Bibliografie tematiche / Price, fanny

Letteratura scientifica selezionata sul tema "Price, fanny"

Autore: Grafiati
Pubblicato: 25 luglio 2024
Ultima modifica: 31 luglio 2024

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Articoli di riviste sul tema "Price, fanny"

1

KNOX-SHAW, P. "FANNY PRICE REFUSES TO KOWTOW". Review of English Studies XLVII, n. 186 (1 maggio 1996): 212–17. http://dx.doi.org/10.1093/res/xlvii.186.212.

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Jenkins, Joyce. "The Puzzle of Fanny Price". Philosophy and Literature 30, n. 2 (2006): 346–60. http://dx.doi.org/10.1353/phl.2006.0033.

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Kilgore, Rachel. "Understanding Fanny". Religion and the Arts 24, n. 3 (31 luglio 2020): 229–45. http://dx.doi.org/10.1163/15685292-02403010.

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Abstract Though there has been recent interest in how Jane Austen’s faith influenced her novels, scholars have generally looked to her reading in philosophy and sermons, her spiritual expression, or her Anglicanism, and have neglected the more direct influence of the Bible. Yet judging from Austen’s lifelong church attendance and her reading of the Book of Common Prayer, we can conclude that she would have heard the Psalms read entirely through once every month of her forty-one years. This paper explores the resemblance between the psalmists and Fanny Price in terms of their shared experience of exile, their patterns of lament and reminder, their long wait for deliverance, and their final homecoming. Comparing Fanny Price’s character to the psalmists recasts her as a heroine in the Hebrew tradition, offering a new understanding of her passivity and suggesting that her author was more influenced by scriptural patterns than has been heretofore understood.
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Klein, Ula Lukszo. "Fanny Price as Disabled Heroine in Mansfield Park". SEL Studies in English Literature 1500-1900 60, n. 3 (2020): 577–95. http://dx.doi.org/10.1353/sel.2020.0024.

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Gard, R. "Mansfield Park, Fanny Price, Flaubert and the Modern Novel". English 38, n. 160 (1 marzo 1989): 1–33. http://dx.doi.org/10.1093/english/38.160.1.

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Sklizkova, Tina A. "The peculiarity of the marriages in “Mansfield Park” by Jane Austen". Vestnik of Kostroma State University 29, n. 2 (12 ottobre 2023): 102–8. http://dx.doi.org/10.34216/1998-0817-2023-29-2-102-108.

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The article focuses on the novel “Mansfield Park”, which explores the category of «Englishness» through the prism of the concept of marriage. In the novel by Jane Austen marriages are presented through the opposition of Englishness/ Britishness, authenticity/simulation, and are also through the concepts of endogamy and exogamy. In the novel by Jane Austen only one marriage between Edmund Bertram and Fanny Price can be considered as the embodiment of genuine Englishness and, accordingly, endogamy. This becomes possible primarily due to the image of Fanny, whose pastoral essence, connected with the motive of authenticity, turns out to be very important for understanding “Englishness”.
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HWANG, JUNG SUK. "노예제에 대한 침묵: 패트리샤 로제마의 『맨스필드 파크』". Criticism and Theory Society of Korea 27, n. 3 (31 ottobre 2022): 333–52. http://dx.doi.org/10.19116/theory.2022.27.3.333.

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Adapting Jane Austen’s 1814 novel to film, Mansfield Park (1999), Patricia Rozema transforms Austen’s Fanny Price into an active, witty, and rebellious heroine and centralizes the theme of slavery. The film’s fidelity has been earnestly debated, but Rozema claims that her film is faithful to the original source. As she points out, the seemingly incongruent link—between Austen and slavery—is not new. Austen’s Mansfield Park has been widely examined regarding the issue of slavery and Fanny has been commonly read as a character who represents the Other, women and slaves. These readings, however, reveal an uneasy relationship between feminism and post- colonialism by conceptualizing white women as a homogenous group of the powerless and oppressed. The relationship becomes more problematic when they readily equate Fanny with the non-white exploited racial Other, the slaves in Antigua. Analyzing the limitations of Austen’s representation of slavery, I examine how Rozema not only faithfully reproduces the limitations but also silences the Black Other—the slaves in Antigua—who only appear in Tom’s sketches of Antiguan slaves and sculptures of Black servants at Mansfield Park.
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Haggerty, George E. "Fanny Price: “Is she solemn?—Is she queer?—Is she prudish?”". Eighteenth Century 53, n. 2 (2012): 175–88. http://dx.doi.org/10.1353/ecy.2012.0014.

