speeches of Rudyard Kipling". Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd2867.pdf.
Testo completoLowry, Maria Elizabeth. "Plain tales and puzzles : narrative strategies in the short stories of Rudyard Kipling". Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324548.
Testo completoDevadawson, Christel Rashmi. "Indian thought, myth and folklore in the fiction of Rudyard Kipling and E.M.Forster". Thesis, University of Cambridge, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.240919.
Testo completoRaimbault, Elodie. "Figures de l'espace et de la frontière dans la fiction de Rudyard Kipling". Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030128.
Testo completoRudyard Kipling was a traveller all his life and a champion of the British Empire at the time when its territorial stability was put at risk; he knew India, the U.S.A., South Africa and Sussex intimately. His direct and physical experience of the globe frames the thematic, narrative and stylistic characteristics of his novels and short story collections. Through the notion of borderline, relationships of differentiation, opposition, contact and exchange are built up thematically, in the narrative and in the style: the traveller is represented as a conqueror, an adventurer or a wanderer and global space is apprehended either politically or poetically. Imperial space is necessarily delineated and Kipling conceives of an Empire federating a mosaic of nations. Likewise, Kipling’s sentences stylistically patch up diverse languages, dialects and registers without endangering their textual unity and his narration hinges on the relation between separate elements and the whole text. The narrative authority creates converging lines between stories and networks appear between books, building up a coherent fictional world which suggests the possibility of an opening in this highly demarcated space. In their internal organisation, the books are at once composite and unified, the main narrative interacting with poems and illustrations in the short story collections and with micro narratives in the novels. Text becomes truly figurative in the annotated maps and when the typographical space is modern and significant. Kipling’s literary space dynamically confronts physical territories and a linguistic representative space, the textual organisation and the narrative world it depicts
Au, K. W. "Defining spaces : clubs and their membership in the colonial fiction of Kipling, Orwell and Scott". Click to view the E-thesis via HKUTO, 2003. http://sunzi.lib.hku.hk/hkuto/record/B35731321.
Testo completoChemmachery, Michaux Jaine. "Modernité et colonisation : les nouvelles sur l’empire de Rudyard Kipling et de Somerset Maugham". Thesis, Rennes 2, 2013. http://www.theses.fr/2013REN20026/document.
Testo completoKipling’s and Maugham’s short stories respectively stage Anglo-Indian society during the Raj and English and Dutch colonial societies in interwar South-East Asia. In spite of contextual differences and the two specific moments when the authors wrote their short stories, the latter invariably deal with a problematic colonisation seen as a crisis while the genre of the short story formally conveys the notion of crisis. By using the relation between modernity and colonisation as it was conceptualised by the Postcolonial studies as a paradigm, this dissertation shows how short stories can operate a specific take on this relation and be considered as a site of disturbance. In this reflection on the propensity of short stories to destabilise political and philosophical modernity and the various ideologies it is associated with – such as the promotion of reason, of knowledge, of progress – Kipling’s and Maugham’s colonial short fictions seem to operate in different ways. Kipling’s short stories poetically question the “political” and modernity as they appear in the colonial paradigm through awriting that operates from a marginal position moving away from the domestic novel. By focusing on colonial society, itself being located on the margins of English metropolitan society, the writers’ works practise a decentering form of writing. Maugham’s short stories partake more of a general feeling about the decline of European civilisation in the interwar period but also reflect on the location of the writer who faces various centres which produce knowledge and cultural authority. The destabilising effect of the short story is certainly linked to its position as a “lonely voice” but above all to its marginal position
Parker, Daniel S. "Phenomenology of Space and TIme in Rudyard Kipling's Kim: Understanding Identity in the Chronotope". Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/english_theses/132.
Testo completoCarloni, Marta <1987>. "Pleasures and Pains of "Going Native" in Rudyard Kipling's Kim and Four Short Stories". Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/6358.
Testo completoBaneth-Nouailhetas, Emilienne L. "Le roman anglo-indien de Rudyard Kipling à Paul Scott : discours colonial et discours poétique". Paris 3, 1995. http://books.openedition.org/psn/3753.
