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Tesi sul tema "Portrait photography"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 25 luglio 2025

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1

Munsie, Richard. "Intimation of life : photographic portraiture in art." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2002. https://ro.ecu.edu.au/theses/719.

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Abstract (sommario):

Photographic artists have a continuing desire to express intimately aspects of their social world through the genre of portraiture. However, in attempting to make known the lives of those around them, portraitists encounter a range of complexities inherent in the representation of the human subject in a two-dimensional visual field. Portraits were initially an indicator of social class until the introduction of photography, when more and more people became involved in their production and ownership. It was at its inception that the photographic portrait assumed conventions consistent with thos

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2

Kowsar, Shabahang. "L'Art de Paraître dans le Portrait Photographique sous le Second Empire." Thesis, Versailles-St Quentin en Yvelines, 2015. http://www.theses.fr/2015VERS006S.

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L’essor de la photographie au milieu du 19ème siècle est contemporain de changements importants survenus au sein de la société française. A Paris sous le Second Empire, la forte hausse du pouvoir d’achat, due en grande partie aux travaux haussmanniens, influence l’image publique des citadins. La ville et ses grands boulevards offrent aux plus privilégiés la possibilité de se promener, de s’exhiber, de paraître selon certaines normes pour se mettre en lumière. Représentations qui seront ensuite fixées par les artistes : écrivains, peintres, sculpteurs, caricaturistes et photographes, ils concou

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3

Hacking, Juliet Louise. "Photography personified : art and identity in British photography 1857-1869." Thesis, Courtauld Institute of Art (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.266787.

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4

Makun, Adetoun Jones. "International passports : portrait of the Nigerian diaspora." Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1002226.

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Abstract (sommario):

International Passports: Portraits of the Nigerian Diaspora considers notions of 'alienation‘ and 'nation-hood‘ through the lens of portraiture. This dissertation addresses issues of identity and representation in a contemporary cultural context as they pertain to the concerns presented through my current visual practice. The paintings that I have produced from 'real‘ life are primarily depictions of Nigerian individuals, friends and acquaintances (professionals and students) residing in Grahamstown, South Africa as temporary or permanent migrants. I reference the mug shot pose of identity doc

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5

Tran, Michelle. "Standing in the shadow of the moon : a diaristic encounter with identity through my everyday /." Connect to thesis, 2009. http://repository.unimelb.edu.au/10187/8531.

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Art and lived experience are the key to my work. Standing in the Shadow of the Moon – A Diaristic Encounter With Identity Through My Everyday is an inquiry into the various possibilities for photography as a diaristic medium that blends the concepts of documentary and tableau photography, whilst exploring my identity. In this mode of expression, my project is an investigation into concepts of self-representation and subjectivity. What does it mean to create an enigmatic series of 'self-portraits' that are focused on those around me, those whom reflect me, but are not me?

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6

Spenny, Anne M. "Portrait of a young woman /." Online version of thesis, 1989. http://hdl.handle.net/1850/11529.

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7

Phillips, Michael. "The family album : an extended portrait /." Online version of thesis, 1987. http://hdl.handle.net/1850/8851.

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8

Carmignac, Ariane-Esther. "Passer le temps. Vies d'une archive photographique contemporaine : l'archivio Graziano Arici." Thesis, Lyon, 2018. http://www.theses.fr/2018LYSES044/document.

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L’Archivio Graziano Arici est une archive photographique d’un genre résolument singulier ; elle réunit des enjeux et ou assemble des finalités qui ne se rejoignent que partiellement. Archive courante des photographies de Graziano Arici (photographe né en 1949 à Venise, résidant actuellement à Arles, et toujours en activité), fonctionnant comme une base d’images permettant au photographe d’accumuler et de vendre ses productions, elle est aussi, dès le départ, conçue comme une forme-conservatoire destinée, dans son ensemble, par son auteur même, à représenter une époque, à rester comme un témoig

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9

Pelser, Monique Myren. "Roles : "I am as intently observed as the people photograph"." Thesis, Rhodes University, 2007. http://hdl.handle.net/10962/d1007647.

