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Bibliografie tematiche / Paradise, fiction

Letteratura scientifica selezionata sul tema "Paradise, fiction"

Autore: Grafiati

Pubblicato: 27 luglio 2024

Ultima modifica: 29 luglio 2024

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Articoli di riviste sul tema "Paradise, fiction"

1

Miano e Chilcoat. "The Open Door of Paradise • Fiction". Transition, n. 110 (2013): 91. http://dx.doi.org/10.2979/transition.110.91.

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Olenich, Olga Pavlinova. "Momentary Paradise". After Dinner Conversation 4, n. 2 (2023): 50–56. http://dx.doi.org/10.5840/adc20234216.

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What is the essence of heaven? If you had to pick a single moment in your life to spend eternity in as your personal heaven, would you do it, and what moment would you pick? In this philosophical short story fiction, the narrator, in a semi-dream state, watches a bit of a late-night movie where the main character dies, goes to heaven, and must work with the bureaucrats of heaven to pick the moment in their lives they would like to live in forever as their personal heaven. This idea germinates in the narrator’s mind and she is forced to weight various moments in her life in an attempt to pick what her perfect heavenly moment would be.

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Agar, James N. "Self-mourning in Paradise: Writing (about) AIDS through Death-bed Delirium". Paragraph 30, n. 1 (marzo 2007): 67–84. http://dx.doi.org/10.3366/prg.2007.0009.

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This article discusses the representation of AIDS in Guibert's posthumously published novel Le Paradis (Paradise). The novel is situated in relation to Guibert's better known previous AIDS writings. The article proposes that Guibert's AIDS works fall in to three related categories: writings about other peoples' AIDS; autobiographical writings about AIDS, and, in the third, terminal stage in which Le Paradis fits, writing (about) AIDS. As such the article suggests that Le Paradis manages to reflect and communicate some of the trauma of living with AIDS by specifically trying not to write about it. The article raises issues related to constructions of sexualized and AIDS identities in fiction, and presents the novel as a form which represents a loss of self. The novel, it is argued, becomes a self-mourning for a healthy past which is memorialized in a fictional present, itself always-already haunted by the nostalgia for a lost future.

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4

Rickard, Matt. "The Probability of Paradise Lost". ELH 91, n. 2 (giugno 2024): 345–75. http://dx.doi.org/10.1353/elh.2024.a929152.

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Abstract: For much of the sixteenth and seventeenth centuries, probability had been a quality of the propositions, sentences, and arguments extracted from a larger work for the purpose of example and instruction. But in the late seventeenth century, the concept grew into a criterion for the judgment of works in their entirety. The scenes of argument in Paradise Lost (1667) turned humanist convention against itself, and in so doing, helped usher probability into "the principal rule" of literary criticism: that fiction—irreducible to any of its parts, autonomous from the demands of teaching—should represent typical or generic patterns of human action.

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Council, Norman. "“ANSWERING HIS GREAT IDEA”: THE FICTION OF “PARADISE LOST”". Milton Studies 32 (1 gennaio 1995): 45–62. http://dx.doi.org/10.2307/26395598.

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Rutgers, Mark R. "The Borg Administration: Science Fiction". Public Voices 6, n. 1 (27 gennaio 2017): 35. http://dx.doi.org/10.22140/pv.333.

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This article explores the potential of science fiction as a "thought experiment in public administration." Science fiction may explore existing ideas and practices in ways not possible otherwise. Thus, it is possible to contemplate on the functioning of entirely authoritarian regimes, as well as, utterly egalitarian and paradise like culturesm and work our their administrative needs and solutions This "radical approach" to administration can aid our understanding. In this sense novels such as Orwell's 1984 do have a message that influences our ideas and opinions about public administration.

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Morace, Robert A. "From Parallels to Paradise: The Lyrical Structure of Cheever's Fiction". Twentieth Century Literature 35, n. 4 (1989): 502. http://dx.doi.org/10.2307/441899.

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Santos, Tomas N., e Gilbert H. Muller. "New Strangers in Paradise: The Immigrant Experience and Contemporary American Fiction". Rocky Mountain Review of Language and Literature 55, n. 2 (2001): 118. http://dx.doi.org/10.2307/1348274.

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Dong, Lorraine. "New Strangers in Paradise: The Immigrant Experience and Contemporary American Fiction". Journal of American Ethnic History 21, n. 2 (1 gennaio 2002): 99–101. http://dx.doi.org/10.2307/27502819.

