Letteratura scientifica selezionata sul tema "Presse – Audience"
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Articoli di riviste sul tema "Presse – Audience":
1
Malcorps, Sylvain. "L’entreprise de presse et son audience en ligne". Réseaux 205, n. 5 (2017): 145. http://dx.doi.org/10.3917/res.205.0145.
2
Dupont, Françoise. "Les lecteurs de la presse : une audience difficile à mesurer". Le Temps des médias 3, n. 2 (2004): 142. http://dx.doi.org/10.3917/tdm.003.0142.
3
Bentounsi, Ikram Aya, e Mohamed Ramzi Hechiche. "The North African print media: from reported discourse to subjective discourse". XLinguae 15, n. 4 (ottobre 2022): 91–103. http://dx.doi.org/10.18355/xl.2022.15.04.09.
Abstract (sommario):
Recourse to the discourse of the other is inevitable in the written press. Our objective in this article is to study the subjective use of the reported speech and examine how it is employed by the journalist to better address the targeted audience. In essence, it seeks to detect the traces of the enunciator and to deduce whether he commits himself to the message(s) he tends to convey vis-à-vis the words he reports. That said, we will try to investigate the idea that he reports in his speech, explaining the different discursive strategies that allow him to intervene in the words of others while making attempts to maintain his sense of objectivity. We will, also, try to examine the effects of meaning and the narrative scope of the reported speech in order to see if there is any trace of subjectivity that displays the presence of the journalist or any other author.
4
Amiel, Pauline. "Vers une polyphonie énonciative de proximité ? Pages Facebook de communautés, crowdfunding et presse locale en ligne". Sur le journalisme, About journalism, Sobre jornalismo 7, n. 2 (16 dicembre 2018): 80–91. http://dx.doi.org/10.25200/slj.v7.n2.2018.360.
Abstract (sommario):
FR. Les journalistes de presse locale, ayant perdu en ligne le monopole de l’information territorialisée, font le constat de la diminution de leur lectorat. Face à un sentiment d’éloignement et de méconnaissance de leur audience en ligne, ils tentent de reconstruire une forme de proximité. Alors qu’ils favorisaient auparavant le ré- seau social Twitter, ils s’intéressent désormais à Facebook pour se rapprocher de leurs lecteurs et créer des interactions. À La Dépêche du Midi, à Nice-Matin, au Journal du Centre, au Parisien et à Mars-Actu, les journalistes interrogés ne cessent de se questionner sur le rôle du lecteur dans la fabrique de l’information locale en ligne. À travers la constitution de pages Facebook territorialisées, les journalistes de presse locale adaptent leurs pratiques afin d’adopter les genres et langages de leur audience et créer de nouvelles communautés. Par ailleurs, l’émergence et le succès d’autres pages Facebook territorialisées de type « Tu sais que tu viens de... Quand... », créées par des internautes et en interaction avec les journalistes, engagent une nouvelle façon de s’inscrire dans le local. En parallèle, les opérations de crowdfunding menées par deux des entreprises de presse étudiées positionnent encore différemment ce lectorat pour construire une polyphonie énonciative de la proximité.
***
EN. Local journalists, who have lost the local news monopoly online, witness the decline of their readership. Because of a feeling of estrangement and remoteness of their audience online, they try to build new forms of proximity. Today, and instead of Twitter, they prefer to publish on Facebook and try to create territorial communities to encourage interactivity. Journalists of La Dépêche du Midi, Nice-Matin, the Journal du Centre, Le Parisien and the digital native Mars-Actu question the way they work and the reader’s position. By creating territorialized Facebook pages, they adapt their practices to adopt the language of their readership to recreate a sense of community. Furthermore, the success of territorialized Facebook pages “You know you come from... When...”, created by individual users who interact with journalists, promote new ways to adhere into territory. At the same time, crowdfunding operations led by two of the studied press companies propose new roles for the reader. Finally, those three motions are building a new enunciative polyphony of closeness and the locality.
***
PT. Os jornalistas da imprensa local, após terem perdido para o on-line o mono- pólio da informação sobre o seu território, têm constatado a redução do seu público leitor. Por conta desse sentimento de desconhecimento e de afastamento da audiência on-line, eles têm buscado reconstruir uma forma de proximidade com o público. Se no início, eles favorecerem o uso da rede social Twitter, em seguida eles passaram a se interessar pelo Facebook como forma de se aproximarem dos seus leitores e estabelecerem interações. Nos jornais franceses La Dépêche du Midi, Nice-Matin, Journal du Centre, Parisien e Mars-Actu, os jornalistas pesquisados se questionam incessantemente sobre o papel do leitor na produção da notícia on-line local. Por meio da construção de páginas territorializadas no Facebook, esses jornalistas da imprensa local adaptam suas práticas buscando adotar os gêneros e linguagens de sua audiência, além de criar novas comunidades. Além disso, a emergência e o sucesso de outras páginas no Facebook como a «Você sabe que você vem de... Quando...», criadas por internautas e onde eles interagem com os jornalistas, resultaram em uma nova forma de inserção no contexto local. Em paralelo, as operações de crowdfunding conduzidas por duas organizações de mídia analisadas neste estudo ainda posicionam de forma distinta o seu público leitor, construindo uma polifonia enunciativa sobre a proximidade.
5
Mrozowicki, Michał Piotr. "Tannhäuser réhabilité (VI) – « La Quatrième » devant la presse parisienne – le snobisme et l’enthousiasme". Cahiers ERTA, n. 28 (30 dicembre 2021): 196–220. http://dx.doi.org/10.4467/23538953ce.21.041.15191.
Abstract (sommario):
« La quatrième »’s image in the parisian press – the snobbery and the enthusiasm The greatest star of the Parisian Tannhäuser’s performances in 1895 was Ernest Van Dyck in the title role. According to the Parisian press this production of Wagner’s work owed its success mainly to this Belgian tenor. However after his departure from Paris, and after some other changes of the cast that took place rather rapidly (still in the summer 1895), the performances’ artistic level hasn’t decreased in a significant way, and the work, played continuously until December 15th, 1913, was always highly appreciated by the French audience. Were the enthusiastic reactions of the Parisian public at the turn of the XIXth and XXth centuries to Wagner’s Tannhäuser and his other operas and musical dramas sincere and spontaneous? What was the part of the snobbery in Wagner’s reception in France during La Belle Époque? That was the question asked by some French journalists (Heugel, Maret, Doumic, Coppée and others). The author of the article recalls Georges Rodenbach’s Solomonic answer to this question presented in his text Tannhäuser et le snobisme.
6
Mrozowicki, Michał Piotr. "Tannhäuser réhabilité (IV) – « La quatrième » devant la presse parisienne – les décors et la mise en scene". Cahiers ERTA, n. 26 (2021): 111–26. http://dx.doi.org/10.4467/23538953ce.21.029.14001.
Abstract (sommario):
Tannhäuser rehabilitted (IV) – « La quatrième »’s image in the parisian press – the decor and the staging The article is devoted to the presentation of various aspects of the Tannhäuser’s fourth performance on the Parisian stage on May 13th, 1895, conducted by Paul Taffanel and directed by Alexander Lapissida. The author, following the reviews that appeared in many Parisian journals after this performance, describes the most characteristic elements of the scenery made by Dauphin Amable Petit, known as Amable (the first tableau of the first act), Marcel Jambon (the second tableau of the first act and the third act) and Eugène Carpezat (the second act). All the reviewers underlined the enthusiastic reactions of the audience that were not only provoked by the brilliant interpretation of the Wagner’s opera by the artists in 1895 but first off all by its intention to efface the compromising recollections of the Parisian Tannhäuser’s premiere in 1861.
7
Attencourt, Boris. "L’emprise des médias sur le champ intellectuel". Politiques de communication N° 20-21, n. 1 (6 marzo 2024): 259–97. http://dx.doi.org/10.3917/pdc.020.0259.
Abstract (sommario):
Cet article analyse l’emprise des médias de grande diffusion sur la circulation des idées à travers le rôle de groupes sociaux et d’institutions « intermédiaires » au sens où ils assurent le passage entre des régions distinctes de l’espace social. À cette fin, nous mobilisons une enquête sur les nouveaux circuits de visibilité des idées qui se sont développés au sortir des années 1970 en associant légitimité savante et audience élargie : presse de qualité, émissions de radio et de télévision, revues intellectuelles à grand tirage, laboratoires d’idées, établissements culturels, agences de conférenciers, maisons d’édition, etc. L’exploration de ce champ nouveau montre que le circuit des conférences savantes pour le grand public y occupe la position d’un espace intermédiaire qui favorise l’accès des intellectuels aux médias et redouble leurs chances d’y faire carrière. Avec l’essor de l’idéologie du décloisonnement culturel à la fin des années 1960, le circuit des conférences a pu bénéficier de la politique d’extension du domaine culturel mise en place au début des années 1980, de l’autolégitimation offerte par une production équivoque en termes de dispositif et de contenus et, enfin, de biens propices au marketing culturel (événementiel et produits dérivés). Par ailleurs, les professionnels engagés dans l’organisation des conférences ont su mobiliser les ressources du décloisonnement culturel pour placer le monde intellectuel dans l’orbite des classements médiatiques et accroître ainsi leur pouvoir d’intermédiaires.
