Letteratura scientifica selezionata sul tema "Photographie du nu"
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Articoli di riviste sul tema "Photographie du nu"
Challine, Éléonore, Colette Morel e Paul-Louis Roubert. "Introduction. Photographie et modèles : le nu et ses histoires". Photographica, n. 6 (27 aprile 2023): 11–15. http://dx.doi.org/10.4000/photographica.1098.
Testo completoGrivel, Charles. "Le Roman mis à nu par la photographie, même". Romantisme 29, n. 105 (1999): 145–55. http://dx.doi.org/10.3406/roman.1999.4357.
Testo completoJewsiewicki, Bogumil. "Photographie, un objet du pouvoir". Anthropologie et Sociétés 40, n. 1 (18 maggio 2016): 219–50. http://dx.doi.org/10.7202/1036378ar.
Testo completoLutz, Philippe. "Un pionnier de la photographie de nu en Alsace : Hermann Ludwig von Jan (1851-1908) entre pictorialisme et naturisme". La Revue de la BNU, n. 26 (1 novembre 2022): 88–99. http://dx.doi.org/10.4000/rbnu.6177.
Testo completoThibierge, Stéphane. "Le paysage et les questions qu’il pose à la représentation". psychologie clinique, n. 54 (2022): 47–56. http://dx.doi.org/10.1051/psyc/202254047.
Testo completoFaure-Conorton, Julien. "Le nu d’atelier dans l’œuvre photographique de Robert Demachy (1859-1936)". Histoire de l'art 66, n. 1 (2010): 95–106. http://dx.doi.org/10.3406/hista.2010.3316.
Testo completoBabic, Rade, Ankica Jelenkovic, Stankovic Babic e Strahinja Babic. "Branislav Nusic and X-rays in the story “Roentgen’s Photography”". Medical review 70, n. 5-6 (2017): 183–88. http://dx.doi.org/10.2298/mpns1706183b.
Testo completoPAPAPOLYCHRONIOU, Efstathios. "Book review: Ἀ. ANAΓΝΩΣΤΟΥ, Τὰ δημόσια ἀρχεῖα στὴν ρωμαϊκὴ Αἴγυπτο, διδακτορική διατριβή, Σύλλογος προς διάδοσιν ὠφελίμων βιβλίων, Ἀθῆναι 2012",. BYZANTINA SYMMEIKTA 22 (12 dicembre 2012): 371. http://dx.doi.org/10.12681/byzsym.1090.
Testo completoWANG, WEIHANG, e JUNXIA ZHANG. "On fourteen species of Euochin Prószyński, 2018 from China (Araneae: Salticidae: Euophryini)". Zootaxa 5297, n. 3 (2 giugno 2023): 337–79. http://dx.doi.org/10.11646/zootaxa.5297.3.2.
Testo completoNash, Amanda, Maria Jarvis, Samira Aghlara-Fotovat, Sudip Mukherjee, Andrea Hernandez, Andrew Hecht, Peter Rios et al. "212 Tumor adjacent cytokine factories for eradication of ovarian cancer tumor burden in mice through cytotoxic T-cell activation with safe and predictable dosing in non-human primates". Journal for ImmunoTherapy of Cancer 9, Suppl 2 (novembre 2021): A225. http://dx.doi.org/10.1136/jitc-2021-sitc2021.212.
Testo completoTesi sul tema "Photographie du nu"
Lager, Sarah Alexandra. "Le nu métamorphosé". Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010637.
Testo completoTransformation considered as a revealing principle of the nude shows the ambiguous reality of its plastic existence, putting it an everlasting in-between place that wavers between access and diversion, showing and fading. Photographic or pictorial body, it becomes the sign of an impression, a feeling by its incorporation into photography books. These intimist collections, revealing the numerous identities of the feminine body, offer an intensification of the desire by having a figurative embrace to await. Being linked to mythological, poetical or artistic tales, the transformed nude presents a peculiar entry where questioning its aspect displays its suspension in a vastness that goes beyond it. Stetched, broken up, fully settled in its frailty, it forms landscapes to be stridden across just as well as gazed upon, where the sense of touch responds to the visual excitement. The minimal appearance of the body underlines the skin, enhances its grain, enshrouds it and gives life to the unspeakable. Burning, biting, the picture and especially one of the skin, pierces through the glance by unfolding in a dazzling eroticism. By the inscription on this skin-surface, the transformed nude is this form in dissolution which occurs thanks to the breaking of the body and which presents a real epidermal geography that is made of a mix between the disclosure of the intimacy of the self and the multitude of feelings
Broquet, Amélie. ""Etudes d'après Nature" : le nu académique dans la photographie entre 1851 et 1885 /". Paris : Université de Paris IV, 1992. http://catalogue.bnf.fr/ark:/12148/cb358345561.
Testo completoBouvier, Patrice. "Le corps nu cadré : la photographie, lieu de passage du regard /". Paris (45, bd. de Sébastopol, 75001) : P. Bouvier, 1993. http://catalogue.bnf.fr/ark:/12148/cb37649966s.
