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Libri sul tema "Representation space / Latent space"

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Autore: Grafiati

Pubblicato: 7 luglio 2024

Ultima modifica: 7 luglio 2024

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1

Maria, Balshaw, e Kennedy Liam 1946-, a cura di. Urban space and representation. London: Pluto Press, 2000.

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2

Balshaw, Maria, e Kennedy Liam. Urban space and representation. London: Pluto Press, 2000.

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3

Fernández, Juan A., e Javier González. Multi-Hierarchical Representation of Large-Scale Space. Dordrecht: Springer Netherlands, 2001. http://dx.doi.org/10.1007/978-94-015-9666-4.

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4

Barnett, Clive. Culture and democracy: Media, space, and representation. Edinburgh: Edinburgh University Press, 2003.

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5

Yale University. Dept. of Classics, a cura di. The emperor and Rome: Space, representation, and ritual. Cambridge: Cambridge University Press, 2010.

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6

Naomi, Eilan, McCarthy Rosaleen A e Brewer Bill, a cura di. Spatial representation: Problems in philosophy and psychology. Oxford [England]: Blackwell, 1993.

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7

Newcombe, Nora. Making space: The development of spatial representation and reasoning. Cambridge, Mass: MIT Press, 2000.

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8

Representation of space and domestic interiority in contemporary fiction. New Delhi, India: Authors Press, 2015.

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9

Inventing black-on-black violence: Discourse, space, and representation. Syracuse, N.Y: Syracuse University Press, 2005.

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10

Maunganidze, Langtone. Representation and Materialization of Architecture and Space in Zimbabwe. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-47761-4.

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11

G, Zilliac Gregory, Davis S. S e Ames Research Center, a cura di. Flow visualization study of a two-dimensional representation of the space shuttle launch pad configuration. Moffett Field, Calif: National Aeronautics and Space Administration, Ames Research Center, 1987.

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12

Past, space, and self. Cambridge, Mass: MIT Press, 1994.

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13

Mokhtarian, Farzin, e Miroslaw Bober. Curvature Scale Space Representation: Theory, Applications, and MPEG-7 Standardization. Dordrecht: Springer Netherlands, 2003. http://dx.doi.org/10.1007/978-94-017-0343-7.

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14

Architecture in cinema: A relation of representation based on space. Köln: Lambert Academic Publishing, 2008.

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15

1965-, Bober Miroslaw Z., a cura di. Curvature scale space representation: Theory, applications, and MPEG-7 standardization. Dordrecht: Kluwer Academic Publishers, 2003.

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16

Naomi, Eilan, McCarthy Rosaleen A e Brewer Bill, a cura di. Spatial representation: Problems in philosophy and psychology. Oxford [England]: Oxford University Press, 1999.

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17

Göttler, Christine, e Mia M. Mochizuki. Landscape and Earth in Early Modernity. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463729437.

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Abstract (sommario):

Early modern views of nature and the earth upended the depiction of land. Landscape emerged as a site of artistic exploration at a time when environments and ecologies were reshaped and transformed. This volume historicizes the contingency of an ever-changing elemental world, reframing and reimagining landscape as a mediating space in the interplay between the natural and the artificial, the real and the imaginary, the internal and the external. The lens of the “unruly” reveals the latent landscapes that undergirded their conception, the elemental resources that resurfaced from the bowels of the earth, the staged topographies that unsettled the boundaries between nature and technology, and the fragile ecologies that undermined the status quo of human environs. Landscape and Earth in Early Modernity: Picturing Unruly Nature argues for an art history attentive to the vicissitudes of circumstance and attributes the regrounding of representation during a transitional age to the unquiet landscape.

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18

Tillotson, G. H. R. 1960- e University of London. Centre of South East Asian Studies., a cura di. Paradigms of Indian architecture: Space and time in representation and design. Richmond: Curzon Press, 1998.

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19

Andreas, Fahrmeir, e Rembold Elfie, a cura di. Representation of British cities: The transformation of urban space, 1700-2000. Berlin: Philo, 2003.

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20

Fernández, Juan A. Multi-Hierarchical Representation of Large-Scale Space: Applications to Mobile Robots. Dordrecht: Springer Netherlands, 2001.

