Letteratura scientifica selezionata sul tema "Romanesque ages"
Cita una fonte nei formati APA, MLA, Chicago, Harvard e in molti altri stili
Consulta la lista di attuali articoli, libri, tesi, atti di convegni e altre fonti scientifiche attinenti al tema "Romanesque ages".
Accanto a ogni fonte nell'elenco di riferimenti c'è un pulsante "Aggiungi alla bibliografia". Premilo e genereremo automaticamente la citazione bibliografica dell'opera scelta nello stile citazionale di cui hai bisogno: APA, MLA, Harvard, Chicago, Vancouver ecc.
Puoi anche scaricare il testo completo della pubblicazione scientifica nel formato .pdf e leggere online l'abstract (il sommario) dell'opera se è presente nei metadati.
Articoli di riviste sul tema "Romanesque ages":
Calvo Díaz, Andrea Auxiliadora. "La arquitectura medieval y el pensamiento de Nicolás de Cusa". ACCADERE. Revista de Historia del Arte, n. 3 (2022): 87–106. http://dx.doi.org/10.25145/j.histarte.2022.03.05.
Calvo Díaz, Andrea Auxiliadora. "La arquitectura medieval y el pensamiento de Nicolás de Cusa". ACCADERE. Revista de Historia del Arte, n. 3 (2022): 87–106. http://dx.doi.org/10.25145/j.histarte.2022.03.05.
Štivičić, Štefan. "Ivan Josipović, Pridraga u zaleđu Zadra". Miscellanea Hadriatica et Mediterranea 6, n. 1 (20 gennaio 2020): 249–54. http://dx.doi.org/10.15291/misc.2918.
Michniewicz, Jacek, Danuta Nawrocka, Anna Pazdur e Marta Żurakowska. "Issue of Actual Chronology of a Romanesque Chapel at the Wlen Castle (Lower Silesia, Poland) in the Light of Mortar Radiocarbon Dating". Geochronometria 26, n. -1 (1 gennaio 2007): 31–33. http://dx.doi.org/10.2478/v10003-007-0010-5.
Viñuales Gavn, Ederlinda. "Astronomy in romanic churches". Proceedings of the International Astronomical Union 15, S367 (dicembre 2019): 471–73. http://dx.doi.org/10.1017/s1743921321000363.
Kim, Kyuchin. "Czech Culture in Prague: Architecture". International Area Review 6, n. 1 (marzo 2003): 19–33. http://dx.doi.org/10.1177/223386590300600102.
K. Németh, András, e Melinda Takács. "A középkori Lápafő és temploma". Kaposvári Rippl-Rónai Múzeum Közleményei, n. 2 (2013): 61–82. http://dx.doi.org/10.26080/krrmkozl.2013.2.61.
Classen, Albrecht. "The Intolerant Middle Ages: A Reader, ed. Eugene Smelyansky. Readings in Medieval Civilization and Cultures, XXIII. Toronto, Buffalo, and London: University of Toronto Press, 2020, xviii, 280 pp., 12 b/w ill." Mediaevistik 34, n. 1 (1 gennaio 2021): 324–27. http://dx.doi.org/10.3726/med.2021.01.43.
Sulkowska-Tuszyńska, Krystyna. "KILKA UWAG O KOLORYSTYCE BAZYLIKI NORBERTANEK W STRZELNIE W XIII-XIV WIEKU". Slavia Antiqua. Rocznik poświęcony starożytnościom słowiańskim, n. 62 (8 novembre 2021): 347–74. http://dx.doi.org/10.14746/sa.2021.62.15.
Moss, Rachel. "Appropriating the Past: Romanesque Spolia in Seventeenth-Century Ireland". Architectural History 51 (2008): 63–86. http://dx.doi.org/10.1017/s0066622x00003026.
Tesi sul tema "Romanesque ages":
Theophilopoulou, Calliope-Catherine. "Figures du héros antique dans le roman médiéval : didactisme et œuvre romanesque". Thesis, Lyon 2, 2009. http://www.theses.fr/2009LYO29999.
