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Autore: Grafiati

Pubblicato: 25 luglio 2024

Ultima modifica: 26 luglio 2024

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1

International Union of Architects. World Congress, a cura di. PAT: 2 projects for UIA : XXIII UIA World Congress of Architecture, Torino 2008. Torino: Trauben Edizioni, 2008.

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2

Canada, Canada Industry, Canada. Industry Canada. Service Industries and Capital Projects Branch., Canada Industrie Canada e Canada. Industrie Canada. Direction générale du secteur des services et grands projets., a cura di. Architecture, part 1 : overview and prospects =: L'architecture, partie 1 : vue d'ensemble et perspectives. Ottawa, Ont: Industry Canada = Industrie Canada, 1997.

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3

1961-, Peregalli Roberto, a cura di. The invention of the past: Interior design and architecture of Studio Peregalli. New York: Rizzoli, 2011.

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4

Koolhaas, Rem. Projects for Prada part 1. [Milan]: Fondazione Prada Edizioni, 2001.

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5

(Firm), Périphériques. "Autrement rue Rebiere": Un workshop organisé par l'Opac de Paris pour la création de 180 logements rue Rebiere dans le cadre du Grand Projet de Renouvellement Urbain de la Porte Pouchet a Paris 17e. Paris: Pavillon de l'Arsenal, 2007.

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6

Benjamin, Andrew E. Armed surfaces: Dagmar Richter/DR_D. A cura di Kelly Miriam e DR_D Lab. London: Black Dog, 2004.

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7

1955-, Richter Dagmar, Kelly Miriam e DR_D Organisation, a cura di. Armed surfaces: Dagmar Richter, DR_D. London: Black Dog, 2003.

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8

New York (N.Y.). Landmarks Preservation Commission. Van Tassell & Kearney Auction Mart, 126-128 East 13th Street, Borough of Manhattan: Built 1903-4 : Jardine, Kent & Jardine, architects : landmark site: block 558, lot 43, in part, consisting of the property on which the 1903-04 structure is located. New York]: Landmarks Preservation Commission, 2012.

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9

Post.Rotterdam: Architecture and city after the tabula rasa ; OMA, West 8, Neutelings Riedijk, MVRDV, NOX, EEA/Erick van Egeraat, MAX.1, SCHIE 2.0, Group A ; [initiated by Porto 2001 SA, European Capital of Culture, as part of the Visual Arts & Architecture Cultural Programming, to coincide with the exhibition held at Galeria do Palacio in Porto from 5 May to 24 June 2001] = Arquitectura e cidade apos a tabula rasa. Porto: Porto 2001 SA, 2001.

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10

Sykes, A. Krista. Vincent Scully. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350298408.

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The renowned architectural historian and critic, beloved Yale professor, and outspoken public activist Vincent Scully (1920–2017) emerged in the 1950s as a guiding voice in American architecture. This intellectual biography of Scully’s life and career traces the formative moments in his thinking, charting his relationships with a constellation of architects, artists, and cultural personalities of the twentieth century. Scully charted an unlikely course from postwar modernism to postmodernism and New Urbanism, overturning outdated beliefs and changing the face of the built environment as he went. A teacher for more than 60 years, and a figure of immense importance in the field, he was central to an expansive network of associations, from Frank Lloyd Wright, Louis Kahn, and Robert Venturi to Robert Stern, Harold Bloom, and Norman Mailer. Scully’s extensive body of work coalesced around the core belief that all architecture shapes society, and responds, above all else, to the human need for community and connection. This timely appraisal provides a platform for reassessing the legacy of these values, as well as raising fresh questions about how we write and think about architecture in the twenty-first century. The renowned architectural historian and critic, beloved Yale professor, and outspoken public activist Vincent J. Scully (1920–2017) emerged in the 1950s as a guiding voice in American architecture. He charted a firm if unlikely course from postwar modernism and mid-century urban renewal to postmodernism and New Urbanism, overturning outdated beliefs and changing the face of the built environment as he went. A teacher for more than 60 years, he forged an extensive body of work whose subject matter, while spanning centuries and civilizations, coalesces around two core beliefs: that all architecture shapes and is shaped by society, and that the best architecture responds, above all else, to the human need for community and connection. A product of his formative experiences, temperament, and specific moment, Scully wasn’t content to simply document and narrate the past. Rather, he seemed compelled to find a way of interpreting architecture, new and old, in light of the changes he experienced in his lifetime, in terms of the profession, the built environment, and the culture and politics of the postwar era. Scully’s desire to do more than what was expected of historians drove him to engage with architects, communicate with the public, nurture students, defy disciplinary boundaries, extend his areas of expertise and—perhaps most importantly—change his mind. In our turbulent times, this book creates a valuable platform for reassessing architectural priorities in today’s built environment, the legacy of the values of community and connection in the twenty-first century, and what it means to write history.

