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Letteratura scientifica selezionata sul tema "Pseudonymat"

Autore: Grafiati

Pubblicato: 31 agosto 2024

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Articoli di riviste sul tema "Pseudonymat"

1

Brunet, Manon. "Travestissement littéraire et trajectoire intellectuelle d’Henri-Raymond Casgrain". Dossier 30, n. 1 (21 gennaio 2005): 47–66. http://dx.doi.org/10.7202/009888ar.

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Résumé L’anonymat et le pseudonymat, pratiques très courantes au dix-neuvième siècle, obstruent l’accès à l’oeuvre entier d’un écrivain. Les oeuvres complètes créées par l’auteur sont, de surcroît, incomplètes. Ces formes d’autocensure se multiplient jusqu’à la mort. Ensuite, si des archives le permettent, l’oeuvre peut être complété. Des prises de position esthétiques et idéologiques dévoilées confrontent la première décantation de l’Oeuvre. Les albums annotés par Casgrain de coupures de presse des articles anonymes et pseudonymes constituent une source rare en histoire littéraire. Grâce à eux, l’auteur signe et persiste.

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2

Brunet, Manon. "Anonymat et pseudonymat au XIX siècle : l’envers et l’endroit de pratiques institutionnelles". Voix et Images 14, n. 2 (1989): 168. http://dx.doi.org/10.7202/200767ar.

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3

Hardy, Stéphane. "Analyse onomastique des pseudonymes de prostituées parisiennes du XVIIIe au début du XXe siècle". Acta Universitatis Lodziensis. Folia Litteraria Romanica, n. 16 (19 maggio 2021): 183–94. http://dx.doi.org/10.18778/1505-9065.16.17.

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Le présent article s’inscrit dans le contexte des recherches scientifiques dédiées à l’onomastique, plus particulièrement aux études sur l’anthroponymie, voire sur la pseudonymie, et répond au besoin actuel d’analyses onomastiques en romanistique. L’usage du pseudonyme a longtemps été considéré comme une pratique marginale, et, de ce fait, a été peu étudié jusqu’à présent. Nous avons soumis à notre analyse un corpus de pseudonymes de prostituées exerçant leur métier à Paris. Ce corpus regroupe 357 pseudonymes et couvre une période comprise entre le XVIIIe siècle et le début du XXe siècle. Les données ont été recueillies dans des rapports de police (travail dans le cadre d’archives) ainsi que dans des ouvrages sociologiques traitant de la prostitution parisienne aux XVIIIe et XIXe siècles. Selon plusieurs critères, à savoir morphosyntaxiques et sémantiques, nous tenterons d’appliquer aux pseudonymes de prostituées une taxonomie développée précédemment distinguant plusieurs types de procédés de formation des pseudonymes de criminels allemands au XIXe siècle.

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4

Xin Xin, Tianhan Gao e Xinyang Deng. "Location privacy protection scheme based on self-organizing cryptographic mix-zone in VANETs". Research Briefs on Information and Communication Technology Evolution 4 (15 settembre 2018): 107–13. http://dx.doi.org/10.56801/rebicte.v4i.71.

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How to ensure the location privacy of vehicles has become an important security issue of VANETS.One of the effective mechanisms to protect the vehicles’ location privacy is replacing the pseudonymto achieve unlinkability with the help of road side unit (RSU). This paper takes the scenario into accountwhere RSUs have not yet been deployed widely. When a vehicle wants to change pseudonym,it transmits group keys in a collaborative manner and creates encrypted areas with surrounding vehicles.At this point, the external attackers cannot crack any information in this area, the cryptographicmix-zone. During this period, some vehicles will be replaced with new pseudonyms. The externalattackers are not able to associate the pseudonyms with the old ones to achieve the goal of locationprivacy protection of the vehicles.

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5

BALDE, Amadou Woury. "Entre pseudonymat et anonymat dans l'œuvre de Charles Sorel : pratique et pensée de la dissimulation". Écho des études romanes 13, n. 2 (11 dicembre 2017): 227–37. http://dx.doi.org/10.32725/eer.2017.033.