8
Hopkins-Loféron, Fleur. "Adèle en Égypte ou l’adaptation-trahison Les Aventures extraordinaires d’Adèle Blanc-Sec (2010) de Luc Besson". Transcr(é)ation 2, n. 1 (14 marzo 2023): 1–25. http://dx.doi.org/10.5206/tc.v2i1.16314.
Abstract (sommario):
En 2010, le réalisateur Luc Besson adapte au cinéma la saga Les Aventures extraordinaires d’Adèle Blanc-Sec (1976-2022) de Jacques Tardi, composée à cette date de 9 albums. L’œuvre du bédéaste, considérée par beaucoup comme féministe, antimilitariste et anarchiste, est métamorphosée à plus d’un titre. D’abord, le film rompt la continuité entre les albums en adaptant dans le désordre les premier (Adèle et la Bête, 1976) et quatrième (Momies en Folie, 1978) tomes de la série, dont il retranche ou invente certains personnages et intrigues. À présent, Adèle n’est plus le personnage glacial que l’on connaît, distribuant coups de poings et phrases assassines, mais une élégante espiègle. Encore, Besson la transforme en aventurière potache, égale d’Indiana Jones, imaginant qu’elle accomplit un voyage jusqu’en Égypte, contrée exotique absente de l’œuvre de Tardi. Pour toutes ces raisons, le film de Besson apparaît comme une déclinaison grand public, destinée aussi bien à une audience familiale, friande de films d’aventures, qu’internationale, grâce à la mise en scène d’un Paris touristique. À côté de ces nombreuses prises de liberté avec l’œuvre-source, que Tardi qualifie d’« adaptation-trahison », le film donne à voir un hommage appuyé aux ressorts narratifs qui caractérisent l’œuvre de Tardi. En se proposant comme une transfiction, voire une métafiction, plutôt qu’une simple adaptation, le film Les Aventures extraordinaires d’Adèle Blanc-Sec intègre l’univers total de Tardi. Il se propose comme une mise en récit supplémentaire des aventures d’Adèle, déjà visibles dans les bandes dessinées, sous la forme d’entrefilets de presse ou d’adaptations en romans-feuilletons.
9
Mithun, Marianne. "Grammars and the community". Perspectives on Grammar Writing 30, n. 2 (31 marzo 2006): 281–306. http://dx.doi.org/10.1075/sl.30.2.06mit.
Abstract (sommario):
The audience for a grammatical description is an important consideration for anyone involved in descriptive linguistics. Potential grammar users include linguists, the interested public, and members of the communities in which the language is spoken. An awareness of the target audiences is necessary in shaping the grammar to meet varying needs. It might, for example, affect the choice of topics to be discussed, the organization and style of the presentation, the depth of detail to include, the use of technical terminology, and the nature of exemplification. It is not yet clear whether one grammar can serve all potential audiences and purposes. Whether it can or not, however, there is a good chance that any grammar will eventually be pressed into service for more than one. This paper offers some suggestions based on the author's experience with Mohawk communities situated in Quebec, Ontario, and New York State.
10
Kuznetsov, Egor S. "The evolution of clickbait: from a yellow press tool to the key Internet media technology". Verhnevolzhski Philological Bulletin 2, n. 25 (2021): 48–54. http://dx.doi.org/10.20323/2499-9679-2021-2-25-48-54.
Abstract (sommario):
The article examines the technology of click-bait headlines, which have become one of the main tools to attract the attention of the media audience, but the public opinion continues to regard them as an unacceptable tabloid technique. Most of the definitions of clickbait contain negative connotations and are not exactly what modern clickbait is. It has evolved significantly: it has become less formulaic, primitive and annoying to the audience, but it has retained its unique advantage of attracting clicks. It is a necessary technology for the media in today's unprecedentedly competitive information market. Throughout the history of the media there has been a competition for audiences and for the best way to attract attention: for example, in the 19th century, the press used the means of sensation, in the 20th century – expressive means on television. But never before has the manner of presenting material played such an important role as it does now. This can be explained by the transition of all traditional media to one competitive platform – the Internet. They all have to compete for audience's time with online media that only exist in e-format, as well as with professional bloggers and ordinary users who also produce content. Creative and appropriate clickbait is designed to help draw the consumer's attention to the information product. This is an effective method in a situation where the competition for consumers' time has reached an unprecedented level. The chances to get a large audience with a headline that does not stand out among others and does not arouse emotion are small. Thus, clickbait has become an integral part of the functioning of most media market participants.
Tesi sul tema "Presse – Audience":
1
Debras, Sylvie. "Lectrices au quotidien : Enquêtes de réception auprès de lectrices et lecteurs d'un quotidien régional : Analyses des discours, des pratiques et des textes". Paris 2, 2000. http://www.theses.fr/2000PA020019.
Abstract (sommario):
Pourquoi les femmes lisent-elles moins la presse quotidienne que les hommes, alors qu'elles sont de plus fortes lectrices qu'eux ? l'analyse des pratiques de lecture d'un quotidien regional et des textes lus par les enquete-e-s pendant un mois, et l'analyse des discours recueillis lors d'entretiens comprehensifs, montre que les lectrices et les lecteurs ne lisent ni de la meme facon, ni les memesarticles. Les hommes survolent l'information pour se tenir au courant et ils emettent des opinions, les femmes lisent pour apprendre, comprendre, et elles expriment des sentiments. Les femmes sont en quete d'informations sur la societe, les femmes, la sante, la culture et les loisirs, la vie des gens ordinaires, et s'interessent a l'actualite heureuse. Elles semblent concevoir la presse comme un lieu de parole. L'instance mediatique construit une actualite ou les femmes sont souvent absentes, et parfois maltraitees. Elle considere comme peu noble les centres d'interet des femmes, mais privilegie les sujets ou il est question de pouvoir : sportif, politique, economique. Ces centres d'interet seraient plutot ceux des hommes. Mais l'etude montre d'une part que le sport, pourtant tres mediatise, est loin d'etre une preoccupation de tous les hommes et d'autre part que tous les sports n'interessent pas les hommes qui aiment les sports. Les hommes lisent, un peu plus que les femmes, les faits divers, et ne font que parcourir l'information generale. Le contrat mediatique que propose le quotidien s'adresse donc a un lecteur universel masculin. Mais les jeunes hommes et les hommes sceptiques, non-lecteurs de presse quotidienne, se detachent des valeurs traditionnelles pour se rapprocher des valeurs mediatiques feminines.
2
Senhadji, Amal. "Le marché de la presse étrangère au Maroc : contribution à l'étude de sa pénétration et de son audience". Paris 2, 1993. http://www.theses.fr/1993PA020061.
Abstract (sommario):
[Cette thèse a pour objet l'étude du marché de la presse étrangère (française et arabe) au Maroc. Elle s'attache dans la première partie à faire connaître les mécanismes de fonctionnement de ce marché partant des structures globales (sociopolitiques) à celles spécifiques au marché de la presse (notamment les circuits de circulation et de distribution). La seconde partie représente l'évolution et la configuration du marché marocain, avec pour base d'analyse les données de diffusion des principaux titres de presse étrangères. Cette étude est accomplie, au niveau méthodologique, selon la classification des journaux et des publications par genre et par périodicité. Quant à la dernière partie, elle est destinée à la connaissance de l'audience de la presse étrangère. Nous avons mené à cet effet uen enquête sociologique dans la ville de Casablanca nous permettant d'analyser la demande des lecteurs marocains. Trois axes principaux constituent le privot de cette analyse à savoir les habitudes de lecture, les comportements de lecture et les attitudes-motivations de lecture. ]
3
Ouakrat, Alan. "Publicité en ligne sur les sites de presse issus de l’imprimé. Construction du marché, logiques de fonctionnement et perspectives d’évolution". Thesis, Paris 2, 2011. http://www.theses.fr/2011PA020080.
Abstract (sommario):
Le marché de la publicité en ligne est un marché complexe, instable et en mutation. Notre thèse décrit et explique le fonctionnement de ce marché pour les sites de presse issus de l’imprimé. A partir d’une enquête qualitative, s’appuyant sur des entretiens semi-directifs auprès de professionnels occupant des postes à responsabilité dans les milieux de la presse et de la publicité sur le web, nous analysons la construction du marché et ses logiques de fonctionnement. Ces dernières interrogent la continuité du modèle publicitaire de la presse sur ce média. Notre objectif est de comprendre la manière dont la valorisation marchande de l’audience y évolue pour les sites issus de la presse imprimée. Les modes de quantification et de qualification de l’audience se transforment et marquent l’affrontement entre une logique issue de la publicité média et une autre relative au marketing direct, tirant parti du caractère interactif de la publicité en ligne. Trois dimensions complémentaires structurent notre travail : l’évolution de la relation marchande entre les éditeurs et les annonceurs et la manière dont elle est outillée (partie 1) ; l’inscription du marché dans un contexte socioéconomique imposant des contraintes spécifiques et une tension autour de modes de qualification alternatifs du produit publicitaire (partie 2) ; le rôle joué par l’appropriation des innovations techniques par certains acteurs ainsi que la mesure dans laquelle cette appropriation détermine, au moins en partie, l’évolution de l’activité publicitaire (partie 3)The online advertising market is a complex, unstable and evolutive one. Our thesis describes and explains the way this market works for online news publishers from traditional news organisations. From a qualitative survey, based on semi-structured interviews with professionals in positions of responsibility in online news organisations and online advertising industry, we analyze the market construction and its operating logic. The latter questions the continuity of the news organisations advertising model online. Our goal is to understand how operates the audience markets valuation online for those traditional news market players. The audience quantification and qualification process are changing and show us conflicting logics between a logic imported from offline media advertising and another one from direct marketing, taking advantage of the interactive nature of online advertising. Three distinct but complementary points structure our work: the evolution of the market relationship between publishers and advertisers and how it is equipped (part 1); the inclusion of the market in a socio-economic context which imposes specific constraints and a tension between alternative modes of advertising product’s qualification (part 2); the role played by the appropriation of technological innovations by some players as well as the extent to which this appropriation determine, at least in part, the advertising business dynamics (part 3)
4
Etienne, Jean-François. "Formation de l’audience et comportement du consommateur : le cas de la presse sportive périodique". Paris 9, 2009. https://bu.dauphine.psl.eu/fileviewer/index.php?doc=2009PA090051.
