Letteratura scientifica selezionata sul tema "Poésie de l’examen de conscience"
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Articoli di riviste sul tema "Poésie de l’examen de conscience":
Dumont, François. "Pratiques du cahier chez Saint-Denys Garneau". Études françaises 48, n. 2 (17 dicembre 2012): 51–63. http://dx.doi.org/10.7202/1013334ar.
Melançon, Robert. "Poésie et vérité". Études françaises 48, n. 2 (17 dicembre 2012): 9–16. http://dx.doi.org/10.7202/1013331ar.
Lagacé, Thérèse. "Xochicuicatl et Icnocuicatl : Deux genres de poésie aztèque". Culture 6, n. 2 (8 luglio 2021): 101–8. http://dx.doi.org/10.7202/1078740ar.
Brisset, Annie. "La poésie pense : une modalité assomptive de la connaissance". TTR : traduction, terminologie, rédaction 12, n. 1 (26 febbraio 2007): 9–18. http://dx.doi.org/10.7202/037350ar.
Balmas, E. "Ronsard et Jodelle". Revue d'histoire littéraire de la France o 86, n. 4 (1 aprile 1986): 667–79. http://dx.doi.org/10.3917/rhlf.g1986.86n4.0667.
Diniz, Marcelo. "Um bibelot de Du Bellay". Remate de Males 34, n. 1 (28 aprile 2014): 185. http://dx.doi.org/10.20396/remate.v34i1.8635840.
Rubes, Jan. "Emilie Noulet, l'exégète de la poésie moderne". Analyses 21, n. 2 (12 aprile 2005): 61–68. http://dx.doi.org/10.7202/500848ar.
Voisin, Marcel. "Pensée et poésie : entretien avec Claire Lejeune". Études littéraires 21, n. 2 (12 aprile 2005): 105–20. http://dx.doi.org/10.7202/500851ar.
Bizer (book author), Marc, e Paul Chavy (review author). "La poésie au miroir. Imitation et conscience de soi dans la poésie latine de la Pléiade". Renaissance and Reformation 32, n. 1 (1 febbraio 2009): 84–86. http://dx.doi.org/10.33137/rr.v32i1.11780.
Lebreton, Lucie. "Pascal et la „preuve par la force“: L’examen nietzschéen d’une conscience intellectuelle „blessée“". Nietzsche-Studien 47, n. 1 (1 novembre 2018): 217–39. http://dx.doi.org/10.1515/nietzstu-2018-0009.
Tesi sul tema "Poésie de l’examen de conscience":
Martin, Lucie. "Le poème d'Orientius : introduction, texte critique, traduction et commentaire". Electronic Thesis or Diss., Strasbourg, 2023. http://www.theses.fr/2023STRAK003.
While struggling with barbarian invasions, first half of 5th century Gaul saw the blossom of a specific poetic trend. Then, some writers used the antique forms of light poetry to handle the subject of ascetic conversion in different ways, as they created a literary production shaped by the difficulties of their time. Among these « examinations of conscience », as J. Fontaine called them, there is the poem of Orientius, known nowadays under the generic title of commonitorium. Written in elegiac couplet, this 1036-line poem stands as a protreptic to a conuersus’s life, which calls specifically to run away from vices. It aims at both exhorting the reader to ascetic conversion, and christianizing elegiac inheritance. This study contains a new critical edition of the poem, with a French translation, a commentary and an introduction, reevaluating various issues, namely that of attribution, structure and goals of the poem
Bergeron-Maguire, Myriam. "La «conscience diasporale» en poésie cadienne". Thesis, Université Laval, 2011. http://www.theses.ulaval.ca/2011/28724/28724.pdf.
Touil, Abdelkader. "La conscience cosmique dans l'œuvre poétique de William Wordsworth". Paris 4, 1995. http://www.theses.fr/1994PA040258.