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Frank, Susi K. "Arctic Science and Fiction". Journal of Northern Studies 4, n. 1 (1 luglio 2010): 67–86. http://dx.doi.org/10.36368/jns.v4i1.630.

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The article analyses the popular novel Sannikov’s land (published in 1926) by the famous Russian and Soviet geologist Vladimir A. Obruchev (1863–1956) and asks how scientific discourse on the one hand and literary, fictional discourse on the other interact in this text that tells the story of the discovery of an Arctic island that a Russian merchant had asserted to have seen, but the existence of which never could be affirmed. Basing his novel exclusively on wellfounded scientific (geological as well as anthropological) hypotheses, Obruchev polemizes with a whole range of pretexts from J. Verne to K. Hloucha. Unfolding the story of the Russian expedition, Obruchev pursues the aim (1) to deconstruct the utopian myth of a paradise on earth beyond the Arctic ice in its countless varieties; (2) to show that ancient myths—like the myth of the existence of warm islands in the Arctic—are a form of protoscientific insight that should be taken seriously by modern science and transformed into scientific knowledge; and (3) to suggest that the Arctic islands—really existing, supposed to exist or be doomed—from a geological point of view belong to the Siberian mainland and therefore to Russian/Soviet territory.

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Tesi sul tema "Paradise, fiction"

1

Lou, Sabrina. "Paradise girls : contemporary realistic young adult fiction /". Access resource online, 2009. http://scholar.simmons.edu/handle/10090/12593.

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Rheams, Genevieve A. "We Will Plant Birds of Paradise". ScholarWorks@UNO, 2019. https://scholarworks.uno.edu/td/2703.

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Palmer, Kelly. "Belonging at the end of the world: (Re)imagining paradise through narratives of low-income locals on the Gold Coast". Thesis, Queensland University of Technology, 2020. https://eprints.qut.edu.au/198040/3/Kelly_Palmer_Thesis.pdf.

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This thesis includes a story collection and an exegesis that complicate ideas that the Gold Coast is simply a holidayworld with a criminal underbelly. Cultural texts imbue the Gold Coast with an otherworldly aura—one that mythologises the city as jointly being paradise and paradise lost. Low-income and disenfranchised locals simultaneously embody a sense of alienation and belonging in their lived experience of the Gold Coast. Their anxieties become projected onto the sea and the sky, where memories of invasion and evidence of climate change amplify their internal struggles.

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Ostrowidzki, Eric A. "The bunkerfication of paradise : heterotopias, closed spaces, and the pathological geographies of exclusion in J. G. Ballard's fiction". Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38543.

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In response to theoretical inquiries into the decline in the production of utopian literature, this dissertation argues that the decline or, rather, the "postmodern" loss of faith in utopian literature and utopian thinking results from the neo-liberal globalization of capitalism and its material and discursive/ideological appropriation of global space. To demonstrate this thesis, the dissertation examines the invariably dystopic imaginative geographies in the fiction of J. G. Ballard. By analyzing the historical-geographical discursive context of Ballard's imaginative geographies, the dissertation attempts to locate and recover those absent spaces that might have served as probable sites of Utopia.
The first part of this dissertation examines Ballard's "Concentration City," "Report on an Unidentified Space Station," "The Enormous Space," "The Overloaded Man," and the novel High-Rise. This section concludes generally that the imaginative geographies inscribed within those texts are closed, insular, homogeneous, pathological and exclusionary social spaces that are antithetical to a Postmodern Utopia whose socio-cultural inclusiveness would be predicated upon a "politics of difference."
The second half of the dissertation examines Ballard's later works, such as Rushing to Paradise (1994), Cocaine Nights (1996), and Super-Cannes (2001). By discursively analyzing the similar yet more ideologically transparent imaginative geographies in these recent works, the dissertation concludes that it is not exclusively the material and ideological conquest of social space by global capital that poses the greatest threat to Ballard's "utopian" socio-spatial imaginary. Rather, it is also the postcolonial threat of the dislocations and mass immigrations of the Indigenous Other precipitated by globalization. It is the emergence of the de-territorialized Other that impels Ballard's imaginative geographies to recoil inwardly into "Privatopias," "white enclaves" and "imperial ghettos" demarcated by neocolonial pathological geographies of exclusion.

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Arès, Mathieu. "A paradigm of Earth : traduction performative et science-fiction queer". Mémoire, Université de Sherbrooke, 2017. http://hdl.handle.net/11143/11595.