Abstract (sommario):
L’objet de cette recherche est de concevoir une nouvelle méthode de mesure de l’audience de la presse pour dépasser les limites de la Lecture Récente, méthode courante de mesure de l’audience de ce média. Un cadre conceptuel de la mesure d’audience de la presse centré sur les comportements des consommateurs est tout d’abord mis en place et se traduit par une taxonomie des comportements susceptibles de favoriser la formation de l’audience des supports de presse. Ces comportements qualifiés dans la littérature de décisions d’utilisations finales sont ensuite étudiés ; le domaine d’application choisi pour mener l����étude empirique est la presse sportive périodique française. Les résultats de cette étude montrent notamment que le comportement de reprise en main est un phénomène généralisé. Ils prouvent par ailleurs le potentiel de consommation en différé des publications ; ils indiquent que la probabilité de circulation des titres à l’issue d’une première consommation est en moyenne de 80% et permettent de mettre en évidence que la consommation à caractère collectif n’est pas un comportement marginal. Notre recherche trouve son aboutissement dans la conception d’un nouveau procédé permettant de recueillir les comportements d’audience presse de façon automatisée à partir d’un téléphone mobile. Le choix d’un panel comme mode d’observation et l’élaboration d’un questionnaire adapté à la mesure du parcours éditorial et publicitaire des consommateurs de presse finalisent notre dispositif méthodologiqueThe aim of this research project is to conceive a new method of measuring press readership in order to surpass the limits of recent reading, the common method of readership measurement for this type of media. We have begun by designing a conceptual framework for measuring press readership-per-copy focused on consumer behavior and set up so as to classify behavior which is likely to contribute to the shaping of press support readership. This behavior, referred to as end-use decision-making in the literature, is then subject to study, the chosen field of application for empirical study being the French periodical sports press. The results of this study demonstrate in particular that the trend of pass along reading is a generalized phenomenon. They establish the potential of pass along consumption for press titles. The findings further indicate that the probability of reuse of a press title subsequent to its primary consumption is on average about 80%, a statistic which highlights the fact that the collective nature of this consumer behavior is not marginal. Our project has been enhanced with the development of a new research tool which allows for the automated collection of data concerning press readership behavior via cell phone. Finally, to conclude our methodological approach, we have chosen the sample group as a means of observational research and have elaborated a questionnaire tailored to measure the editorial and advertising readership of press consumers
5
Ouakrat, Alan. "Publicité en ligne sur les sites de presse issus de l'imprimé. Construction du marché, logiques de fonctionnement et perspectives d'évolution". Phd thesis, Université Panthéon-Assas - Paris II, 2011. http://tel.archives-ouvertes.fr/tel-00874937.
Abstract (sommario):
Le marché de la publicité en ligne est un marché complexe, instable et en mutation. Notre thèse décrit et explique le fonctionnement de ce marché pour les sites de presse issus de l'imprimé. A partir d'une enquête qualitative, s'appuyant sur des entretiens semi-directifs auprès de professionnels occupant des postes à responsabilité dans les milieux de la presse et de la publicité sur le web, nous analysons la construction du marché et ses logiques de fonctionnement. Ces dernières interrogent la continuité du modèle publicitaire de la presse sur ce média. Notre objectif est de comprendre la manière dont la valorisation marchande de l'audience y évolue pour les sites issus de la presse imprimée. Les modes de quantification et de qualification de l'audience se transforment et marquent l'affrontement entre une logique issue de la publicité média et une autre relative au marketing direct, tirant parti du caractère interactif de la publicité en ligne. Trois dimensions complémentaires structurent notre travail : l'évolution de la relation marchande entre les éditeurs et les annonceurs et la manière dont elle est outillée (partie 1) ; l'inscription du marché dans un contexte socioéconomique imposant des contraintes spécifiques et une tension autour de modes de qualification alternatifs du produit publicitaire (partie 2) ; le rôle joué par l'appropriation des innovations techniques par certains acteurs ainsi que la mesure dans laquelle cette appropriation détermine, au moins en partie, l'évolution de l'activité publicitaire (partie 3).
6
Liu, Hui. "Audience design in interpreted press conferences (Chinese-English) : face management and information management". Thesis, Heriot-Watt University, 2010. http://hdl.handle.net/10399/2358.
Abstract (sommario):
The aim of this study is to investigate the potential influence of audience design on interpreters’ behaviour in the genre of interpreted government press conferences. The interpreters of these government press conferences are required to follow the principle of ‘faithfulness, accuracy and completeness’ but casual observation suggests that the interpreters do depart from this principle. The hypothesis on which the present study is founded is that audience design, that is the adjustment of a speaker’s output to suit a particular participation framework, is involved in interpreters’ performance. In order to test this hypothesis, the theoretical framework of the study draws upon theories from interpreting studies, sociolinguistics and pragmatics. The investigation is carried out through a study of participation frameworks, face management strategies and information management strategies in an authentic corpus constructed by the author, comprising three interpreted and televised press conferences held by the Chinese Prime Minister and the Foreign Minister. Both quantitative and qualitative methods are chosen to analyze the selected parameters in order that recurrent patterns can be identified. The study confirms the hypothesis that the interpreters’ behaviour varies in accordance with the particular audience (i.e. the primary intended receiver) that they have in mind to serve at any given moment. This study shows that human factors are involved and challenges the public perception that interpreters are mere sounding machines with little or no personal agency.
7
González, Olivera Juan Carlos. "Hacia un perfil sociocultural de la audiencia participativa de la audiencia participativa de La Segunda online". Tesis, Universidad de Chile, 2013. http://repositorio.uchile.cl/handle/2250/145921.
Abstract (sommario):
Tesis para optar al grado de Licenciado en Comunicación SocialLa caja de comentarios de Facebook se ha incorporado en algunos periódicos web como una forma de alentar la participación de sus usuarios. La Segunda Online se cuenta entre los medios que han apostado a esta herramienta, la cual no tiene censura previa, lo que ha permitido una facilidad de acceso y una libertad de opinión que no existía previamente. Pese a que esta forma de participación está abierta a quién tenga una cuenta Facebook, quienes escriben opiniones no son más del 1% de los usuarios de este sitio. Para caracterizar a estas personas recurrimos a dos herramientas: una encuesta online y un grupo de discusión. Los resultados de ambos instrumentos permitieron construir un perfil de estos usuarios. Son mayoritariamente hombres mayores de 46 años, de clase media y media alta, más de derecha que de izquierda, y que pasaron de ser lectores del diario La Segunda a serlo de su sitio web. Además estos usuarios se definieron como “infomaníacos”, es decir son grandes consumidores de noticias y amantes de la actualidad informativa. A raíz de estos hallazgos se plantearon algunas sugerencias al medio para mejorar la interacción de los usuarios con las informaciones, algunas de las cuales se estaban implementando a la fecha de entrega de esta tesis.
8
McKay, Kali, e University of Lethbridge Faculty of Arts and Science. "Gertrude Stein and her audience : small presses, little magazines, and the reconfiguration of modern authorship". Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of English, c2010, 2010. http://hdl.handle.net/10133/2479.
Abstract (sommario):
This thesis examines the publishing career of Gertrude Stein, an American
expatriate writer whose experimental style left her largely unpublished throughout much
of her career. Stein’s various attempts at dissemination illustrate the importance she
placed on being paid for her work and highlight the paradoxical relationship between
Stein and her audience. This study shows that there was an intimate relationship
between literary modernism and mainstream culture as demonstrated by Stein’s need for
the public recognition and financial gains by which success had long been measured.
Stein’s attempt to embrace the definition of the author as a professional who earned a
living through writing is indicative of the developments in art throughout the first
decades of the twentieth century, and it problematizes modern authorship by reemphasizing
the importance of commercial success to artists previously believed to
have been indifferent to the reaction of their audience.iv, 89 leaves ; 29 cm
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Milich, Ulloa Giannina. "Ampliación de soportes en diarios chilenos y diversificación de su audiencia capitalina: entre el papel y la pantalla". Tesis, Universidad de Chile, 2009. http://repositorio.uchile.cl/handle/2250/146212.