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6

Hébert, Pierre. "L’homme derrière une vitre". Dossier 30, n. 1 (21 gennaio 2005): 81–92. http://dx.doi.org/10.7202/009890ar.

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Résumé L’un des paradoxes les plus remarquables chez Louis Dantin est que ce critique et auteur détestait les différends et que, néanmoins, il n’est à peu près pas une de ses oeuvres qui n’ait choqué les lecteurs de son temps. Dantin se croyait presque fatalement incapable de ne rien écrire qui ne tournât à l’hétérodoxie… Le recours à l’anonymat et au pseudonymat pose donc ici un intéressant problème : quel est leur rôle à l’intérieur de la transgression ? Cet article pose que, dans les quatre étapes qui conduisent à l’acte transgressif selon George-Elia Sarfati, la signature fictive joue un rôle essentiel à partir de la troisième étape, créant une distinction nécessaire entre l’homme qui demeure en retrait et son délégué transgresseur, la figure auctoriale.

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7

Yang, Min, Yong Feng, Xiaodong Fu e Qian Qian. "Location privacy preserving scheme based on dynamic pseudonym swap zone for Internet of Vehicles". International Journal of Distributed Sensor Networks 15, n. 7 (luglio 2019): 155014771986550. http://dx.doi.org/10.1177/1550147719865508.

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In Internet of Vehicles, establishing swap zones in which vehicles can exchange pseudonyms is an effective method to enhance vehicles’ location privacy. In this article, we propose a new scheme based on dynamic pseudonym swap zone, to protect location privacy of vehicles. For each vehicle, dynamic pseudonym swap zone allows it dynamically to establish a temporary pseudonym swap zone on demand to exchange the pseudonym with another random vehicle in the just formed zone. This randomness of choosing the pseudonym exchanging vehicles prevents dynamic pseudonym swap zone from the secure risk that the information of exchanging participants exposes to their group manager in some existing works in which each pair of pseudonym exchanging participants is assigned by the manager. To avoid the high communication and computation overhead of frequently swapping pseudonyms, dynamic pseudonym swap zone adopts a combination of swap and update to achieve the unlinkability between new and previous pseudonyms. Moreover, dynamic pseudonym swap zone can self-adapt to the varying surroundings to reduce the communication cost of forming pseudonym swap zones in high vehicle density areas. The analysis and simulation results show that our proposed dynamic pseudonym swap zone is a high location privacy preserving, secure, auditable scheme.

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8

Zakharova, Olga. "Fyodor Dostoevsky’s Pseudonyms. Insertion by F. M. Dostoevsky in the Feuilleton by N. N. Strakhov". Неизвестный Достоевский 8, n. 1 (marzo 2021): 21–41. http://dx.doi.org/10.15393/j10.art.2021.5221.

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Identification of pseudonyms is one of the key tasks of attribution of many articles in the Vremya and Epokha magazines, and the Grazhdanin weekly. I. F. Masanov's article on Dostoevsky in the authoritative Dictionary of Pseudonyms contains errors and repetitions. Fyodor Dostoevsky signed his literary works with his personal name: Fyodor Dostoevsky, F. M. Dostoevsky, or, more often, F. Dostoevsky. On the contrary, the writer preferred to work as a journalist anonymously, more rarely — under pseudonyms. The range of Fyodor Dostoevsky's pseudonyms should be clarified. It is necessary to exclude “N. N.” from the list of pseudonyms, remove repeat “—y, M.” и “M. —y”, leave Dostoevsky's personal pseudonym “Zuboskalov” and add a new pseudonym “Ch. Komitetskiy”. The insert in the “Chronicler's notes” article is not the proper basis to make N. N. Strahov's pseudonym “Letopisets” (Epokha. 1865. № 1) a collective one or assign it to Dostoevsky. Most of Dostoevsky's pseudonyms are of an occasional nature, they are isolated and random. The names and surnames of real persons (M. Dostoevsky, A. Poretsky) in the role of his pseudonyms are accidental. As a result of critical analysis, it was established that in his literary and journalistic activities Dostoevsky used both regular (“F. D.”), (“D.”), (“Ed.”) and isolated pseudonyms “Zuboskal”, “Zuboskalov”, “N. N.”, “M. —y”, “Ch. Komitetskiy”, “Drug Kuzmy Prutkova” (“Friend of Kuzma Prutkov”). At this time, their range can be limited to this list. The appendix to the article contains an insert attributed to Dostoevsky in N. N. Strakhov's feuilleton «Notes of the Chronicler» from the January issue of the «Epoch» for 1865.

