Tesi sul tema "Politicians – 20th century – Biography"
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Killinger, Margaret O'Neal. "Helen Knothe Nearing: A Biography". Fogler Library, University of Maine, 2004. http://www.library.umaine.edu/theses/pdf/KillingerMON2004.pdf.
Testo completoReid, George. "Popes, politicians and political theory: The principle of subsidiarity in 20th century European history". Thesis, University of Ottawa (Canada), 2005. http://hdl.handle.net/10393/27018.
Testo completoWernitznig, Dagmar. "No documents, no history : a political biography of Rosika Schwimmer (1877-1948)". Thesis, University of Oxford, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711810.
Testo completoDay, Lara Elisabeth. "Paul Schultze-Naumburg : an intellectual biography". Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/17964.
Testo completoWallace, Christine. "The Silken Cord: Contemporaneous 20th Century Prime Ministerial Biography in Australia & Its Meaning". Phd thesis, Canberra, ACT : The Australian National University, 2015. http://hdl.handle.net/1885/124059.
Testo completoDowd, Ann Karen. "Elizabeth Bishop: her Nova Scotian origins and the portable culture of home". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31238427.
Testo completoLee, Sai-chong Jack, e 李世莊. "Painting in western media in early twentieth century Hong Kong". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31214344.
Testo completoMueller, Marieke. "Subjectivity in Sartre's 'L'idiot de la famille' : biography as a space for the development of theory". Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:54f60363-e148-4481-b710-c7e68a908bd5.
Testo completoKirton, Teneille. "Racial exploitation and double oppression in selected Bessie Head and Doris Lessing texts". Thesis, University of Fort Hare, 2010. http://hdl.handle.net/10353/232.
Testo completoHubbs, Holly J. "American women saxophonists from 1870-1930 : their careers and repertoire". Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1259304.
Testo completoSchool of Music
Ng, Wing-fai, e 吳永輝. "Liang Sicheng, 1901-1972". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1991. http://hub.hku.hk/bib/B31950024.
Testo completoMbatsha, Thembisa. "A critical analysis of the screen adaptation of Saule’s Unyana womntu". Thesis, University of Fort Hare, 2012. http://hdl.handle.net/10353/d1018674.
Testo completoO’Neill, Patrick Nathaniel. "Paul Solanges : soldier, industrialist, translator : a biographical study and critical edition of his correspondence with Antonio Fogazzaro and Henry Handel Richardson". Monash University. Faculty of Arts. School of Languages, Cultures and Linguistics, 2007. http://arrow.monash.edu.au/hdl/1959.1/53105.
Testo completoHoenle, Sandra Vivian Berta. "Walter Benjamin : the production of an intellectual figure". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape3/PQDD_0021/NQ48647.pdf.
Testo completoNassimi, Azim M. "An ethnography of political leaders in Afghanistan". Virtual Press, 1997. http://liblink.bsu.edu/uhtbin/catkey/1063417.
Testo completoDepartment of Educational Leadership
Hans, Birgit. "Surrounded: The fiction of D'Arcy McNickle". Diss., The University of Arizona, 1988. http://hdl.handle.net/10150/184452.
Testo completoLi, Boting, e 李博婷. "Leonard Woolf: towards a literarybiography". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B45697735.
Testo completoChan, Flora Kay, e 陳鳳姬. "呂壽琨的藝術發展". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1991. http://hub.hku.hk/bib/B1300587X.
Testo completoGreenshields, Mary Clare, e University of Lethbridge Faculty of Arts and Science. "The Amazon in the drawing room : Natalie Clifford Barney's Parisian salon, 1909-1970 / Mary Clare Greenshields". Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of English, c2010, 2010. http://hdl.handle.net/10133/2606.
Testo completov, 110 leaves ; 29 cm
Baird, Julia Woodlands. "Housewife superstars : female politicians and the Australian print media, 1970-1990". Thesis, The University of Sydney, 2001. http://hdl.handle.net/2123/18048.