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21

Ken, Seigneurie, a cura di. Crisis and memory: The representation of space in modern Levantine narrative. Wiesbaden: Reichert, 2003.

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22

Hamasi, Linnet. Africa and competing discourses on development: Gender, agenc, space and representation. A cura di Catholic University of Eastern Africa e African Interdisciplinary Studies Association. Nairobi, Kenya: Research, the Catholic University of Eastern Africa (CUEA), and AISA, 2016.

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23

1974-, Lally Sean, e Young Jessica, a cura di. Softspace: From a representation of form to a simulation of space. New York: Taylor and Francis, 2006.

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24

1974-, Lally Sean, e Young Jessica, a cura di. Softspace: From a representation of form to a simulation of space. London: Routledge, 2007.

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25

Image in space: Contributions to a topology of images. Nordhausen: Traugott Bautz, 2015.

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26

(Editor), Maria Balshaw, e Liam Kennedy (Editor), a cura di. Urban Space And Representation. Pluto Press, 2000.

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27

(Editor), Maria Balshaw, e Liam Kennedy (Editor), a cura di. Urban Space And Representation. Pluto Press, 2000.

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28

Cartographies of Culture: Memory, Space, Representation. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2010.

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29

Dark Space: Architecture, Representation, Black Identity. Columbia Books on Architecture and the City, 2016.

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30

Pöhlmann, Ferdinand. Being Somewhere: Egocentric Spatial Representation as Self-Representation. J.B. Metzler, 2017.

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31

Past, Space, and Self (Representation and Mind). The MIT Press, 1995.

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32

Pritchard, Annette. Tourism representation, space and the power perspective. 2000.

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33

Culture and Democracy: Media, Space, and Representation. University of Alabama Press, 2003.

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34

Noreña, Carlos F., e Bjö C. Ewald. Emperor and Rome: Space, Representation, and Ritual. Cambridge University Press, 2015.

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35

Culture and Democracy: Media, Space, and Representation. University Alabama Press, 2003.

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36

Kovalev. Representation of Crystallographic Space Groups: Irreducible Representations, Induced Representation and Corepresentations. 2^a ed. CRC, 1993.

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37

Zhang, Enhua. Space, Politics, and Cultural Representation in Modern China. Routledge, 2016. http://dx.doi.org/10.4324/9781315656793.

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38

Huttenlocher, Janellen, Nora S. Newcombe e Jeffrey S. Rosenschein. Making Space: The Development of Spatial Representation and Reasoning. MIT Press, 2003.

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39

Huttenlocher, Janellen, e Nora S. Newcombe. Making Space: The Development of Spatial Representation and Reasoning. MIT Press, 2003.

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40

Eilan, Naomi, e Rosaleen McCarthy. Spatial Representation: Problems in Philosophy and Psychology. Blackwell Pub, 1993.

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41

L. Rogers, Brooke, e Anna Sugiyama, a cura di. Space and Place: Diversity in Reality, Imagination, and Representation. BRILL, 2013. http://dx.doi.org/10.1163/9781848881266.

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42

Understanding Kubrick's 2001 : a Space Odyssey: Representation and Interpretation. Intellect, Limited, 2020.

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43

Coercing Constellations : Space, Reference and Representation: With Fareed Armaly. B-Books Verlag, 2014.

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44

Understanding Kubrick's 2001 - A Space Odyssey: Representation and Interpretation. Intellect, Limited, 2018.

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45

Sharkey, Rodney. Bowie, Beckett, and Being. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9781501391279.

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Abstract (sommario):

Addressing their shared passion for literature, art, and music, this book documents how Samuel Beckett and David Bowie produce extraordinarily empathetic creative outputs that reflect the experience and the effect of alienation. Through an exploration of their artistic practices, the study also illustrates how both artists articulate shared forms of human experience otherwise silenced by normative modes of representation. To liberate these experiences, Bowie and Beckett create alternative theatrical, musical, and philosophical spaces, which help frame the power relations of the psychological, verbal, and material places we inhabit. The result is that their work demonstrates how individuals are disciplined by the implicitly repressive social order of late capitalism, while, simultaneously, offering an informed political alternative. In making the injunctions of the social order apparent, Beckett and Bowie also transgress its terms, opening up new spaces beyond the conventional identities of family, nation, and gender, until both artists finally coalesce in the quantum space of the posthuman.