Testo completoBlin, Sandy. "La série des Distorsions de 1933 : Une parenthèse dans l’œuvre d’André Kertész ?" Thesis, Saint-Etienne, 2012. http://www.theses.fr/2012STET2160.
Testo completoLess known than Chez Mondrian, or other famous prints, the Distortions of 1933 may appear as a series of minor importance in André Kertész’ work. The series of photographs, wide ranging in numbers, lets us see versions of nude, whose have nothing to do with academic, in the handling given by the photographer. Bodies, distorted by a curved mirror, surprising in their modernity and their strangeness, compared with the rest of the author production. Does it make up a "parenthesis" in his work? To respond to this question, we should wonder about the developing context of these photographs and also the reasons of their creation. An evaluation of visual aspects of each image is necessary, before establishing links and connections with other works made by the photographer. The angle chosen, which favors the direct images by placing them in the center of research focuses on the implementation of Distortions in the light of the order in which aroused objectification, while revealing how this specific framework was exceeded. The complex device used for the shooting is asked then, with the intention of measuring the importance and role of the mirror in the image’s corruption. At this time are addressed through analysis of both formal and aesthetic, the various types of bodies, and their relationship to space in the image. This leads finally to a vision, to put this body in the whole work of Kertész, and to identify the intentional similarities in his creation logic
Ruffin, Nathalie. "De l'anonyme à l'innommable aux confins de l'imaginaire : pour une photographie de nu à la recherche de l'invisible /". Paris : Université de Paris-Sorbonne, 1994. http://catalogue.bnf.fr/ark:/12148/cb37065177n.
Testo completoLecaplain, Manon. "« Des corps qu’on offre en spectacle à la foule » ? : Les revues du nu en France, 1902-1914". Thesis, Université Paris sciences et lettres, 2021. http://www.theses.fr/2021UPSLN003.
Testo completoFalling “from the heights of art in the mud of obscenity”: this is how the revues du nu, the first French magazines of nude photographic models (1902-1914), are qualified in 1912 by a member of a morality league. Sold as catalogues of poses for artists, the revues du nu are at the origin of an academic discourse that legitimizes the publication of nude photography. However, this justification is bitterly contested in the era of a Europe in search of moralization, and these publications are therefore subject to accusations of obscenity. Placed at the heart of a debate between art and immorality, the subject suffers from a cultural illegitimacy that will remain, throughout time, associated to them. They are, however, true reflectors of the mentalities of the time. Being collections of predominantly female nudes, the discourse they deliver through both the images and text relays the ideological constructions that dominate their society, while, perhaps, contributing to the latter in shaping them: the language used is one of a masculine, white and virile man. Bodies are posed, imposed and exposed by the revues du nu, turning them into a carnal consumer product, the pillar of a visual prostitution. In doing so, the nude magazines are the actors of a mass eroticism whose academic tradition, on which they based their argument, reaffirms their legitimacy. Objects of art and of society, they are at the heart of a history of bodies and of sexuality, a history of representations and of mentalities
Dreuilhe, Jean-François. "La photographie de Lucien Clergue : essai biographique sur les origines de l’oeuvre". Thesis, Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0167/document.
Testo completoThis thesis, presents the foudations and origines of the work in pohtography of Lucien Clergue in order to better relate it in the history of photography. An overall study and many researches that have never been done until now. The biographical elements used in the first part have never been published and come solely from private funds, particulary that of André Bernard, they have been available to me to corroborate my work. These elements allow to cover Lucien Clergue’s childhood up to his first photographs. The second part is the heart of the thesis, it is where, by relying on his photographic production and a very broad source base, I am able to establish inwhich manner and with what supports, particulary those of Pablo Picaso and Jean Cocteau, a life’s work is being built between 1953 and 1965 and emerges as the esthetic of the backlit. Then, I bring forward a synthesis of the evolution of the work, its principal recurring themes, its variations, its diffusion mostly bibliophily, as well as other various actions of Lucien Clergue which promoted the uprising of Manitas de Plata, and the blossoming of photography, relying on the « Rencontres Internationales de la photographie d’Arles ».All the elements put forward have been confirmed by retracing or research from contemporary documents of pure facts, which enabled to establish their real occurrence, as some had been relieved of their true nature by multiple repetitions or at times the narrative talent of Lucien Clergue. This thesis also determines the role that each actor played directly or indirectly and contribute to the existence of this photographic work with a blackbone that does rely intrinsically dramaturgy
Maho, Jonathan. "Regards sur l'oeuvre de Robert Mapplethorpe : réception au-delà des Culture Wars (1970-2010)". Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCC052.
Testo completoOur study takes as its object the reception of Robert Mapplethorpe's work. By examining exhibitions and publications, it retraces the evolution of the critical discourse. The latter is considered for its deficiencies with regards to the polemical context of the Culture Wars — a latent conflict characterized by a series of ideological, disputes between conservatives and liberals in the United States. In the first part, we work to decontextualize the reception of Mapplethorpe's work, showing that censorship, often seen as a consequence of the controversy with which the artist has been involved, must be understood, as of the 1970s, to have been a central theme of his work. We notably demonstrate that the content of his art and exhibitions has been shaped by multiple constraints during the entirety of his career. In the second part, we offer an opportunity to study the lesser-known of his works, revealing key principals that have been neglected in studies conducted with a formalist approach. After having criticized this conventional approach (understood here to be the main problem in the reception of his oeuvre), we propose, in a third part, novel arguments that make it possible to focus on the works' content. More generally, our transdisciplinary method makes it possible to value the artist's personal archives, which have been largely underexplored in existing research
Camargo, Lucio Martins de 1968. "O nu e o olhar : uma iconologia do nu feminino na fotografia brasileira". [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284320.