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L’utopie constitue l’un des genres de prédilection de la littérature féministe et queer, parce qu’elle permet de redéfinir certaines catégories, comme celle des représentations de sexe et de genre. La science-fiction, mégagenre dans lequel, selon moi, s’inscrit l’utopie, fait appel à une « distanciation cognitive » [cognitive estrangement] (Suvin, 2010 : 68), concept qui, dans le cas de l’utopie féministe et queer, participe à la déconstruction du binarisme dans le genre : elle introduit ce que l’on peut nommer un novum, un élément qui a pour socle la réalité créée par l’auteur, partagée par le lecteur, et qui vise à déstabiliser (Suvin, 2010 : 68). Le novum constitue un procédé narratologique qui domine la fiction à un point tel que tout aspect narratif de chaque oeuvre de science-fiction dérive de celui-ci (Csicsery-Ronay, Jr, 2008 : 49); le novum possède une influence, par le fait même, sur le plan traductif, puisque la traduction doit l’inscrire dans un contexte différent de celui du départ. Alors que le peu d’études disponibles sur la traduction de la science-fiction queer sont en général consacrées à la réception des stratégies traductives utilisées (Bérard, 2015), le présent mémoire se situe dans une perspective performative de la traduction. L’acte traductif est performatif, non neutre, et ainsi octroie une existence, une viabilité identitaire au texte, selon le contexte d’arrivée. En prenant pour exemple le roman de science-fiction queer A Paradigm of Earth (2001) de l’auteure canadienne Candas Jane Dorsey, mon mémoire a pour objectif d’examiner, en s’inspirant de la généalogie de la traduction féministe (Lotbinière-Harwood, 1991; Simon, 1996; Von Flotow, 1997 et 1999) et des travaux sur la traduction du queer (Louar, 2008; Larkosh, 2011; Casagranda, 2013), de quelle manière s’effectuent certains changements de paradigme sur le plan traductif. La réflexion sur les désignations de genre dans le roman de Dorsey découle de Blou, l’alien au genre indéterminé, qui personnifie en quelque sorte le novum. D’où l’intérêt de proposer une approche performative de la traduction visant à faire éclater le binarisme de la langue française.
Abstract : Utopia is often used in feminist and queer literature, because it is a genre which questions some categories such as sex and gender representations. Science fiction concerns utopia since it provides cognitive estrangement, a concept that deconstructs gender binarism in feminist and queer utopias. Cognitive estrangement introduces a novum, a destabilizing element based on the author’s created reality, and shared by the reader (Suvin, 2010 : 68). The novum is a narratological device that so dominates its fiction that every science fiction narrative aspect derives from it (Csicsery-Ronay, Jr, 2008 : 49); this novum influences the translation process because the translator must reinsert it in a new context. Since the only studies which can be found today on translation in queer science fiction are generally dedicated to the reception of translation strategies (Bérard, 2015), this work situates translation within a performative approach. Translation is performative; it provides a viability to the text in another language-culture, another context. In studying an excerpt of Canadian Candas Jane Dorsey’s queer science fiction novel A Paradigm of Earth (2001), as well as my translation of it, my objective with this thesis is to consider how some translation paradigm shifts can be made according to feminist (Lotbinière-Harwood, 1991; Simon, 1996; Von Flotow, 1997 et 1999) and queer translation precepts (Louar, 2008; Larkosh, 2011; Casagranda, 2013). This work takes into consideration gender designations, which in Dorsey’s novel ensue from the character Blue, the ungendered alien; Blue represents the novum in A Paradigm of Earth, which allows the translator to take a performative approach in order to deconstruct gender binarism in French.

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Saward, Melanie A. "Down in the river: Marcia's identity status paradigm in the cult novel". Thesis, Queensland University of Technology, 2020. https://eprints.qut.edu.au/136517/1/Melanie_Saward_Thesis.pdf.

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Clark, Hilary Anne. "The idea of a fictional encyclopaedia : Finnegans wake, Paradis, the Cantos". Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25575.