Testo completo楊舒恒. "戲裏戲外 : 香港六十年代國語電影女星的螢幕再現與現實生活 = Inside/outside the movies: Hong Kong Mandarin film actresses of the 1960s : their representations on screen and their real lives". HKBU Institutional Repository, 2008. http://repository.hkbu.edu.hk/etd_ra/926.
Testo completoSoderberg, Karen Amelia Phillips. "A survey of selected contemporary Swedish choral composers and literature". Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185410.
Testo completoConway, Martin. "The Rexist movement in Belgium, 1940-1944". Thesis, University of Oxford, 1989. http://ora.ox.ac.uk/objects/uuid:c65f3221-b732-4789-b3fd-e8aa8045c52b.
Testo completoLamberth, Marion. "Interaktion von Leben und Werk bei Schönberg : analysiert anhand seiner Ehekrise des Jahres 1908". Doctoral thesis, Lunds universitet, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-33137.
Testo completoEppig, Margaret L. "Russell Lord and the Permanent Agriculture Movement: An Environmental Biography". Antioch University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1503404147197934.
Testo completoRoos, Hilde. "Hendrik Hofmeyr : lewe en werk, 1957-1999". Thesis, Stellenbosch : University of Stellenbosch, 2000. http://hdl.handle.net/10019.1/51787.
Testo completoENGLISH ABSTRACT: The topic of this thesis is the life and music of Hendrik Hofmeyr, from his birth in 1957 until July 1999. The discussion on his life focusses on the events that influenced the establishment of his works and also those that had an effect on the style in which Hofmeyr composes. Although he experienced a steady development and growth as a composer, Hofmeyr's ten year stay in Italy and the event of the 1997 Queen Elisabeth of Belgium Composition Competition can be mentioned as major influences on his life and thus on his work. Hofmeyr's ideas on music are discussed in Chapter 2. To understand the intention of his music, it is important to know something of Hofmeyr's approach to music. The chapter concludes that Hofmeyr can be described as a 'romantic' composer which provides the reason why he has always been outspoken against the avant-garde which characterises much of the artmusic of the zo" century. The style analysis of the following chapter looks at three important parameters of any composer's style: harmony, melody and form. It further also discusses Hofmeyr's use of counterpoint and the specific playing techniques he requires of instruments. These two aspects stand out as particular to the composer's style. Due to the scope of the thesis, these aspects are dealt with in a limited way. A more detailed discussion of two compositions follow, the song cycle Alleenstryd and the String Quartet. Besides an analysis of both works, attention is also given to how the composer's ideas on music are manifested in these works. The thesis concludes with a detailed list of works including all works composed up to July 1999. 50 compositions are listed. To allow for maximum exposure of each work, the duration as well as a description of each work are added to the otherwise standard information.
AFRIKAANSE OPSOMMING: Hierdie tesis behandel Hendrik Hofmeyr se lewe en werk as komponis vanaf sy geboorte (1957) tot en met Julie 1999. Die beskrywing van sy lewe is daarop gerig om aan te dui hoe die gebeure in sy lewe die totstandkoming van sy komposisies en die styl van sy musiek beïnvloed het. Hoewel daar 'n geleidelike ontwikkeling in sy groei as komponis bestaan, kan sy tienjarige verblyf in Italië en die Koningin Elisabeth van België Komposisiekompetisie in 1997 as belangrike invloede uitgelig word. In hoofstuk 2 word Hofmeyr se idees oor musiek bespreek. Om die intensie en gedaante van Hofmeyr se musiek te verstaan, is dit belangrik om hierdie uitgangspunte van die komponis te begryp. In die hoofstuk word die gevolgtrekking gemaak dat Hofmeyr in wese 'n 'romantikus' is en dat hy daarom reeds sedert sy studentejare sterk uitgesproke is teen die avant-garde wat 20ste eeuse kunsmusiek kenmerk. Die stylanalise wat daarna gemaak word, behandel drie belangrike parameters van enige komponis se styl: harmonie, melodie en vorm. Verder sluit dit ook Hofmeyr se gebruik van kontrapunt in en die spesifieke speeltegnieke wat hy van instrumente verlang. Hierdie twee aspekte staan uit as besondere eienskappe van die komponis se musiek. Vanweë die omvang van die tesis, is die bespreking van hierdie aspekte redelik beperk. In Meer gedetaileerde bespreking van twee werke volg, naamlik die sangsiklus Alleenstryd en die Strykkwartet. Buiten 'n analise word ook na ander aspekte van hierdie werke gekyk, soos byvoorbeeld die wyse waarop die komponis se uitgangspunte oor musiek in hierdie werke tot uiting kom. Die tesis sluit af met 'n volledige werklys wat alle werke tot en met Julie 1999 insluit. Daar is altesaam 50 werke. Om soveel as moontlik inligting te verskaf, word buiten die standaard-inligting, ook die tydsduur en 'n beskrywende paragraaf oor elke komposisie ingesluit.
