Bibliografie tematiche / Photographic theory / Libri

Libri sul tema "Photographic theory"

Segui questo link per vedere altri tipi di pubblicazioni sul tema: Photographic theory.
Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 12 febbraio 2022

Cita una fonte nei formati APA, MLA, Chicago, Harvard e in molti altri stili

Scegli il tipo di fonte:

Vedi i top-50 libri per l'attività di ricerca sul tema "Photographic theory".

Accanto a ogni fonte nell'elenco di riferimenti c'è un pulsante "Aggiungi alla bibliografia". Premilo e genereremo automaticamente la citazione bibliografica dell'opera scelta nello stile citazionale di cui hai bisogno: APA, MLA, Harvard, Chicago, Vancouver ecc.

Puoi anche scaricare il testo completo della pubblicazione scientifica nel formato .pdf e leggere online l'abstract (il sommario) dell'opera se è presente nei metadati.

Vedi i libri di molte aree scientifiche e compila una bibliografia corretta.

1

Photographic sensitivity: Theory and mechanisms. New York: Oxford University Press, 1995.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
2

Current, Ira. Photographic color printing: Theory and technique. Boston: Focal Press, 1987.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
3

Current, Ira B. Photographic color printing: Theory and technique. Boston: Focal Press, 1987.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
4

Emerling, Jae. Photography: History and theory. New York, NY: Routledge, 2012.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
5

Beckett, Stephen L. Theory of the gum dichromate photographic process: History and technique. [Derby: University of Derby], 1993.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
6

Heidtmann, Frank. Bibliographie der Photographie: Deutschsprachige Publikationen der Jahre 1839-1984 : Technik, Theorie, Bild = Bibliography of German-language photographic publications, 1839-1984 : technology, theory, visual. 2a ed. München: Saur, 1989.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
7

Yacavone, Kathrin. Benjamin, Barthes, and the singularity of photography. New York: Continuum, 2012.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
8

Modrak, Rebekah. Reframing photography: Theory and practice. Abingdon, Oxon: Routledge, 2010.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
9

Durden, Mark, e Jane Tormey, a cura di. The Routledge Companion to Photography Theory. New York : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9781315727998.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
10

Glendinning, Peter. Color photography: History, theory, and darkroom technique. Englewood Cliffs, N.J: Prentice-Hall, 1985.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
11

Glendinning, Peter. Color photography: History, theory, and darkroom technique. Englewood Cliffs, N.J: Prentice-Hall, 1985.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
12

Fournier, Richard A., e Ronald J. Hall, a cura di. Hemispherical Photography in Forest Science: Theory, Methods, Applications. Dordrecht: Springer Netherlands, 2017. http://dx.doi.org/10.1007/978-94-024-1098-3.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
13

Jasmin, Paul. Lost Angeles. Göttingen: Edition 7L, 2004.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
14

Hughes, Andrew. Dominant wave theory. London: Booth-Clibborn, 2006.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
15

Baird, George. Public space: Cultural, political theory : street photography : an interpretation. Amsterdam: SUN, 2011.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
16

Oltheten, Paulien. Theorie van de straat =: Theory of the street. Rotterdam: NAi Uitgevers, 2007.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
17

Gelder, Hilde van. Photography theory in historical perspective: Case studies from contemporary art. Chichester, West Sussex: Wiley-Blackwell, 2011.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
18

Woodman, Francesca. Francesca Woodman: Photographic work. [U.S.]: [Wellesley College Museum and Hunter College Art Gallery], 1986.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
19

Prodger, Phillip. Darwin's camera: Art and photography in the theory of evolution. Oxford: Oxford University Press, 2009.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
20

Opie, Catherine. Chicago (American cities). Chicago: Museum of Contemporary Art, 2006.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
21

Stieglitz, Alfred. Stieglitz on photography: His selected essays and notes. New York: Aperture, 2000.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
22

Callahan, Harry M. Eleanor. Atlanta: High Museum of Art, 2007.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
23

James, Th. Fundamentals of Photographic Theory. Morgan & Morgan, Inc., 2000.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
24

Grange, Ashley la. Basic Critical Theory for Photographers. Focal Press, 2005.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
25

Grange, Ashley la. Basic Critical Theory for Photographers. Taylor & Francis Group, 2015.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
26

Hershberger, Andrew E. Photographic Theory: An Historical Anthology. Wiley-Blackwell, 2014.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
27

United States. National Aeronautics and Space Administration., a cura di. Theory of wide-angle photometry from standard stars. [Washington, DC]: National Aeronautics and Space Administration, 1990.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
28

Theory of wide-angle photometry from standard stars. [Washington, DC]: National Aeronautics and Space Administration, 1990.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
29

Reading Photographs An Introduction The Theory And Meaning Of Images. Bloomsbury Publishing PLC, 2013.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
30

Realistic Image's In Writing: Ideas of photographic realism. Richard Morris, 2012.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
31

Hanna, Erika. Snapshot Stories. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198823032.001.0001.

