Articoli di riviste sul tema "Performance dansée"
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Plancke, Carine. "Rythmomimisme et gestuelle dansée". Anthropologie et Sociétés 36, n. 3 (19 febbraio 2013): 137–52. http://dx.doi.org/10.7202/1014169ar.
Levac, Manon. "Les résonances de l’intime par la rencontre corps-voix-texte chez l’interprète en danse". L’Annuaire théâtral, n. 60 (15 agosto 2018): 105–16. http://dx.doi.org/10.7202/1050924ar.
Briand, Michel, Johannes Odenthal, Karin Schlapbach, Tedi Tafel e Raffaella Viccei. "L’Ekphrasis de la performance dansée : de la description d’un objet au récit d’une interaction". Perspective, n. 2 (30 dicembre 2020): 19–50. http://dx.doi.org/10.4000/perspective.19951.
Guillebaud, Christine. "L'art de la multimodalité". Anthropologie et Sociétés 38, n. 1 (10 luglio 2014): 25–45. http://dx.doi.org/10.7202/1025807ar.
Pichette, Marie-Hélène. "Apport de l’étude de la performance à la compréhension d’une pratique musicale". Terrains 9 (22 settembre 2011): 135–43. http://dx.doi.org/10.7202/1005898ar.
Sutton, Jane S., e Nkanyiso Mpofu. "Figuring Reconciliation: Dancing With the Enemy". Windsor Yearbook of Access to Justice 25, n. 2 (1 febbraio 2007): 291. http://dx.doi.org/10.22329/wyaj.v25i2.4616.
Dor, Garance. "Aurore Després (dir.), Gestes en éclats. Art, danse et performance". Interfaces, n. 40 (21 dicembre 2018): 203–5. http://dx.doi.org/10.4000/interfaces.610.
Perrin, Claire, e Maëlle Guerry. "Danse et corps hors norme : une performance artistique de la vulnérabilité". Ligeia N° 121-124, n. 1 (2013): 37. http://dx.doi.org/10.3917/lige.121.0037.
Renard, Johanna. "The Grand Union’s Improvisation Laboratory". Emulations - Revue de sciences sociales, n. 9 (10 settembre 2018): 43–55. http://dx.doi.org/10.14428/emulations.009.003.
Cramer, Franz Anton. "Experience as Artifact: Transformations of the Immaterial". Dance Research Journal 46, n. 3 (dicembre 2014): 24–31. http://dx.doi.org/10.1017/s0149767714000503.
Hilari, Johanna, e Julia Wehren. "Social Choreography as a Cultural Commoning Practice: Becoming Part of Urban Transformation in Une danse ancienne". Arts 13, n. 2 (9 aprile 2024): 70. http://dx.doi.org/10.3390/arts13020070.
Agid, Roméo, e Sally Gardner. "Quand la danse interprète les gestes (des) sportifs". Cahiers de danse N° 1, n. 2 (20 ottobre 2023): 20–25. http://dx.doi.org/10.3917/cdd.001a.0020.
Lippi, Silvia. "Le corps, la femme et la danse érotique : performance sexuelle ou idéal ?" Champ psychosomatique 51, n. 3 (2008): 97. http://dx.doi.org/10.3917/cpsy.051.0097.
Bident, Christophe. "Danse, performance, violence, non-sens... le vrai-faux débat du festival d'Avignon". La pensée de midi N° 17, n. 1 (1 gennaio 2006): 150–52. http://dx.doi.org/10.3917/lpm.017.0150.
Boulba, Pauline L. "Traduire Jill Johnston". Cahiers de danse N° 0, n. 1 (5 aprile 2023): 14–17. http://dx.doi.org/10.3917/cdd.001.0014.
Djebbari, Elina. "La relation musique-danse dans le genre du ballet au Mali : organisation, évolution et émancipation". Les Cahiers de la Société québécoise de recherche en musique 13, n. 1-2 (21 settembre 2012): 21–26. http://dx.doi.org/10.7202/1012346ar.
Fink, Robert. ""Rigoroso (♪ = 126)": "The Rite of Spring" and the Forging of a Modernist Performing Style". Journal of the American Musicological Society 52, n. 2 (1999): 299–362. http://dx.doi.org/10.2307/832000.
Delavaud-Roux, Marie-Hélène. "De la musique et de la danse thérapie dans la thymélè d'Epidaure?" Dramaturgias, n. 10 (29 maggio 2019): 471–79. http://dx.doi.org/10.26512/dramaturgias.v0i10.24899.