Muchena, Kudakwashe Christopher. "Dambudzo Marechera: a psychobiographical study". Thesis, Nelson Mandela Metropolitan University, 2013. http://hdl.handle.net/10948/d1020777.
Testo completoHacksley, Helen Elizabeth. "An edition of a selection of poems by John Randal Bradburne". Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1008069.
Testo completoStephen, Ann. "Looking through conceptual art : a dialogue between Ian Burn and his collaborators". Thesis, Queensland University of Technology, 2003.
Cerca il testo completoGaudette, Stacey Leigh, e University of Lethbridge Faculty of Arts and Science. "Genêt unmasked : examining the autobiographical in Janet Flanner". Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2006, 2006. http://hdl.handle.net/10133/531.
Testo completov, 93 leaves ; 29 cm.
Heywood, David. "British combatant writers of the Spanish civil war". Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61706.
Testo completoMulley, Elizabeth. "Women and children in context : Laura Muntz and representation of maternity". Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36781.
Testo completoKorf, Lindie. "D.F. Malan : a political biography". Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/3991.
Testo completoENGLSIH ABSTRACT: This study is a political biography of D.F. Malan (1874–1959), the first of the apartheid-era Prime Ministers, and covers the years 1874 to 1954, when Malan retired from politics. It endeavours to provide a warts-and-all account of D.F. Malan which challenges prevalent myths and stereotypes surrounding his public persona and his political orientation. While the overwhelming focus is on Malan’s political career, special attention is paid to his personal life in order to paint a multi-faceted picture of his character. The biography is written in the form of a seamless narrative and employs a literary style of writing. It is based on archival research which utilised Malan’s private collection, as well as the private collections of his Nationalist contemporaries. Malan takes the centre stage at all times, as the biography focuses on his perceptions and experiences. Malan’s views regarding Afrikaner nationalism, which was his foremost political priority, are described, and are related to his views of British imperialism as well as other ideologies such as communism and totalitarianism. This study demonstrates that there is a notable link between Malan’s perceptions of race relations and his concerns about the poor white problem. It reveals that Malan’s racial policy was, to some extent, fluid, as were his views on South Africa’s constitutional position. Debates about South Africa’s links to Britain and the nature of the envisioned republic preoccupied Afrikaner nationalists throughout the first half of the twentieth century – and served as an outlet for regional and generational tensions within the movement. Malan’s clashes with nationalists such as Tielman Roos, J.B.M. Hertzog and J.G. Strijdom are highlighted as an indication of the internecine power struggles within the National Party (NP). By emphasising these complexities, this study seeks to contribute to a nuanced understanding of the South African past.