Testo completoThis study seeks to underline the "generic" characteristics which evince the liberary unity of angloindian fiction. Through an investigation of novels by r. Kipling (kim), f. A. Steel (on the face of the waters), alice perrin (the woman in the bazaar), e. M. Forster (a passage to india), g. Orwell (burmese days), and paul scott (the raj quartet), this analysis underlines the dominance of ideological discourse as an essential element of colonial fiction, and more specifically, of the angloindian novel. The colonial discourse is absorbed by the narrative process and becomes the insturment of a poetic reflection on the modes of textual production. It thus breeds a poetic discourse which demonstrates, in its chronological evolution, the specificity and dynamism of anglo-indian fiction : the ideological discourse initiales a certain novelistic approach, and imposes itself upon narratives which inevitably refer to it. Indeed, whether it confirms or refutes colonial doctrines, the narrative cannot but acknowledge the existence of this discourse, as the colonial situation is the very context of its creation the anglo-indian narrative is therefore always predetermined by a hypotextual discourse, but this discourse becomes a vehicle of literary creation, as the anglo-indian novel constantly seeks to break free from its hold through innovative poetic techniques
Uhlén, Karin. "A White Orphan’s Educational Path in British India : A Postcolonial Perspective on Rudyard Kipling’s Novel Kim". Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-49439.
Testo completoEstus, Steven Clark. "Home and who: A rhetorical analysis of Rudyard Kipling's "Tiger! tiger!' and "Letting in the jungle"". CSUSB ScholarWorks, 2003. https://scholarworks.lib.csusb.edu/etd-project/2343.
Testo completoPfeffer, Adam Keith. ""The Little Stop Before the Words": Bildungsroman and the Building of a Colonial Discourse in Rudyard Kipling's "Kim"". W&M ScholarWorks, 2001. https://scholarworks.wm.edu/etd/1539626314.
Testo completoGriffiths, Sheila Margaret. "Kim and his progeny". Thesis, Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21240966.
Testo completoMartin, Michael G. "A Study of the Original Composition "Land of Our Birth" for Male Chorus, Brass, Percussion, Woodwinds, and Piano". The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1376500829.
Testo completoSamee, Sabir Abdus. "White Man’s Burden in Rudyard Kipling’s “The Limitations of Pambe'Serang”, “At the End of the Passage” and “Only a Subaltern”". Thesis, Högskolan Dalarna, Engelska, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:du-1403.
Testo completoLall, Sumita. "Rudyard Kipling, Hollywood, and the imperial gaze, the politics of looking in Kipling's 1901 novel and MGM's 1950 film Kim". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0011/MQ52591.pdf.
Testo completoMarsh, Darren Lee. "Literary commerce in the late nineteenth century : Robert Louis Stevenson, Rudyard Kipling and the conditions for a profession of authorship". Thesis, University of Birmingham, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.409493.
Testo completoBecker, Elizamari Rodrigues. "Forças motrizes de uma contística pré-modernista : o papel da tradução na obra ficcional de Monteiro Lobato". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2006. http://hdl.handle.net/10183/7650.
Testo completoBALDI, ROBERTA GIOVANNA. "I "Departmental Ditties" di Rudyard Kipling: dalla serie del 1886 apparsa sulla Civil and Military Gazette alla sequenza inglese del 1890". Doctoral thesis, Università Cattolica del Sacro Cuore, 2007. http://hdl.handle.net/10280/164.
Testo completoThe dissertation investigates Rudyard Kipling's 'Departmental Ditties'. Chapter One refers in particular to Kipling's sojourn in India as sub-editor of the Civil and Military Gazette, which between February and mid-April 1886 published the 'Departmental Ditties' series. Chapter Two investigates the ten original poems. Chapter Three discusses the main alterations of the sequence by comparing its first four editions in the poetic collection departmental ditties and other verses (1886, 1888 and 1890).
BALDI, ROBERTA GIOVANNA. "I "Departmental Ditties" di Rudyard Kipling: dalla serie del 1886 apparsa sulla Civil and Military Gazette alla sequenza inglese del 1890". Doctoral thesis, Università Cattolica del Sacro Cuore, 2007. http://hdl.handle.net/10280/164.
Testo completoThe dissertation investigates Rudyard Kipling's 'Departmental Ditties'. Chapter One refers in particular to Kipling's sojourn in India as sub-editor of the Civil and Military Gazette, which between February and mid-April 1886 published the 'Departmental Ditties' series. Chapter Two investigates the ten original poems. Chapter Three discusses the main alterations of the sequence by comparing its first four editions in the poetic collection departmental ditties and other verses (1886, 1888 and 1890).
Hart, Catherine Elizabeth. "English or Anglo-Indian?: Kipling and the Shift in the Representation of the Colonizer in the Discourse of the British Raj". The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1337258865.
Testo completoSoubigou, Gilbert. "Le theme de l'aventurier-roi au vingtieme siecle". Nantes, 1988. http://www.theses.fr/1988NANT3004.