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Abstract (sommario):

With this dissertation I propose an investigation of how the photographic portrait attempts to construct and confirm identity through the representation of types. Drawing from theoretical texts by Roland Barthes and Robert Sobieszek and engaging with my own process of self-portraiture, as a means of troubling the usual power relations involved between the photographer and the sitter, I will demonstrate the dialectical nature of these roles involved in photographic portraiture. Looking at Pieter Hugo's portraits of judges in Botswana permits me to deal with issues of masquerade and how fashions

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10

Cleveland, Larissa. "Collector : collection/possession/persona /." Online version of thesis, 2008. http://hdl.handle.net/1850/6186.

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11

Skidmore, Colleen Marie. "Women in photography at the Notman Studio, Montreal, 1856-1881." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq46921.pdf.

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12

Shtonda, A. O. "Great Contemporary Photographers." Thesis, Київський національний університет технологій та дизайну, 2017. https://er.knutd.edu.ua/handle/123456789/8399.

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13

Luong, Alec Anh. "The Houston Center for Photography." Thesis, Virginia Tech, 2009. http://hdl.handle.net/10919/34665.

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Abstract (sommario):

This building is about the moment. It is about the moment when the image and the viewer begin a dialogue of existence. It is about the moment when a photographer and a model begin a relationship that is as intimate as that between a mother and child. It is about the creation of space to house those moments. It is about the creation of the image from light to negative to print to viewer. This building is about light. it is about the way light is framed. It is about the way photographs are records of light. It is about how humans see light and experience light and live in the light. It is abou

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14

Sowers, Roy. "People as the ultimate subject matter /." Online version of thesis, 1989. http://hdl.handle.net/1850/11469.

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15

Lau, Sin-tung Ellen, and 劉倩彤. "Ethics of seeing: when life meets death in Annie Leibovitz's photography." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B46724266.

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16

Olsen, Claire. "Photographic estrangement the measure of distance in photographic relationships : this exegesis is submitted to AUT University for the degree of Master in Art Design (Visual Arts) programme, October 2007 /." Click here to access this resource online, 2007. http://repositoryaut.lconz.ac.nz/theses/1384/.

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17

Blazy, Diane. "Repose /." Online version of thesis, 1990. http://hdl.handle.net/1850/11320.

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18

Rowell, Spencer. "An exploration of pathography within phototherapy : an analysis of the photographic self-portrait." Thesis, London Metropolitan University, 2017. http://repository.londonmet.ac.uk/1264/.

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Abstract (sommario):

This thesis presents and develops an advanced method of self-exploration for artists. The method, which incorporates the process of self-representation, enables a more authentic identification of the psyche of the artist to be created. The objective of the research is to develop a restorative and valid therapeutic process that artists can apply to achieve further authenticity in terms of the work that they conduct. The process that is developed as a product of this research is an advancement of ‘pathography’, a term used by Sigmund Freud in 1910 in the final chapter of Leonardo da Vinci and a

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19

Palmer, Erik Arthur. "Seeing Richard Avedon /." Connect to title online (ProQuest), 2008. http://proquest.umi.com/pqdweb?did=1537006421&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Abstract (sommario):

Thesis (Ph. D.)--University of Oregon, 2008.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 307-321). Also available online in ProQuest, free to University of Oregon users.

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20

Sheehan, Tanya. ""Doctor photo" : the cultural authority of portrait photography as medicine in nineteenth-century America /." View online version; access limited to Brown University users, 2005. http://wwwlib.umi.com/dissertations/fullcit/3174673.

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21

Herrerias, Cuevas Vesta Mónica. "Le masque social ou la representation de la bourgeoisie mexicaine dans le portait photographique (1854-2008)." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030058.

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Abstract (sommario):

Loin de la dénonciation sociale ou d’un exercice strictement historique, le présent travail cherche à comprendre comment se construit l’image du personnage bourgeois à travers l’étude de portraits de la bourgeoisie mexicaine entre 1854 et 2008. Le concept de masque permet de rendre compte du portrait en tant que construction d’un modèle de représentation sociale. La première partie propose un aperçu général des origines et de l’évolution du portrait pictural, de son influence sur le portrait photographique, des conséquences des idées humanistes sur l’art, enfin de l’histoire de la bourgeoisie

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22

Matzke, Alex. "If She Isn’t Working Miracles, What Is She Doing On The Battlefield?" VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4259.