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9

Pallagi, Anna Liza. "Álnevek bűvöletében". Névtani Értesítő 42 (2020): 199–212. http://dx.doi.org/10.29178/nevtert.2020.12.

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The examination of literary pseudonyms has not been in the focus of onomastic studies. Nevertheless, several websites deal with the question and aid the choice of a pseudonym. The study focuses on web applications that advertise themselves as pseudonym generators, several of which further refer to themselves as writer pseudonym generators. These programs aim to ease the creation of literary pseudonyms. However, their use is limited by several factors. The study aims to examine these generators and categorise them based on their usefulness by using names created earlier to examine these generators. As the applications are dominantly programmed according to unprofessional aspects, they provide unique insights for onomastic research.

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10

Hong-ying, Zhang. "RUSSIAN PSEUDONYM IN THE BACKGROUND OF CHINESE CULTURE". Humanities And Social Studies In The Far East 18, n. 1 (2021): 97–102. http://dx.doi.org/10.31079/1992-2868-2021-18-1-97-102.

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This article dwells on the study of the Russian-language literary pseudonym treated in the background of the Chinese linguistic culture. The relevance of this study is determined by the growing interest in studying the comparative aspect of a literary pseudonym from the position of a representative of the Chinese linguistic culture. The main purpose of this article is to study the features of literary pseudonyms in Russian and Chinese. Research methods are a method of analysis and synthesis, classification, comparative, contrastive and statistical analyzes. The study reveals that a pseudonym and culture are in a symbiotic relationship, since cultural changes can cause changes in the content of pseudonyms. Consequently, we have the right to consider a literary pseudonym as a phenomenon of linguaculture, taking into account the fact that the linguistic features of Russian and Chinese pseudonyms are evidence of the differences between the two sociocultural systems. These differences make it possible to consider a literary pseudonym, at the same time representing a kind of historical phenomenon, as a product of historical development that arises in certain cultural and historical conditions, absorbing the features of its time, closely related to traditional values and the life experience of their carriers.

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Più fonti

Tesi sul tema "Pseudonymat"

1

Luneau, Marie-Pier. "Les Lionel Groulx : la pseudonymie comme stratégie littéraire et jeu institutionnel (1900-1966)". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq21797.pdf.

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2

Omari, Shani. "Call me ‘Top in Dar’ : the role of pseudonyms in Bongo Fleva music". Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-90542.

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Over the last two decades Bongo Fleva music has become a popular form of entertainment as well as a key cultural element among Tanzanian urban youth. The objective of this paper is to examine the role of pseudonyms in this musical genre in Tanzania. It focuses on how Bongo Fleva artists adopt their pseudonyms and discusses their role in identity formation among urban youths in contemporary Tanzania. The paper argues that pseudonyms in Bongo Fleva, as in various other fields, have an important role to play in portraying one’s identity, culture, characteristics, profile, actions, hope and imagination.

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3

Mollaret, Damien. "Le détour par l'autre : plurilinguisme et pseudonymie dans les oeuvres de Fernando Pessoa, Vladimir Nabokov, Jorge Luis Borges et Romain Gary". Thesis, Bordeaux 3, 2019. http://www.theses.fr/2019BOR30026.