Testo completo
Abstract (sommario):
During the twentieth century, men and women across Ireland picked up cameras, photographing days out at the beach, composing views of Ireland’s cities and countryside, and recording political events as they witnessed them. Indeed, while foreign photographers often focused on the image of Ireland as a bucolic rural landscape, Irish photographers—snapshotter and professional alike—were creating and curating photographs of Ireland which revealed more complex and diverse images of Ireland. Snapshot Stories explores these stories. It examines a diverse array of photographic sources, including family photograph albums, studio portraits, and the work of photography clubs and community photography initiatives, alongside the output of those who took their cameras into the streets to record violence and poverty. It shows how Irish men and women used photography in order to explore their sense of self and society, and examines how we can use these images to fill in the details of Ireland’s social history. Through exploring this rich array of sources, it asks what it means to see—to look, to gaze, to glance—in modern Ireland, and explores how conflicts regarding vision and visuality have repeatedly been at the centre of Irish life.
Gli stili APA, Harvard, Vancouver, ISO e altri
32

Bultemeier, Kaye Irene. PHOTOGRAPHIC INQUIRY OF THE PHENOMENON PREMENSTRUAL SYNDROME WITHIN THE ROGERIAN DERIVED THEORY OF PERCEIVED DISSONANCE. 1993.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
33

Australasian Nature Photography 10. CSIRO Publishing, 2013. http://dx.doi.org/10.1071/9781486300648.

Testo completo
Abstract (sommario):
The bioregion of Australia, New Zealand, Antarctica and New Guinea possesses a unique natural heritage stretching back over 80 million years since the break-up of the great southern continent of Gondwana. The South Australian Museum and Australian Geographic focus on enhancing a general knowledge of this extraordinary legacy by encouraging photography of the region’s nature and wilderness, and promoting an annual competition to find the Australian Geographic ANZANG Nature Photographer of the Year. Australasian Nature Photography: ANZANG Tenth Collection presents the finest photographs submitted to the 2013 Australian Geographic ANZANG Nature Photographer of the Year competition. Each photograph is accompanied by technical information as well as anecdotes about how the picture was taken, which will stimulate yet further interest in the flora and fauna and their conservation in the region.
Gli stili APA, Harvard, Vancouver, ISO e altri
34

Photographic literature: An international bibliographic guide to general and specialised literature on photographic processes; techniques; theory; chemistry; physics; apparatus; materials & applications; industry; history; biography; aesthetics. Mansfield, Conn: Maurizio Martino, 9941.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
35

Hornby, Louise. Still There. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190661229.003.0005.

Testo completo
Abstract (sommario):
This chapter argues that Woolf develops a theory of photography in her writing that describes how the world emerges within a photographic economy of light, separate from an observing subject. Photography does not reproduce the world; it develops a world through the action of light and independent of an observer. This emergent world, refusing economies of production and control, is suspended in time. The theory of photography embedded in Woolf’s writing draws on the earliest kinds of photographs—cameraless images—that formalize a conception of photography as “light-writing.” Severing the bonds between subjectivity and vision, photography adheres to a notion of objectivity that extirpates the human subject in favor of a vision of the world absent an experiencing self, a world written in terms of exposure, development, and emergence. In Woolf’s writing, the light encloses the world, stilling it, protecting it, and becoming a foil for the absent mother.
Gli stili APA, Harvard, Vancouver, ISO e altri
36

Fay, Jennifer. Antarctica and Siegfried Kracauer’s Extraterrestrial Film Theory. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190696771.003.0006.

Testo completo
Abstract (sommario):
`Siegfried Kracauer’s film and photographic theory along with cinematic records of early Antarctic exploration explain how this utterly inhospitable continent (Antarctica) and this media theory advance an alternative and denaturalized history of the present. Cinema has the capacity to reveal an earth outside of human feeling and utility without sacrificing the particularity that gets lost in scientific abstraction. And Antarctica, for so long outside of human history altogether, simply numbs feeling and refuses to yield to human purpose. It is also a continent on which celluloid encounters its signifying limits. Kracauer, this chapter argues, helps us to imagine an estranged and selfless relationship to an inhospitable or even posthospitable earth that may not accommodate us.
Gli stili APA, Harvard, Vancouver, ISO e altri
37

Australasian Nature Photography 08. CSIRO Publishing, 2011. http://dx.doi.org/10.1071/9780643106802.