Testo completoDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-10T03:44:41Z (GMT). No. of bitstreams: 1 Camargo_LucioMartinsde_M.pdf: 2990532 bytes, checksum: 5d566a1de07ede0c47d4df38267485ae (MD5) Previous issue date: 2006
Resumo: O objeto da pesquisa é constituído de vinte e quatro fotografias selecionadas dentro da produção fotográfica de nus femininos no Brasil, a partir do estabelecimento de alguns critérios, tais como a nacionalidade de fotógrafos e modelos, o suporte de publicação e o grau de nudez, entre outros, com o objetivo de criar uma gramática dos signos presentes nessas imagens. Num primeiro momento, foi possível identificar alguns modos recorrentes de apresentação dessas imagens: o "nu editorial" e o "nu artístico", que são os principais modelos temáticos dos fotógrafos brasileiros e um terceiro modo, muito menos expressivo em termos numéricos, mas que apresenta imagens mais densas em termos de conteúdo e questionamento de padrões pré-estabelecidos que é o modo do ?nu como expressão?. As fotografias foram separadas em grupos menores, para atender a projetos analíticos diferenciados, conforme cada capítulo, e foi feita a opção metodológica de análise imanente das mesmas. Ao final é proposta uma forma de classificação da produção de fotografias de nus conforme o conteúdo e sua abordagem, como alternativa para a percepção aparentemente exclusiva de conteúdo erótico e abordagem comercial
Abstract: The object of the research is constituted of twenty-four photographs selected among the photographic output of female nudes in Brazil, from the establishment of some criteria, such as the nationality of photographers and models, the support of publication and the rank of bareness, between others, with the objective of creating a grammar of the present signs in those images. In a first moment, was possible to identify some recurring ways of presentation of those images: the "editorial nude" and the "artistic nude", that are the main thematic models of the Brazilian photographers and a third way, a lot less expressive in quantity, but which presents denser images considering content and questioning of pre-established standards which is "nude as expression". The photographs were separated in smaller groups, to attend an analytic differentiated project, according to each chapter, and the methodological option made was of immanent analysis. To sum up, the purpose was to classify photographs of nudes output according to the content and approach, as an alternative to the apparently exclusive perception of erotic content and commercial approach
Mestrado
Mestre em Multimeios
Saggese, Antonio José. "Imaginando a mulher: Pin-up, da chérette à playmate". Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-29012009-150456/.
Testo completoAnalysis of the production of the female image as a commodity in modern age. The erotic imagery in the consumer society, in the graphic media from XIX to XX century. The technical image and its relation with the academic painting in the representation of the womens figure and the nude in the photography, cinema, illustration and cartoon. The pin-up, its origins and variations.
Libri sul tema "Photographie du nu"
Newton, Helmut. Helmut Newton: Werke aus einer Bremer Privatsammlung = works from a private collection in Bremen. Germany: Museum Für Moderne Kunst, 2008.
Cerca il testo completoNewton, Helmut. Helmut Newton: A gun for hire, selection. Venezia: Marsilio, 2016.
Cerca il testo completoNazarieff, Serge. Der Akt in der Photographie =: The Stereoscopic nude = Le nu stéréoscopique 1850-1930. Berlin: TACO, 1987.
Cerca il testo completoCooper, Emmanuel. Fully exposed: The male nude in photography. London: Unwin Hyman, 1990.
Cerca il testo completoCooper, Emmanuel. Fully exposed: The male nude in photography. London: Unwin Hyman, 1990.
Cerca il testo completoZadeh, D. Zaman. Le nu en peinture et en photographie: Une étude contemporaine = The nude in painting and photography : a contemporary study. Montréal, Québec: Institut de promotion, 1989.
Cerca il testo completoBouches-du-Rhône (France). Conseil général. Espace 13. Le nu photographié. [Arles]: Actes Sud, 2000.
Cerca il testo completoMichitaka, Ōta, a cura di. Nu e. Tōkyō: Sōkyūsha, 1997.
Cerca il testo completoCentre national de la photographie (France), a cura di. Le Nu. Paris: Centre national de la photographie, 1986.
Cerca il testo completoEsplugas, Antoni. El nu femení. Barcelona]: Generalitat de Catalunya, Departament de Cultura, 1998.
Cerca il testo completoAtti di convegni sul tema "Photographie du nu"
Strava, Salomea, Cristian Tecu e Mihai Onita. "" TEACH ME PHOTOGRAPHY, ROBOT." A CASE STUDY REGARDING VISUAL EDUCATION". In eLSE 2021. ADL Romania, 2021. http://dx.doi.org/10.12753/2066-026x-21-200.
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