Abstract (sommario):
Memoria para optar al Título Profesional de PeriodistaLa industria de la prensa escrita ya no es la de antes. Con el arribo de las nuevas tecnologías e Internet se han visto transformadas sus propias dinámicas y su audiencia tradicional se ha visto diversificada. Sin embargo, a quince años de que la industria de los diarios en Chile incorporara la versión online como un nuevo soporte, los balances y proyecciones en la materia son difusos a nivel nacional e internacional. Por una parte, se apunta a que la empresa del diario tendría sus días contados, puesto que Internet la desplazaría como fuente informativa e, incluso, que la versión online del periódico diario ha resultado un suplemento del diario convencional, quitándole, además, buena parte de su público. Por otro lado, se señala que la industria estaría en su época de apogeo, pues ha sabido enfrentar los desafíos y ha posicionado a la versión online como una herramienta complementaria a la impresa. La satisfacción de sus lectores estaría garantizada. ¿Los diarios seguirían cumpliendo su papel con versiones diferenciadas o la distinción entre las ediciones tradicionales y online serían sólo aparentes? En las condiciones actuales de acceso a la información, ¿de qué manera ha influido en Chile la inserción de una versión en línea paralela al título impreso en la difusión de su marca y en la respuesta de sus lectores? El interés por conocer la relación entre la audiencia y los medios de comunicación masiva no es reciente. Existen antecedentes teóricos y empíricos en la materia que se remontan a las primeras décadas del siglo veinte, los cuales profundizan en las características de los mass media y en su efecto en la vida de las personas. Otros estudios se enfocan únicamente en los procesos de recepción de los medios de comunicación masiva, dentro de los cuales se cuentan las investigaciones de hábitos de consumo, que abarcan de manera general el perfil de los lectores y sus comportamientos e intereses. Sin embargo, son muy pocas las iniciativas y los organismos especializados que atienden los procesos de recepción de la prensa diaria, a diferencia de los cientos de trabajos que se centran en las características e influencia de los diarios como empresas periodísticas, es decir, que abordan su proceso de producción o su dinámica como negocio. Los estudios empíricos chilenos sobre hábitos de consumo en la prensa escrita mantienen el énfasis en las audiencias tradicionales, arrojando datos aislados concernientes a su caracterización en cuanto socio-demográfica, percepciones y comportamientos generales de los individuos. Por lo demás, la mayoría de estas investigaciones en el país tienden a ser realizadas por empresas privadas que comercializan los resultados a los entes interesados, que suelen ser las mismas empresas periodísticas. Otras derechamente realizan estudios de mercado a pedido de medios de la prensa específicos. Así, en ambos casos, las investigaciones que recogen este tipo de información son generalmente de carácter cuantitativo, de acceso restringido y con fines netamente ligados a la mercadotecnia. En tanto, la formación y caracterización de los lectores de noticias de diarios online a nivel general no ha sido suficientemente descrita ni menos aún sistematizada en estudios académicos, pese a que los consumidores de diarios online crecen a un ritmo bastante más rápido que los de prensa diaria y dan indicios de las nuevas tendencias. La descripción de los consumidores y sus hábitos de consumo en Chile se observa como un área escasamente explorada, a diferencia de varios países que han realizado estudios públicos y periódicos que dan cuenta del perfil y de los hábitos de consumo de los consumidores de diarios online. Estas iniciativas podrían parecer directamente vinculadas a la alta penetración de Internet en dichos territorios. Sin embargo, en zonas como Uruguay o Argentina, donde hay un impacto mucho menor de la Red en comparación al país, ya se ha comenzado a trabajar en la descripción cuantitativa y cualitativa de los lectores de noticias en línea. Frente a la falta de investigaciones chilenas en este ámbito, y al margen de fines comerciales o publicitarios, el presente estudio pretende revisar cómo la industria de la prensa escrita nacional se ha enfrentado a los nuevos desafíos, enfatizando en la utilización de la versión online. Asimismo, se intentará identificar los actuales perfiles y los hábitos de los lectores de diarios en Santiago, tratando de aportar en lo que hasta ahora ha sido una dimensión subvalorada. De esta manera, se podrá comprender el grado de conexión del lector con el soporte de elección, sus preferencias, el uso y las condiciones temporales y espaciales en que procede a consumir noticias de estas fuentes, como también su correspondencia con la oferta que entregan los diarios en ambas versiones. En el primer capítulo se entregará un panorama general sobre cómo Internet ha generado un impacto en los medios de comunicación tradicionales, abarcando específicamente sus repercusiones en la prensa escrita y en su audiencia. En el segundo capítulo se tratarán las condiciones en las que se produce un agitado debate sobre el futuro de los diarios, los antecedentes de una supuesta crisis en la industria, así como otras referencias que indican cómo la prensa ha sabido adaptarse a las necesidades informativas de sus usuarios y el modo en que la población ha incorporado las nuevas tecnologías como parte de su vida cotidiana. En el tercer capítulo se expondrá la historia y las características de Internet, se profundizará en la evolución de los soportes online e impreso utilizados por la prensa diaria, junto a su respectiva evolución en los últimos años. En el capítulo cuarto se enseñan los principales estudios enfocados en definir a la audiencia de diarios en Chile, evidenciado las modificaciones de su perfil en los últimos años. En los capítulos quinto y sexto se abordarán los vacíos específicos en la materia y los instrumentos metodológicos empleados, que buscan dar respuesta a los objetivos de esta investigación. Por último, en el séptimo capítulo se expondrán los resultados y las conclusiones generales sobre el tema.
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Buyucek, Nuray. "“On Premise Alcohol Consumption: A Stakeholder Perspective in Social Marketing”". Thesis, Griffith University, 2017. http://hdl.handle.net/10072/365272.
Abstract (sommario):
Excessive alcohol consumption is a common practice in licensed premises (Fortin, Belanger, & Moulin, 2015) and is a global problem (Graham et al., 2011). Excessive alcohol consumption poses threats to both individuals and society (Laslett et al., 2010; WHO, 2011a). Different approaches have been taken to minimise harm caused by alcohol, for example law enforcement (Wechsler, Lee, Nelson, & Lee, 2003), education (Clark, Ringwalt, Shamblen, & Hanley, 2011), and social marketing (Kubacki, Rundle-Thiele, Pang, & Buyucek, 2015).
Social marketing is a behaviour change approach, and the use of social marketing benchmarks has been suggested as one means to highlight the essential characteristics of social marketing (Andreasen, 2002). One of the benchmarks is consumer orientation, which requires deep understanding of the target audience, and typically occurs through formative research (Kubacki & Rundle-Thiele, 2017). While mixed methods are recommended to obtain deep insights, application of mixed method research designs in the formative research phase in social marketing remains limited (Truong & Dang, 2017).Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Griffith Business School
Griffith Business School
Full Text
Libri sul tema "Presse – Audience":
1
DeWerth-Pallmeyer, Dwight. The audience in the news. Mahwah, N.J: Erlbaum, 1997.
2
Slawinski, Scott. Validating bachelorhood: Audience, patriarchy, and Charles Brockden Brown's editorship of the Monthly Magazine and American Review. New York: Routledge, 2005.
3
Ogunyemi, Ola. Journalism, audiences and diaspora. Houndsmills, Basingstoke, Hampshire: Palgrave Macmillan, 2015.
4
Ouellette, François. L' accès des caméras de télévision aux audiences des tribunaux. Montréal, Qué: Éditions Thémis, 1997.
5
He, Guoping. Zhongguo dui wai bao dao si xiang yan jiu: Policy study on reporting China for global audience. 8a ed. Beijing Shi: Zhongguo chuan mei da xue chu ban she, 2009.
6
Meulemann, Heiner, e Jörg Hagenah. Alte und neue Medien: Zum Wandel der Medienpublika in Deutschland seit den 1950er Jahren. Berlin: Lit, 2008.
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A, Cohen Akiba, a cura di. Global newsrooms, local audiences: A study of the Eurovision News Exchange. London: Libbey, 1996.
8
Morales, Víctor Hugo. Audiencia con el Diablo: Retrato de una época de política, periodismo y poder. Ciudad de Buenos Aires: Aguilar, 2014.
9
Belgum, Kirsten. Popularizing the nation: Audience, representation, and the production of identity in Die Gartenlaube, 1853-1900. Lincoln, Neb: University of Nebraska Press, 1998.
10
Miller, William Lockley. Media and voters: The audience, content, and influence of press and television at the 1987 general election. Oxford: Clarendon Press, 1991.
Capitoli di libri sul tema "Presse – Audience":
1
Véronneau, Pierre. "Le Fascinateur and Maison de la Bonne Presse: Catholic Media for Francophone Audience". In Faith in a Beam of Light, 39–55. Turnhout, Belgium: Brepols Publishers, 2022. http://dx.doi.org/10.1484/m.techne-mph-eb.5.129093.
2
Bogart, Leo. "The Audience For Newspapers". In Press and Public, 75–110. 2a ed. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003063957-4.