AFRIKAANSE OPSOMMING: Hierdie studie is politieke biografie van D.F. Malan (1874–1959), die eerste van die apartheid-era Eerste Ministers, en dek die jare 1874 tot 1954, toe Malan uit die politiek getree het. Dit poog om onversuikerde beeld van Malan te skets wat heersende mites en stereotipes aangaande sy openbare beeld en sy benadering tot die politiek uitdaag. Die fokus is hoofsaaklik op Malan se politieke loopbaan, maar besondere aandag word aan sy private lewe geskenk om sodoende veelsydige portret van sy karakter te skilder. Die biografie is in die vorm van naatlose narratief geskryf en maak van literêre skryfstyl gebruik. Dit is gebaseer op argivale navorsing, waartydens daar van D.F. Malan se privaat versameling gebruik gemaak is, sowel as die privaat versamelings van sy tydgenote. Malan is ten alle tye die sentrale figuur en die biografie fokus op sy persepsies en ervarings. Malan se denke oor Afrikaner nasionalisme, wat sy vernaamste prioriteit was, word beskryf en in verband gebring met sy opinie van Britse imperialisme, sowel as ander ideologieë soos kommunisme en totalitarisme. Die studie wys op die verband tussen Malan se denke oor rasseverhoudinge en sy besorgdheid oor die armblanke vraagstuk. Dit dui daarop dat Malan se rassebeleid tot sekere mate vloeibaar was. Dit was ook die geval met sy benadering tot Suid-Afrika se konstitusionele posisie. Afrikaner nasionaliste het tydens die eerste helfte van die twintigste eeu baie aandag geskenk aan debatte oor Suid-Afrika se verhouding tot Brittanje en die aard van die voorgenome republiek. Dit was tot mate weerligafleier vir reeds bestaande spanning tussen die onderskeie streke en generasies. Malan se botsings met nasionaliste soos Tielman Roos, J.B.M. Hertzog en J.G. Strijdom word belig as aanduiding van die diepgewortelde magstryd binne die Nasionale Party (NP). Deur op hierdie kompleksiteite klem te lê, poog die studie om bydrae te lewer tot meer genuanseerde begrip van die Suid-Afrikaanse verlede.
Souza, Carla Delgado de 1980. "Os caminhos de Gilberto Mendes e a música erudita no Brasil". [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280043.
Testo completoTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
Made available in DSpace on 2018-08-19T13:09:48Z (GMT). No. of bitstreams: 1 Souza_CarlaDelgadode_D.pdf: 8418141 bytes, checksum: e98ea08ab510a92f26561ef9dfe9f62f (MD5) Previous issue date: 2011
Resumo: A presente tese de Doutorado consiste em uma etnografia da experiência social de Gilberto Mendes - um dos mais destacados compositores brasileiros de música erudita contemporânea. Procura-se compreender, com base em uma abordagem biográfica, como ele enfrentou alguns dilemas estéticos e relacionou-se com instâncias políticas e de poder dentro do campo musical, desde os anos 1940, quando decidiu tornar-se músico, até o momento de sua consagração no Brasil e no exterior. Por meio do estudo da trajetória de Gilberto Mendes foi possível mapear uma série de relações existentes entre estética e política, arte e mercado, que foram determinantes não apenas para ele, mas também para os demais autores que vivenciaram o campo da música erudita brasileira na segunda metade do século XX. Ainda que o percurso biográfico de Gilberto Mendes sirva como fio condutor da narrativa, de modo algum o trabalho resulta em um monólogo. Antes, a analogia mais adequada para esse texto é a de um drama, que pretende iluminar todo o contexto de relações entre pessoas, instituições e estéticas que fizeram parte da experiência social do protagonista. Assim, a obra e a trajetória de Gilberto Mendes são colocadas em diálogo com a produção de outros compositores, de forma que possamos escutá-lo e entendê-lo a partir das discussões estéticas e das possibilidades auditivas e políticas de seu tempo e espaço sociais
Abstract: The present Doctorate thesis is an ethnography of the social experience of Gilberto Mendes - one of the most important Brazilian composers of classical contemporary music. Our objective is to understand how he struggled with some aesthetical dilemmas and related himself with the musical field political and power instances since 1940's, when he decided being musician, until the moment of his consecration in Brazil and abroad. By the study of Gilberto Mendes trajectory, it was possible to map many relations between aesthetical and politics, art and market, which were determinant not only for him, but also for other authors which experienced the classical music field in the second half of XX century. Although Gilberto Mendes biographical journey is the conducting wire of this narrative, the work cannot be considered as a monologue. The analogy more appropriated for this text refers to a drama, with the purpose of illuminating a whole context of relations between people, institutions and aesthetics present in his social experience. The work and the trajectory of Gilberto Mendes are put in dialogue with other composers production, in a way that we can hear and understand him from the perspective of the aesthetical arguments and the hearing and political possibilities of his social time and place
Doutorado
Antropologia
Doutor em Antropologia
Woerner-Powell, Tom. "Another road to Damascus : an integrative approach to ʻAbd al-Qādir al-Jazā'irī". Thesis, University of Oxford, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669735.