Myths, as well as their dominant figures, heroes, have attracted people throughout time. Since their first days of existence, people turned to them whenever they were needed. Medieval people were an eloquent example. Therefore, references to those narrations which managed to survive through time, as well as to those heroes were frequent. At first, those references existed simply because nobody was able to object to or turn down these references. They were auctoritas which referred to real events. The authors of this era were not asked to create, but to pass them on to the illiterate. Furthermore, they possess a formating role. They constitute questioneless archetypal models. Medieval people also resort to those narrations so that they are able to determine their behavior or adapt an attitude appropriate to their origin, their gender and their age. In addition, reference to particular incidents intends to instruct them or prevent them by means of exposing the harmful results of an incompatible behavior with the laws of society or nature.Finally, writers refer to stories regarding ancient heroes because they realize that it is the optimal way to get through their message.The fact that they promote the model of the perfect leader, contributes to consolidation of aristocracy at a time when the class seems to be threatened by a new rising class, the bourgeoisie. Furthermore, they take the opportunity of inculcating their aspirations in an effort to form a better society. So according to them, the perfect lord should be generous, wise and educated, able to handle his fief wisely, in harmony. On the other hand, we acknowledge the authors’ contribution to the formation of society. Even if they are not members of the class of knights, they also contribute to the suitable management of society by the means of their knowledge
Gourgues, Morgane. "Les églises rurales dans l’ancien diocèse d’Elne (Roussillon et Vallespir, Pyrénées-Orientales), entre le Vème et le XIème siècle : l’expression d’un palimpseste architectural ? Un répertoire des formes, entre préroman et anté-roman". Thesis, Montpellier 3, 2017. http://www.theses.fr/2017MON30026/document.
The scarcity of evidence trickled down from the late Antiquity and the Roussillon Early Middle Ages, although quite flourishing, has casta veil depriving us for quitea while of all the chromatic richness of a long era, obscure only because of the a priori one has about it. Carrying out an introspection into the genesis of the formal Christian vocabulary is an absolute must to understand its shortcuts, those being often brought about by a monofocal vision too rarely offering the opportunity to consider the church building according to its polysemy: worshipping and congregating places for the believers as well as places where their craftmanship and art could be expressed. A summary, all in all,in the midst of a mutating society where the various political actors have only had in fact a moderate impact.The humbleante-Romanesque rural churches, by their structures and their method of building are eventually revealing of a legacy and a continuity played downuntil now, unsuspectedindeed. By choosing not to dissociate the evolution of techniques from that of the forms while factoring in the new prospects brought up by medieval archaeology, for other areas, the chronological postulates weaken, becoming less relative and more unbiased. Between rereading and rewording, it is now advisable to consider putting to the test pre-Romanesque architecture
Santos, Aline Benvegnú dos. "A ornamentalidade dos capitéis do claustro Sant Benet de Bages: as funções do decor na arte românica". Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-26052015-102954/.
The cloister of the Benedictine monastery of Sant Benet de Bages, in the Spanish Catalonia, has a large number and diversity of ornamental elements in its capitals, what sets us a fertile field of study. The few studies on this cloister indicate little attention by art historians to ornamentation, generally engaged in studying the historiated images. This is greatly due to the overemphasis of the idea of images as a \"Bible of the illiterate\", at the expense of a deeper analysis on the structural presence and complexity of the various elements that compose the images, among which, the ornamental elements. The existing papers on the subject of ornamentation and its presence in medieval images are generally superficial, limited to studies for stylistic categorizations, occupying a marginal place because they are supposed to be additional and unnecessary elements. At Sant Benet de Bages, like some other Romanesque cloisters, the amount of ornamental capitals exceeds that of historiated, which reveals the possibility of ornamentation to constitute a critical field to the aesthetic functioning of medieval art. This research aims to study such elements present in the cloister considering their structuring aspects in medieval imagetic economy, and the diversity of functions that can carry the concepts of \"ornemental\" and \"ornementalité\", proposed by the medievalist and French art theorist Jean-Claude Bonne, opening new possibilities for their study.
Nicolier, Anelise. "La construction d'un paysage monumental religieux en Brionnais à l'époque romane". Thesis, Lyon 2, 2015. http://www.theses.fr/2015LYO20120/document.