3
Schenquer, Laura, e Liliana Mayer. "The Impact of the Yom Kippur War (1973) in the Jewish-Argentine Diaspora Press". In Journalism, Audiences and Diaspora, 137–51. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137457233_9.
4
Mandell, Hinda. "Imagine What the Gentiles Must Think: Editors of the US Jewish Press Reflect on Covering the Bernard Madoff Scandal". In Journalism, Audiences and Diaspora, 17–33. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137457233_2.
5
Konow-Lund, Maria, e Michelle Park. "A Hybrid Investigative Ecology". In Hybrid Investigative Journalism, 87–93. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-41939-3_6.
Abstract (sommario):
AbstractIn Part 2, we have looked at what we called ‘hybrid elements’ in emerging organisations focused on investigative journalism and holding power to account. Since the turn of the millennium, scholars have generally focused on how the institution of the press has begun to crumble in the face of a paradigmatic change in its relationship to audience, thanks to the impact of digitisation and especially social media and big technology companies (Deuze & Witschge, 2020; Hermida, 2016; Kovach & Rosenstiel, 2021). In his conclusion to The crisis of the institutional press, Reese (2021) nevertheless strikes a hopeful chord in applauding the emergence of ‘hybrid institutions’ (p. 161) around investigative projects such as the Panama Papers and the work of the International Consortium for Investigative Journalists to promote collaboration among its actors (pp. 116–117). Still, he does not define investigative journalism as a hybrid practice as such.
6
King, Edmund G. C. "From Common Reader to Canon: Memorialising the Shakespeare-Reading British Soldier During the First World War". In Palgrave Shakespeare Studies, 35–64. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84013-6_2.
Abstract (sommario):
AbstractIn 1916, at the same time as Shakespearean tercentenary addresses were claiming that Shakespeare epitomised British national ideals, numerous press dispatches ‘from the field’ appeared in British newspapers seeming to prove the existence of a large audience of Shakespearean readers among those fighting for those ‘ideals’ in active zones. This chapter examines some of these claims. It asks how the image of the Shakespeare-reading soldier was deployed within book-trade and charity publicity and capitalised upon by educators and other members of Britain’s cultural and intellectual elites. It assesses the ways in which press anecdotes about soldiers reading the classics contributed to larger discourses of national identity and cultural and aesthetic mobilisation. Finally, it asks how these accounts may have contributed to the conflict’s transmutation into a ‘literary war’ in post-war collective memory, one in which literature came to assume an outsized role in how the conflict was subsequently memorialised.
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D’Amelio, Elena, e Valentina Re. "A ‘Bottom-Up’ Approach to Transcultural Identities: Petra and Women Detectives in Italian TV Crime Drama". In Contemporary European Crime Fiction, 229–51. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-21979-5_13.
Abstract (sommario):
AbstractIn her The TV Crime Drama, Turnbull (The TV Crime Drama. Edinburgh: Edinburgh University Press, 2014) argues that “the portrayal of women in the crime drama series has served as an index of women’s changing role in society while providing a catalyst for debate, both in the popular press and in the field of feminist media studies”. Moving from these premises, our aim is to analyse the Italian series Petra (Sky 2020–) within the larger context of contemporary European TV crime productions, to investigate the recurrences, similarities, and differences in the construction, representation, and consumption of TV female detectives, through a conceptualization of what has been called “mediated cultural encounters” (Bondebjerg et al. Transnational European Television Drama: Production, Genres and Audiences. Palgrave Macmillan, 2017). We consider Rosi Braidotti’s claim of the necessity of a “post nationalistic understanding of cultural identity” (2001) as a framework of analysis for the inter-related issues of gender, multiculturalism, and European identities.
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Davis, Richard, e Diana Owen. "Audience Attitudes". In New Media and American Politics, 164–86. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195120608.003.0007.
Abstract (sommario):
Abstract As we have seen, there are a variety of characteristics that set the audiences for new media apart from other citizens. They are demo graphically more specialized than the audiences for newspapers, television news, and radio news. They use new media to gratify particular needs, some of which are not met satisfactorily by the mainstream press. New media users welcome the opportunity to obtain a different variety and style of information that is offered through these sources and to participate in discussions that occur in a public forum. Further, the information disseminated via new media and received by audience members is often opinionated, even highly ideological, in content.
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Jarrett, Michael. "Laying Down Tracks". In Pressed for All Time. University of North Carolina Press, 2016. http://dx.doi.org/10.5149/northcarolina/9781469630588.003.0004.
Abstract (sommario):
Recording jazz onto multitrack tape meant that, while music continued to be captured onto tape in studios, albums could be constructed in postproduction: analogous to the way movies were shot on soundstages and assembled in editing rooms. Some musicians—especially Miles Davis and his jazz fusion bands—directed improvisations in the recording studio and left the task of assembling albums to their producers. Audiences for such albums heard, not studio games of cut 'n' paste, but tracks that resembled the turn-on-a-dime musical performances they heard in concert—performances which imitated techniques devised in postproduction. Enabling the naiveté of this audience is an overarching truth: jazz production almost always uses available technologies to ensure that in-the-moment performances are recorded (and, later, reproduced) as perfectly as possible.
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Cappella, Joseph N., e Kathleen Hall Jamieson. "Breaking The Spiral of Cynicism". In Spiral of Cynicism, 229–46. Oxford University PressNew York, NY, 1997. http://dx.doi.org/10.1093/oso/9780195090635.003.0010.
Abstract (sommario):
Abstract Political Events, like all social events, are the objects of interpretation by the press, the public, and the public through journalistic frameworks of presentation. Our studies are premised on the assumption that understanding the impact of social and political events requires understanding how the events are framed for the public in the stories the press tells. Framing is a kind of sense-making that creates one interpretation of political events while ignoring others. That framing is done by the press, by the public, and by the public through the press is a widely shared assumption. Murray Edelman describes the framing process this way: Interpretation pervades every phase of news creation and dissemination. Officials, interest groups, and critics anticipate the interpretations of particular audiences, shaping their acts and language so as to elicit a desired response. The audiences for news are ultimate interpreters, paying attention to some news stories, ignoring most, and fitting news accounts into a story plot that reflects their respective values. For any audience, then, an account is an interpretation of an interpretation.
Atti di convegni sul tema "Presse – Audience":
1
DJARA, Tahirou. "A New Measurement Called RoA for Estimating the Audience Rate of a Family of Web Radio Stations". In 3rd International Conference on Advances in Computing & Information Technologies. Academy & Industry Research Collaboration, 2023. http://dx.doi.org/10.5121/csit.2023.131508.
Abstract (sommario):
In this paper, we have developed a new measure called (Radio Online Audience) of the audience rate of a web radio station. The is a method that uses real-time audience tracking and measurement technologies to provide a more accurate estimate of the audience rate of web radios. It is a composite formula that incorporates the radio broadcast frequency, the number of radio listeners and the average listening time of all radio listeners. In order to implement the new measure, an experiment is being conducted on a family of twelve radios from the “AfricaWebRadio” ecosystem. We have also extended the experiment on the results of the ranking of radio stations (March 2023) carried out by the ACPM (Alliance for Press and Media Figures). The experimental results are promising.
2
Millet, Barry, Kaveh Ebrahimi, James Lu e Donald Spencer. "A Case for New Low Pressure Vessel (LPV) Codes for Design Pressures Below 15 psi (100 kPA)". In ASME 2021 Pressure Vessels & Piping Conference. American Society of Mechanical Engineers, 2021. http://dx.doi.org/10.1115/pvp2021-62293.
Abstract (sommario):
Abstract Today the ASME Boiler and Pressure Vessel Code Section VIII (ASME Code) covers pressure vessels for design pressure above 15 psi (100 kPa) but not for design pressures below 15 psi. Manufacturers of pressure vessels under 10ft (3048mm) and with design pressure under 15 psi (100 kPa) design to the ASME Code but do not stamp them. The ASME Code is explicit in not allowing this. Manufacturers of low pressure vessels over 10 ft (3048 mm) in diameter, design and built to “good engineering practice” using Finite Element Analysis, the ASME Code, API and the AISC Manual of Steel Construction. This paper provides an overview of these existing codes, standards with their methods for design, fabrication and testing then provides an outline of a Code with two classes of low pressure vessels (LPV). The audience for the smaller pressure vessels would be small batch chemical, pharmaceutical, food, and beverage processing facilities who require small near atmospheric pressure vessels. The audience for the larger pressure vessels would be power plants, refineries, chemical plant, steel mills and concrete plants flue gas treatment and CO2 sequestration of exhaust products.
3
Benente, Michela, Valeria Minucciani e Paolo Dabove. "Technology as a tool to study visitor behaviour in museums: positioning and neuropsychological detection to identify physical & cognitive barriers". In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003332.