SIMONSON, MARY. "Visualizing Music in the Silent Era: The Collaborative Experiments of Visual Symphony Productions". Journal of the Society for American Music 12, n. 1 (25 gennaio 2018): 2–36. http://dx.doi.org/10.1017/s1752196317000505.
Sørensen, Anders Ravn. "At designe danskhed: Forestillinger om nationen på danske pengesedler". Kulturstudier 4, n. 1 (29 maggio 2013): 118. http://dx.doi.org/10.7146/ks.v4i1.8143.
Kasai, Aya, Philippe Chéhère, Rie Harada, Nonoko Kameyama e Julie Salgues. "La danse du détour: A collaborative arts performance with people touched by Minamata disease". Journal of Applied Arts & Health 14, n. 2 (1 luglio 2023): 207–25. http://dx.doi.org/10.1386/jaah_00139_1.
Hiscock, Andrew. "Moving Shakespeare: La danse narrative and adapting to the Bard". Cahiers Élisabéthains: A Journal of English Renaissance Studies 102, n. 1 (30 marzo 2020): 18–37. http://dx.doi.org/10.1177/0184767820914513.
Eliot, Karen. "‘Where Burns the Artist's Soul’: Tamara Karsavina's Writings on Artistry and Expression". Dance Research 42, n. 1 (maggio 2024): 78–97. http://dx.doi.org/10.3366/drs.2024.0418.
Li, Qidong. "Research on the Authenticity Deviation and Personalized Style in Horowitz’s Second Adaptation: Taking the Piano Piece Danse Macabre as an Example". Yixin Publisher 1, n. 1 (31 marzo 2024): 45–53. http://dx.doi.org/10.59825/jet.2024.1.1.45.
Chaganti, Seeta. "Proleptic Steps: Rethinking Historical Period in the Fifteenth-Century Dance Manual". Dance Research Journal 44, n. 2 (2012): 29–47. http://dx.doi.org/10.1017/s0149767712000095.
Anwar, Anwar, Aulia Nurul Izmi e Agung Widhi Kurniawan. "PENGARUH KETERAMPILAN, PENGETAHUAN DAN KEMAMPUAN SDM TERHADAP KINERJA KARYAWAN AGROINDUSTRI DANGKE DI KELURAHAN MATARAN KECAMATAN ANGGERAJA". SIBATIK JOURNAL: Jurnal Ilmiah Bidang Sosial, Ekonomi, Budaya, Teknologi, dan Pendidikan 2, n. 2 (5 gennaio 2023): 349–60. http://dx.doi.org/10.54443/sibatik.v2i2.534.
Chung, EunJu. "A Study on the Type of Site-Specific Dance Performance : Focusing on the Concept of Site of Post-Modern Dance". Journal of Dance Society for Documentation & History 60 (31 marzo 2021): 269–88. http://dx.doi.org/10.26861/sddh.2021.60.269.
Røllum-Larsen, Claus. "J.S. Bach og Danmark. En studie i den danske præsentation og musikfaglige behandling af Bachs værker indtil 1950". Fund og Forskning i Det Kongelige Biblioteks Samlinger 54 (3 marzo 2015): 305. http://dx.doi.org/10.7146/fof.v54i0.118887.
Calame, Claude. "Récit héroïque et pratique religieuse. Le passé poétique des cités grecques classiques". Annales. Histoire, Sciences Sociales 61, n. 3 (giugno 2006): 525–51. http://dx.doi.org/10.1017/s0395264900003164.
Maurin, Frédéric. "L’impermanence est-elle soluble dans le répertoire?" L’Annuaire théâtral, n. 53-54 (9 giugno 2015): 75–90. http://dx.doi.org/10.7202/1031154ar.
Misler, Nicoletta. "Seven Steps, Seven Veils: Salomé in Russia". Experiment 17, n. 1 (2011): 155–84. http://dx.doi.org/10.1163/221173011x611888.
Forcolin, Francesca. "Magali Nachtergael et Lucille Toth (dir.), Danse contemporaine et littérature. Entre fictions et performances écrites". Studi Francesi, n. 177 (LIX | III) (1 dicembre 2015): 654–55. http://dx.doi.org/10.4000/studifrancesi.1516.
Morris, Geraldine. "Is it a Petipa dance we are watching?" Dance Research 37, n. 2 (novembre 2019): 220–38. http://dx.doi.org/10.3366/drs.2019.0274.
