Bibliografie tematiche / Rudyard

Letteratura scientifica selezionata sul tema "Rudyard"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 29 luglio 2024

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Articoli di riviste sul tema "Rudyard"

1

Lefebvre, Denis. "Kipling Rudyard". Humanisme N° 291, n. 1 (1 febbraio 2011): 101–7. http://dx.doi.org/10.3917/huma.291.0101.

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2

Webb, George. "Rudyard Kipling 1865–1936". Round Table 76, n. 302 (aprile 1987): 254–61. http://dx.doi.org/10.1080/00358538708453812.

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3

Canale, DJ. "Rudyard Kipling’s medical addresses". Journal of Medical Biography 27, n. 4 (11 marzo 2019): 204–12. http://dx.doi.org/10.1177/0967772019835103.

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Abstract (sommario):
Rudyard Kipling was one of the most widely read writers of prose and poetry during his lifetime. His wide travels—he was born in India and lived in England and The United States and made frequent visits to South Africa—led to many encounters with physicians and medicine. His unique addresses to the medical profession reveal his knowledge of medical subjects. His three major medical addresses concern medical subjects in contrast to most laymen addressing physicians, who typically speak about their own areas of expertise. The influence of Sir William Osler on some of Kipling’s stories is also examined.
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Prentice, Chris Ortiz y. "RUDYARD KIPLING'S TACTICAL IMPRESSIONISM". Victorian Literature and Culture 45, n. 1 (13 febbraio 2017): 17–33. http://dx.doi.org/10.1017/s1060150316000413.

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A story titled “The Impressionists”that was published in 1897 should have something to say about art, but does it? The sixth installment in Rudyard Kipling'sStalky & Co.series, “The Impressionists” follows the antics of M'Turk, Stalky, and Beetle, three cunning boys at a dreary English military preparatory school. Suspecting these boys of cheating on their schoolwork, housemaster Mr. Prout turns them out of their private study into the main house dormitory. For revenge, and hoping to win back their room, Stalky & Co. becomeagents provocateurs. They start a fight in their house and manage to involve the other housemasters’ houses: “Under cover of the confusion the three escaped to the corridor, whence they called in and sent up passers-by to the fray. ‘Rescue, King's! King's! King's! Number Twelve form-room! Rescue, Prout's – Prout's! Rescue, Macrea's! Rescue, Hartopp's!’” (102). The three boys then allow Mr. Prout to overhear a conversation that makes money-lending seem common practice in the houses: “‘Where's that shillin’ you owe me?’ said Beetle suddenly. Stalky could not see Prout behind him, but returned the lead without a quaver. ‘I only owed you ninepence, you old usurer’” (103). Stalky & Co. rile up the other boys by telling ghost stories and spreading slanderous ditties; they turn the house against the prefects and undermine Mr. Prout's authority; and in the end they win back their room, but they are also found out by the headmaster, who mixes corporeal punishment with his admonishments: “There is a limit – one finds it by experience, Beetle – beyond which it is never safe to pursue private vendettas, because – don't move – sooner or later one comes – into collision with the – higher authority, who has studied the animal.Et ego– M'Turk, please –in Arcadia vixi” (117). The boys take the headmaster's attentions as a compliment, and they take his advice. Never again do they stake the school's peace in the pursuit of their own ends.
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Hashmi, Shadab Zeest. "Postcard to Rudyard Kipling". Pleiades: Literature in Context 43, n. 2 (settembre 2023): 113. http://dx.doi.org/10.1353/plc.2023.a912981.

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Kemp, Sandra, e Harold Orel. "Critical Essays on Rudyard Kipling". Yearbook of English Studies 22 (1992): 339. http://dx.doi.org/10.2307/3508451.

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Rowe, Timothy, e Gillian King. "Paleobiology: Homage to Rudyard Kipling". Systematic Zoology 40, n. 2 (giugno 1991): 244. http://dx.doi.org/10.2307/2992262.

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Brantlinger, Patrick. "Rudyard Kipling, Writings on Writing". Cahiers victoriens et édouardiens, n. 74 Automne (14 novembre 2011): 210–12. http://dx.doi.org/10.4000/cve.1388.