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Abstract (sommario):

The images included in my thesis work reflect my experience growing up with military propaganda—pictures of cheerful white women in pearls as part of my rural middle American landscape. I do not name the oppressor because I am not here to pick at the thorns, but to get to the root of the oppression. These are some of the servicewomen I’ve met. Their stories parallel but cannot encompass the private experiences of all service women. I am grateful for their generosity; without them there would be no pictures. The battle for equality is much older than Rosie the Riveter but we still ask the same

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23

Nelson, Amy. "A Stylistic Analysis of American Indian Portrait Photography in Oklahoma, 1869-1904." Thesis, University of North Texas, 2001. https://digital.library.unt.edu/ark:/67531/metadc2785/.

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Abstract (sommario):

This thesis studies the style of Native American portrait photographs of William S. Soule (1836-1908), John K. Hillers (1834-1925), and William E. Irwin (1871-1935), who worked in Oklahoma from 1869 to 1904. The examination of the three men's work revealed that each artist had different motivations for creating Native American portrait photographs, and a result, used a distinct style. However, despite the individual artistic styles, each artist conformed to Native American stereotypes common during the nineteenth-century. The thesis includes a discussion of the history of the area, photographe

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24

Hart, Janice Carol. "Method and meaning in mid Victorian portrait photography in England c. 1855 - 1880." Thesis, University of Westminster, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.303371.

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25

Santelli, Tom. "Marks : the adorned self /." Online version of thesis, 1991. http://hdl.handle.net/1850/11304.

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26

Baggaley, Jonathan. "Figuring the photographic portrait studio as a psychic apparatus." Thesis, University of Brighton, 2015. https://research.brighton.ac.uk/en/studentTheses/7db6e7c0-8ffe-42d9-86e4-39c14ca3a077.

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Abstract (sommario):

This research project makes use of photographic art practice as an investigative tool, through which a variety of strategies have been employed in order to picture the traditional photographic portrait studio. The thesis provides both a context within which to understand this art practice and expands upon and develops the themes proposed by it. The history of the photographic studio is presented in traditional narrative form and as a discursive formation; being analysed at two specific junctures within this narrative. This historical and cultural contextualisation allows the studio to be viewe

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27

Swanepoel, Jade Lansley. "Portrait of a city : a narrative of discovery, creation and reflection." Diss., University of Pretoria, 2016. http://hdl.handle.net/2263/60207.

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This study forms part of the discourse that critiques the current state of colonial museums in a post-colonial, post-apartheid city. The project focuses on a proposed urban vision for the precinct of Joubert Park in Johannesburg and responds to themes of memory, identity, reflection, art and public space. In the process, strategies are investigated to enhance identity in the area using the Johannesburg Art Gallery as a starting point. The gallery is integrated into the public realm, making it more accessible and transparent to its context by introducing pavilions and art installations

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28

Murphy, Alexandra Christina. "An exploration into the photo-transformation of the human form, through a research of its contemporary influential imagery and diversity within our culture." Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002212.

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Abstract (sommario):

The purpose of this study is to look at how the figure is imaged through the photographic medium today. Through this purpose I aim to explore the individual expression of the photographer in his photographic medium; the expression of the figure within the medium and the diverse practises of this medium in society - to build up an awareness and understanding of the diverse representations of the human form. The general aims of study are: 1 - to study how these three photographers choose to photograph the figure, through their technical, compositional and individual approach. 2 - to show how div

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29

Castro, Dayan de 1985. "Sibila : poética em paradoxo." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285219.

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Orientador: Luise Weiss<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-26T13:13:53Z (GMT). No. of bitstreams: 1 Castro_Dayande_M.pdf: 254244803 bytes, checksum: 290efbe27bd577bebcb934caa43871e2 (MD5) Previous issue date: 2014<br>Resumo: O presente volume é um indagar descritivo de imagens em processo. Expõe um amalgama de referências teórico-práticas que influenciaram o caminho na produção das imagens. Estão aqui as partes fundamentais dessa busca, inquietações que relacionam-se com o contemporâneo, a fotografia e o re

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30

Tormey, Jane. "The photographic portrait : directions of meaning and the ineffable (1970-2005)." Thesis, Loughborough University, 2006. https://dspace.lboro.ac.uk/2134/7961.