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11

Bertelli, Patrizio. Projects for Prada Part 1. Fondazione Prada, 2001.

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12

Sklair, Leslie. The Icon Project. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190464189.001.0001.

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In the last quarter century, a new form of iconic architecture has appeared throughout the world's major cities. Typically designed by globe-trotting "starchitects" or by a few large transnational architectural firms, these projects are almost always funded by the private sector in the service of private interests. Whereas in the past monumental architecture often had a strong public component, the urban ziggurats of today are emblems and conduits of capitalist globalization. In The Icon Project, Leslie Sklair focuses on ways in which capitalist globalization is produced and represented all over the world, especially in globalizing cities. Sklair traces how the iconic buildings of our era-elaborate shopping malls, spectacular museums, and vast urban megaprojects--constitute the triumphal "Icon Project" of contemporary global capitalism, promoting increasing inequality and hyperconsumerism. Two of the most significant strains of iconic architecture--unique icons recognized as works of art, designed by the likes of Gehry, Foster, Koolhaas, and Hadid, as well as successful, derivative icons that copy elements of the starchitects' work--speak to the centrality of hyperconsumerism within contemporary capitalism. Along with explaining how the architecture industry organizes the social production and marketing of iconic structures, he also shows how corporations increasingly dominate the built environment and promote the trend towards globalizing, consumerist cities. The Icon Project, Sklair argues, is a weapon in the struggle to solidify capitalist hegemony as well as reinforce transnational capitalist control of where we live, what we consume, and how we think.

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13

Empson, Laura, Daniel Muzio, Joseph Broschak e Bob Hinings, a cura di. The Oxford Handbook of Professional Service Firms. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199682393.001.0001.

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Over the past three decades the Professional Service Firm (PSF) sector has emerged as one of the most rapidly growing, profitable, and significant in the global economy. In 2013 the accountancy, management consulting, legal, and architectural sectors alone generated revenues of US$1.6 trillion and employed 14 million people. PSFs play an important role in developing human capital, creating innovative business services, reshaping government institutions, establishing and interpreting the rules of financial markets, and setting legal, accounting, and other professional standards. The study of PSFs can offer insights into the contemporary challenges facing organizations within the knowledge economy, and deepen understanding of more conventional organizations. Despite their significance, however, PSFs have until recently remained very much in the shadows of organizational and management research. The Oxford Handbook of Professional Service Firms marks the coming of age of PSF scholarship with a comprehensive and integrative exploration of current research and thinking on PSFs, featuring contributions from internationally renowned scholars in the fields of organizational and management studies. It examines the professions, the firms, and the professionals that work within them and covers subjects from governance and leadership to regulation, entrepreneurship, and diversity. Bringing together a broad range of empirical and theoretical perspectives, the Handbook offers many important insights into the contemporary challenges of organizations in the knowledge economy and suggests new lines of inquiry that may shed further light on the activities and performance of PSFs and the professionals who work within them.