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« Je ne peux pas supporter mon vrai nom, je me sens aussitôt coincé » affirme le narrateur de Pseudo, roman que Romain Gary a signé de son pseudonyme Émile Ajar. Il ajoute qu’il a « tout essayé pour [se] fuir » et en particulier tenté d’apprendre des langues très éloignées de la sienne, voire d’inventer sa propre langue. Comme Gary, certains écrivains ont considéré leur langue maternelle ou leur patronyme comme des carcans limitant leurs possibilités. Pour tenter de « tout sentir, de toutes les manières » (expression de Pessoa) ils ont pu changer de langue ou prendre des pseudonymes. Afin d’étudier conjointement le plurilinguisme et la pseudonymie, nous avons choisi un corpus de quatre auteurs du XXe siècle : le poète portugais Fernando Pessoa (1888-1935), le romancier russo-américain Vladimir Nabokov (1899-1977), l’écrivain argentin Jorge Luis Borges (1899-1986) et le romancier français Romain Gary (1914-1980). Tous les quatre se situent au carrefour de plusieurs langues et cultures. Maîtrisant le français et l’anglais en plus de leur langue maternelle, ils ont utilisé l’anglais comme deuxième langue d’écriture et ont pratiqué la traduction et/ou l’autotraduction. De plus, ils ont tous pris des pseudonymes et se sont inventé des doubles d’écrivains fictifs. Le concept pessoen d’hétéronyme (très lié à son plurilinguisme) nous a permis d’éclairer les pratiques des trois autres auteurs. Pour cela, nous avons comparé les principaux hétéronymes de Pessoa avec Bustos Domecq (pseudonyme commun à Borges et à Bioy Casares), Émile Ajar (pseudonyme de Gary, incarné par un homme de paille, Paul Pavlowitch) et Sirine (le double russe de Nabokov). Comme la traduction, l’écriture hétéronymique nécessite une certaine dépersonnalisation. Et comme l’autotraduction, elle oblige un auteur à se confronter à un alter ego. Pour écrire dans une autre langue ou inventer un style nouveau dans la sienne, il faut renoncer à une certaine maîtrise et à une part de soi. L’hypothèse de notre travail est que les changements de langues et/ou de noms effectués par ces auteurs constituent finalement moins un rejet de leur identité qu’une façon détournée de faire route vers soi. En les libérant d’eux-mêmes, les hétéronymes leur ont permis de s’observer avec plus de recul, de commenter leur propre œuvre comme si c’était celle d’un autre et de se confier davantage. Il en va de même pour l’écriture dans une langue seconde qui crée, elle aussi, une certaine distance propice aux confessions et aux expérimentations
“I cannot stand my real name, I feel immediately stuck” says the narrator of Pseudo, a Romain Gary novel authored under his pseudonym, Émile Ajar. He adds that he “has attempted everything to run away from [himself]”. He tried specially to learn different languages and even to invent his own. Like Gary other writers have considered their mother tongue or their surname as restraints limiting their possibilities. In order to “feel everything in every way” (Pessoa’s expression) they would change their language or use pseudonyms. To jointly study multilingualism and the use of pseudonyms, we focused on four 20th century authors: the Portuguese poet Fernando Pessoa (1888-1935), the Russian-American novelist Vladimir Nabokov (1899-1977), the Argentinian writer Jorge Luis Borges (1899-1986) and the French novelist Romain Gary (1914-1980). The writings of all four authors are at the intersection of several languages and cultures. In addition to their mother tongue, they each mastered French and English. They used English as a second language for their writing, were translators and/or self-translators. Additionally, all four took pseudonyms and invented fictitious alter egos. Pessoa’s concept of heteronym (closely connected to his multilingualism) allowed us to shed light on the work of the three other authors. To do this, we compared Pessoa’s main heteronyms with those of Bustos Domecq (pseudonym of Borges and Bioy Casares), Emile Ajar (pseudonym of Gary, embodied as the straw man Paul Pavlowitch) and Sirine (Nabokov’s Russian alter ego). Like translation, heteronymous writing requires some depersonalization. And like self-translation, it forces the author to confront an alter ego. To write in another language or to invent a new style in one’s own language, one must renounce a part of one’s self. This thesis aims to show that for these authors using pseudonyms and writing in different languages represents less of a rejection of their identities than an indirect way to come back to themselves. Freed from themselves by their heteronyms, they can better appreciate who they are, be self-critical and thus they can open their hearts to their readers. Writing in a second language also creates a certain distance that enables them to confess and experiment

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4

Lysyanskaya, Anna. "Pseudonym systems". Thesis, Massachusetts Institute of Technology, 1999. http://hdl.handle.net/1721.1/80544.