Wightman, Megan. "« Parfois j’ai conscience d’être moi ». L’identité plurielle chez Maurice Béjart, entre mémoires et autofiction". Voix Plurielles 17, n. 1 (27 aprile 2020): 159–70. http://dx.doi.org/10.26522/vp.v17i1.2478.
Genetti, Stefano. "« Vu autrement »". Samuel Beckett Today / Aujourd’hui 34, n. 2 (24 agosto 2022): 259–72. http://dx.doi.org/10.1163/18757405-03402006.
Park, Mi-Jin. "현대무용공연의 마케팅믹스 전략과 관람객 관람요인의 관계". Korea Journal of Sport 18, n. 3 (30 settembre 2020): 133–46. http://dx.doi.org/10.46669/kss.2020.18.3.012.
Kékesi Kun, Árpád. "The Danse Macabre of “Democratic Dictatorship”: Sławomir Mrožek’s Tango in State-Socialist Hungary". Theatron 17, n. 4 (2023): 62–74. http://dx.doi.org/10.55502/the.2023.4.62.
LEONHARDT, NIC. "‘From the Land of the White Elephant through the Gay Cities of Europe and America’: Re-routing the World Tour of the Boosra Mahin Siamese Theatre Troupe (1900)". Theatre Research International 40, n. 2 (2 giugno 2015): 140–55. http://dx.doi.org/10.1017/s0307883315000024.
Légeret, Katia. "Briller, obscurcir ou aveugler ? La lumière dans le théâtre et la danse contemporaine". Figures de l'Art. Revue d'études esthétiques 17, n. 1 (2009): 259–74. http://dx.doi.org/10.3406/fdart.2009.883.
Pradel, Lucie. "Patrimoine partagé et carnaval caribéen". Ethnologies 34, n. 1-2 (6 agosto 2014): 251–71. http://dx.doi.org/10.7202/1026153ar.
Jan, Corentin. "Un Tanztheater pour le XXI e siècle ? Pratiques corporelles et grotesque queer-féministe dans les spectacles de Florentina Holzinger". Allemagne d'aujourd'hui N° 245, n. 3 (28 settembre 2023): 143–54. http://dx.doi.org/10.3917/all.245.0143.
Rewa, Natalie, e Michael J. Sidnell. "Montreal: Festival de Theatre des Ameriques, May-June, 1995". Canadian Theatre Review 86 (marzo 1996): 51–55. http://dx.doi.org/10.3138/ctr.86.009.
Thibault, Sara, e Hervé Guay. "Sorties du théâtre : pratique de l’interartistique chez Brigitte Haentjens". L’Annuaire théâtral, n. 61 (28 agosto 2018): 131–48. http://dx.doi.org/10.7202/1051030ar.
Muller-Jaecki, Marie-Paule. "Altérité et inclusion. Du corps propre au corps social en classe de langue : emprunts à la danse contemporaine". Voix Plurielles 10, n. 2 (28 novembre 2013): 9–21. http://dx.doi.org/10.26522/vp.v10i2.837.
NYE, EDWARD. "‘Choreography’ is Narrative: The Programmes of the Eighteenth-Century Ballet d'Action". Dance Research 26, n. 1 (aprile 2008): 42–59. http://dx.doi.org/10.3366/e0264287508000054.
Hamayon, Roberte N. "Faire des bonds fait-il voler l’âme ?" Ethnologies 25, n. 1 (20 ottobre 2003): 29–53. http://dx.doi.org/10.7202/007125ar.
Despotovich, Brett, Robert Hengeveld, Risa Horowitz, Brandy Leary, Lynne Quarmby e Susan Stewart. "An Other North: The Arctic Circle Summer Solstice Expedition 2017". RACAR : Revue d'art canadienne 43, n. 1 (7 agosto 2018): 53–62. http://dx.doi.org/10.7202/1050820ar.
Cooksey, Sybil Newton. "Revenant Motion". liquid blackness 6, n. 2 (1 ottobre 2022): 88–117. http://dx.doi.org/10.1215/26923874-9930303.
Glasgow, V. L., S. A. Edwards, T. G. McEvoy e M. Shanks. "The effect of feeding a diet high in fibre during the rearing period on reproduction in gilts". Proceedings of the British Society of Animal Science 1999 (1999): 67. http://dx.doi.org/10.1017/s1752756200002222.
Deslauriers, Rosaline. "Quand l’homme et l’image se disputent le plateau : la compagnie de théâtre Les Deux Mondes et ses machinations". L’Annuaire théâtral, n. 42 (5 maggio 2010): 107–22. http://dx.doi.org/10.7202/041693ar.