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Rome, T. "Paleobiology: Homage to Rudyard Kipling". Systematic Biology 40, n. 2 (1 giugno 1991): 244–45. http://dx.doi.org/10.1093/sysbio/40.2.244.

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Nimavat, Dr Dushyant. "The Representation of India in Rudyard Kipling's Fiction". Paripex - Indian Journal Of Research 3, n. 1 (15 gennaio 2012): 109–10. http://dx.doi.org/10.15373/22501991/jan2014/32.

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Tesi sul tema "Rudyard"

1

Louttit, Erin. "Rudyard Kipling and Victorian Buddhism". Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/3543.

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Abstract (sommario):
The thesis recontextualises the fiction of the nineteenth- and twentieth-century writer Rudyard Kipling by exploring aspects of Victorian Buddhism in a selection of his published work. It demonstrates his engagement with a variety of Buddhist histories and cultures, showing a serious artistic and imaginative response to and interpretation of Buddhism. Focusing primarily on the novel Kim, the thesis develops existing criticism, examining the character of the lama. Additionally, it studies features of Victorian Buddhism other than textual sources, drawing on work by scholars in fields such as the history of art and the history of religion. As well as considering varied Buddhist elements in Kim, the thesis examines the theme of the survival of the soul, situating short stories from various periods of Kipling's writing life in the context of scholarly debates about Nirvana and reincarnation. Attention is also given to critically neglected travel writing from the Letters of Marque series written for periodical publication. Kipling's work is shown to be deeply concerned with and sympathetic to Buddhism and Buddhist cultures.
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Welz, Stefan. "'Abreast of the age' : Arbeit und Technologie im Werk Rudyard Kiplings /". Hildesheim : G. Olms Verlag, 2003. http://catalogue.bnf.fr/ark:/12148/cb39248104c.

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Sergeant, David. "Form and Ideology in Rudyard Kipling's Prose". Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491071.

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This thesis provides a synthesizing account of Kipling as an 'amphibian' writer concerned both with the creation of prose works of great aesthetic sophistication and complexity, and of propagandistic writing whose principal objective was the ftirtherance of a particular imperial doctrine. Through a succession of close readings I demonstrate how these two kinds of Kipling text are both distinguished and connected by their formal operation, with the more aesthetically complex work often deploying similar narrative strategies to the propagandistic texts, but in ways that are far more complex and ambiguous.
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Ozawa, Shizen. "Imperial foreignness : on Rudyard Kipling's early writings". Thesis, University of Essex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364511.

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Wells, Selma Ruth. "Rudyard Kipling : the making of a reputation". Thesis, University of Sussex, 2012. http://sro.sussex.ac.uk/id/eprint/42978/.

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When Rudyard Kipling died in January 1936, the resulting national and international mourning indicated the popularity and enormous influence of his life and work. It demonstrated the esteem in which he was still held and the consequent longevity of his literary success. This thesis examines how Kipling established, maintained and protected his reputation, his purpose in doing so and considers if concern about his own ethnic purity was a central motivation for him in this regard. This thesis explores Kipling‟s preoccupation with the reputation of the enlisted man – or „Tommy Atkins‟ figure – and his sympathy with the „underdog‟ and discusses how recuperation of this denigrated image was instrumental in establishing and increasing Kipling‟s poetic and literary success. His intimate personal relationship and fascination with the enlisted man is investigated, especially in terms of Empire and the Great War and juxtaposed with discussion of Kipling‟s numerous elite, establishment military and political connections. His post-war link to the soldier is considered, including the powerful and enduring effects of the death of his son. Exploration of Kipling‟s writing is undertaken using material from the University of Sussex Special Collections Kipling Archive, including Kipling‟s personal papers and correspondence which are referred to throughout and the six volume collection of Kipling‟s correspondence edited and published by Thomas Pinney. Additional, selective close-reading of his verse and prose illustrates arguments in the personal papers and indicates that Kipling‟s literary reputation vindicated both himself and the image of the soldier. Work from poets contemporary with Kipling is used in context, to provide comparison and contrast. In addition to the main thesis, an appendix volume is in place to offer further exploration of the primary archive material.
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Swidzinski, Joshua. "Rudyard Kipling and the poetics of failure /". Access restricted. DAL users only, 2008.