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5

Bar-Kochva, Sharon. "Les pseudonymes dans les littératures yiddish et hébraïque du milieu du XIXe siècle au milieu du XXe siècle". Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCF001.

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Les littératures yiddish et hébraïque modernes sont étroitement liées par une histoire commune et partagent également de multiples traits stylistiques et thématiques. Or, une différence importante peut être remarquée quant à l’usage des pseudonymes dans les deux langues. Dans la littérature yiddish moderne, la pseudonymie est très importante, aussi bien du point de vue quantitatif que qualitatif, et une grande partie des plus importants auteurs yiddish sont connus principalement sous leur pseudonyme, alors que dans la littérature hébraïque moderne les noms de plume restent un phénomène relativement marginal. La présente recherche analyse la pseudonymie dans les deux littératures, dans le but d’expliquer cet écart. Nous commençons par une analyse des modes de construction des pseudonymes pour en constituer une typologie générale. Par la suite, nous nous concentrons sur les pseudonymes « durables », c'est-à-dire ceux qui accompagnent les auteurs sur le long terme et façonnent leur image publique, pour décrire en détail dans quelles circonstances et de quelles manières ils sont utilisés. Enfin, nous utilisons les informations recueillies pour démontrer que la pseudonymie est un phénomène social, et pour isoler les facteurs sociaux et historiques qui ont conduit à l’adoption de la pseudonymie comme l’une des « traditions inventées » de la littérature yiddish moderne
Modern Yiddish and Hebrew literatures are closely connected by a common long history, sharing many stylistic and thematic features. However, both literatures significantly differ in their use of pseudonyms. In Yiddish literature, authors’ pseudonyms appear rather frequently, and a significant number of the most important writers are known mainly in their pseudonyms, while in modern Hebrew literature pen names remained a relatively marginal occurrence. This research analyses pseudonymity in both literatures in order to explain this discrepancy. In the first chapter, the various patterns used in building pseudonyms are analysed, so to establish a general typology of the phenomenon. Subsequently, I focus on the "lasting" pseudonyms, namely those that accompany authors for a long time, shaping and determining their public image. In the second chapter I describe in detail under which circumstances and in what ways the "lasting" pseudonyms were created and used. Finally, in the last part the information analysed previously is utilised, clarifying that pseudonymity is actually a social phenomenon, and defining the social and historical factors that led to the adoption of pseudonymity as one of the "invented traditions" of modern Yiddish literature

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Omari, Shani. "Call me ‘Top in Dar’ : the role of pseudonyms in Bongo Fleva music". Swahili Forum 18 (2011), S. 69-86, 2011. https://ul.qucosa.de/id/qucosa%3A11465.

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Over the last two decades Bongo Fleva music has become a popular form of entertainment as well as a key cultural element among Tanzanian urban youth. The objective of this paper is to examine the role of pseudonyms in this musical genre in Tanzania. It focuses on how Bongo Fleva artists adopt their pseudonyms and discusses their role in identity formation among urban youths in contemporary Tanzania. The paper argues that pseudonyms in Bongo Fleva, as in various other fields, have an important role to play in portraying one’s identity, culture, characteristics, profile, actions, hope and imagination.

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7

Wilder, Terry L. "New Testament pseudonymity and deception". Thesis, University of Aberdeen, 1998. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU099071.

