Letteratura scientifica selezionata sul tema "Prokofiev"
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Articoli di riviste sul tema "Prokofiev"
Dixon, Gavin. "St Petersburg, Shostakovich Hall: Gabriel Prokofiev's Cello Concerto". Tempo 67, n. 266 (ottobre 2013): 78–79. http://dx.doi.org/10.1017/s0040298213000922.
Testo completoKondakov, Igor V. "SERGEI PROKOFIEV OPERA HOUSE: A CYCLE OF BINARY MACROSTRUCTURES". RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, n. 7 (2022): 138–52. http://dx.doi.org/10.28995/2686-7249-2022-7-138-152.
Testo completoBarker, Michael K., Nancy L. Chabot, Erwan Mazarico, Matthew A. Siegler, Jose M. Martinez-Camacho, Colin D. Hamill e Stefano Bertone. "New Constraints on the Volatile Deposit in Mercury’s North Polar Crater, Prokofiev". Planetary Science Journal 3, n. 8 (1 agosto 2022): 188. http://dx.doi.org/10.3847/psj/ac7d5a.
Testo completoBerman, Anna A. "Competing Visions of Love and Brotherhood: RewritingWar and Peacefor the Soviet Opera Stage". Cambridge Opera Journal 26, n. 3 (13 ottobre 2014): 215–38. http://dx.doi.org/10.1017/s095458671400007x.
Testo completoЛяхович, Артём Владимирович. "Prokofiev and Fairy Tale". Музыкальная академия, n. 1(777) (31 marzo 2022): 96–105. http://dx.doi.org/10.34690/221.
Testo completoProkofiev, Artem M., e Carsten Zorn. "Review of the Mimela species of the Dalat Plateau in southern Vietnam (Coleoptera, Scarabaeidae, Rutelinae)." Beiträge zur Entomologie = Contributions to Entomology 66, n. 2 (20 dicembre 2016): 329–46. http://dx.doi.org/10.21248/contrib.entomol.66.2.329-346.
Testo completoMURDY, EDWARD O. "Corrections and clarifications to the descriptions of Biendongella and Sovvityazius (Perciformes: Gobiidae)". Zootaxa 4276, n. 1 (9 giugno 2017): 127. http://dx.doi.org/10.11646/zootaxa.4276.1.7.
Testo completoPROKOFIEV, ARTEM M. "New species and records of Maechidius Macleay, 1819 from New Guinea (Coleoptera: Scarabaeidae: Melolonthinae)". Zootaxa 5205, n. 5 (10 novembre 2022): 445–62. http://dx.doi.org/10.11646/zootaxa.5205.5.3.
Testo completoRIFKIN, DEBORAH. "The Quiet Revolution of a B Natural: Prokofiev's ‘New Simplicity’ in the Second Violin Concerto". Twentieth-Century Music 6, n. 2 (settembre 2009): 183–208. http://dx.doi.org/10.1017/s1478572210000162.
Testo completoСавкина, Н. П. "More About Gorchakov, Prokofiev’s Secretary". OPERA MUSICOLOGICA, n. 2 (1 maggio 2021): 70–89. http://dx.doi.org/10.26156/om.2021.13.2.004.
Testo completoTesi sul tema "Prokofiev"
Howell, Chelsea Gayle. "Multidisciplinary performance issues in Sergei Prokofiev's Trapèze". Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1459902831&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Testo completoZHU, DI. "PROKOFIEV'S PIANO TRANSCRIPTIONS: A COMPARATIVE STUDY OF HIS TRANSCRIBING TECHNIQUES". University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1153173318.
Testo completoNataša, Crnjanski. "Prokofjev i muzički gest – klavirske sonate". Phd thesis, Univerzitet u Novom Sadu, Akademija umetnosti u Novom Sadu, 2014. http://www.cris.uns.ac.rs/record.jsf?recordId=84602&source=NDLTD&language=en.
Testo completoCilj disertacije je da se korišćenjem teorije o
muzičkom gestu - na sonatama kao
reprezentativnom uzorku u kome je gest osnova
izgradnje muzičkog značenja, generator
kompozicione forme i strukture, ali i determinišući
faktor analize koji obezbeđuje razumevanje stila i
stilskih promena - potvrdi upotreba muzičkog gesta
kao elementa naratologije muzičkog toka u muzici
Prokofjeva. Šire gledano, primena teorije o
muzičkom gestu na istraživanje klavirskih sonata
Sergeja Prokofjeva potvrdiće njenu univerzalnu
profilisanost i primenjivost u analitičkim tumačenjima
muzike 20. veka, te proširiti dosadašnju praksu da se
ova teorija isključivo vezuje za muziku 18. i 19. veka.
Svojevrsni analitički izazov predstavljaće primena
ove teorije na muzički tok koji povremeno izlazi iz
okvira tonalnog jezika (u kom je muzički gest
originalno utemeljen) čime se proširuje polje njene
primene, ali i ukazuje na najproduktivniji aspekt
današnje muzičke semiotike - istraživanje relacije
muzika-telo.
Bogart, Steven. "Rhapsody". ScholarWorks@UNO, 2002. http://scholarworks.uno.edu/td/3.
Testo completoOrlov, Vladimir Sergeevich. "Soviet cantatas and oratorios by Sergei Prokofiev in their social and cultural context". Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609314.
Testo completoJones, Kathryn E. "Prokofiev Beckons the Double Bass Into the Modern Age: a Pedagogical Study of the Op 39 Quintet". Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc699907/.