Testo completoThe king-adventurer is a forgotten character, on the fringe of colonial power. In their lives, james brooke, david de mayrena and t. E. Lawrence have been king-adventurers, adventurers who have founded kingdoms. In literature, that theme has been respectively illustrated by kipling (the character of dravot in the man who whould be king), conrad (kurtz in heart of darkness), jules and michel verne (killer in l'etonnante aventure de la mission barsac), malraux(perkengrabot in la voie royale and clappique-mayrena in le miroir des limbes), schoendoerffer (learoyd in l'adieu au roi). In reality as in fiction, the promethean quest for a kingdom, born in day-dream, ends in derision and in the "is it worth it?" nevertheless, the adventure of the kingdom has been a counter-fate
Hultqvist, Kristian. "Den gröne mannens börda : Kolonial plikt i H G Wells The War of the Worlds". Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-196217.
Testo completoDelmas, Catherine. "L'Orient dans le roman britannique, 1895-1950 : mythe et réalité". Paris 4, 1996. http://www.theses.fr/1996PA040016.
Testo completoThe way the east is represented in the modern British novel cannot be limited to an exotic or a picturesque description. Beyond the clichés and the limitations imposed by the myth of the fabulous east, most novels offer a vision which comes close to reality - although it may have been influenced by orientalism and the imperialistic context of the time: firstly when such as foster and Kipling turn to the sacred myths of Hindu and Buddhist civilizations and cultures; secondly when the myths that are usually associated with the east reveal various archetypes anchored in man's imagination. The adventure novel becomes the soty of an inner journey into the self. The mythological voyage is then the metaphorical representation of an existential quest undertaken by a hero looking for an eastern refuge where he hopes to forget the outside world and reach transcendence. When the myth of the Garden of Eden becomes a descent into hell, the myth and the reality of the east are ultimately part of a metaphysical representation of the world
Gosling, Edward Peter Joshua. "Tommy Atkins, War Office reform and the social and cultural presence of the late-Victorian army in Britain, c.1868-1899". Thesis, University of Plymouth, 2016. http://hdl.handle.net/10026.1/4359.
Testo completoLeadingham, Norma Compton. "Propaganda and Poetry during the Great War". Digital Commons @ East Tennessee State University, 2008. https://dc.etsu.edu/etd/1966.
Testo completoRoberts, Timothy Paul English UNSW. "Little terrors:the child???s threat to social order in the Victorian bildungsroman". Awarded by:University of New South Wales. English, 2005. http://handle.unsw.edu.au/1959.4/23930.
Testo completoMarty, Christophe. "L’aventure coloniale dans le roman britannique vue par le cinéma américain : King Solomon’s Mines (1950), Kim (1950), The Quiet American (1958 ; 2002), The Man Who Would Be King (1975), Apocalypse Now (1979 ; 2001)". Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030125.
Testo completoThe study focuses on six adaptations of narratives by Rider Haggard, Kipling, Conrad and Greene. It addresses the way Hollywood worked over several aspects of the literary works for aesthetic [attention to exotic details, reshaping of narratives, acting, colours, setting] as well as ideological purposes [a reflection on colonial imperialism]. Comparing the films with their literary antecedents, the study analyses the manner cinema is backed by literature to weave a network of signs which reveal Hollywood’s approach to American imperialist temptation
Su, Pei-yi, e 蘇佩儀. "Dualism and Cultural Hybridity in Rudyard Kipling''s Kim". Thesis, 2003. http://ndltd.ncl.edu.tw/handle/58621197498967900779.
Testo completo國立成功大學
外國語文學系碩博士班
91
As an imperialist writer, Kipling’s childhood sojourn in India caused a “double vision” in his works and raised controversy from post-colonial critics. Edward Said, a post-colonial critic, thinks of white writers like Kipling as an “imperial agent” of the British Empire as well as a jingoist who assists in passing on racism. Kipling’s Oriental stereotypes and his characterization of “benevolent despots” who recruit dissidence of the colonized by racial tolerance raised the so-called “The Kipling Controversy.” Through the Kipling controversy, this paper aims to discover how the two cultural hybrids in Kipling’s Kim demonstrates but challenges Said’s political interpretations and how they match “the mimic man” that the post-colonial critic Homi Bhabha proposes. In chapter one, Robert Young’s theory of “hybridity” is adopted to explain how the binary opposition of nature and culture reveals Kipling’s ambivalence towards Indianness and Englishness. In chapter two I focus on how Kipling juxtaposes the two cultural hybrids, Kim and Hurree Babu, in order to balance the power relationship between the ruler and the ruled. In chapter three, I mainly discuss the identity crisis of cultural hybrids, showing how Kipling tries to seek resolutions for colonial conflicts through Kim’s identity crisis. In chapter four, Homi Bhabha’s “The third space” is compared to Kipling’s “middle way,” uncovering both the political and the metaphysical sides of “cultural hybridity.” Through Kipling’s concept of cultural hybridity and dualism, on the one hand, we are informed that identity can be constructed for political use; on the other hand, we are also reminded that identity can be redefined metaphysically. Chapter five is a brief conclusion, summing up how Kipling’s concept of “cultural hybridity” lays the foundation of dualism in Kim and explores new ways of thinking for colonial literature.