Located in South Burgundy, France, the region known as the Brionnais appears, at first glance, to be a 12th Century spontaneous by-product. It is indeed neither a natural region, nor is it of ecclesiastical division. However, in a time where frontiers separated France and Burgundy, and later the Empire, a sort of contingency will mend this disparate and marginal territory into a singularly defined region. The Brionnais will form itself through willful policies thanks to the active presence of the Semur and Le Blanc lordships. The lords of the Brionnais will form connections with neighboring lords through games of alliances and rivalries, as well as through the ecclesiastical careers of certain of their members. The result: an inland solidity, an openness to the adjacent regions; places of worship, churches and monasteries flourish in mere decades in order to construct a singular landscape of religious monuments. The latter will precisely be marked by an originality sure of itself in order to seek, adopt, interpret and make bear fruit of its influences. In all, political and artistic network as well as the religious fabrics will create an ensemble of truly rich interactions. This allowed us to renew our view on this original domain, the paradox being that the latter didn’t survive up to the 12th Century without any loss or modification, and that, under Romanesque appearances, the present Brionnais landscape was actually mainly constructed in the 19th Century! Guided by traces and documentation, I proceeded through a regressive analysis, scouring through time, in order to carefully reconstruct the history of theRomanesque Brionnais religious monuments. Going back through the contemporary and modern religious heritage, I was able go as far back as the 9th Century, thus far ignored by research: indeed, until now, research only concentrated on churches conserved above ground, whereas more than half of the churches built between the 9th and 12th Century disappeared from the observable surface. The first result is of paramount importance: we can now follow the parochial structure genesis, like a shift from an agri and villae division to a parochiae network. Once the heritage and political and ecclesiastical geography reproduced, it appeared that the particular context of the Brionnais region gave birth to a particular religiousn architecture, notably thanks to the study of the monuments’ morphology, its style, and tothe attention given to the stone used, from its provision to the work and result itself. Hence, the original profile of the Brionnais architecture. The detail of the analysis show true invention, hatched from the builders’ ability to draw formes and techniques from various repertoires to give birth to unprecedented creations.Naturally, considering the abundant Brionnais Romanesque historiography (notably the sculptured decor), I cross-checked sources of reflection, monuments, textes and images, associating construction archeology, art history, geology and history. Coming back to the paradoxical aspect, I kept the interest of favoring the 12th Century the time of History, and the Modern era, for example, spoke quite a lot about of the Romanesque Brionnais
Ducret, Sophie. "La fabrique de la création artistique : Approche historiographique et épistémologique du processus de la commande au Moyen Âge : l’exemple des peintures murales du Midi de la France aux âges romans (XIe-XIIe siècle)". Electronic Thesis or Diss., Montpellier 3, 2023. http://www.theses.fr/2023MON30047.
Since its 'rediscovery' in the 19th century, the practice of wall painting in the Romanesqueages has benefited from a long tradition of study in France and Europe. This historiography is based on developments in a fairly recent field of study, but has been enriched by epistemological developments in related disciplines, such as history and the social sciences more generally. Following on from recent research into the players involved in artistic creation, particularly in the field of mural painting, our thesis focuses on an essential player in production traditionally referred to as the 'patrons'. On the basis of a corpus of 30 ensembles preserved in the South of France, most of which date from the twelfth century, and faced with a silence in the historical sources, we have confronted the question of 'commissioning'. The historiographical approach enables us to put into perspective certain knowledge we have gained on the subject, and to propose a new vision of artistic creation
Varano, Mariacristina. "" Espace religieux et espace politique en pays provençal au Moyen Âge (IXe-XIIIe siècles). L'exemple de Forcalquier et de sa région "". Phd thesis, Université de Provence - Aix-Marseille I, 2011. http://tel.archives-ouvertes.fr/tel-00656210.
GREPPI, PAOLA. "IL REIMPIEGO DEI MATERIALI DA COSTRUZIONE NEL CANTIERE MEDIEVALE. DINAMICHE DI TRASFORMAZIONE, LINEE EVOLUTIVE E INDICATORI CRONOTIPOLOGICI NELLE ARCHITETTURE MILANESI TRA TARDOANTICO E XII SECOLO". Doctoral thesis, Università Cattolica del Sacro Cuore, 2014. http://hdl.handle.net/10280/3157.