Testo completo
Abstract (sommario):
The bioregion of Australia, New Zealand, Antarctica and New Guinea possesses a unique natural heritage stretching back over 50 million years since the break-up of the great southern continent of Gondwanaland. The South Australian Museum focuses on enhancing a general knowledge of this extraordinary legacy by encouraging photography of the region’s nature and wilderness, and promoting an annual competition to find the Nature Photographer of the Year. Australasian Nature Photography: ANZANG Eighth Collection presents the finest photographs submitted to the competition. Each photograph is accompanied by technical information as well as anecdotes about how the picture was taken, which will stimulate yet further interest in the flora and fauna and their conservation in the region.
Gli stili APA, Harvard, Vancouver, ISO e altri
38

Australasian Nature Photography 09. CSIRO Publishing, 2012. http://dx.doi.org/10.1071/9780643108271.

Testo completo
Abstract (sommario):
The bioregion of Australia, New Zealand, Antarctica and New Guinea possesses a unique natural heritage stretching back over 50 million years since the break-up of the great southern continent of Gondwanaland. The South Australian Museum focuses on enhancing a general knowledge of this extraordinary legacy by encouraging photography of the region’s nature and wilderness, and promoting an annual competition to find the Nature Photographer of the Year. Australasian Nature Photography: ANZANG Ninth Collection presents the finest photographs submitted to the competition. Each photograph is accompanied by technical information as well as anecdotes about how the picture was taken, which will stimulate yet further interest in the flora and fauna and their conservation in the region.
Gli stili APA, Harvard, Vancouver, ISO e altri
39

McCoy, Michael. Reef and Rainforest. CSIRO Publishing, 2010. http://dx.doi.org/10.1071/9780643100589.

Testo completo
Abstract (sommario):
Reef and Rainforest is a photographic portrayal of marine and terrestrial life in one of the world's most biodiverse regions – the tropics of north-eastern Australia, together with the South Pacific nations of Solomon Islands and Papua New Guinea. The photographs were taken over a period of more than 30 years while the author was living in the Solomon Islands and northern Australia. They depict life on the coral reefs, in the rainforests and in adjacent tropical savannahs. From detailed macro studies to sweeping scenics and aerials, the photographs are impressive for both their technical/compositional expertise and the unique insight they provide into the behavioural nuances of marine and terrestrial wildlife. Almost all the wildlife images are of free-living, non-posed subjects, photographed as they were encountered. Along with the stunning photography, the detailed and reflective captions are drawn from the author’s experiences. Reef and Rainforest conveys the richness and diversity of the natural world with maximum visual impact.
Gli stili APA, Harvard, Vancouver, ISO e altri
40

Finnegan, Cara A. The Presence of Unknown Soldiers and Imaginary Spirits. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039263.003.0002.

Testo completo
Abstract (sommario):
This chapter analyzes close readings of photographs of the battlefield dead at Antietam, published accounts of photographs of unknown soldiers, and public commentary and trial transcripts related to the practice of spirit photography. Such photographs posed considerable reading problems for viewers who were unaccustomed to the idea of photographic representations of death and the afterlife. In a time of national crisis, grief, and trauma, viewers made sense of such images by drawing on their recognition of photography's capacity to produce presence. The chapter first provides an overview of Civil War photography before turning to photographs of unknown soldiers at the Battle of Antietam. It also considers how the most permanent of absences were seemingly erased by the mysterious appearance of the apparent spirits of deceased family and friends in photographic portraits. During a period in which the collective grief of the “republic of suffering” vividly animated public life, those who read both war and spirit photographs recognized the medium's capacity for producing presence in the face of the most traumatic of absences.
Gli stili APA, Harvard, Vancouver, ISO e altri
41

Phu, Thy, e Elspeth H. Brown. Feeling photography. 2014.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
42

Warburton, Nigel. Photography. A cura di Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0036.

Testo completo
Abstract (sommario):
Photography is the most widespread form of visual communication using still images. Since its invention the medium has not changed substantially, or at least not until the recent invention of digital photography. The uses to which photography has been put and the conventions surrounding those uses have, however, evolved significantly. Those analytic philosophers who have written about still photography have for the most part focused on quite a narrow range of topics. Their main concern has been to characterize the nature of the causal link between object photographed and photographic image.
Gli stili APA, Harvard, Vancouver, ISO e altri
43

Finnegan, Cara A. Photography’s Viewers, Photography’s Histories. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039263.003.0006.

Testo completo
Abstract (sommario):
This book has investigated how viewer engagement with photography happens at the local, historically specific level. It has shown how, from the Civil War to the Great Depression, photography shaped a collective consciousness that enabled viewers to negotiate anxieties of the period, from war, poverty, and economic depression to national identity and citizenship. By closely reading traces of viewers' encounters with photography, the book has written a rhetorical history of photographic viewership showing that viewers were active agents who used their experiences of photography to deliberate about issues of common concern. This conclusion reflects on what such project tells us about the nature of the viewer, how it challenges our definitions of what a photograph is, and how the rhetorical study of viewership enriches our histories of photography. It argues that viewership is not the same in all places and situations; rather, it emerges from the photographic encounter in ways that are simultaneously contextual, communal, contestable, and contingent.
Gli stili APA, Harvard, Vancouver, ISO e altri
44

Elkins, James. Photography Theory. Routledge, 2013. http://dx.doi.org/10.4324/9780203944141.

Testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
45

Clark, Catherine E. “C’était Paris en 1970”. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190681647.003.0006.

Testo completo
Abstract (sommario):
In 1970, a new generation of municipal officials worked with the FNAC, a camera and electronics store that was also a major player on the French cultural scene, to organize an enormous amateur photo contest to document the French capital. Called “C’était Paris en 1970,” this competition asked participants to produce a comprehensive archive of Paris during the month of May. Their submissions provide remarkable access to how their makers understood older photographs as historical documents, how they imagined photography could picture the passage of time, and how, in turn, they imagined their own photos might one day be seen. These photos help take stock of how a century of photographic production, collection, and circulation had influenced the historical imagination.
Gli stili APA, Harvard, Vancouver, ISO e altri
46

Lindsey, Rachel McBride. Documentary Photography and the Visual Politics of Race and Religion. A cura di Paul Harvey e Kathryn Gin Lum. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190221171.013.5.

Testo completo
Abstract (sommario):
The photographs of twentieth-century photographer Roy DeCarava are a rich case study for mapping the visual theater of race and religion in twentieth-century America. Despite visual similarities in his photographs to contemporary documentary photographers, DeCarava contended that claims to document race in fact worked to invest power in the “madness” of “skin color.” Such a statement echoes the teachings of prophets of black urban religion who incorporated critiques of racial classification into their theological visions. Such visual regimes of race and religion were not limited to persons of African descent. Lewis Hine’s photographs of European immigrants arriving on Ellis Island and Dorothea Lange’s photographs of Japanese American internees were also part of the visual politics of race and religion. By structuring the twentieth century’s ascendant visual regimes around DeCarava, this chapter explores how the technologies, aesthetics, and politics of photography shaped the moral theater of race and religion.
Gli stili APA, Harvard, Vancouver, ISO e altri
47

Yacavone, Kathrin. Benjamin, Barthes and the Singularity of Photography. Bloomsbury Publishing Plc, 2013.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
48

Hornby, Louise. The Instant and the Series. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190661229.003.0004.

Testo completo
Abstract (sommario):
This chapter argues that Muybridge’s photographs of human and animal locomotion underwrite a pace for modernism that negotiates the iterative terms of the instant and the series, constructing an account of time that pivots on the accumulation of separated fragments. The chapter brings the form of instantaneous photography to bear on James Joyce’s exploration of sequentiality and pace in Ulysses. The many walks in Joyce’s novel are photographic (what he calls a “discrete succession of images”), and their singular strides point to Charlie Chaplin, the modernist paragon of the jerky walk. Chaplin’s walk is both a cinematic signature and an insistence on photography—more specifically, an insistence on imitating Muybridge’s studies of motion. By making static awkwardness a condition of time and of walking, Joyce’s novel and Chaplin’s mechanized body each read as a product of film yet hold continuity and the cinema at bay by their stilled paces.
Gli stili APA, Harvard, Vancouver, ISO e altri
49

Harris, David. Gabor Szilasi: Photographies/Photographs 1954-1996. McGill-Queen's University Press, 1998.

Cerca il testo completo
Gli stili APA, Harvard, Vancouver, ISO e altri
50

Mar, Tracey Banivanua. The Contours of Agency. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037153.003.0005.

Testo completo
Abstract (sommario):
This chapter examines photographs of Pacific Island women laboring in fields in Queensland in the late 1890s, arguing that colonial photography can be a critical means of filling archival silences. It reflects on how we may read this photography in layers, both as a candid snapshot of the physical world of the past, as well as a more subtle register of that world's ideological composition. This is significant in the context of colonial histories in the western Pacific and Australia where indigenous and colonized women's labor, and their contribution to colonial and colonized societies, has been subjected to the violence of a structural amnesia. Photography offers not only visual evidence of a barely told history of Pacific Islander women's labor as told through the agency of their physical presentation. In addition, the medium itself, the photograph and its visual language, points in interesting ways to the discursive contours that shaped indigenous and colonized women's agency.
Gli stili APA, Harvard, Vancouver, ISO e altri
Ti possono interessare anche gli elenchi di altri tipi di fonti sul tema "Photographic theory":
Articoli di riviste Tesi
Offriamo sconti su tutti i piani premium per gli autori le cui opere sono incluse in raccolte letterarie tematiche. Contattaci per ottenere un codice promozionale unico!

Vai alla bibliografia