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14

Benjamin, Andrew, Dagmar Richter e Miriam Kelly. Serial Books: Armed Surfaces: Architecture & Urbanism 5 (Serial Books Architecture and Urbanism, 5). Black Dog, 2003.

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15

Consultants for planning and facilities: A list of cultural projects by Ontario planners, architects, engineers and landscape architects = Consultants pour fins de planification et de construction : une liste des projets de nature culturelle réalisés par des planificateurs, architectes, ingéniers et architectes paysagistes Ontariens. Toronto: The Ministry, 1985.

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16

Mäder, Marie-Therese, Alberto Saviello e Baldassare Scolari, a cura di. Highgate Cemetery. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783845294520.

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The famous Highgate Cemetery in London has stimulated people’s imaginations for over 150 years. Accompanied by an introduction to the history of the cemetery, this book provides fourteen in-depth articles which describe and analyse the site of Highgate Cemetery and the practices and images that have been both linked to it and provoked by it. These articles highlight different aspects, including the cemetery’s scenic and architectural setting, the use of religious signs and symbols on its gravestones, the interplay between its parkland environment and the representations of nature on its monuments, its past and contemporary social and religious meanings as well as its depictions in literature, film and guided tours. The articles provide new and surprising insights into one of London’s most intriguing sites. With contributions by Dolores Zoé Bertschinger, Carla Danani, Natalie Fritz, Anna-Katharina Höpflinger, Ann Jeffers, Marie-Therese Mäder, Alexander Darius Ornella, Niels Penke, Daria Pezzoli-Olgiati, Sean Ryan, Alberto Saviello, Baldassare Scolari, Paola von Wyss-Giacosa, Michael Ulrich

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17

Firebrace, William. Zickzack. The MIT Press, 2022. http://dx.doi.org/10.7551/mitpress/14431.001.0001.

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Zigzagging through six locations on the edges of the German-speaking world, exploring them through politics, architecture, literature, film, art, music, food, and history. “Zickzack” is the German word for “zigzag”: hopping around, moving back and forth, never following a straight line, avoiding the monotony of one thing following another. Zickzack is William Firebrace's zigzagging exploration of six places on the edges of the German-speaking world. Deploying essays, narration, conversations, descriptions, and lists, Firebrace celebrates locations on defined and undefined borders, where cultures, languages, and histories mix. In his nonlinear wandering, he touches on ethnicity, topography, history, film, literature, myth, languages, and gastronomy. These locales are not the famous cities of Berlin, Vienna, and Zurich, but areas that straddle countries, geographies, and influences. Two are within Germany itself, one lies on (and over) the border with Poland, and three were once within the loose German cultural zone but now belong to other countries. Firebrace explores Strasbourg, capital of Alsace and part of a long-running territorial dispute between France and Germany; Königsberg, which spent some of the twentieth century as Kaliningrad; and Görlitz and Zgorcelec, twin cities on either side of a river. He plays hopscotch with churches in Backstein and takes a train trip past cities with double names—Sterzing-Vipiteno, Brixen-Bressanone, Klausen-Chiusa, signs of the double culture, where everything happens twice but in a slightly different way. In the zigzags of the German-speaking world, the original culture sometimes survives, sometimes is deliberately destroyed, sometimes merges with other cultures, and often, if submerged, resurfaces in a different form.

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18

Smith, Jane I., e Yvonne Yazbeck Haddad, a cura di. The Oxford Handbook of American Islam. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199862634.001.0001.