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This study concerns itself with the phenomenon of literary encyclopaedism, as especially evident in James Joyce's Finnegans Wake, Philippe Sollers' Paradis and Ezra Pound's Cantos. The study focuses on developing the notion of an encyclopaedic literary mode and on establishing the existence of a genre of fictional encyclopaedias. It finds an encyclopaedic mode in literature to be one comprehending and imitating other literary modes, both mimetic and didactic. Further, the idea of a fictional encyclopaedia is developed through an understanding of the traits of the neighbouring forms of essay, Menippean satire and epic, and through an understanding of the paradoxes associated with the making of the non-fictional encyclopaedia. The fictional encyclopaedia thus comprehends and exceeds the following traits: 1. A tension, characteristic of the essay, between integrated autobiography and impersonal (and ultimately fragmented) exposition of the categories of knowledge. 2. A tension, characteristic of the Menippean satire, between tale and digression, between a single narrating subject and a multiplicity of transient narrating voices. The menippea also contributes a simultaneous preoccupation with the most sacred and the most profane subjects. 3. A totalizing drive characteristic of the epic, a desire--rivalling the urge to tell a story--to list or include all aspects of the culture in the epic past. The fictional encyclopaedia also translates into fiction the following paradoxes associated with the encyclopaedic enterprise: 1. The recognition, implicit in the drive to trace a complete and eternally-perfect circle of the arts and sciences, that encyclopaedic knowledge is always ultimately incomplete and obsolete. 2. The recognition, at the heart of the attempt to produce an objective and unmediated picture of the world, that encyclopaedic knowledge is ideologically shaped and textually mediated. The dominance of the encyclopaedic gesture in Finnegans Wake, Paradis and the Cantos allows us to account for the characteristic length, obscurity and "bookishness" of these works; they absorb the traits and tensions of essay, Menippean satire and epic while yet exceeding these traits in their fictional translation of the encyclopaedic paradoxes noted above. This translation manifests itself in each work as a characteristic parodic hesitation before the authority of totalizing predecessors; it manifests itself in the texts' fascination with images of a paradisiacal completion and timelessness, a tendency that is undercut by a repetitive, digressive or fragmented form which asserts the inevitability of time and incompletion. Further, the Wake, Paradis and the Cantos, in their overt and extensive intertextual activity, emphasize the textual boundaries of encyclopaedic knowledge. Nonetheless, in their foregrounding and valorization of speech rhythms, the works also repeat the challenge that the encyclopaedia brings to its own limited nature as written book.
Arts, Faculty of
English, Department of
Graduate

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King, Liesl Eleyn. "Transforming the Post-patriarchal Paradigm : Alternative Spiritual Vision in Feminist Science Fiction and Fantasy". Thesis, Queen Mary, University of London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.515255.

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Dyjas, Antonina [Verfasser]. "Paradisien an der Weichsel. Polnische Science Fiction 1945-1989 im Kontext der literarischen Utopie / Antonina Dyjas". Bonn : Universitäts- und Landesbibliothek Bonn, 2013. http://d-nb.info/1042960429/34.

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Amorena, Maria Florencia. "Science, art, fiction : l'image chez Juan José Saer". Electronic Thesis or Diss., Paris 8, 2015. http://www.theses.fr/2015PA080143.

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Cette recherche se donne pour objectif d’analyser les images verbales dans l’œuvre de l’écrivain argentin Juan José Saer (Serodino 1937- Paris 2005). Elle s’appuie sur une étude du corpus littéraire ainsi que sur le scénario inédit Las nubes de Magallanes. Elle vise à comprendre dans quelle mesure les images verbales et mentales sont pertinentes dans la construction d’une esthétique et d’une épistémologie saeriennes. A partir d’une analyse des images verbales et mentales dans l’œuvre de Saer, cette étude veut non seulement montrer que description et narration sont intimement liées, mais que leur relation constitue une possibilité pour penser la présence des arts et des sciences dans l’œuvre de Saer autrement que de manière dichotomique. En tant qu'éléments de son programme d’écriture, les arts et les sciences sont insérés dans un ensemble plus vaste. En conséquence, la structure narrative configurée à partir des images vise davantage à la complémentarité des contraires. Elle implique donc également une possibilité pour penser le lien entre l’homme et le monde, ainsi qu’entre les sciences et les arts, à partir d’un système holistique et non dualiste. La clé de cette nouvelle forme narrative sera, non l’opposition, mais au contraire une esthétique de l’empathie
The objective of this thesis is to analyze verbal images in the work of the Argentinian writer Juan José Saer. By analyzing his novels, shorts stories and the unpublished film script Las nubes de Magallanes, we wish to understand the implications of the verbal images in the construction of a specific aesthetics and epistemology.Throughout the analysis of verbal and mental images in the work of Saer, this study has two fundamental aims: first, to show that description and narration are intimately linked; second, that this link enables us to think arts and sciences in the work of Saer in a non-dualistic way. The narrative structure by which we analyze the images seeks the complementarity of the opposites. This allows us to think the connection that man has with the world as well as the link between art and sciences as elements of a holistic system, instead of dualistic. The key to this new form of narration will be an aesthetic of empathy

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Libri sul tema "Paradise, fiction"

1

Shaw, Tina. Paradise. Auckland, N.Z: Penguin Books, 2002.