The thesis is dedicated to the comparative study of construction techniques dating from late antiquity and Romanesque (end of 4th-12th century), with particular attention to the religious buildings in Milan. The main objective was to represent the evolutionary lines of the construction techniques and to identify the presence of technical characteristics that have a specific age-typology meaning. The contradictory interpretative hypotheses and the lack of up-to date - in terms of methodology - investigations within the complex and extensive literature on the most known medieval basilicas in Milan has inspired this investigation. For this reason, the first part of the work treats the definition of the history of the published studies on the archaeological and architectural subjects, which have represented the reference for the identification of the masonry samples to be analyzed. As part of this section it was necessary the drafting of a description of the method used. With regard to the analysis of structural clay material, such process provided for the application - on an experimental basis on a so extensive investigation - of the metric-age analysis method to the recovered material. The second part of the thesis concerned the analysis of the main architectural complexes examined (S. Giovanni alle Fonti, S. Tecla, S. Simpliciano, S. Nazario Maggiore, St. Ambrose, St. Eustorgio), performed through dedicated files for the classification of former historic-archaeological data, of the masonry and the stone and brick samples tested, and of the results of the metric analysis. Each identified construction phase was then further investigated in specific sections where the results are gathered. The third and final part of the work concerns the discussion of the developed age-typologies of the construction materials (opus latericium, opus spicatum latericium and works in spolia), the main age-typology indicators identified and the different ways they changed over time. The research has opened up many scenarios for further studies, in relation to the individual monuments treated but also to broader issues in the sector of the Middle Ages building activity, as discussed in the final section.
GREPPI, PAOLA. "IL REIMPIEGO DEI MATERIALI DA COSTRUZIONE NEL CANTIERE MEDIEVALE. DINAMICHE DI TRASFORMAZIONE, LINEE EVOLUTIVE E INDICATORI CRONOTIPOLOGICI NELLE ARCHITETTURE MILANESI TRA TARDOANTICO E XII SECOLO". Doctoral thesis, Università Cattolica del Sacro Cuore, 2014. http://hdl.handle.net/10280/3157.
The thesis is dedicated to the comparative study of construction techniques dating from late antiquity and Romanesque (end of 4th-12th century), with particular attention to the religious buildings in Milan. The main objective was to represent the evolutionary lines of the construction techniques and to identify the presence of technical characteristics that have a specific age-typology meaning. The contradictory interpretative hypotheses and the lack of up-to date - in terms of methodology - investigations within the complex and extensive literature on the most known medieval basilicas in Milan has inspired this investigation. For this reason, the first part of the work treats the definition of the history of the published studies on the archaeological and architectural subjects, which have represented the reference for the identification of the masonry samples to be analyzed. As part of this section it was necessary the drafting of a description of the method used. With regard to the analysis of structural clay material, such process provided for the application - on an experimental basis on a so extensive investigation - of the metric-age analysis method to the recovered material. The second part of the thesis concerned the analysis of the main architectural complexes examined (S. Giovanni alle Fonti, S. Tecla, S. Simpliciano, S. Nazario Maggiore, St. Ambrose, St. Eustorgio), performed through dedicated files for the classification of former historic-archaeological data, of the masonry and the stone and brick samples tested, and of the results of the metric analysis. Each identified construction phase was then further investigated in specific sections where the results are gathered. The third and final part of the work concerns the discussion of the developed age-typologies of the construction materials (opus latericium, opus spicatum latericium and works in spolia), the main age-typology indicators identified and the different ways they changed over time. The research has opened up many scenarios for further studies, in relation to the individual monuments treated but also to broader issues in the sector of the Middle Ages building activity, as discussed in the final section.
Cozette, Sandrine. "Hector au Moyen Age : définition et évolution d'un personnage épique et romanesque". Thesis, Lille 3, 2014. http://www.theses.fr/2014LIL30002.
In the Middle Ages, the interest in the Trojan myth focuses particularly on its main character, Hector.Using the Homeric tradition inherited from the late Latin literature ( Ilias latina, Ephemeridos belli troiani by Dictys of Crete, De Excidio Troiae historia by Dares the Phrygian) as a basis to his work, Benoît de Sainte Maure makes Priam’s son the uncontested hero of his novel, The Roman de Troie, in which he praises the feats of this exceptional warrior.This text greatly contributes to the construction of Hector’s myth during the Middle Ages, as shown by its rewritings in prose or verse, although the story of Troy was also transmitted via Dares’ Latin text or its translation.In addition to these two traditions, another one appeared in the 13th century with the Italian Guido delle Colonne whose Historia Destructionis Troiae is a Latin rewriting of Benoît’s novel.However, Hector’s fame also asserts itself in other works in which the character tends to dissociate himself from his city’s destiny and appears alone or associated to other heroes, Trojan or not, to serve as a reference in terms of bravery, which earned him his place among the Nine Worthies.That is why this character continues to evolve independently from Benoit’s novel and its rewritings, as can be seen through epic poetry and Arthurian tales.Both Christine de Pizan and the author of Ovide moralisé take an interest in the values he embodies.Hector is a model, almost an archetypal figure as well as a character whose story never ceased being rewritten by Medieval tradition
Ceretti-Malinowski, Béatrice. "Le roman des brodeuses : évolution de la forme romanesque au Moyen Age (XIIème-XIVème siècles)". Montpellier 3, 1999. http://www.theses.fr/1999MON30055.