Testo completoMangan, John Timothy. "Bertolt Brechts Exilleben und Parallelen zur Entstehung des Werkes Leben des Galilei". PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5255.
Testo completoDomareki, Mary. "La Voix Defie: Une Etude de L'oeuvre Autobiographique de Claire Martin - The Voice that Defied: A Study of the Autobiographical Works of Claire Martin". Fogler Library, University of Maine, 2004. http://www.library.umaine.edu/theses/pdf/DomarekiM2004.pdf.
Testo completoMbonambi, Phakama. "Aggrey Klaaste : the relentless community-builder". Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1020882.
Testo completoMosco, Natalie. "On creating : A brush with Georgia O'Keeffe". Thesis, View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/43722.
Testo completoO'Connor, Clémence. "'Pour garder l'impossible intact' : the poetry of Heather Dohollau". Thesis, St Andrews, 2009. http://hdl.handle.net/10023/791.
Testo completoModzelewski, Ann Shirley. "Internal dialogues: Construction of the self in The Woman Warrior". CSUSB ScholarWorks, 2003. https://scholarworks.lib.csusb.edu/etd-project/2468.
Testo completoRock, Brian. "Irish nationalism and postcolonial modernity : the 'minor' literature and authorial selves of Brian O'Nolan". Thesis, University of Stirling, 2010. http://hdl.handle.net/1893/2495.
Testo completoWeiler, Sylvia. "Jean Amérys Ethik der Erinnerung: die Materialisierung des Geistes im Körper". Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210403.
Testo completoIm Rahmen der Forschungsarbeit werden saemtliche Werke Amérys beruecksichtigt, inklusive seiner zum Teil noch unveroeffentlichten Nachlass-Arbeiten. Sie ist in drei Teile aufgegliedert, in denen jeweils eine der Werkepochen, die Améry auf seinem Werdegang als politischer Schriftsteller durchlaeuft, zentral steht: sein politisches Erwachen 1934/35 in Wien, seine ersten Schreibversuche nach der Befreiung aus dem Konzentrationslager Bergen-Belsen zwischen 1945 und 1949, und zuletzt die Ethik der Erinnerung des kanonischen Améry, die er in zwei Werkepochen erarbeitet hat, in denen er sich jeweils unterschiedlichen Fragestellungen widmet.(1966-1974 und 1974-1978).