Abstract (sommario):
Inclusive communication projects in museums and cultural sites often start from generically applicable assumptions referring to the principles of accessible and inclusive design, without considering the peculiarities of a cultural experience.It therefore seems important to study the audiences’ behaviour in museums, with particular attention to the different types of visitors: regular audiences with appropriate backgrounds; occasional audiences with very different backgrounds; and disaffected audiences who do not consider cultural experiences important or rewarding.It is precisely the latter that an inclusive design must carefully target, with the aim of understanding the reason for this exclusion and thus overcoming it, hence it is important that such studies do not observe only the first two types of audience, whereas this is often the case.The experiments the authors are carrying out monitor movements, times and stops of the public within the museum, in relation to the exhibits, the spatial features of the rooms, and the communication and display solutions, relating them to information resulting from ad hoc surveys.From the positioning point of view, one of the main problems is represented in tracking people in indoor environments, where the GNSS is not available, and there are often cramped spaces. Besides, if the number of people to be tracked is high, the level of difficulties increases dramatically. The problem of positioning even large numbers of people within closed and delimited spaces presents some difficulties and technical criticalities. On the other hand, the restitution of such data requires accentuated reliability: the behaviour and reactions recorded in the public during the experiment must be related to precise spatial positions, since the emotional responses of the public can vary in a very short time.At present, the aim of these experiments is not to consider the behaviour of numerous groups of people but to study individual visiting experiences. The system developed by the research team is briefly described and commented on in the paper.The technological challenge in these contexts goes beyond mere technical effectiveness. Indeed, the instrumentation required to track individual visitors, in certain solutions, risks influencing people's behaviour because it is moderately ostrusive: conversely, the challenge at present is to integrate the various sensing devices into compact and unobtrusive solutions. The Authors have implemented a Python code on a portable Raspberry device that guarantees the users’ location by exploiting signals coming from beacon devices. Communication systems between the device detecting neurophysiological reactions and monitoring physical movements can be implemented and optimised, fusing this technology with another one related to positioning purposes, exploiting electromagnetic signals such as ultra-wide-band technologies or Bluetooth, which guarantees the possibility of reaching positioning solutions even in indoor environments without afflicting the signals for neurophysiological parameter estimations.
4
Cmeciu, Camelia. "SOCIAL MEDIA FOR MEDICAL AWARENESS SERVICES - EVIDENCE FROM ROMANIAN PR AWARDS WINNING CAMPAIGNS". In eLSE 2018. Carol I National Defence University Publishing House, 2018. http://dx.doi.org/10.12753/2066-026x-18-111.
Abstract (sommario):
Employing a collective case study approach, I intend to assess the degree in which the PARC principles for successful social media strategies have been implemented in two Romanian PR Awards winning campaigns, at the medical services section, in 2017 (Votez pentru sănătate/ I vote for health - Asociaţia Română a Producătorilor Internaţionali de Medicamente, Golden Award for Excellence, and Laboratorul Central – arta diagnosticelor precise/ Central Laboratory – the art of precise diagnostics - Regina Maria Reţeaua Privată de Sănătate, Silver Award for Excellence). The four PARC principles that I will take into account refer to: participatory (interaction with users), authentic (engaging in conversation), resourceful (providing audience with helpful information) and credible (valuable and trustworthy information). Besides the four PARC principles, offline engagement will be also considered since it may generate viral effects. The research questions will focus on the online strategies used in the campaigns, the use of authentic and credible digital story telling for medical services, the degree to which offline engagement is activated in the awareness campaigns, and the extent to which online and/or offline engagement involve the sharing of content on medical services. The findings of this study revealed two main aspects: a) the target audience’s degree of participation throughout the public campaigns for medical services under analysis does not depend on the number of posts, but on the content of posts and on the political situational context; b) Romanian health-care organizations should be more aware of the advantages of the social media role of a community-builder.
5
Joseph, Thomas. "Recommended List of “Known” Materials for Hydrogen Service". In ASME 2005 Pressure Vessels and Piping Conference. ASMEDC, 2005. http://dx.doi.org/10.1115/pvp2005-71155.
Abstract (sommario):
The paper will address commonly used materials in Hydrogen service and their limitations as the service conditions (like pressure) get into more challenging areas. For example, Aluminum has good history of use in hydrogen applications upto 3000 psig. It’s compatible with Hydrogen even at pressures higher than 15,000 psig. However, are we comfortable in continued use of Aluminum and similar low melting point materials at higher pressures for containing Hydrogen? The paper is expected to provide basis for a discussion on this safety issue. In addition, the paper will include a discussion around pressure vs stress level limits for common materials. A user friendly material selection chart will be presented for the benefit of the audience.
6
Buchberger, Steven, William Platten, Regan Murray, Juneseok Lee, Robert Janke, Terra Haxton, Walter M. Grayman e Jonathan Burkhardt. "Advances in Premise Plumbing Modeling". In 2nd WDSA/CCWI Joint Conference. València: Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/wdsa-ccwi2022.2022.14176.
Abstract (sommario):
In summer 2019, a new task committee on Premise Plumbing Modeling (PPM) was approved under the auspices of the Water Distribution Systems Analysis Committee of ASCE EWRI. The primary purpose of the PPM task committee is to advance the science of the new field of premise plumbing modeling. In particular, the PPM committee intends to identify areas where methods and models developed over the past several decades to manage municipal water distribution systems can also be applied to solve vexing problems that arise in the premise plumbing systems of contemporary buildings. The ultimate goal of the PPM committee is to identify and develop water systems management tools for use by practicing engineers, as well as the larger water distribution research community, in support of the safe design and operation of indoor water distribution systems. Initially, three general areas were identified where current modeling approaches could be applied to premise plumbing: [1] hydraulic design and performance, [2] building water quality and age, and [3] water safety and security. Using these three core areas as a backdrop, this presentation will describe key accomplishments of the PPM task committee including: creation of a monthly webinar series reaching an international audience, distribution of a quarterly newsletter to the professional community, presentation of technical sessions at annual EWRI national Congress, preparation of a state-of-the-art journal paper, publication of a textbook style final report to archive the main topics covered in the PPM webinar series. Finally, this talk will conclude with a glimpse of the challenging problems posed by modern premise plumbing systems and the unique opportunities waiting for researchers working in the field of water distribution network analysis.
7
Vira, Naren, e Shaleen Vira. "Towards Development of a Non-Touch Man-Machine Interface for Intelligent Presenter-Audience Collaborative Environment". In ASME 2006 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2006. http://dx.doi.org/10.1115/detc2006-99267.
Abstract (sommario):
A novel, non-touch, screen pointing interface is proposed for the use of intelligent presenter/audience collaborative environment. The underlying methodology for detecting a virtual passive pointer is described. The passive pointer or device does not have any active energy source within it (as opposed to a laser pointer) and thus cannot easily be detected or identified. The modeling and simulation task is carried out by generating high resolution color images of a pointer viewing via two digital cameras with a popular three-dimensional (3D) computer graphics and animation program, Studio 3D Max by Discreet. These images are then retrieved for analysis into a Microsoft’s Visual C++ program developed based on the theory of image triangulation. The program outputs a precise coordinates of the pointer in the 3D space in addition to its projection on a view screen located in a large display/presentation room. The computational results of the pointer projection are compared with known locations specified by Studio 3D Max for different simulated configurations. High pointing accuracy is achieved: a pointer kept 30 feet away correctly hits the target location within a few inches. Thus, this technology is useful in a large setting where presenter-audience collaborative applications are needed.
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Lisowski, Daniel. "Motion Capture Body Tracking and Functional Safety in Dynamically Controlled Theatre Automation Systems". In 10th International Conference on Human Interaction and Emerging Technologies (IHIET 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004077.
Abstract (sommario):
Live theatrical performance is an ever-evolving art form in which visionary theater makers are incorporating evolving technologies into performances to connect and engage modern audiences. Recent developments in theatrical motion control systems are enabling vibrant and adaptive control through dynamic automation. Traditional theatrical motion control systems use a set path motion profile to produce predictable movements of scenery and people through space and time. New dynamic control systems utilize an external generated set point parameter to specify the desired motion. This flexibility enables a DJ to control the movement of flown digital chandeliers above a dance floor with their regular beat control or for Alice to control her flown decent as she tumbles down the rabbit hole by changing the position of her arms. Putting the control of the equipment into the hands of the performers is a significant leap in evolution stage automation control.To accomplish the motion tracking of performers on stage, the research team developed a unique set-up of Microsoft Kinect sensors to monitor the stage environment. The skeletal models of up to four performers were captured and transmitted via an ethernet network to the video game engine. The main benefit of this tracking method is that it allowed for both traditionally costumed performers and regularly dressed audience members to be captured by the system. Most motion capture systems in entertainment require the use of custom body suits which can disenchant and distract audiences. Our system maintains the traditional relationship between costume and character while collecting the necessary interactivity data.The natively 3D nature of the video game environment is optimally suited to handle the interaction between performer and the digital environment. Using the skeletal tracking models from the sensor system, the video game engine allowed the performers to dynamically interactive with the stage environment. They could open doors, swat away birds, and flap their wings to fly away. The added benefit of the system was that it allowed members of youth young audiences to be called onto stage to further the narrative with their actions. The resulting system enables a new performance methodology with exciting new options for theatrical storytelling, educational training, and interactive entertainment. This evolution of control adds risks beyond those present in deterministic systems.Dynamic control of entertainment automation systems requires strong conformance to functional safety principles to mitigate the risks to affected personal and environments. Functional Safety is the mitigation of unacceptable injury risks through the implementation of one or more automatic protection functions (often called safety functions). In traditional theatre environments, safety functions have historically been limited to “Emergency Stop” functions which halt all motion when an operator presses “the big red button”. As systems become more complex and utilize dynamic control, theatrical automation control systems need to utilize a functional safety evaluation process to better protect persons and the environment for systematic and random failures in the systems. Industry experts develop best practice procedures to address safety concerns which are written into documents called standards.The presenter conducts research at the intersection of entertainment and engineering, has actively participated in the development of numerous American national standards with the Technical Standards Program of ESTA (Entertainment Services and Technology Association), and is a dual certified functional safety engineer (TÜV Rheinland and Underwriters Laboratories). This presentation will go through the functional safety considerations required to implement dynamic control per national and international standards using examples from realized performance projects led by the presenter.