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Barthelme, Donald. Paradise. New York: Putnam, 1986.

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Barthelme, Donald. Paradise. New York, N.Y., U.S.A: Penguin Books, 1987.

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Gurnah, Abdulrazak. Paradise. New York: New Press, 1994.

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Castedo, Elena, e Elena Castedo. Paradise. New York: Warner Books, 1990.

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Nadin, Joanna. Paradise. Somerville, Mass: Candlewick, 2012.

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Paradise. London: Walker, 2011.

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Copyright Paperback Collection (Library of Congress), a cura di. Paradise. New York, N.Y: HarperPaperbacks, 1994.

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Barthelme, Donald. Paradise. Normal, IL: Dalkey Archive Press, 2005.

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Savage, Marc. Paradise. New York: Doubleday, 1993.

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Capitoli di libri sul tema "Paradise, fiction"

1

Miller, David. "Hudson’s Fiction". In W. H. Hudson and the Elusive Paradise, 87–94. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20550-9_10.

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Strehle, Susan. "Homeless in the American Empire: Toni Morrison’s Paradise". In Transnational Women's Fiction, 28–52. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230583863_2.

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Miller, David. "Approaches to the Fiction — I". In W. H. Hudson and the Elusive Paradise, 95–101. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20550-9_11.

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Miller, David. "Approaches to the Fiction — II". In W. H. Hudson and the Elusive Paradise, 102–5. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20550-9_12.

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Gauthier, Marni. "The Other Side of Paradise: Toni Morrison’s (Un)Making of Mythic History". In Amnesia and Redress in Contemporary American Fiction, 69–93. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230337824_4.

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Palmer, Kelly. "Challenging the Beach as Paradise in Fiction and Memoir: The Gold Coast’s Bathing Beauties". In Writing the Australian Beach, 143–63. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-35264-6_9.

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Dodds, Lara. "Virtual or Immediate Touch: Queer Adaptations of Paradise Lost in Science Fiction and Fantasy". In Queer Milton, 153–77. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97049-3_7.

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Guerriero, Gianluca. "Punishment, Purgatory, and Paradise: Hating the Sin, and Sometimes the Sinner, in H.G. Wells’s The Island of Doctor Moreau and The Invisible Man". In Utopias and Dystopias in the Fiction of H. G. Wells and William Morris, 189–207. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-52340-2_12.

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Williams, Dana A. "Dancing Minds and Plays in the Dark: Intersections of Fiction and Critical Texts in Gayl Jones’s Corregidora, Toni Cade Bambara’s The Salt Eaters, and Toni Morrison’s Paradise". In New Essays on the African American Novel, 93–106. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1007/978-0-230-61275-4_7.

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Hosmer, Robert E. "Paradigm and Passage: The Fiction of Anita Brookner". In Contemporary British Women Writers, 26–54. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22565-1_2.

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Atti di convegni sul tema "Paradise, fiction"

1

Delevallée, Aurélie. "«The Flight of Pigeons from the Palace» de Donald Barthelme ou la drôle de parade". In Territoires du récit bref. De l'image dans la fiction à l'imaginaire en science-fiction. Fabula, 2018. http://dx.doi.org/10.58282/colloques.5226.

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Sermain, Jean-Paul. "Les fins intermédiaires : paradoxe, interprétation, mémoire, dialogue". In Les fins intermédiaires dans les fictions narratives des XVIIe et XVIIIe siècles. Fabula, 2019. http://dx.doi.org/10.58282/colloques.6446.

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Tavares, Tatiana. "Carnival Land: An creative consideration of sequential storytelling to discuss cultural dislocation". In LINK 2023. Tuwhera Open Access, 2023. http://dx.doi.org/10.24135/link2022.v4i1.196.