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7

Amrani, Ourida. "La valeur symbolique de l'Inde chez Rudyard Kipling". Paris 4, 1990. http://www.theses.fr/1990PA040032.

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Abstract (sommario):
Dans la symbolique de l'Inde, le mot "symbole" tel que nous l'avons distingué est "image". C'est l'image de l'Inde elle-même. Cette Inde est suggérée par l'objet immédiat et la description qu'en donne Kipling s'élargit jusqu'à devenir une "vision" puis un "symbole". L'Inde est le symbole du monde et de la vie et comme l'inde est intimement liée aux étapes et aux racines de la vie de Kipling, elle est non seulement un symbole extérieur mais c'est aussi un symbole intérieur car elle est liée à ce qu'il y a de plus intime dans la nature personnelle, la vie, les sentiments et les idées de l'homme Kipling. Nous avons utilisé la méthode psychologique associée à la méthode sociologique dans la première partie intitulée "l'Inde dans la vie de Kipling" la deuxième partie à été consacrée à Kipling et à la recherche de son identité, quête chargée de toute une portée symbolique héritée des réalités de l'occident autant que des songes de l'enfance. Enfin, notre troisième partie a été de recréer en recourant à toutes les formes possibles de l'analyse, plus qu'un paysage de l'Inde, un univers symbolique, ainsi l'Inde de Kipling a été décrite tour à tour comme symbole de paradis, de nostalgie ou d'enfer, symbole de l'empire britannique et du monde actif, symbole de la quête religieuse et enfin symbole du monde
In the symbolism of India, the word "symbol" is considered as meaning an "image". It is the "image" of India herself. Kipling's India is suggested by the immediate object and the description that he gives us grows into a "vision", then becomes a "symbol". India is the symbol of the world and of life. And, as India is intimately linked to the stages and roots of Kipling’s life, she is not only an external symbol, but also an inner one. India is linked to what is innermost in the personal nature of the man Kipling, his life, his sentiments and his ideas. To explain this, we have used the psychological method associated with the sociological one in the first part entitled "India in Kipling’s life", the second part is about Kipling’s search for identity, a quest for the other self with a whole symbolic value inherited of the realities of the west as well as of the dreams of childhood. Finally, in the third part we have described the landscape of India herself as a symbolic universe. Thus, Kipling’s India has been described as a symbol of paradise, of nostalgia, of hell, a symbol of the British Empire and the world of action, a symbol of the religious quest and lastly a symbol of the world
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Dor, Laili. "L'ecriture plurielle dans la fiction de rudyard kipling". Paris 3, 1999. http://www.theses.fr/1999PA030100.

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Le present travail envisage l'oeuvre de kipling comme la transcription d'un monde sans cesse menace d'eclatement, qu'il s'agisse des crises intestines de l'empire ou de la premiere guerre mondiale. Kipling renonce aux canons litteraires victoriens pour adopter une ecriture novatrice, fondee sur la pluralite. Cette ecriture plurielle se caracterise par sa fragmentation : kipling privilegie la nouvelle, et rompt le fil du recit, en introduisant notamment dans le texte une variete de langues et de dialectes. La pluralite, pour kipling, est aussi profondeur, depuis la profondeur concrete des entrailles de la terre jusqu'a la profondeur abstraite du sens cache. L'ecart entre surface et profondeur devient alors l'objet d'un jeu, par le biais de diverses pratiques de travestissement, qui trouvent leur apogee dans le great game, l'organisation d'espionnage de kim. Le travestissement est une incitation, pour les personnages comme pour le lecteur, a developper des capacites hermeneutiques, que kipling presente en contrepoint avec le parcours mystique de la quete. Dechiffrer le monde, comme dechiffrer le texte, c'est percevoir son sens profond et ses lignes de coherence. Le lecteur perspicace decouvre ainsi, tout au long de l'oeuvre de kipling, un reseau d'echos et de recurrences. L'organisation de la pluralite passe egalement par la mise en harmonie des differentes voix du texte, qui temoigne du reve de l'auteur de se faire (en)chanteur.
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Nightingale, Nicola. "A man for all reasons : colonialism and the cult of masculine reticence in Kipling's writing /". Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19977001.