Testo completoWilson, Deborah Annette. "Prokofiev’s Romeo and Juliet: history of a compromise". The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1061231843.
Testo completoKim, Sooyoung. "Perspectives on the Symbiosis of Traditional and Modernist Techniques in Four Violin Compositions by Sergei Prokofiev". University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1275918892.
Testo completoSologub, Olga. "Sergei Prokofiev's Piano Sonata No. 8, Op. 84 and Symphony No. 5, Op. 100 : Neo-Riemannian and Kholopovian perspectives". Thesis, University of Manchester, 2014. https://www.research.manchester.ac.uk/portal/en/theses/sergei-prokofievs-piano-sonata-no-8-op-84-and-symphony-no-5-op-100-neoriemannian-and-kholopovian-perspectives(1e3b29e4-2086-4f12-bd5b-ea02635bbccd).html.
Testo completoMoron, Nicolas. "Une incantation mise en musique : édition critique de "Sept, ils sont sept" de Serge Prokofiev". Thesis, Tours, 2011. http://www.theses.fr/2011TOUR2003.
Testo completoAs the score of "Seven, They Are Seven" for tenor solo, choir and orchestra has been printed in Russia in 1922 without the composer's consent, a basic question is to know whether the musical text of this work, neglected and yet one of Prokofiev's dearest, is authentic.The origin of the Mesopotamian incantation transcribed by the poet Constantin Balmont, from which Prokofiev drafted the text finally put in music, was recalled by comparing at once the works of Balmont to the composer's writings.Previously unknown connections could thus be weaved, and the successive roles played by each in the constitution of the final text were clearly established. Research conducted in light of unpublished documents made possible to trace the origins of this work and to understand the conditions in which the 1st edition had been made, from a recently discovered autograph manuscript.Also, four rediscovered French translations made for this work's creation confirmed in a comparative study the key role played by the composer in this process. By taking into account their history, their specificity, and how they were drawn up, we systematically compared, for the realization of the critical edition of this score, three complete manuscripts as well as a vocal score and an annotated edition completed by a manuscript, all unpublished, to the three versions printed in 1922 and 1933. Representing the first critical edition of a work by Prokofiev, this research fits in line with the most recent publications, in order to provide interpreters as well as musicologists a clear score which agrees, at best, to the musical thought of Sergey Prokofiev
Libri sul tema "Prokofiev"
David, Gutman. Prokofiev. London: Alderman Press, 1988.
Cerca il testo completoProkofiev. London: Omnibus Press, 1990.
Cerca il testo completoSchipperges, Thomas. Prokofiev. London: Haus, 2003.
Cerca il testo completoSamuel, Claude. Prokofiev. New York: Marion Boyars Publishers, 1998.
Cerca il testo completoSamuel, Claude. Prokofiev. Paris: Seuil, 1995.
Cerca il testo completoSerge Prokofiev. Arles: Actes sud, 2012.
Cerca il testo completoRobinson, Harlow. Sergei Prokofiev: A biography. New York, N.Y., U.S.A: Viking, 1987.
Cerca il testo completoSergei Prokofiev: A biography. New York, NY: Viking, 1987.
Cerca il testo completoSergei Prokofiev: A biography. London: Hale, 1987.
Cerca il testo completoRobinson, Harlow. Sergei Prokofiev: A biography. New York: Paragon House, 1988.
Cerca il testo completoCapitoli di libri sul tema "Prokofiev"
Redepenning, Dorothea. "Prokof’ev, Sergej Sergeevič". In Komponisten Lexikon, 470–73. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_236.
Testo completoRedepenning, Dorothea. "Prokof’ev, Sergej Sergeevič". In Komponisten, 191–94. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02947-8_35.
Testo completoUehling, Peter. "Sergej Sergejewitsch Prokofjew". In Kammermusikführer, 479–83. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03514-1_96.
Testo completoFrolova-Walker, Marina. "“Monsieur Prokofieff”". In Rethinking Prokofiev, 61–86. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190670764.003.0006.
Testo completoKupfer, Peter. "Prokofiev in the Popular Consciousness". In Rethinking Prokofiev, 423–48. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190670764.003.0023.
Testo completo"PROKOFIEV". In Orchestral Masterpieces under the Microscope, 339–51. Boydell & Brewer Ltd, 2023. http://dx.doi.org/10.2307/j.ctv2p40rm3.49.
Testo completo"PROKOFIEV". In Orchestral Masterpieces under the Microscope, 352–54. Boydell & Brewer Ltd, 2023. http://dx.doi.org/10.2307/j.ctv2p40rm3.50.
Testo completoPritchard, Jane. "Staging Prokofiev’s Early Ballets". In Rethinking Prokofiev, 215–32. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190670764.003.0013.
Testo completoErmolaeva, Katya. "Audiovisual Montage in Ivan the Terrible". In Rethinking Prokofiev, 253–72. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190670764.003.0015.
Testo completoKravetz, Nelly, Rita McAllister e Laura Brown. "Sergei Prokofiev and Levon Atovmian". In Rethinking Prokofiev, 107–25. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190670764.003.0008.
Testo completoAtti di convegni sul tema "Prokofiev"
Wang, Siwen. "A Brief Analysis of Prokofiev's Three Later Piano Sonatas". In Proceedings of the 1st International Symposium on Education, Culture and Social Sciences (ECSS 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/ecss-19.2019.70.
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