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This thesis uses the photographic portrait as an example of contemporary art practice to examine developments in aesthetic sensibility and constructions of meaning with particular address to ineffable qualities in both the subject and in the photograph. It examines the contribution of practice to a wider cultural debate, predominantly described as poststructural. Thomas Ruff's contention that it is impossible to photographically depict an individual, establishes a methodology that interrogates assumptions and directs examination toward reconfiguring issues of theory and practice. In the photog

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31

Borges, Alexandre Davi. "Espacialidade ao ver e ser visto : a sobreposição do papel do fotógrafo nos autorretratos e selfies." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2017. http://hdl.handle.net/10183/164761.

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Abstract (sommario):

Os retratos fotográficos são uma forma consolidada de se representar. Refletir a partir da visão do retratado no momento em que esta se direciona no sentido oposto ao nosso olhar propõe a existência de um espaço contíguo ao corte que atravessa a quarta parede. Tal compreensão tensiona o contexto que circunda fisicamente o espaço da obtenção dos retratos. Neste trabalho, propõe-se a ampliação do espectro das análises em direção a um espaço definido pela formulação da noção de contraperspectiva: um espaço perspectivo inverso ao tradicional que se instaura no direcionamento do olhar para a câmera

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32

Horta, Paula. "Portrait and documentary photography in post-apartheid South Africa : (hi)stories of past and present." Thesis, Goldsmiths College (University of London), 2011. http://research.gold.ac.uk/6491/.

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This thesis will explore how South African portrait and documentary photography produced between 1994 and 2004 has contributed to a wider understanding of the country’s painful past and, for some, hopeful, for others, bleak present. In particular, it will examine two South African photographic works which are paradigmatic of the political and social changes that marked the first decade after the fall of apartheid, focusing on the empowerment of both photographers and subjects. The first, Jillian Edelstein’s (2001) Truth & Lies: Stories from the Truth and Reconciliation Commission in South Afri

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33

Ibrahim, Carla Jacques. "As retratistas de uma epoca : fotografas de São Paulo na primeira metade do seculo XX." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284778.

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Orientador: Roberto Berton de Angelo<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-05T07:50:47Z (GMT). No. of bitstreams: 1 Ibrahim_CarlaJacques_M.pdf: 30265765 bytes, checksum: 5605685ac14d4e0551309ea6bd729dd1 (MD5) Previous issue date: 2005<br>Resumo: Esta dissertação tem como objetivo analisar o panorama da fotografia na primeira metade do século XX, na cidade de São Paulo, no tocante à produção fotográfica desenvolvida pelas mulheres, proprietárias e gerentes dos próprios estabelecimentos. A abertura do trabalho c

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34

Schlosserová, Jana. "Vratká společnost." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2014. http://www.nusl.cz/ntk/nusl-232419.

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The installation is formed from the fifth sculptures, individuals, larger than life size. Their bodies are just shapes and surfaces, which leave place for the rest of the human form. The form is preserved only in black-and-white photography, in portraits, which are part of the sculptures. They ostensibly do nothing, like stopping in time. However they move, but for that move is neccessary initial impetus and it is the role of the viewer. Instability of sculptures is an expression of the unstable position of the human beings in today's society (the origin of instability). Sculptures creates soc

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35

Bridges, Jennifer T. "From Typologies to Portraits: Catherine Opie's Photographic Manipulations of Physiognomic Imagery." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd/1080.

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This thesis proposes that California contemporary photographer Catherine Opie's Being and Having series (1991) and her Portrait series (1993-1996) parody the constraining binary gender discourse and stereotypes that emanate from it. In her art Opie uses familiar codes and identity discourses associated with traditional portrait photography and typological photographs to promote a postmodern and fluid model of gender identity. Her manipulation of photographic technique and subject matter validates cultural stereotypes of gender at the same time that it destabilizes them. Opie also simultaneousl

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36

Swensen, James R. "Dorothea Lange in Utah, 1936-1938: A Portrait of Utah's Great Depression." BYU ScholarsArchive, 2000. https://scholarsarchive.byu.edu/etd/5157.