Brandão, Silvia Margarida Coelho. "Traduzir o texto colonial - Uma crítica de tradução comparativa de Kim". Master's thesis, 2017. http://hdl.handle.net/10316/85652.
Testo completoEsta dissertação visa analisar, numa perspetiva diacrónica, a tradução de Kim, enquanto texto literário colonial. Nos primeiros dois capítulos, discutem-se a vida e a obra de Rudyard Kipling e apresenta-se sucintamente o romance que será objeto de análise. Segue-se uma reflexão sobre os conceitos de literatura e de tradução literária. No quarto capítulo, apresentam-se considerações sobre a teoria pós colonial, refletindo-se sobre o papel da tradução no projeto imperial e sobre as (ex )colónias como pontos de convergência cultural. No quinto capítulo, procede-se à contextualização das traduções em estudo, uma anterior, outra posterior à Revolução dos Cravos, discutindo o impacto da censura durante o Estado Novo e o mercado da tradução atual. No capítulo seguinte, procede-se à análise do corpus, nomeadamente no que diz respeito à tradução dos conceitos foreign (estranhos e estrangeiros), das epígrafes, da construção do outro, da escrita fonética e das formas de tratamento, bem como à questão da censura. Constata-se que o texto de 1990 é um texto mais domesticado e explicativo do que o de 1960, embora siga a estrutura do texto de partida mais de perto do que este. Observa-se também que, em ambos, existe uma maior preocupação com o conteúdo do que com a forma ou com os recursos de escrita não convencional empregados pelo autor. Finalmente, conclui-se que a tradução do texto colonial requer uma abordagem híbrida, igualmente preocupada com preservar a essência do texto de partida e assegurar a compreensão do leitor de chegada.
The aim of this thesis is to analyze, from a diachronic perspective, the translation of Kim, as a colonial literary text. The first two chapters present an overview of Rudyard Kipling’s life and work as well as of the novel which is the object of analysis. This is followed by a discussion of the concepts of literature and literary translation. The fourth chapter addresses postcolonial theory, focusing on the role that translation played in the imperial project and on (former) colonies as sites of cultural convergence. The fifth chapter aims at providing a context for the two translations under analysis, one published before, the other after the Portuguese Revolution of 1974, reflecting on the impact of censorship during the dictatorial period of the so-called Estado Novo and the current translation market. The following chapter focuses on corpus analysis, namely on the translation of foreign concepts, epigraphs, the construction of the other, phonetic writing and forms of address, as well as on the issue of censorship. The 1990 translation proves to be a more domesticated and explanatory text than the 1960 translation, although it follows the structure of the source text more closely than the other. It can also be noted that in both texts there is a greater concern with content than with form or the non conventional writing devices used by the author. Finally, it can be concluded that translating a colonial text requires a hybrid approach, equally concerned with preserving the essence of the source text and ensuring the target reader’s comprehension.
Snider, Philip R. "A new pattern in a shift of light : a study of Rudyard Kipling as a 20th century writer". Thesis, 1993. http://hdl.handle.net/2429/1467.
Testo completoSwamidoss, Hannah Monica. "The quest for a home : acculturation, social formations, and agency in British fiction, 1816-1911 /". 2008. http://proquest.umi.com/pqdweb?did=1500083211&sid=10&Fmt=2&clientId=10361&RQT=309&VName=PQD.
Testo completoKlunker, Ulf Rudyard [Verfasser]. "Bestand und Identität der human-teratologischen Präparate in den Meckel'schen Sammlungen unter besonderer Berücksichtigung des wissenschaftlichen Werkes von Johann Friedrich Meckel dem Jüngeren (1781-1833) / von Ulf Rudyard Klunker". 2003. http://d-nb.info/969420927/34.
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