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This study provides afresh an answer to the question: "If there are pseudonymous letters in the New Testament, what can be said about their intention and reception?" A survey of scholarship shows the need for the present inquiry. Five primary areas are investigated. First, an examination of various Greco-Roman and Christian texts reveals that sometimes in antiquity pseudonymous documents were written with no intention to deceive (e.g. some of the Pythagorean literature). However, not every writing in antiquity was written in the same spirit. For, it is then shown that many writers in Greco-Roman antiquity, including early Christians, had scruples regarding literary property and pseudonymity. Second, a comparison of some Greco-Roman pseudepigraphal epistles with the disputed Pauline letters reveals that non-deceptive pseudonymity is possible for the latter works, if pseudonymous, in the light of the analogy of many of the former writings. Thus, contrary to the views of some scholars, a historical and analogous precedent exists for non-deceptive pseudo-Pauline letters, if present in the NT. Third, a study of the available documentary evidence indicates that the early Church (second-century onwards) generally did not accept apostolic pseudepigrapha, and suggests that it regarded such writings as deceptive. These responses to apostolic pseudepigrapha act as a background against which some of the alleged NT pseudepigrapha are later evaluated. Fourth, an examination of the early Church's understanding of apostolic authority shows the uniqueness of the apostolic office in the first and second centuries. This evidence is marshalled against the assumption that a discontinuity of attributes towards pseudepigrapha exists between the first and second-century Churches. It is suggested that apostolic authority may have provided the impetus to write under the names of the apostles, but that this practice was not acceptable. Finally, it is suggested that the use of the pseudonym may have been less appropriate in letters than in other genres.

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Yarygina, Tatiana. "Women's Pseudonyms in Russian Modernism". Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18349.

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The purpose of this research was to explore the phenomenon of a literary pseudonym in different countries with the main focus on Russia at the end of the 19th and the beginning of the 20th centuries. This thesis also discussed in depth the pseudonyms taken by Russian female writers of the Silver Age, the reasons for having the pseudonyms, and how their pseudonyms affected their lives and literary careers. This study highlighted the three examples of pseudonym-creation during the said period: it demonstrated the cases of Elizaveta Dmitrieva (the pseudonym "Cherubina de Gabriak"), Zinaida Gippius (the pseudonym "Anton Krainii"), and Anna Gorenko (the pseudonym "Akhmatova"). The results showed that each pseudonym manifested itself in the works of each writer as well as in their personal and professional lives in quite different ways and that both the pseudonym and the real name played a significant role in the creative activity of the three female writers.

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Yieh, Pierson. "Vehicle Pseudonym Association Attack Model". DigitalCommons@CalPoly, 2018. https://digitalcommons.calpoly.edu/theses/1840.

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With recent advances in technology, Vehicular Ad-hoc Networks (VANETs) have grown in application. One of these areas of application is Vehicle Safety Communication (VSC) technology. VSC technology allows for vehicle-to-vehicle (V2V) and vehicle-to-infrastructure (V2I) communications that enhance vehicle safety and driving experience. However, these newly developing technologies bring with them a concern for the vehicular privacy of drivers. Vehicles already employ the use of pseudonyms, unique identifiers used with signal messages for a limited period of time, to prevent long term tracking. But can attackers still attack vehicular privacy even when vehicles employ a pseudonym change strategy? The major contribution of this paper is a new attack model that uses long-distance pseudonym changing and short-distance non-changing protocols to associate vehicles with their respective pseudonyms.

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Benin, Joseph Thomas. "Unified distribution of pseudonyms in hybrid ephemeral vehicular networks". Diss., Georgia Institute of Technology, 2012. http://hdl.handle.net/1853/45910.

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This research devises a unified method for the distribution of pseudonyms in hybrid ephemeral vehicular networks (VNs), which are often referred to as vehicular ad hoc networks (VANETs), for the purposes of refill, intra-regional, and inter-regional movement. This work addresses a significant impediment to the use of pseudonyms, which has been almost universally accepted (and is on the verge of being standardized by the Institute for Electrical and Electronic Engineers (IEEE) and the Society for Automotive Engineers (SAE) as the best means to balance attribution and privacy to maximize the value of infrastructure deployment and citizen acceptability (i.e. use). The results include a pseudonym distribution protocol that maximizes ease of use while not compromising the security or privacy pseudonyms afford. These results contribute to the solution, in a scalable, adaptive, and bandwidth efficient manner, one of the remaining impediments to the adoption of VANETs. The new method shows improved performance compared to a baseline pseudonym distribution method that does not take these factors into consideration.