Aus der Literaturzeitschrift "Die Bruecke", die der 22jaehrige 1934 gemeinsam mit einem Freund herausgab, und Amérys Jugendroman "Die Schiffbruechigen" werden in den ersten beiden Kapiteln die fruehen philosophischen und aestetischen Urspruenge von Amérys Ethik eroertert. Im folgenden Kapitel rueckt die Vernichtungserfahrung des Autors in den Brennpunkt. Die Parameter ihrer ersten literarischen Verarbeitung in seinen Schriften aus der unmittelbaren Nachkriegszeit werden herausgestellt, die Améry in seinem Spaetwerk weitergedacht hat. Auf den vorangehenden Forschungsergebnissen aufbauend wird im letzten Kapitel Amérys Ethik der Erinnerung im Vergleich zu jener Theodor W. Adornos erarbeitet. Ihr phaenomenologisches Fundament wird dem geschichtsphilosophischen Fundament des Adornoschen Denkens gegenuebergestellt. Dabei wird gezeigt, dass nicht nur Amérys Denken, sondern auch seine Aesthetik phaenomenologisch ausgerichtet ist. Durch die Analysen in diesem Hauptteil der Dissertation, in dem erstmals alle Essay-Baende auf ihren erinnerungspolitischen Gehalt im Zusammenspiel untersucht wurden, wird Amérys Beitrag zur Begruendung einer postmodernen Ethik und der Gattung der Shoah-Literatur einsehbar.
Doctorat en Langues et lettres
info:eu-repo/semantics/nonPublished
ANGELO, Anaïs. "Becoming president : a political biography of Jomo Kenyatta (1958-1969)". Doctoral thesis, 2016. http://hdl.handle.net/1814/44166.
Testo completoExamining Board: Professor Dirk Moses, European University Institute (EUI Supervisor); Professor Daniel Branch, University of Warwick (External Advisor); Professor Federico Romero, European University Institute; Professor John Lonsdale, University of Cambridge
Presidential rule, closely related to personal rule, is a prominent feature of African studies. Nevertheless, the making of presidents has for a long time remained an untold story: few biographies or monographs have explored the political negotiations and imagination surrounding the making of presidential powers in postcolonial Africa. This dissertation reconstructs the political rise of Jomo Kenyatta, first president of Kenya, and the first decade of his presidential rule after independence. I show that the creation of the "father of the nation" was a contingent process, revealing that Kenyatta always lacked firm control over national politics. His major political asset was the popularity he owed to his unclear connection to the Mau Mau movement: he was simultaneously believed to be a leader and an opponent of the freedom fighters. As decolonization opened up an institutional vacuum, the burning issue of the decolonization of land institutions set a precedent for the creation of a centralized government, even before the debate over regionalism was settled during the independence negotiations. It set up Jomo Kenyatta as the most moderate politician to preserve British economic interests, and gave him substantial powers over land resources: upon independence, the Kenyan nationalist elite had to support the presidentialisation of the constitution to ensure its access to land. I argue that presidential rule is a postcolonial construction tailor-made to fit Kenyatta's charismatic persona, even before he achieved political prominence. After independence, Kenyatta had little choice but to remain a distant and discreet president, while employing repressive politics, whether against resilient Mau Mau fighters or political opponents. I show that the negotiations and construction of Kenyatta's presidential powers amounted neither to centralization, nor to regionalisation, but instead, institutionalized informal powers, weakening all state institutions: the party, the national assembly and even the provincial administration.
Chapter 1 'Jomo Kenyatta’s political imagination' of the PhD thesis draws upon an earlier version published as a chapter 'Virtues for all, state for no one?' in the book 'African thoughts on colonial and neo-colonial worlds : facets of an intellectual history of Africa' (2015)
Gorvine, William A. "The life of a Bönpo luminary sainthood, partisanship and literary representation in a 20th century Tibetan biography /". 2006. http://wwwlib.umi.com/dissertations/fullcit/3214340.
Testo completoBOARELLI, Mauro. "Militanti comunisti a Bologna : autobiografie e percorsi di formazione tra il fascismo e il 1956". Doctoral thesis, 1995. http://hdl.handle.net/1814/5721.
Testo completoExamining board: Prof. Nicola Gallerano, Università di Siena ; Prof. Paul Ginsborg, Università di Firenze ; Prof. Heinz-Gerhard Haupt, Martin-Luther Universität/Halle (Supervisore) ; Prof. Luisa Passerini, Istituto Universitario Europeo ; Prof. Claudio Pavone, Università di Pisa
PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
Petrusenko, Nadezda. "Creating the Revolutionary Heroines : The Case of Female Terrorists of the PSR (Russia, Beginning of the 20th Century)". Doctoral thesis, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-149245.