Wordsworth is one of the great English romantic poets. At first, he was an ardent supporter of the French revolution, but as a result of its excesses, he became a pessimist. Thanks to his friendship with Coleridge, Wordsworth regained his equilibrium, following a difficult and turbulent youth. His poems subsequently became simpler as he infused them with everyday language, nature and imagination. The lyrical ballads, inspired mainly by the sufferings of the oppressed, reveal the literary affinity between the two poets. Wordsworth finally discovered that the poet's quest is "joie de vivre" and his aim human happiness. In place of the lofty philosophy that prevailed at the time, he sought to substitute his humanistic and consequently revolutionary vision. It is therefore an art of living that Wordsworth strives to convey: the "raison d'être" of mankind is joy, for happiness is the dream of every human being
Morissette, Jean-François. "L'expression de la conscience mythique chez Paul Claudel et Gatien Lapointe". Thesis, Université Laval, 2008. http://www.theses.ulaval.ca/2008/25223/25223.pdf.
Aberkane, Idriss Jamil. "Ballade de la conscience entre Orient et Occident : une perspective soufie sur la conscience occidentale, connectant "The Kasidah" de R.F. Burton et "The Waste Land" de T.S. Eliot". Electronic Thesis or Diss., Strasbourg, 2014. http://www.theses.fr/2014STRAC005.
Connecting T. S. Eliot's Waste Land to R. F. Burton's Kasidah produces a literary theory. The founding principle of this theory is the Unity of Consciousness (Wahdat al Wayy), after the exegesis of Ibn Arabi (Wahdat al Wujud and Wahdat al Adyan). It also postulates that any life is but a stream of consciousness. Action is thus the way by which consciousness writes in the world, and experience is the way the world writes in consciousness. The expression of consciousness in perspective is in turn a profound literary invariant, connecting The Waste Land and The Kasidah but also Poe's Al Aaraaf, Baudelaire's Voyage, Villon's Testament or Leopardi's Canto Notturno. Another invariant, based on the precedent, is the invariant of the wasteland, which can be summed up by the myth of the Ortolano Eterno : Homo : locatus est, damnatus est, humatus est, renatus est : in Horto. Now the seventh surah of the Quran is a notable expression of the invariant of the wasteland. In the same way that there is a connectomics of the human brain, there is a connectomics and also a biology of literatures. A sample of its corpus callosum, connecting the Western and Eastern literatures, is the "chain of the wasteland", a lineament of texts which leitmotiv is the interaction between consciousness and the world. Regarding Eliot his direct sufi influences range from Omar Khayyam to Guénon and Schuon, and his indirect ones regard the known sufi influence over the troubadours. In turn Eliot has been influencing the contemporary poetry of the muslim area since at least 1950
Marcoux-Chabot, Gabriel. "Tas-d’roches suivi de Tas-d’roches : entre prose et poésie : la théorie barfieldienne des modes de conscience appliquée à l’analyse d’un roman complexe". Thesis, Université Laval, 2014. http://www.theses.ulaval.ca/2014/30491/30491.pdf.
Grieder, Eveline. "Le yoga, un espace pour le sacré". Thesis, Montpellier 3, 2015. http://www.theses.fr/2015MON30009/document.
Yoga, a space for sacredThe problematics of this work in based on some epistemological considerations that took me more than 35 years : an academic training in history and anthropology, a 3 years ground in India among hindu monastic population, 30 years teaching yoga, and a further orientation in anthropology of imagination, brought me into trying to spot existential basement of spiritual life, that I consider as linked with fundamental categories of human relation to the world.The concepts and symbols of cosmic energy, soul, micro-macrocosmos equation, earth and sky couple, and also other pairs of opposites, are at the root of the very ancient philosophy of yoga : their experience allow the feeling of a widening of consciousness, and of real-life space. They are also extremely frequent in all human history, to the point that it can be thought that we are faced to basic intuitions of the human position in time and space, that have structured the sense of existence during milleniums, giving the keys to understand the myriad of initiations that can be found everywhere in traditionnal cultures.I started from a field survey, then I continued by a comparative study, and finished with an investigation in socio-anthropology on the image of yoga and on the mind-set of its practitioners. Now, I propose to highlight the impact of this body-and-mind discipline on the search of meaning (that I relate to the notion of sacred), and on the need of re-enchantment in the contemporary world
Aberkane, Idriss Jamil. "Ballade de la conscience entre Orient et Occident : une perspective soufie sur la conscience occidentale, connectant "The Kasidah" de R.F. Burton et "The Waste Land" de T.S. Eliot". Thesis, Strasbourg, 2014. http://www.theses.fr/2014STRAC005/document.