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Più fonti

Libri sul tema "Pseudonymat"

1

Eymer, Wilfrid. Eymers Pseudonymen Lexikon: Realnamen und Pseudonyme in der deutschen Literatur. Bonn: Kirschbaum, 1997.

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Room, Adrian. A dictionary of pseudonyms and their origins, with stories of name changes. Jefferson, N.C: McFarland, 1989.

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3

author, Savage Diana 1950, a cura di. Pseudonym. New Kensington, PA: Whitaker House, 2016.

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Room, Adrian. Dictionary of pseudonyms. 3^a ed. Jefferson, N.C: McFarland, 1998.

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Room, Adrian. Dictionary of pseudonyms. 3^a ed. Jefferson, N.C: McFarland, 1998.

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6

Ratier, Emmanuel. Encyclopédie des pseudonymes. Paris: Faits & documents, 1993.

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7

Dunaway, Taylor Welford, a cura di. The Newsprint mask: The tradition of the fictional journalist in America. Ames: Iowa State University Press, 1991.

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8

Oelschlegel, Axel. Das Pseudonym: Roman. Halle: Mitteldt. vlg., 1988.

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9

Oelschlegel, Axel. Das Pseudonym: Roman. Halle: Mitteldeutscher Verlag, 1988.

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10

Hawk, Pat. Hawk's authors' pseudonyms II: A comprehensive reference of modern author's pseudonyms. 2^a ed. [Southlake, TX: P. Hawk], 1995.

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Capitoli di libri sul tema "Pseudonymat"

1

Fischer-Hübner, Simone. "Pseudonymity". In Encyclopedia of Database Systems, 1–2. New York, NY: Springer New York, 2017. http://dx.doi.org/10.1007/978-1-4899-7993-3_1490-3.

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2

Fischer-Hübner, Simone. "Pseudonymity". In Encyclopedia of Database Systems, 2207. Boston, MA: Springer US, 2009. http://dx.doi.org/10.1007/978-0-387-39940-9_1490.

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3

Fischer-Hübner, Simone. "Pseudonymity". In Encyclopedia of Database Systems, 2932–33. New York, NY: Springer New York, 2018. http://dx.doi.org/10.1007/978-1-4614-8265-9_1490.

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4

Bleumer, Gerrit. "Pseudonyms". In Encyclopedia of Cryptography and Security, 992–94. Boston, MA: Springer US, 2011. http://dx.doi.org/10.1007/978-1-4419-5906-5_216.

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5

Solanas, Agusti. "Pseudonyms". In Encyclopedia of Cryptography, Security and Privacy, 1–3. Berlin, Heidelberg: Springer Berlin Heidelberg, 2022. http://dx.doi.org/10.1007/978-3-642-27739-9_1755-1.

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6

Sellers, M. N. S. "Republican Pseudonyms". In American Republicanism, 8–10. London: Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-13347-5_2.

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7

Lysyanskaya, Anna, Ronald L. Rivest, Amit Sahai e Stefan Wolf. "Pseudonym Systems". In Selected Areas in Cryptography, 184–99. Berlin, Heidelberg: Springer Berlin Heidelberg, 2000. http://dx.doi.org/10.1007/3-540-46513-8_14.

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8

Chen, Lidong. "Access with pseudonyms". In Cryptography: Policy and Algorithms, 232–43. Berlin, Heidelberg: Springer Berlin Heidelberg, 1996. http://dx.doi.org/10.1007/bfb0032362.

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9

Gabel, Alexander, e Ina Schiering. "Privacy Patterns for Pseudonymity". In Privacy and Identity Management. Fairness, Accountability, and Transparency in the Age of Big Data, 155–72. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-16744-8_11.