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Abstract (sommario):

In his 1978 biography of Dorothea Lange, Milton Meltzer appraised Lange's 1936 photography in Utah as nothing more than mundane work done for the benefit of the Farm Security Administration (FSA) and not for her own benefit as a photographer. Yet, her work in Utah encapsulates the aspirations, goals, and styles of Lange, and gives insight into her vision as a photographer and representative of the New Deal. Through carefully composed photographs, Lange shows the hardships and hope of life in Utah during the Great Depression. This thesis investigates Lange's photographs in order to gain a grea

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37

Broeckmann, Andreas. "A visual economy of individuals : the use of portrait photography in the nineteenth-century human sciences." Thesis, University of East Anglia, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326514.

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38

Yoon, Hyewon. "Exile at Work: The Portrait Photography of Gisèle Freund, Lisette Model, and Lotte Jacobi, 1930-1955." Thesis, Harvard University, 2016. http://nrs.harvard.edu/urn-3:HUL.InstRepos:33493363.

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My dissertation examines the emergence of photographic portraiture as a vehicle for illuminating the experience of European exiles and their cultural migrations under the threat of fascism. I anchor my study in the works of three women European émigrés, each of whom produced a series of portraits while in exile: the German-born French Gisèle Freund (1908-2000), the Austrian-born American Lisette Model (1910-1983), and the German-born American Lotte Jacobi (1896-1980). Despite different working trajectories and methods, each photographer grounds her work in an idiom of traditional portraiture t

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Ai, Linda Ho-Yun. "Identity / the deployment of apple light in considering identity in contemporary portrait photography : this thesis is submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Art and Design), 2004." Full thesis. Abstract, 2004.

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40

Carotenuto, Gianna Michele. "Domesticating the harem reconsidering the zenana and representations of elite Indian women in Colonial painting and photography of India /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=2024771361&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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41

Cailler, Julie. "L'autoportrait en photographie et la mélancolie." Thesis, Paris 8, 2014. http://www.theses.fr/2014PA080029.

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Abstract (sommario):

Cette recherche s'articule autour de trois pôles : Autoportrait, Photographie et Mélancolie et questionne les enjeux de la mélancolie dans les dispositifs de création des images de soi et de son expression au sein de l'autoreprésentation photographique. La mélancolie est ici pensée comme rapport singulier à l'image de soi, une définition qui prend appui sur des théories de la psychanalyse – bien que notre réflexion demeure esthétique – mais qui s'inscrit aussi dans l'histoire de la mélancolie, une histoire médicale, artistique et philosophique. Le corpus est constitué d'artistes dont le parcou

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42

Naryškin, Romanas. "Socialinis portretas Lietuvos fotografijoje." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2014~D_20140717_105943-09546.

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Naryškin Romanas, Socialinis portretas Lietuvos fotografijoje, fotografijų ciklas „Nebūtini“: Audiovizualinio meno studijų bakalauro baigiamasis darbas / vadovas A. Uogintas; Šiaulių Universitetas, Menų fakultetas, Dailės katedra. Šiauliai, 2014 m. 43 p. Bakalauro darbe nagrinėjamas socialinis portretas fotografijoje pirmiausiai aptariant dokumentinę, tuomet – socialinę dokumentinę fotografiją, kalbama apie jos ištakas Lietuvoje remiantis Margaritos Matulytės teorine ţiūra. Kūrybiniam darbui išskiriama konkreti socialinės atskirties grupė – benamiai-elgetos, apibrėţiama benamystė kaip socialin

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Hsu, Tzu Ting. "The reimagined migrant portrait - exploring the lives of Chinese and Taiwanese minorities living in South Africa." Master's thesis, Faculty of Humanities, 2019. http://hdl.handle.net/11427/31251.