Connecting T. S. Eliot's Waste Land to R. F. Burton's Kasidah produces a literary theory. The founding principle of this theory is the Unity of Consciousness (Wahdat al Wayy), after the exegesis of Ibn Arabi (Wahdat al Wujud and Wahdat al Adyan). It also postulates that any life is but a stream of consciousness. Action is thus the way by which consciousness writes in the world, and experience is the way the world writes in consciousness. The expression of consciousness in perspective is in turn a profound literary invariant, connecting The Waste Land and The Kasidah but also Poe's Al Aaraaf, Baudelaire's Voyage, Villon's Testament or Leopardi's Canto Notturno. Another invariant, based on the precedent, is the invariant of the wasteland, which can be summed up by the myth of the Ortolano Eterno : Homo : locatus est, damnatus est, humatus est, renatus est : in Horto. Now the seventh surah of the Quran is a notable expression of the invariant of the wasteland. In the same way that there is a connectomics of the human brain, there is a connectomics and also a biology of literatures. A sample of its corpus callosum, connecting the Western and Eastern literatures, is the "chain of the wasteland", a lineament of texts which leitmotiv is the interaction between consciousness and the world. Regarding Eliot his direct sufi influences range from Omar Khayyam to Guénon and Schuon, and his indirect ones regard the known sufi influence over the troubadours. In turn Eliot has been influencing the contemporary poetry of the muslim area since at least 1950
Le, Bouteiller Anne. "La quête d'Henri Michaux". Paris 4, 1988. http://www.theses.fr/1987PA040300.
Fifty years after Rimbaud, Michaud resumed the hitherto fruitless attempt to bring about the transmutation of the being and nature. He experienced severe difficulties in affirming his personality owing to psychological problems: the findings of Jung make it possible to identify these. His quest is fundamentally flawed: he denies the notion that one's own personality and faculties evolve; he sees these as a succession of psychological then energetic and subsequently brain-arranged mechanisms which have to be broken in order for him to change. To bring this about, he had recourse successively to original stylistic and pictorial methods - the latter reflecting techniques of modern painting dating from the immediate post-war years. Having unceasingly experienced altering phases of anger or despair or confusion, he could achieve no- thing. At the same time, he read extensively among the holy scriptures of India; some of his findings led him to conduct experiments on himself- either under normal conditions or, in the second part of his life, under psychedelic drugs. Thus he verified the conclusions on which are based the trainings of initiation in various beliefs, traditions and philosophies: at the first level, the reality of man's internal self and intuitive knowledge; at a superior level, the reality of a wider and deeper internal structure of which the master is a cosmic self. He proved that these realities are always present in every human being, hence the importance of his pioneering work in this fields. He leaves behind him books and pictures wherein are shown the workings of his inner life yet no apparent meaning can be discerned; poetry and portraits testify to the drama of one who has failed; superb texts celebrate the states of mind and soul that he experienced only for them to fade away
Véran, Céline. "Dissimulation et quête d’identité dans les romans de Hue de Rotelande". Thesis, Université Clermont Auvergne (2017-2020), 2019. http://www.theses.fr/2019CLFAL015.