Testo completoHertenberger, Renate. "Drei Aspekte zu Leben und Werk Erich Kästners". Thesis, 2012. http://hdl.handle.net/10210/5728.
Testo completo"Es gibt nichts Gutes, auger: man tut es!" 1 Diese Worte stammen von einem Mann, der nicht nur als Autor, sondern auch als Mensch heute noch als ein Moralist bezeichnet wird. Seine Werke sollen dazu dienen, den Erwachsenen und den Kindern ein Beispiel der Moralitat zu sein. Wie kommt es, daft ein Mann so hohe moralische AnsprOche stellt? Bei Erich Kastner kann man these AnsprOche auf seine Kindheit zuruckfuhren; seine Mutter war fOr ihn dieser Einflull und sollte es sein Leben lang bleiben. Der Muttertyp taucht in seinen Werken immer wieder auf, und Ida Kastner dient immer als der Magstab, an dem Erich Kastner die Mutter, die in seinen Werken vorkommen, mat.
POLESE, REMAGGI Luca. "La nazione perduta : Ferruccio Parri dall'interventismo all'esperienza di governo". Doctoral thesis, 2002. http://hdl.handle.net/1814/5945.
Testo completoExamining board: Richard Bellamy (Trinity Hall, Cambridge) ; Yves Mény (European University Institute) ; Gaetano Quagliarello (Centro di Metodologia delle Scienze Sociali della Luiss Guido Carli) ; Raffaele Romanelli (European University Institute)
PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017
Gerber, Marelize. "Kritiese waardebepaling van Mimi Coertse (1932-) se bydrae tot die uitvoering van die Afrikaanse kunslied". Diss., 2005. http://hdl.handle.net/10500/3114.
Testo completoIn hierdie studie word Mimi Coertse se bydrae tot die uitvoering van die Afrikaanse kunslied in diepte ondersoek. Die kunslied word omskryf en die ontwikkeling van die kunslied in Westerse kunsmusiekgeskiedenis en in Suid- Afrika word ontleed. Die belangrikste komponiste word gevalle uitgelig. 'n Oorsig van Mimi Coertse se lewe en loopbaan volg hierna. 'n Volledige tabel van algemene opmerkings oor Coertse se uitvoering van die Afrikaanse kunslied deur resensente, kollegas en vriende word bespreek. Dit word gevolg deur opmerkings oor Coertse se uitvoering van spesifieke Afrikaanse kunsliedere deur resensente. Die Afrikaanse kunsliedere wat deur komponiste aan Coertse opgedra is, sowel as die lys van Afrikaanse kunsliedere wat deur Coertse opgeneem is, word geboekstaaf. Coertse se sangloopbaan as kunsliedsangeres val saam met 'n tydperk waarin Afrikaans as taal en die Afrikaanse kultuur gedy het. Sy het in Afrikaans 'n uitdrukkingsmedium gevind wat haar die naaste aan die hart gele het.
This study involves an in-depth investigation into Mimi Coertse's contribution to the execution of the Afrikaans art song. The art song is defined and its development in the history of Western music and in South Africa analysed. The principal composers are highlighted in both instances. An overview is then provided of the life and career of Mimi Coertse. A comprehensive table of general comments on Coertse's execution of the Afrikaans art song by critics, colleagues and friends is discussed. This is followed by critics' comments on Coertse's performance of specific Afrikaans art songs. The Afrikaans art songs that composers dedicated to Coertse as well as the list of Afrikaans art songs recorded by Coertse are chronicled. Coertse's career as a performer of the art song coincided with a period in which Afrikaans as a language and Afrikaans culture blossomed. She found a medium of expression in Afrikaans that was closest to her heart.
Art History, Visual Arts & Musicology
M. Mus.