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Abstract (sommario):

This multimedia project explores the lives of Chinese and Taiwanese migrants living in South Africa and how language, culture, community and marginalisation have come to shape their identities and to visually represent them in a way that is not prevalent in mainstream media. It uses two visual mediums – photography and video interviews – to understand these migrants’ experiences, how they perceive themselves and how they think society perceives them. Data analysis consisted of a process of coding the video interviews and structural analysis of the visuals. Rising worldwide migration has simult

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Aufraise, Marc. "Salvador Dali et la photographie : portraits du surréalisme (1927-1942)." Phd thesis, Université Panthéon-Sorbonne - Paris I, 2013. http://tel.archives-ouvertes.fr/tel-01001654.

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L'étude intitulée Salvador Dali et la photographie: portraits du surréalisme (1927-/942) montre comment l'image photographique se situe chez l'artiste au carrefour entre théorie et pratique, entre création et vie quotidienne. Elle propose de réévaluer la place du médium dans l'élaboration et la pratique de la théorie surréaliste en décrivant comment ce projet de libération de l'homme est utilisé pour exacerber l'individualisme. Dans un premier temps, Dali utilise l'image photographique comme une instance médiatrice qui lui permet de contrôler ses pulsions et de définir précisément les objets.

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45

Cailler, Julie. "L'autoportrait en photographie et la mélancolie." Electronic Thesis or Diss., Paris 8, 2014. http://www.theses.fr/2014PA080029.

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Abstract (sommario):

Cette recherche s'articule autour de trois pôles : Autoportrait, Photographie et Mélancolie et questionne les enjeux de la mélancolie dans les dispositifs de création des images de soi et de son expression au sein de l'autoreprésentation photographique. La mélancolie est ici pensée comme rapport singulier à l'image de soi, une définition qui prend appui sur des théories de la psychanalyse – bien que notre réflexion demeure esthétique – mais qui s'inscrit aussi dans l'histoire de la mélancolie, une histoire médicale, artistique et philosophique. Le corpus est constitué d'artistes dont le parcou

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46

Devon, Donesse Noly. "Legends the nexus between drag and identity : this exegesis [thesis] is submitted to the Auckland University of Technology in partial fulfilment of the degree of Masters of Art and Design, 2003." Full thesis. Abstract, 2003.

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47

Pinto, Daniel Gomes. "80faces: objeto-Para-outro." Universidade do Estado do Rio de Janeiro, 2014. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=8807.

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Abstract (sommario):

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>O presente trabalho foi desenvolvido a partir do enlace poético teórico feito a partir da análise e produção da obra 80faces, desenvolvida por aquele que se apresenta aqui tanto como autor da obra como pesquisador da mesma. Tal característica proporcionou uma dupla perspectiva que são apresentadas em partes distintas do trabalho, sendo a primeira um aparato teórico referencial e a segunda as anotações e idéias apropriadas por livre demanda do próprio artista pesquisador. As 80faces corresponde a um estudo das fotografias que o ar

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Arnett, Joanne M. "Rogue Gallery." Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1366636723.

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Harper, Stephen Bryce. "Investigations into Social Game Theory." VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd/812.

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Abstract (sommario):

Investigations into Social Game Theory is a document that describes my two-year exploration of the ritual encapsulated in our societal framework. It discusses the thoughts and processes that accompanied the three bodies of work that led to the creation of my final thesis exhibition.

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Sousa, Ludovico Miguel da Gama. "Um retrato do Bairro da Malagueira." Master's thesis, Universidade de Évora, 2017. http://hdl.handle.net/10174/21553.

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Abstract (sommario):

A presente dissertação pode resumir-se como sendo o estudo de uma forma de “construir” um retrato representativo do quotidiano contemporâneo, aplicado a um caso de estudo, ou seja, o Bairro da Quinta da Malagueira em Évora. Essa representação fotográfica surge como epílogo e como resposta pessoal à problemática identificada, tendo como principal objetivo, ser simultaneamente, uma síntese da realidade vivida e da génese das intensões concetuais de Álvaro Siza Vieira. A investigação foi o processo de obtenção da conclusão que se traduz numa fotografia; foi o resultado da análise, do estudo e do

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