Hue de Rotelande, an Anglo-Norman poet of the late twelfth century, wrote two poetical novels, Ipomedon and Protheselaus, whose heroes strive either to hide their name or to be recognized. The second text is presented as a sequel to the first one, but we understand that unity is also done through the theme of identity. In this period of the Middle Ages, a questioning on identity is not anachronistic. Chapter I shows that, at the moment when the famous Renaissance is developing, the question of identity existed in several fields, both theologically and in terms of the recognition of the individual. Hue de Rotelande’s novels testify to this emergence of the subject. Nevertheless, a person is still defined primarily by the group to which he or she belongs. The reflection on identity thus has nothing to do with the birth of individuality but must be understood in relation to a group. Furthermore, the consciousness of the nation was beginning to be formed at the end of this century in England, stimulated by the action of Henry II. In fact, the king had to unite his kingdom against the oppositions related to its continental origin and against the Welsh protest ; around the king, history was rewritten. With this theme of identity, the works of Hue de Rotelande are therefore a reflection of their time. In chapter II, we find that these novels approach the identity in a paradoxical way since dissimulation is put forward. Nevertheless, a lexical analysis proves that the conceptual domain of dissimulation is that of identity. And Hue de Rotelande truly permeates his works with this double theme by multiplying the processes of dissimulation, by blurring the construction system of the characters and, above all, by presenting this dissimulation of the identity as not being really justified on the narrative level. It thus becomes particularly legitimate to question the choice of this theme. Chapter III reveals that this practice of dissimulation is also found at the level of the narrator who weaves between the need to tell, the silence and the lie, but, who always insists on dissimulation. This theme contaminates the genre itself of texts because they hide behind all the works in fashion in the twelfth century, thus blurring their identity in multiple echoes. Dissimulation is therefore everywhere and, definitely, pushes one to wonder about identity. Finally, by drawing attention to identity, Hue de Rotelande probably wanted to send a message to his audience. Chapter IV shows that the novels were clearly addressed to the Anglo-Norman public of the Welsh Marches and that a political reading was hidden there. Hue de Rotelande would criticize the royal power of Henry II, often in opposition to his barons, and he would flatter the identity consciousness of a group, that of the Cambro-Normans
Libri sul tema "Poésie de l’examen de conscience":
Adilman, Mona Elaine. Spirits of the age: Poets of conscience. Kingston, Ont., Canada: Quarry Press, 1989.
Bizer, Marc. La poésie au miroir: Imitation et conscience de soi dans la poésie latine de la Pléiade. Paris: H. Champion, 1994.
Bonnefoy, Yves. Genève, 1993: [la conscience de soi et le fait de la poésie]. Paris: Herne, 2010.
O'Riordan-Adjah, Chris Apoder. The script-chores. Denver: Outskirts Press, 2010.
Yves, Bonnefoy, e Collège de France. Fondation Hugot., a cura di. La conscience de soi de la poésie: Colloques de la Fondation Hugot du Collège de France (1993-2004). Paris: Seuil, 2008.
Yves, Bonnefoy, e Collège de France. Fondation Hugot., a cura di. La conscience de soi de la poésie: Colloques de la Fondation Hugot du Collège de France (1993-2004). Paris: Seuil, 2008.
Zink, Michel. Les voix de la conscience: Parole du poète et parole de Dieu dans la littérature médiévale. Caen: Paradigme, 1992.
Leicester, H. Marshall. The disenchanted self: Representing the subject in the Canterbury tales. Berkeley: University of California Press, 1990.
Adilman, Mona Elaine. Spirits of the Age: Poets of Conscience. Quarry Pr, 1989.
EL ALOUI, Abdelaziz, e Nejmeddine KHALFALLAH, a cura di. Les enjeux de l’écriture mystique. Editions des archives contemporaines, 2020. http://dx.doi.org/10.17184/eac.9782813003768.
Capitoli di libri sul tema "Poésie de l’examen de conscience":
Duclert, Vincent. "12. L’engagement des intellectuels ou l’examen de conscience de la démocratie européenne". In La guerre d'Espagne, 174–88. Armand Colin, 2016. http://dx.doi.org/10.3917/arco.canal.2016.01.0174.
BANSARD, Elsa. "Covid-19 : La construction d’une pandémie comme « fait mondial total »". In Les épidémies au prisme des SHS, 21–34. Editions des archives contemporaines, 2022. http://dx.doi.org/10.17184/eac.5986.