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Abstract (sommario):

This presentation will outline the practice-led research project Carnival Land, a picture book that weaves together sequential storytelling and illustration to discuss cultural dislocation. Based on my experiences as an immigrant from Brazil to New Zealand, it provides a narrative in metaphors and a creative orchestration of photomontage, bilinguality, and theatricised multi-page spreads. The story tells of the trials and eventual transformation of a young girl in a foreign land, where aspirations appear as costumes in an annual Carnival parade. Several theoretical frameworks significantly influenced Carnival Land. These were notions of transgression, carnality, and Carnival (Bakhtin, 1968); structure and discourse surrounding bricolage (Strauss, 1962); and writings relating to journey both as a rite of passage (Gennep, 1960; Turner, 1979); and as a process of immigration. Carnival has served as a primary metaphor, underpinning both the story and conceptual aspects of the work. Traditionally, people in Carnival parades participate in a symbolic ritual of identity change and re-negotiation of social and cultural contexts. They do this by assuming (in costume and behaviour) an alternative self. This transformative aspect of Carnival may be seen as a form of symbolical reversal, a brief moment of liminality that allows people to imagine new meanings and values in a ritual of performance. It is through this process that the performative nature of Carnival becomes a transformative process of being. The carnal (bodily) nature of Carnival enables specific linkages between the transformation of the self and the nature of immigration as a transitional physical/social/personal experience. Methodologically, the project emanates from an artistic research paradigm (Klein, 2010) that supports a heuristic approach (Douglass and Moustakas, 1985) to the discovery and refinement of ideas. The project employed autoethnography as a research design intended to facilitate the strategic accessing of personal experience and synthesised it into a fictional work. Thus, the research draws upon both tacit and explicit knowledge in developing the narrative, its structure, and stylistic treatments.

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Kuzmina, Luiza, e Elena Remchukova. "RUSSIAN CLASSICAL LITERATURE TEXT AS A PRECEDENT PHENOMENON OF THE MODERN MEDIA SPACE". In NORDSCI International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/nordsci2020/b1/v3/18.

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The article is devoted to the functioning features of precedent texts in modern media discourse. Texts by F.M. Dostoevsky, namely, fiction, journalism and epistolary heritage, served as the research material. The relevance of the study is explained by the intertextual nature of the modern media space. The article shows that along with the use of Dostoevsky's precedent texts as signs of high culture, the modern media space also actively manifests the features of the postmodern cultural paradigm. The specifics of the latter include metatextuality, irony, various kinds of transformation, e.g., in headlines, which indicates their game foregrounding. Special attention is paid, firstly, to various types of intertextuality and ways of precedent phenomena foregrounding; secondly, to their use in various media areas (advertising, urban naming) and genres (interviews, internet blogs, etc.). The problem of recoding precedent phenomena is considered against the background of the use of signs of high culture as a form of reflection of modern mass consciousness in modern media communication, which is of research interest from an axiological point of view.

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Papakonstantinou, Nikolaos, Douglas L. Van Bossuyt, Joonas Linnosmaa, Britta Hale e Bryan O’Halloran. "Towards a Zero Trust Hybrid Security and Safety Risk Analysis Method". In ASME 2020 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/detc2020-22380.

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Abstract Designing and improving the resilience of complex sociotechnical/cyber-physical systems is not a simple task. Interdependencies between engineering domains can lead to emerging behavior which is difficult to predict and handle. Early identification of safety and security weaknesses of a safety-critical system leads to reduced redesign costs in later design phases. The scientific contribution of this paper is a method for early combined safety and security assessment based on interdisciplinary dependency models of the system. The focus is on the factors contributing to the estimation of the probabilities of successful attacks to system components. The Zero Trust paradigm is applied, in which all humans part of, or external to, the system pose a security risk. The estimation of security-related probabilities enables a combined safety and security overall risk calculation for the probability of losing specific key components or safety functions. The calculation of the security-related probabilities is a dynamic and difficult process that heavily depends on the domain and current global security environment. The methodology of this paper is demonstrated with a fictional case study of a spent fuel pool cooling system. The results of the case study showed that the overall risk of losing one key system component doubled when combining security and safety compared to only assessing safety events.

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Kramskova, Anna S. "TESTIMONIAL EVIDENTIALITY AT EXPRESSING EMOTIONAL-EVALUATIVE INTENSION IN TIBETAN". In 49th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2022. http://dx.doi.org/10.21638/11701/9785288062353.15.

