Letteratura scientifica selezionata sul tema "Pelican (Firm)"
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Articoli di riviste sul tema "Pelican (Firm)"
Azis, Moch Abdul, Nur Hadianto, Jaja Miharja e Saifulloh Rifai. "IMPLEMENTASI ALGORITMA APRIORI UNTUK ANALISA PEMILIHAN TIPE GENRE FILM ANIME (STUDI KASUS : MYANIMELIST.NET)". Jurnal Pilar Nusa Mandiri 14, n. 2 (15 settembre 2018): 209. http://dx.doi.org/10.33480/pilar.v14i2.932.
Testo completoSiti Aijah, Nur Ainun Hasibuan e Hadijah Sipahutar. "PENGARUH KINERJA KEUANGAN TERHADAP NILAI PERUSAHAAN PADA PT. CAHAYA PELITA ANDHIKA". CEMERLANG : Jurnal Manajemen dan Ekonomi Bisnis 2, n. 4 (16 novembre 2022): 218–29. http://dx.doi.org/10.55606/cemerlang.v2i4.537.
Testo completoTsivian, Yu. "Joan Neuberger’s This Thing of Darkness". Modern History of Russia 11, n. 1 (2021): 248–51. http://dx.doi.org/10.21638/11701/spbu24.2021.119.
Testo completoTerekhova, V. I., e A. V. Konstantinovich. "Influence of types of eggplant plant formation on productivity in the conditions of summer-autumn turnover in film greenhouses". Vegetable crops of Russia, n. 3 (30 luglio 2020): 36–38. http://dx.doi.org/10.18619/2072-9146-2020-3-36-38.
Testo completoStinton, Darrol. "Aero-marine design and flying qualities of floatplanes and flying-boats". Aeronautical Journal 91, n. 903 (marzo 1987): 97–127. http://dx.doi.org/10.1017/s0001924000091375.
Testo completoSuryanto, Suryanto. "Konsep Ideologi Terhadap Film Demi Ucok Karya Simmaria Simanjuntak". PROPORSI : Jurnal Desain, Multimedia dan Industri Kreatif 7, n. 2 (27 maggio 2022): 178. http://dx.doi.org/10.22303/proporsi.7.2.2022.178-186.
Testo completoAulia, Azwani, e Rosa Fitriana. "Praktik Green Accounting dan Economic Value Added terhadap Firm Value". In Search 22, n. 2 (24 gennaio 2024): 386–95. http://dx.doi.org/10.37278/insearch.v22i2.794.
Testo completoJaya, Eko Pebrian, e Dwi Aji Budiman. "REALITAS SOSIAL KEKERASAN TERHADAP PEREMPUAN DALAM FILM 7 HATI 7 CINTA 7 WANITA". Jurnal Kaganga: Jurnal Ilmiah Sosial dan Humaniora 4, n. 2 (10 ottobre 2020): 58–66. http://dx.doi.org/10.33369/jkaganga.4.2.58-66.
Testo completoAbdullah, Zulfhazli Zulfhazli, Wesli Wesli e Said Jalalul Akbar. "PENGGUNAAN ABU BATU BARA SEBAGAI FILLER PADA CAMPURAN ASPAL BETON AC-BC". Teras Jurnal 6, n. 2 (19 marzo 2017): 121. http://dx.doi.org/10.29103/tj.v6i2.95.
Testo completoKoskimaa, Raine. "Game of Thrones -pelin Let's Play -videot ja populaarikulttuurin vastaanotto esityksenä". Lähikuva – audiovisuaalisen kulttuurin tieteellinen julkaisu 32, n. 3 (6 dicembre 2019): 7–25. http://dx.doi.org/10.23994/lk.87955.
Testo completoLibri sul tema "Pelican (Firm)"
The Firm / The Pelican Brief. London: Arrow, 1999.
Cerca il testo completo1929-, Edwards Russell, e Hare Steve, a cura di. Pelican books: A sixtieth anniversary celebration. [Edinburgh]: Penguin Collectorsʹ Society, 1997.
Cerca il testo completoDetmar, Schäfer. Pelikan, the brand. Hannover: Leuenhagen & Paris, 2013.
Cerca il testo completoL'affaire pelican. Paris: Robert Laffont, 2001.
Cerca il testo completoGrisham, John. Cazul pelican. Bucuresti: RAO International, 2001.
Cerca il testo completoGrisham, John. Il rapporto pelican. Milan: Arnoldo Mondadori Editore, 1993.
Cerca il testo completoThe Pelican Brief. 4a ed. New York, USA: Island Books, 1999.
Cerca il testo completoGrisham, John. The Pelican Brief. London: Random House Group Limited, 2010.
Cerca il testo completoThe Pelican Brief. New York, USA: Doubleday, 1992.
Cerca il testo completoGrisham, John. The pelican brief. New York: Random House Large Print, 2004.
Cerca il testo completoCapitoli di libri sul tema "Pelican (Firm)"
Çiçekoğlu, Feride. "Female Agency in Pelin Esmer Films: The Play (2005) and Queen Lear (2019)". In Female Agencies and Subjectivities in Film and Television, 27–43. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56100-0_3.
Testo completoDiLello, Giovanna. "John Fante: The Passion That Became a Festival". In John Fante's Ask the Dust, 177–92. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823287864.003.0011.
Testo completo"Kees Kasander’s producing career has been dominated by his collaboration with a single lmmaker—the British director Peter Greenaway. Kasander rst became aware of Greenaway’s work in the early 1980s and was smitten. The moment of epiphany came when he saw a Greenaway retrospective at the Edinburgh Film Festival and recognized a director whose preoccupations matched his own. Within reason, the Dutch producer will do anything he can to help Greenaway realize his artistic vision. At a time when British broadcasters and public funders have largely spurned Greenaway, Kasander has enabled him to go on working. Kasander started working with Greenaway on A Zed & Two Noughts (1986) and the two have subsequently made Drowning by Numbers (1988), The Cook, the Thief, His Wife, and Her Lover (1989), Prospero’s Books (1991), The Baby of Mâcon (1993), The Pillow Book (1996), 8½ Women (1999), The Tulse Luper Suitcases (2003), and Nightwatching (2007), among other audiovisual work. The bond between the producer and Greenaway remains as strong as ever. At the time of the interview, work was almost complete on Greenaway’s new feature, Goltzius and the Pelican Company, and Kasander was already beginning to crank up Greenaway’s next project, Food for Love (an adaptation of Thomas Mann’s Death in Venice). Alongside his lms with Greenaway, the producer has a very successful parallel career. The Kasander Film Company, based in Rotterdam, specializes in making kids’ movies, documentaries, and multimedia work and exhibitions. Kasander has also worked with plenty of other directors with strong personal visions too, among them Andrea Arnold (Fish Tank, 2009); Sophie Fiennes (The Pervert’s Guide to Cinema, 2006; Over Your Cities Grass Will Grow, 2010); Larry Clark (Ken Park, 2002); Paul Tickell (Christie Malry’s Own Double-Entry, 2000), and Ben Sombogaart (Crusade in Jeans, 2006)." In FilmCraft: Producing, 85–87. Routledge, 2013. http://dx.doi.org/10.4324/9780240823881-30.
Testo completo