Letteratura scientifica selezionata sul tema "Películas biográficas"
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Articoli di riviste sul tema "Películas biográficas"
Raya Saavedra, Miguel Ángel. "El cine en terapia". Revista de Psicoterapia 22, n. 86/87 (1 luglio 2011): 57–68. http://dx.doi.org/10.33898/rdp.v22i86/87.624.
Testo completoDillon, Alfredo. "Miradas recientes sobre/desde el peronismo en el cine argentino de ficción". Desde el Sur 12, n. 2 (21 dicembre 2020): 525–45. http://dx.doi.org/10.21142/des-1202-2020-0029.
Testo completoMármol, Julio. "La representación de la epilepsia en el cine (2004-2021)". REVISTA ESPAÑOLA DE COMUNICACIÓN EN SALUD 14, n. 1 (13 giugno 2023): 74–80. http://dx.doi.org/10.20318/recs.2023.6938.
Testo completoHernández Méndez, Edith. "Prácticas letradas vernáculas en universitarios de nuevo ingreso: motivaciones y desmotivaciones". Experiencias de literacidad en un mundo complejo, n. 56 (23 febbraio 2021): 1–21. http://dx.doi.org/10.31391/s2007-7033(2021)0056-008.
Testo completoHenriquez Mendoza, Eduardo Fabio. "Aproximación etnográfica del hábitat yhabitus auto-representados en las realizaciones audiovisuales de los productores informales en la ciudad de Santo Domingo de los Colorados (Ecuador)". Cadernos de Campo (São Paulo 1991) 27, n. 1 (23 novembre 2018): 171–99. http://dx.doi.org/10.11606/issn.2316-9133.v27i1p171-199.
Testo completoMaldonado, Pablo. "Claudio Guerrero y Alekos Vuskovic. 2018. La música del Nuevo Cine Chileno. Santiago: Cuarto Propio, 347 pp." Contrapulso - Revista latinoamericana de estudios en música popular 2, n. 1 (30 gennaio 2020): 83–87. http://dx.doi.org/10.53689/cp.v2i1.31.
Testo completoRuiz del Olmo, Francisco Javier, e Jesús Del Río. "Entre la tragedia griega y las películas de carretera: Iré como un caballo loco (1973) de Fernando Arrabal". Alpha: Revista de Artes, Letras y Filosofía, n. 47 (2 gennaio 2019): 135–47. http://dx.doi.org/10.32735/s0718-220120180004700169.
Testo completoÚrbez Fernández, Pablo. "El cine biográfico español (1900-1939): causas de su producción y labor de la prensa cinematográfica". RIHC. Revista Internacional de Historia de la Comunicación, n. 18 (2022): 163–83. http://dx.doi.org/10.12795/rihc.2022.i18.10.
Testo completoMatínez Gómez, Raciel D. "Los adioses: Rosario, la celda hermética". La Palabra y el Hombre. Revista de la Universidad Veracruzana, n. 52 (20 maggio 2021): 86–87. http://dx.doi.org/10.25009/lpyh.v0i52.3143.
Testo completoDanta Guedes, Dilcio. "La práctica analítica de Françoise Dolto: reflexiones sobre el uso de los dibujos desde una película biográfica". Ética y Cine Journal 12, n. 1 (20 aprile 2022): 79–88. http://dx.doi.org/10.31056/2250.5415.v12.n1.37383.
Testo completoTesi sul tema "Películas biográficas"
Vila, Guevara Adriana. "Reflejos de un making of. Una etnografía del proceso creador de la película “Belén”". Doctoral thesis, Universitat de Barcelona, 2017. http://hdl.handle.net/10803/460802.
Testo completoThis study exposes several theoretical and epistemological challenges that have been raised both in the field of anthropology and filmmaking, contextualized in the creation of a film portrait. Based on the analysis of the elements that conform(ed) the story of life and death of Belén María Palacios, also known as the “queen of quitiplá”, this study deals with the concepts of authorship, creation, imagination and representation as a performative act. The general objective of this research is the reflexive study of the complete process of making a cinematographic portrait, focused on the analysis not only of the different stages of its construction (field work, script development, production, postproduction and distribution), but also the theoretical, empirical, ethical and aesthetic dilemmas of each of its phases of exploration and creation. The objectives and the methodology are delineated transversally and in transformation throughout the thesis, in terms of a series of categories that are outstretched simultaneously to the recognition of a process of personal transformation of the author. In this sense, the creation of the film rather than being the result used to illustrate the description and analysis of data, became in itself an object of study, dragging the author into becoming another subject of study. The reflective nature of this research shows how the attempt of composing the film portrait "Belén" goes hand in hand with an autoethnography of the process, recognizing the function of personal experiences during the research work, and how its analysis can become part of the epistemological contribution. In this sense, one of the hypotheses of this work is based on the fact that anthropology and cinema have many common traumas in their projective realization and in the transit of this shared place, the understanding of their procedural stages can be developed.
Libri sul tema "Películas biográficas"
author, Téramo María Teresa, a cura di. Biopics: Historia y poética en el cine argentino reciente. Buenos Aires: Editorial Biblos, 2019.
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