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Reiff, Marija. "The “Fanny Price Wars”: Jane Austen’s Enlightenment Feminist and Mary Wollstonecraft". Women's Studies 45, n. 3 (2 aprile 2016): 275–90. http://dx.doi.org/10.1080/00497878.2016.1149031.

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Pawl, Amy J. "Fanny Price and the Sentimental Genealogy of Mansfield Park". Eighteenth-Century Fiction 16, n. 2 (2004): 287–315. http://dx.doi.org/10.1353/ecf.2004.0040.

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Tesi sul tema "Price, fanny"

1

Sharren, Kandice. ""A creditable establishment": the irony of economics in Jane Austen's Mansfield Park". Thesis, 2011. http://hdl.handle.net/1828/3522.

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This thesis contextualises Austen’s novel within the issues of political economy contemporary to its publication, especially those associated with an emerging credit economy. It argues that the problem of determining the value of character is a central one and the source of much of the novel’s irony: the novel sets the narrator’s model of value against the models through which the various other characters understand value. Through language that represents character as the currency and as a commodity in a credit economy, Mansfield Park engages with the problems of value raised by an economy in flux. Austen uses this slipperiness of language to represent social interactions as a series of intricate economic transactions, revealing the irony of social exchanges and the expectations they engender, both within and without the context of courtship.
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Libri sul tema "Price, fanny"

1

Andrews, Nathalie. Sydney and Fanny: The price of freedom. St. Vincent and the Grenadines: [s.n.], 2008.

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Andrews, Nathalie. Sydney and Fanny: The price of freedom. St. Vincent and the Grenadines: [s.n.], 2008.

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Shikūh, Dārā. Nuskha dar fanni-falahat =: The art of agriculture : Persian manuscripts compiled in the 17th century by the Mughal Prince Dara Shikoh. Secunderabad: Asian Agri-History Foundation, 2000.

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4

Fechter, Steven. The last cigarette / by Steven Fechter. Flight of fancy / by Louis Felder. Physical therapy / by Jean Reynolds. Nothing in the world like it / by Frances Galton. The price you pay / by Arlene Hutton. Pearls / by Nara Lipner. Ophelia / by Karen Sanford. A significant betrayal / by Le Wilhelm. New York: Samuel French, 2000.

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Jane, Austen. Mansfield Park. London: Penguin Books, 2003.

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Jane, Austen. Mansfield Park. Barcelona: Plaza & Janés, 2000.

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Jane, Austen. Mansfield Park. London: Penguin, 1994.

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Jane, Austen. Mansfield Park: Fanny Price. Independently Published, 2020.

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Sydney and Fanny: The price of freedom. St. Vincent and the Grenadines: [s.n.], 2008.

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Austen, Jane, e Jane Stabler. Mansfield Park. A cura di James Kinsley. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199535538.001.0001.

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‘Me!’ cried Fanny … ‘Indeed you must excuse me. I could not act any thing if you were to give me the world. No, indeed, I cannot act.’ At the age of ten, Fanny Price leaves the poverty of her Portsmouth home to be brought up among the family of her wealthy uncle, Sir Thomas Bertram, in the chilly grandeur of Mansfield Park. There she accepts her lowly status, and gradually falls in love with her cousin Edmund. When the dazzling and sophisticated Henry and Mary Crawford arrive, Fanny watches as her cousins become embroiled in rivalry and sexual jealousy. As the company starts to rehearse a play by way of entertainment, Fanny struggles to retain her independence in the face of the Crawfords’ dangerous attractions; and when Henry turns his attentions to her, the drama really begins… This new edition does full justice to Austen’s complex and subtle story, placing it in its Regency context and elucidating the theatrical background that pervades the novel.
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Capitoli di libri sul tema "Price, fanny"

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Emsley, Sarah. "Fanny Price and the Contemplative Life". In Jane Austen’s Philosophy of the Virtues, 107–28. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403978288_6.

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Perletti, Greta. "What's Wrong with Fanny Price? Pathological Intellection and Jane Austen's Science of the Mind in Mansfield Park". In Translation and Interpretation, 167–86. Göttingen: V&R unipress, 2022. http://dx.doi.org/10.14220/9783737014731.167.

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Haschemi Yekani, Elahe. "Resistances: Austen and Wedderburn". In Familial Feeling, 173–221. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-58641-6_4.