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This Handbook offers an up-to-the-minute analysis of Islam in America by 30 of the best scholars in the field. It covers the initial growth of Islam in the US from the earliest arrivals through the beginnings of African American Islam, as well as the waves of pre- and post-WWII immigrants when Muslims had little sense of religious identity in relation to their American compatriots. Providing basic information about Sunni, Shi‘ite, sectarian and Sufi movements in America, the volume considers the role of ethnic and racial identity in religious formation. Special attention is given to the role and status of women, marriage, and family. The rise of religious and educational institutions, leadership and youth movements, along with the expansion of Islam through outreach in prisons and through volunteerism, have served to give cohesion and a growing sense of what it means to be part of American Islam. The final section of the book deals with the component pieces of contemporary Islam in America such as politics and government, intellectual life and interfaith endeavors. The process of integration and assimilation that has been intensified as a response to 9/11 has brought about a creative response in which Muslims are eager to be Muslim and American at the same time. The volume concludes with elements of Muslim culture that are part of the current creative response to the reality of American Islam, including Islamic dress and fashion, art and architecture, film and filmmaking, health and medicine, politics, and Muslim-Christian relations. Bracketing these articles on integration and assimilation are thorough investigations of both the effects of the war on terror and the continuing Islamophobia that it has engendered, and of the relationship of American Islam to international Islam.

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19

Haberly, Daniel, e Dariusz Wójcik. Sticky Power. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198870982.001.0001.

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Modern civilization revolves around money. However, money is a paradox. It is nothing more than a representation of and medium for decentralized networks of social trust, but its production is controlled by highly centralized networks of firms, places, and governments, and there is never enough of it to go around. Moreover, given that the creation of money, as credit, is based on expectations, money is at its heart an instrument for human agency to change the future. At the same time, however, the financial systems that produce money are deeply rooted in the past, and perpetuate themselves through history. This book seeks to deepen our understanding of the paradox of money, by introducing a novel conceptual lens—that of Global Financial Networks—to cast new light on the geography, history, politics, and sociology of finance from the middle ages to the global financial crisis and beyond. It shows that the power of finance is inherently “sticky”; with what are generally assumed to be new innovations such as “offshore” finance actually dating back centuries, and the architecture of global financial networks more broadly adapting to the rise and fall of empires and new technologies while changing surprisingly little in their basic character; or at most changing very slowly. A recognition of the mechanics of this durability, it is argued, calls for a new approach to reforming finance which is less reactively focused on regulation, and more proactively focused on building new institutional systems with a long-term “sticky power” of their own.

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20

Marzec, Robert. The Mid-Atlantic Region. Greenwood, 2004. http://dx.doi.org/10.5040/9798216978046.

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The Mid-Atlantic Region, including Delaware, the District of Columbia, Maryland, New Jersey, New York, Pennsylvania, and West Virginia, is home to the crossroads of northeastern America, a nexus between New England, the Midwest, and the South. Furthermore, the region possesses incredible cultural diversity ranging from urban metropolises to shore communities to pastoral villages to Rust Belt towns. The Mid-Atlantic states are home to Iroquois tales and Washington Irving's literary legends; the Hudson River School of painting as well as the SoHo art community; the Adirondack mountains and the Cheasapeake Bay ecosystem; Amish barns and modernist skyscrapers; music ranging from New York punk to DC hardcore and to Pennsylvania polka to Bruce Springsteen; Philly cheesestakes and Maryland crabcakes; the traditional sport of lacrosse, the cradle of quarterbacks, and the Subway Series. This volume contains thirteen overview chapters that present an impressive survey of the many ways in which the Mid-Atlantic has exemplified both mixing pot and salad bowl within the American experience. The Greenwood Encyclopedia of American Regional Culturesis the first rigorous reference collection on the many ways in which American identity has been defined by its regions and its people. Each of its eight regional volumes presents thoroughly researched narrative chapters on Architecture; Art; Ecology & Environment; Ethnicity; Fashion; Film & Theater; Folklore; Food; Language; Literature; Music; Religion; and Sports & Recreation. Each book also includes a volume-specific introduction, as well as a series foreword by noted regional scholar and former National Endowment for the Humanities chairman William Ferris, who served as Consulting Editor for this encyclopedia.

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