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Abstract (sommario):

Modern Tibetan has a paradigm of evidential verb forms, with the help of which the speaker indicates the source of information or their access to it. The semantically marked testimonial evidentiality (which corresponds to sensory sources of information about the fact of the utterance) can be used by the speaker to implement various communicative intensions, in particular, emotional-evaluative intension. This article presents the results of a study of speaker’s expression of emotional-evaluative intension using the forms of testimonial evidentiality in Modern Literary Tibetan. The relevance of the work is based on the insufficient study of how Tibetan speakers express communicative intensions and how evidentiality is implemented in written Modern Tibetan. The analysis was carried out on a morphosyntactically marked corpus of 83,018 tokens combining 20 texts of various genres of fiction, academic and journalistic writing in Modern Tibetan. A speaker was understood as any addresser of an utterance in direct speech and first person narration parts of the text (author, literary character, lyrical subject). For the selection and analysis of utterances with an emotional-evaluative intension, contextual analysis was used, characterizing the addresser, addressee and the object of the utterance, speech situation, as well as the meaning of the verb form in the scope of the operational context. The analysis showed that when expressing emotional- evaluative intension with the help of testimonial evidentiality, the speaker emphasizes one of the aspects of the meaning of this type of evidentiality: 1) objective or perceptual lack of control over the observed action or situation by the speaker; 2) direct evidence of the fact of the utterance as a source for an unaddressed emotional state; 3) direct observation of the speaker as an evidence for assessing and validating the reliability of the reported fact. The article provides information on the evidential system of the Tibetan language and the most common communicative intensions formalized by testimonial evidentiality, as well as discusses in detail individual cases of expressing emotional-evaluative intension along with the analysis of the speaker’s communicative position and his choice of means of expression. Refs 22.

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Tavares, Tatiana. "Paradoxical saints: Polyvocality in an interactive AR digital narrative". In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.81.

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Abstract (sommario):

This artistic, practice-led PhD thesis is concerned with the potentials of polyvocality and interactive digital narrative. The practical project, Saints of Paradox, is constructed as a printed picture book that can be experienced through an Augmented Reality [AR] platform. The fictional story entails a woman who mourns the disappearance of her lover in the 1964 Brazilian coup d’état and lives for 40 years in a room of accumulated memories. IIn each illustration, the user can select three buttons on the tablet device that activates a different version of the story. Three narrators (saints) present interconnected but diverging interpretations of the events shaped by their distinct theological positions. The respective values of compassion, orthodoxy, and pragmatic realism distort details of imagery, sound, movement, and meaning. AR animated vignettes, each backed by a uniquely composed cinematic soundscape, allow characters to populate the luxuriously illustrated world. Candles flicker and burn, snakes curl through breathing flowerbeds, and rooms furnished with the contents of accumulated memories pulsate with mystery. The scanned image reviews an interactive parallax that produces a sense of three-dimensional space, functioning as a technical and conceptual component. Theoretically, the story navigates relationships between the real and the imagined and refers to magical real binary modes of textual representation (Flores, 1955, Champi, 1980; Slemon, 1988, 1995; Spindler, 1993; Zamora and Faris; 1995; Bowers, 2004). Here, meaning negotiates an unreliable, sometimes paradoxical pathway between rational and irrational accounting and polyvocal narration. The dynamics between the book and the AR environments produce a sense of mixed reality (actual and virtual). The narrative experience resides primarily in an unstable virtual world, and the printed book functions as an enigmatic unoccupied vessel. Because of this, we encounter a sense of ontological reversal where the ‘virtual’ answers the ambiguities presented by the ‘real’ (the book). In the work, religious syncretism operates as a reference to Brazilian culture and an artistic device used to communicate a negotiation of different voices and points of view. The strange and somehow congruous forms of European, African, and indigenous influences merge to form the photomontage world of the novel. Fragments of imagery may be considered semiotic markers of cultural and ideological miscegenation and assembled into an ambiguous ‘new real’ state of being that suggests syncretic completeness. Methodologically, the project emanates from a post-positivist, artistic research paradigm (Klein, 2010). It is supported by a heuristic approach (Douglass and Moustakas, 1985) to the discovery and refinement of ideas through indwelling and explicitness. Thus, the research draws upon tacit and explicit knowledge in developing a fictional narrative, structure, and stylistic treatments. A series of research methods were employed to assess the communicative potential of the work. Collaboration with other practitioners enabled high expertise levels and provided an informed platform of exchange and idea progression.

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