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Shmatov, Georgy. "The Simulation of Efficiency Parameters of Periodical Advertising". In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-55.
Abstract (sommario):
With periodic advertisements, the effective scope changes in time as follows: increasing during the flight, and decreasing during a gap in advertising. This gives rise to the following tasks: research into the dependence of the effective scope of the audience on periodic advertisement placement parameters, i.e. flight duration, advertisement gap duration, memory lag; research into the dependence of flight scope on the quantity of intra-flight periods of ad placements, periodic advertisement budget optimisation. These goals can be achieved by media planning mathematical theory methods developed in the author’s earlier research works. This paper describes methods for analysing some indicators of periodic advertising effectiveness developed within the framework of a mathematical media planning theory, in particular the methodology for managing the level of communicative effectiveness of periodic advertising through changes in the duration of advertisement gap, memory lag, the quantity of intra-flight placements. The developed theory enables the analysis and forecast of the maximum, minimum and average audience scopes of periodic advertising depending on parameters of advertising impact intensity, flight duration, and advertisement gap. With the help of the developed methodologies, it is possible to manage the level of communicative effectiveness of periodicals by finding the optimum ratio of the above mentioned parameters. In addition, these techniques make it possible to optimise the budget for periodic advertising. In particular, the research work proposes a technique of quantitative optimisation of periodic advertisement placement parameters; exemplifying the technique of forecasting the value of the effective scope of a flight. The dependencies of the size of the audience coverage on the number of intra-flight periods are obtained. It has been defined that memory lag parameters limit the maximum attainable flight reach. It has been shown that the optimal advertisement budget at a chosen level of advertising impact intensity and at a preset memory lag depends on the ratio between the flight duration and advertisement gap.
10
Akbulut, Deniz, e Metin Enes Dönmez. "The Role of Financial Performance in Corporate Reputation Management: An Analysis on the Press Releases Published by Corporations During the Pandemic". In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.022.
Abstract (sommario):
As with all their assets, organizations need management when it comes to their reputation. Having a successful corporate reputation is closely related to how corporations manage their existing reputation. The main components of long-term corporate reputation are categorized as appealing to emotions, product and service quality, vision and leadership, financial performance, workplace environment and social responsibility (Fombrun et al., 2013: 253). Among these components, financial performance is positioned as one of the main factors that come to the fore especially in crisis situations. Financial performance is also an effective factor in building trust in all relationships established with the target audience. Therefore, organizations should reflect their financial performance with a good corporate communication strategy in order to create a solid corporate reputation based on trust. The Covid-19 pandemic, which affected the whole world in 2019, negatively affected many corporations in Turkey economically. In the face of this situation, which can be described as a global crisis, corporations carried out corporate communication activities that support corporate reputation management in order to turn the crisis into an opportunity. It is seen that especially the financial performances of the corporations are highlighted among these activities carried out with the aim of strengthening the positive image of the corporations in the eyes of their stakeholders and the public. Within the scope of this research, the press releases published by five companies operating within the automotive sector in Turkey, among the sectors given in the Sectoral Impact of Covid 19 on the Economy report of Global Times (2020), were examined through the content analysis method in the context of financial performance indicators. The purpose of the research is to reveal how organizations reflect their strategies, which include the elements that reflect their financial performance in their press releases, to the public. As a result of the research, the financial performance indicator that took the most place in all the press releases examined was determined as “competitive advantage”.
Rapporti di organizzazioni sul tema "Presse – Audience":
1
Maron, Nancy, e Peter Potter. TOME Stakeholder Value Assessment: Final Report. Association of American Universities, Association of Research Libraries, and Association of University Presses, agosto 2023. http://dx.doi.org/10.29242/report.tome2023.
Abstract (sommario):
The Association of American Universities, the Association of Research Libraries, and the Association of University Presses have published a final report assessing the success of their five-year pilot project to encourage sustainable digital publication of and public access to scholarly books. The associations launched the Toward an Open Monograph Ecosystem (TOME) project in 2018 to publish humanities and social science scholarship on the internet, where these peer-reviewed works can be fully integrated into the larger network of scholarly and scientific research. The project engaged a network of more than 60 university presses and ultimately produced more than 150 open-access scholarly works. The books cover a wide range of topics in many disciplines, including philosophy, history, political science, sociology, and gender and ethnic studies. The pilot was designed to last five years, and the sponsoring associations committed to assessing its value to its target audience at the end of that period. The report analyzes whether the community of authors, institutions, libraries, and presses that participated in the pilot found it helpful. Author Nancy Maron of BlueSky to BluePrint surveyed and interviewed authors and TOME contacts at participating institutions to assess how each benefited from the pilot—from increased global readership to stronger relationships among libraries, research deans, and faculty.
2
Kiefner, John. PR-218-183607-WEB Peer Review of the Plausible Profile (Psqr) Corrosion Assessment Model. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), ottobre 2019. http://dx.doi.org/10.55274/r0011627.
Abstract (sommario):
Date: October 14, 2019 PRESENTER: John Kiefner, PhD HOSTS: Shahani Kariyawasam, PhD and Shenwei Zhang, TC Energy MODERATOR: Laurie Perry, PRCI CLICK BUY/DOWNLOAD BUTTON TO ACCESS A RECORDING OF THIS WEBINAR The PRCI Corrosion Technical Committee presented the findings from a peer review conducted by a team of world-renowned pipeline experts, led by Dr. John Kiefner, on a new corrosion assessment model developed by TC Energy. The new model utilizes multiple plausible profiles to assess the remaining strength of a corroded pipe. A safe failure pressure is derived from these plausible profiles. This safe pressure can result in fewer excavations needed in response to ILI-identified areas of metal loss. Benefits/Learning Outcomes: - Review of the Psqr Model and how it was formulated and validated - An understanding of how the increased accuracy of the Psqr model can lead to fewer excavations - Peer reviewed suggestions for implementing the Psqr Model Target audience: - Pipeline corrosion personnel - Pipeline integrity management personnel Recommended reading: PR-218-183607-Z01 Peer Review of the Plausible Profile (Psqr) Corrosion Assessment Model
3
Markiv, Mykola. LEGAL FOUNDATIONS FOR THE DEVELOPMENT AND PROTECTION OF THE RIGHTS OF FOREIGN AND UKRAINIAN JOURNALISTS IN UKRAINE DURING FULL SCALE RUSSIAN AGGRESSION. Ivan Franko National University of Lviv, marzo 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12149.
Abstract (sommario):
The article is dedicated to theoretical understanding of the problem of development and protection of the rights of foreign and domestic journalists. The modern reality of journalistic activity, including the full scale russian aggression, was highlighted. The activities of foreign journalists that come to Ukraine to shoot and write materials to inform their audience with the current situation were carefully studied and analyzed. But on the other hand, the presence of different foreign press agencies in Ukraine can cause harm to national security, because information provided by foreign journalists can be used by hostiles in their criminal deeds. The harsh situation with journalists’ rights is proved by reports about targeting press-labelled cars, assassinations and burglarizing of journalists on annexed territory. War in Ukraine became the first precedent when occupational army prevent press associations to shoot and report crimes they commit there. Materials and photos provided by Ukrainian and foreign journalists do not only give emotional and information pictures to readers and the public, but also are used in courts for persecution. Because of systematic violation of journalists’ rights by russian forces, they demand an eager change of European and national law to punish criminals and increase responsibility for their crimes. Today demand on information is high. One can say that the most precious thing and one of the most valuable goods is information. The main priority today is the rights of journalists their safety Problematic issues of journalistic activity in today’s conditions are highlighted as destabilizing factors in the protection of journalists’ rights. Ways to solve the outlined problematic issues are provided. Key words: journalism, journalist, law, ensuring rights, rights and freedoms, war, invasion, journalistic activity.
4
Pavlyuk, Ihor. MEDIACULTURE AS A NECESSARY FACTOR OF THE CONSERVATION, DEVELOPMENT AND TRANSFORMATION OF ETHNIC AND NATIONAL IDENTITY. Ivan Franko National University of Lviv, febbraio 2021. http://dx.doi.org/10.30970/vjo.2021.49.11071.