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10

Kemp, Sandra Dawn. "Limits and renewals : transformations of belief in Kipling's fiction". Thesis, University of Oxford, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.385495.

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Libri sul tema "Rudyard"

1

Seymour-Smith, Martin. Rudyard Kipling. London: Macdonald/Queen Anne Press, 1989.

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2

Mallett, Phillip. Rudyard Kipling. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9781403937759.

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3

Rudyard, Kipling. Rudyard Kipling. Oxford: Oxford University Press, 1999.

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4

Rudyard, Kipling. Rudyard Kipling. London: Aurum, 1992.

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5

Harold, Bloom, a cura di. Rudyard Kipling. Philadelphia: Chelsea House Publishers, 2004.

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6

Harold, Bloom, a cura di. Rudyard Kipling. New York: Chelsea House, 1987.

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7

Rudyard, Kipling. Rudyard Kipling. New York: C.N. Potter, 1992.

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8

Rudyard, Kipling. Rudyard Kipling. London: Everyman, 1998.

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9

name, No. Rudyard Kipling. Philadelphia: Chelsea House Publishers, 2003.

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10

Martin, Seymour-Smith. Rudyard Kipling. London: Macdonald, 1989.

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Capitoli di libri sul tema "Rudyard"

1

Welz, Stefan. "Kipling, Rudyard". In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8900-1.

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2

Dittmar, Wilfried, e Stefan Welz. "Rudyard Kipling". In Kindler Kompakt: Englische Literatur, 19. Jahrhundert, 186–91. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05527-9_44.

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Kingsmill, Hugh. "Rudyard Kipling". In The Progress of a Biographer, 27–37. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003272632-3.

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4

Welz, Stefan. "Kipling, Rudyard". In Englischsprachige Autoren, 160–62. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02951-5_62.

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Conrad, Joseph, H. Rider Haggard, Rudyard Kipling e Lindy Stiebel. "Rudyard Kipling". In Lives of Victorian Literary Figures, Part VII, Volume 2, 151–72. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003513131-13.

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Mallett, Phillip. "Childhood and Youth". In Rudyard Kipling, 1–16. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9781403937759_1.

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Mallett, Phillip. "The Last Decade". In Rudyard Kipling, 182–200. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9781403937759_10.

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Mallett, Phillip. "Seven Years’ Hard: Kipling in India". In Rudyard Kipling, 17–44. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9781403937759_2.

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Mallett, Phillip. "The Conquest of London". In Rudyard Kipling, 45–71. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9781403937759_3.

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Mallett, Phillip. "Citizens of America". In Rudyard Kipling, 72–89. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9781403937759_4.

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Atti di convegni sul tema "Rudyard"

1

LeCavalier, Jesse. "Reading the Logistical Surface". In 105th ACSA Annual Meeting Paper Proceedings. ACSA Press, 2017. http://dx.doi.org/10.35483/acsa.am.105.79.

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The logistical surface is nimble and adaptable but illegible to its authors. To better understand the implications of this condition, this article makes connections between human and machine systems by looking first to Norbert Wiener and then two related short stories: Rudyard Kipling’s “With the Night Mail”and E.M. Forster’s “The Machine Stops.” The two texts establish political polarities that help to contextualize contemporary logistical worlds while also suggesting ways to discover alternative ones.
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Butko, N. H. "The story and a short analysis of Rudyard Kipling‟s poem „Mother o‟ Mine‟". In INNOVATIVE ASPECTS OF THE DEVELOPMENT OF PHILOLOGICAL SCIENCES. Baltija Publishing, 2023. http://dx.doi.org/10.30525/978-9934-26-311-8-5.

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Rapporti di organizzazioni sul tema "Rudyard"

1

In-depth survey report: comparison of the performances of three acoustic test fixtures using impulse peak insertion loss measurements, Rudyard, Michigan. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, febbraio 2015. http://dx.doi.org/10.26616/nioshephb35014a.

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