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AbstractIn this chapter the most famous writer of (female) affective individualism, Jane Austen, and her canonical third published novel Mansfield Park featuring her supposedly most unpopular heroine Fanny Price is juxtaposed with orator Robert Wedderburn’s much more obscure pamphlet The Horrors of Slavery. The chapter also revisits Edward Said’s famous theory of counterpoint in his reading of Austen and proposes instead a focus on entanglement. By contrasting the two texts and their relation to the abolition of the slave trade in 1807, readers get a better understanding of how writers used the affective means of prose writing to introduce more resistant entangled tonalities of familial feeling. Austen presents wilful female subjectivity in a family that invested in slavery and Wedderburn, the unruly planter son, claims familiarity with both his enslaved mother and his slave-owning father, challenging the formula of the “horrors of slavery”. Via internal focalization and incendiary rhetoric respectively both texts tonally also create a more intimate familiarity with their readers. They thus aesthetically resist writing conventions and introduce more ambivalent nuance: pushing the limits of the genre of the country-house novel in Austen and refuting the demure tone of abolitionist writing in Wedderburn.
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"Fanny Price". In Routledge Library Editions: Jane Austen, 76–99. Routledge, 2013. http://dx.doi.org/10.4324/9780203810392-9.

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"The Lethal Reserve of Fanny Price". In On Declaring Love, a cura di Fred Parker, 163–93. New York, NY: Routledge, 2019. | Series: Routledge studies in eighteenth-century literature; 19: Routledge, 2018. http://dx.doi.org/10.4324/9780429022449-5.

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"Mansfi eld Park: Emancipating ‘Puny’ Fanny Price". In Jane Austen's Civilized Women, 113–36. Routledge, 2015. http://dx.doi.org/10.4324/9781315655598-11.

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"‘Eloquent blood’: the coming out of Fanny Price". In Jane Austen and the Body, 62–109. Cambridge University Press, 1992. http://dx.doi.org/10.1017/cbo9780511586248.004.

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Heyns, Michiel. "A Divided Community: Fanny Price and the Readers of Mansfield Park". In Expulsion and the Nineteenth-Century Novel, 50–89. Oxford University Press, 1994. http://dx.doi.org/10.1093/acprof:oso/9780198182702.003.0002.

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Woods, Katharine. "In Quiet Converse". In Biology and Manners, 71–94. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621730.003.0005.

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This chapter takes as its starting point the dedication at the front of Lois McMaster Bujold’s novel A Civil Campaign: ‘For Jane, Charlotte, Georgette and Dorothy—long may they rule’, arguing that the dedication places the novel in conversation with the authors whom Bujold invokes. This allows the chapter to explore this intertextuality through thematic convergences shared between Jane Austen’s Fanny Price of Mansfield Park and Bujold’s Ekaterin Vorsoisson. These themes include: the ambivalent occupation of and transitions between exterior and interior spaces they occupy; on and offstage performances; the significance of gifts of jewelry; the imposition of familial bonds; and the intertwined experience of health and honor. Despite their often ambivalent reception, the chapter argues, Fanny and Ekaterin are integral components of their respective works; central characters in their standalone and series novels.
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"CHAPTER 3 Acting, Text, and Correct Display: Sarah Siddons to Fanny Price". In Speaking Volumes, 98–134. Stanford University Press, 2002. http://dx.doi.org/10.1515/9781503619210-007.

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Rapporti di organizzazioni sul tema "Price, fanny"

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Poloboc, Alina. Josh Tampico. Intellectual Archive, novembre 2023. http://dx.doi.org/10.32370/iaj.2988.

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Josh Tampico is a painting from the Fancy Collection 2022, portraying a charismatic and creatively charged character with a keen sense of music. This vibrant portrayal depicts the brilliant music composer from Madrid, known for his distinctive blue hair. Having collaborated with numerous internationally renowned singers, Josh Tampico is a noteworthy figure in the music industry. The creation of this artwork is the result of a collaborative artistic project. The strategic use of the color blue by the painter Alina Poloboc in this piece symbolizes strength, trust, and creativity. Notably, the painting of Josh Tampico currently serves as both the logo and the official cover of one of his music albums. This particular painting stands out as one of the artist`s most successful works, of which she takes great pride.
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Loan advertising World War I - other forms: Lindsay Goulding, first prize winner in the War Loan Bonds Competition, Red Cross Fundraising Fete, fancy dress costume, Northwood, NSW, 1918. Reserve Bank of Australia, marzo 2021. http://dx.doi.org/10.47688/rba_archives_pn-001670.

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