Abstract (sommario):
The article deals with the mental-existential relationship between ethnoculture, national identity and media culture as a necessary factor for their preservation, transformation, on the example of national original algorithms, matrix models, taking into account global tendencies and Ukrainian archetypal-specific features in Ukraine. the media actively serve the domestic oligarchs in their information-virtual and real wars among themselves and the same expansive alien humanitarian acts by curtailing ethno-cultural programs-projects on national radio, on television, in the press, or offering the recipient instead of a pop pointer, without even communicating to the audience the information stipulated in the media laws − information support-protection-development of ethno-culture national product in the domestic and foreign/diaspora mass media, the support of ethnoculture by NGOs and the state institutions themselves. In the context of the study of the cultural national socio-humanitarian space, the article diagnoses and predicts the model of creating and preserving in it the dynamic equilibrium of the ethno-cultural space, in which the nation must remember the struggle for access to information and its primary sources both as an individual and the state as a whole, culture the transfer of information, which in the process of globalization is becoming a paramount commodity, an egregore, and in the post-traumatic, interrupted-compensatory cultural-information space close rehabilitation mechanisms for national identity to become a real factor in strengthening the state − and vice versa in the context of adequate laws («Law about press and other mass media», Law «About printed media (press) in Ukraine», Law «About Information», «Law about Languages», etc.) and their actual effect in creating motivational mechanisms for preserving/protecting the Ukrainian language, as one of the main identifiers of national identity, information support for its expansion as labels cultural and geostrategic areas.
5
Ortiz, Veronica, Joaquin Tintore e Nicole Köstner. EuroSea Guide of communication and dissemination activities for enhanced visibility of innovation in ocean observing and forecasting for a sustainable ocean. EuroSea, 2023. http://dx.doi.org/10.3289/eurosea_d8.10.
Abstract (sommario):
The purpose of this report is to provide a compilation of the communication and dissemination activities in EuroSea. It also proposes, as a guide, some guidelines and considerations to be included in the Communication and Dissemination Strategy in European projects. Dissemination and communication activities are essential for the success of the European Union’s Horizon 2020 research and innovation Programme, and the EuroSea project is no exception. The project has focused on improving ocean observing and forecasting for a sustainable ocean, and effective communication has been a crucial element in bringing together the interest groups, ensuring all stakeholders are to work towards the common goal of sustainable, science-based ocean management, as well as promoting and fostering public understanding of the importance and value of the ocean and its crucial role in climate change. This document offers a summary of the consortium's activities carried out during the whole life of the project (November 2019 - October 2023) related to all EuroSea communication and dissemination tools (official website, social media, newsletter, press release), as well as materials generated for the project (visual identity, printed and audiovisual materials) and the events-based dissemination. Key considerations in planning and strategy include defining project objectives, identifying target audiences, crafting effective messages, and selecting appropriate communication channels and tools. Evaluation and adjustment are also vital to measure the effectiveness of communication and dissemination activities. Overall, this guide could serve as a resource for any team involved in communication and dissemination activities in projects from Horizon 2020. This information will be instrumental in enhancing future efforts, maximizing the impact of the activities and ensuring the success of the project. (EuroSea Deliverable, D8.10)
6
Khomenko, Tetiana. TIME AND SPACE OF HISTORICAL PARALLELS OF EUGEN SVERSTIUK’S JOURNALISM. Ivan Franko National University of Lviv, marzo 2021. http://dx.doi.org/10.30970/vjo.2021.50.11095.
Abstract (sommario):
The article is dedicated to the investigation of time-space measurements of journalistic works of Eugen Sverstiuk, a well-known Ukrainian journalist. In particular, the time-space continuum of his works is being discussed, which is characterized as comprehensive, continuous, filled with archetypical images which metaphorize the text, but at the same time structure it, and are beaded on the axis of time and documentarily located in the space. The logics of images initiated in the text is exaggerated by constant dwelling of the author in the time-space dimensions of the epoque, of which he was a contemporary, as well as precise knowledge of World and Ukrainian history and culture. Historical parallelism of journalism of E. Sverstiuk possesses double potential. On the one hand, the author provides arguments for confirmation of his own opinion, and on the other, he shows us historical collisions in the new aspect, which helps consider the past, better understand the present, and think of the future. Pages of his works is space for author’s considerations, which logics impresses by free transgression of the author in the time, and his ability to grasp the most essential, although sometimes precedent, sometimes sudden and forgotten, or even unknown historical facts in order to force them to resonate in the new historical realities, first of all to indicate the importance of national and the need for assigning to it more significance. Using retrospectives, E. Sverstiuk encourages us to return to the national sources and to seek in ourselves the reflections of nationality in order to return historical truth to our audience. This is what, according to E. Sverstiuk, was believed to be one of the most necessary conditions of existence to the independent state. Time-space continuum of E. Sverstiuk’s journalism is reproduction of comprehensive history as continuous process of the development of humanity, and of formation of comprehensive, total, and so to say epic reading and understanding of these processes via accentuation of reader’s attention on key events, phenomena, and facts.
7
Smirnov, Serhii. Медіастандарти та фактчекінг в контексті психологічних бар’єрів, глибинних переконань та традицій. Ivan Franko National University of Lviv, marzo 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11726.
Abstract (sommario):
Denial by the Russians of the established facts of genocide and looting by their military in the Ukrainian cities and villages occupied by them and the belief in their version of some people and groups made the main objective of the study to find out to what extent media standards and information verification mechanisms work in conditions of deep convictions and the presence of psychological barriers. For this purpose, a task was chosen based on a politically neutral example that is understandable to the general public – the (non)existence of Santa Claus; verify its submission to the media with strict standards; find publications on this topic on fact-checking platforms; check the effectiveness of fact-checking tools. The methodological basis of the research was content and frame analysis of publications and news, factual, philological, semantic analyzes and an experiment – verification of publications using fact-checking tools. The result of the study was that deeply held beliefs, public opinion and pressure, and psychological barriers constitute a serious problem. It becomes difficult to publicize and promulgate the truth about the narrative supported by a large number of supporters with their statements, explanations and even events created for this. Even such media as AP or the fact-checking platform Politifact in such conditions deviate from the standards adopted for themselves. And even what started as a holiday joke – tracking Santa’s flight with NORAD radars – fact-checking tools will confirm that the radars are indeed tracking Russian planes and Santa Claus’ sleigh. The significance of the results is that the audience of the deliberate deception, which has accepted it as true, will defend it even in the face of irrefutable evidence. This is, in fact, the case with the genocide in Bucha and other cities of Ukraine, where Russians are trying to dispute the confirmed killings of civilians and looting by the Russian military. At the same time, taking this into account, it can also be assumed that a test that leads to a paradoxical conclusion (we know one thing but claim another) can become a tool for revealing the irrational deep beliefs of certain groups or societies and their causes or weaknesses. Key-words: social media, facts, fact check, media standards, fakes.
8
Lewis, Dustin, a cura di. Database of States’ Statements (August 2011–October 2016) concerning Use of Force in relation to Syria. Harvard Law School Program on International Law and Armed Conflict, maggio 2017. http://dx.doi.org/10.54813/ekmb4241.
Abstract (sommario):
Many see armed conflict in Syria as a flashpoint for international law. The situation raises numerous unsettling questions, not least concerning normative foundations of the contemporary collective-security and human-security systems, including the following: Amid recurring reports of attacks directed against civilian populations and hospitals with seeming impunity, what loss of legitimacy might law suffer? May—and should—states forcibly intervene to prevent (more) chemical-weapons attacks? If the government of Syria is considered unwilling or unable to obviate terrorist threats from spilling over its borders into other countries, may another state forcibly intervene to protect itself (and others), even without Syria’s consent and without an express authorization of the U.N. Security Council? What began in Daraa in 2011 as protests escalated into armed conflict. Today, armed conflict in Syria implicates a multitude of people, organizations, states, and entities. Some are obvious, such as the civilian population, the government, and organized armed groups (including designated terrorist organizations, for example the Islamic State of Iraq and Syria, or ISIS). Other implicated actors might be less obvious. They include dozens of third states that have intervened or otherwise acted in relation to armed conflict in Syria; numerous intergovernmental bodies; diverse domestic, foreign, and international courts; and seemingly innumerable NGOs. Over time, different states have adopted wide-ranging and diverse approaches to undertaking measures (or not) concerning armed conflict in Syria, whether in relation to the government, one or more armed opposition groups, or the civilian population. Especially since mid-2014, a growing number of states have undertaken military operations directed against ISIS in Syria. For at least a year-and-a-half, Russia has bolstered military strategies of the Syrian government. At least one state (the United States) has directed an operation against a Syrian military base. And, more broadly, many states provide (other) forms of support or assistance to the government of Syria, to armed opposition groups, or to the civilian population. Against that backdrop, the Harvard Law School Program on International Law and Armed Conflict (HLS PILAC) set out to collect states’ statements made from August 2011 through November 2016 concerning use of force in relation to Syria. A primary aim of the database is to provide a comparatively broad set of reliable resources regarding states’ perspectives, with a focus on legal parameters. A premise underlying the database is that through careful documentation of diverse approaches, we can better understand those perspectives. The intended audience of the database is legal practitioners. The database is composed of statements made on behalf of states and/or by state officials. For the most part, the database focuses on statements regarding legal parameters concerning use of force in relation to Syria. HLS PILAC does not pass judgment on whether each statement is necessarily legally salient for purposes of international law. Nor does HLS PILAC seek to determine whether a particular statement may be understood as an expression of opinio juris or an act of state practice (though it might be).