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46

Spatial representation in animals. Oxford: Oxford University Press, 1998.

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47

Boucher, Marie-Pier, Charissa N. Terranova, Ellen K. Levy, Claire Webb, Annick Bureaud, Meredith Tromble, Charissa N. Terranova et al., a cura di. Space Feminisms. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350346352.

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This book examines how scientific, popular, scholarly, and artistic imaginations of outer space have, since the 1950s, reflected and embedded Earthly hopes, anxieties, and futures. Rather than simply a platform for imagining the future, this book sees outer space as a material reality that reflexively encodes humans’ self-perceptions of their planet and beyond. Employing a global approach to feminist theory, Space Feminisms cultivates radical and alternative modes of inquiry around outer space. It contains essays from leading scholars working across the space sciences, art, and anthropology, artworks and texts by contemporary artists working in the field of space art, and interviews with NASA astronauts past and present. In doing so, it draws new connections between feminist thought and extraterrestrial power structures, as it inspects the transformation of terrestrially held notions of gender, race, and class as they migrate to the extraterrestrial. This book makes a radical enquiry into how earthly power structures are already expanding into and colonising our skies, facilitating a collaborative and interdisciplinary platform for scholars, artists, and designers to imagine radical constructions of human futures beyond Earth. At the intersection of scientific, cultural, social, and artistic speculations, Space Feminisms gathers leading scholars, scientists, artists, and designers to develop innovative tactics and disruptive participations to create generative, alternative, and careful futures of and in outer space. Why explore space through feminism? We are presently witnessing the transformations of postwar logics of the Space Age—masculinist, militaristic, colonialist, capitalist, ableist—as extraterrestrial projects are privatized, as space accelerates as a site of international power, and activists clamber for greater representation. Space Feminisms proposes new theories and methods to cultivate how we might inhabit outer space, build inclusive technology for both Earth and outer space, and reimagine human futures in the cosmos. This multimedia collection of scholarly essays, artistic provocations, speculative designs for off-Earth living, and interviews with women astronauts, diagrams our past, present, and future spacescapes from essential feminist perspectives.

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48

BARKOWSKI/FREKS. Spatial and Visual Components in Mental Reasoning About Space. Lawrence Erlbaum Associates, 2005.

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49

Elsner, Jaś, a cura di. Landscape and Space. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192845955.001.0001.

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Abstract (sommario):

This volume addresses a subject central to both world archaeology and trans-cultural art history. Landscape has been a key theme in the last half-century at least in both disciplines, particularly in the study of painting in art history and in all questions of human intervention and the placement of monuments in the natural world, within archaeology. However, the representation of landscape has been rather less addressed in the scholarship of the archaeologically accessed visual cultures of the ancient world. The kinds of reliefs, objects, and paintings discussed have a significant purchase on matters concerned with landscape and space in the visual sphere but were discovered within archaeological contexts and by means of excavation. Through case studies focused on the invention of wilderness imagery in ancient China, the relation of monuments to landscape in ancient Greece, the place of landscape painting in Mesoamerican Maya art and the construction of sacred landscape across Eurasia between Stonehenge and the Silk Road via Pompeii, this book emphasizes the importance of thinking about models of landscape in ancient art and also the value of comparative approaches in underlining core aspects of the topic. Notably it focuses on questions of space, both actual and conceptual, including how space is configured through form and representation.

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50

Grush, Rick. Space, Time, and Objects. A cura di John Bickle. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780195304787.003.0013.

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This article outlines a unified information processing framework whose goal is to explain how the nervous system represents space, time, and objects. It explains the concept of the emulation theory of representation and describes an extension of the emulation framework for temporal representation. It discusses Alexandre Pouget's basis function model of spatial representation and describes how to combine the basis function model of spatial representation with the trajectory emulation model of temporal representation to yield an information processing framework that genuinely represents behavioral spatiotemporal trajectories of behavioral objects.

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