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10

Sobirey, Michael. "Grundlagen des pseudonymen Audit". In Datenschutzorientiertes Intrusion Detection, 62–75. Wiesbaden: Vieweg+Teubner Verlag, 1999. http://dx.doi.org/10.1007/978-3-322-86850-3_6.

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Atti di convegni sul tema "Pseudonymat"

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Zoccoli, Giovanni Gambigliani, Dario Stabili e Mirco Marchetti. "Are VANETs pseudonyms effective? An experimental evaluation of pseudonym tracking in adversarial scenario". In 2023 IEEE 98th Vehicular Technology Conference (VTC2023-Fall). IEEE, 2023. http://dx.doi.org/10.1109/vtc2023-fall60731.2023.10333561.

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2

Dalton, Ben. "Pseudonymity in social machines". In the 22nd International Conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2487788.2488076.

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3

Ma, Zhendong, Frank Kargl e Michael Weber. "Pseudonym-On-Demand: A New Pseudonym Refill Strategy for Vehicular Communications". In 2008 IEEE 68th Vehicular Technology Conference (VTC 2008-Fall). IEEE, 2008. http://dx.doi.org/10.1109/vetecf.2008.455.

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4

Song, Boyeon, e Chris J. Mitchell. "Scalable RFID Pseudonym Protocol". In 2009 Third International Conference on Network and System Security. IEEE, 2009. http://dx.doi.org/10.1109/nss.2009.15.

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5

Borcea-Pfitzmann, Katrin, Elke Franz e Andreas Pfitzmann. "Usable presentation of secure pseudonyms". In the 2005 workshop. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1102486.1102498.

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6

Martucci, Leonardo A., Markulf Kohlweiss, Christer Andersson e Andriy Panchenko. "Self-certified Sybil-free pseudonyms". In the first ACM conference. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1352533.1352558.

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7

Han, Seungyeop, Vincent Liu, Qifan Pu, Simon Peter, Thomas Anderson, Arvind Krishnamurthy e David Wetherall. "Expressive privacy control with pseudonyms". In SIGCOMM'13: ACM SIGCOMM 2013 Conference. New York, NY, USA: ACM, 2013. http://dx.doi.org/10.1145/2486001.2486032.

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Pélissier, Samuel, Jan Aalmoes, Abhishek Kumar Mishra, Mathieu Cunche, Vincent Roca e Didier Donsez. "Privacy-Preserving Pseudonyms for LoRaWAN". In WiSec '24: 17th ACM Conference on Security and Privacy in Wireless and Mobile Networks. New York, NY, USA: ACM, 2024. http://dx.doi.org/10.1145/3643833.3656120.

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9

Benin, Joseph, Michael Nowatkowski e Henry Owen. "Unified pseudonym distribution in VANETs". In 2010 IEEE 6th International Conference on Wireless and Mobile Computing, Networking and Communications (WiMob). IEEE, 2010. http://dx.doi.org/10.1109/wimob.2010.5645015.

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10

Dang, Xiaojun, e Yang Zhang. "Hierarchical Pseudonym-Based Signature Scheme and Self-Generated Pseudonym System in Ad Hoc Networks". In 2008 The Fourth International Conference on Wireless and Mobile Communications. IEEE, 2008. http://dx.doi.org/10.1109/icwmc.2008.19.

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Rapporti di organizzazioni sul tema "Pseudonymat"

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Würth, Stéphanie. SNSF Datastory - Emma – on her way to a professorship? Swiss National Science Foundation, maggio 2021. http://dx.doi.org/10.46446/datastory.emma-on-her-way-to-a-professorship.

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Abstract (sommario):

Using Emma* as an example, we profile the career path of an early career researcher whose PhD was financed by an SNSF project. To this end, we combined and analysed data from the Federal Statistical Office (FSO) and the SNSF. *Emma is a pseudonym.

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Pignataro, C., J. Clarke e G. Salgueiro. Service Undiscovery Using Hide-and-Go-Seek for the Domain Pseudonym System (DPS). RFC Editor, aprile 2012. http://dx.doi.org/10.17487/rfc6593.

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