Libri sul tema "Romanesque ages":
Götze, Heinz. Castel del Monte: Geometric marvel of the Middle Ages. Munich: Prestel, 1998.
McClendon, Charles B. The imperial abbey of Farfa: Architectural currents of the early Middle Ages. New Haven: Yale University Press, 1987.
Christoph, Stiegemann, Westermann-Angerhausen Hiltrud e Erzbischöfliches Diözesanmuseum Paderborn, a cura di. Schatzkunst am Aufgang der Romanik: Der Paderborner Dom-Tragaltar und sein Umkreis. München: Hirmer, 2006.
Christoph, Stiegemann, Wemhoff Matthias, Museum in der Kaiserpfalz (Paderborn, Germany), Erzbischöfliches Diözesanmuseum Paderborn e Städtische Galerie am Abdinghof (Paderborn, Germany), a cura di. Canossa 1077: Erschütterung der Welt : Geschichte, Kunst und Kultur am Aufgang der Romanik. München: Hirmer, 2006.
(Museum), Cloisters. The Cloisters: A branch museum of the Metropolitan Museum of Art devoted to art of the Middle Ages. [New York]: The Museum, 1988.
Leroux-Dhuys, Jean-François. Cistercian Abbeys: History and architecture. Köln: Könnemann, 1998.
New York (N.Y.). Landmarks Preservation Commission. Trinity School and the former St. Agnes Parish House, 121-147 West 91st Street, Borough of Manhattan: Trinity School built 1893-94, architect, Charles Coolidge Haight ; St. Agnes Parish House built c. 1890-92, architect, William Appleton Potter. New York, N.Y.]: Landmarks Preservation Commission, 1989.
Campbell, Erin J., e Stephanie R. Miller, a cura di. A Cultural History of Furniture in the Middle Ages and Renaissance. Bloomsbury Publishing Plc, 2022. http://dx.doi.org/10.5040/9781474206464.
Reilly, Diane J. The Art of Reform in Eleventh-Century Flanders: Gerard of Cambrai, Richard of Saint-Vanne and the Saint-Vaast Bible (Studies in the History of Christian Traditions, Vol. 128). Brill Academic Publishers, 2006.
Leroux-Dhuys, Jean-Francois, Jean-Francois Leroux e Henri Gaud. Cistercian Abbeys. Konemann, 1999.
Capitoli di libri sul tema "Romanesque ages":
Fozi, Shirin. "The Quedlinburg Frieze and Its Romanesque Context". In A Companion to the Abbey of Quedlinburg in the Middle Ages, 235–78. BRILL, 2022. http://dx.doi.org/10.1163/9789004527492_010.
"Carolingian, Ottonian and Romanesque Art and the Eucharist". In A Companion to the Eucharist in the Middle Ages, 251–324. BRILL, 2012. http://dx.doi.org/10.1163/9789004221727_008.
"8. The Making of Romanesque. Reform and Synergy". In Art in Spain and Portugal from the Romans to the Early Middle Ages, 305–46. Amsterdam University Press, 2016. http://dx.doi.org/10.1515/9789048527151-013.
"Romanesque Churches of the Middle Ages, c.1080 to c.1180". In The Architecture of Wales, 53–65. University of Wales Press, 2018. http://dx.doi.org/10.2307/jj.14491508.11.
Mehl, Manfred. "Bracteates of the Abbesses of Quedlinburg: Romanesque Craftwork of Great Quality". In A Companion to the Abbey of Quedlinburg in the Middle Ages, 223–34. BRILL, 2022. http://dx.doi.org/10.1163/9789004527492_009.
Altvater, Frances. "Chores, Computation and the Second Coming: Calendar Images and Romanesque Baptismal Fonts 1". In The Visual Culture of Baptism in the Middle Ages, 149–70. Routledge, 2017. http://dx.doi.org/10.4324/9781315084954-8.
Woods, Marjorie Curry. "Boys performing women (and men)". In Weeping for Dido, 104–52. Princeton University Press, 2019. http://dx.doi.org/10.23943/princeton/9780691170800.003.0004.
Lee, Antoinette J. "The Supervising Architect ‘ Office In The Gilded Age 1875—1894". In Architects to the Nation, 111–62. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195128222.003.0005.