Letteratura scientifica selezionata sul tema "Palindromic verses in Tamil Literature"

Poets recreate their innermost feelings in the minds of the readers through their poems. In addition, the vast majority of occasional verses sung on poets’ own emotions. They are therefore classified as autobiographical poems. In these songs, poets not only write about the beauty of nature but also about their experiences of life and the literary world. Literature composed of pleasure, humour, carefree contentment, and the emotions of fear, sadness, anxiety, pain, rivalry, jealousy, frustration, and struggle are largely discussed in the occasional verses of medieval literature. The role of literature in the sociological and psychological analysis of the everyday life problems of poets becomes an integral part of their themes. How do the problems that this society affect the soul of an individual? In it, one can learn from the literature of the time. The success of the creators is that they create the best literature related to human life. Further, the uniqueness and personality of a poet are known by the excellence of his or her conceptual style. This article studies the verses that have been excluded from the history of Tamil literature, and known as the "Occasional Verses Collection (Single Anthology)".

The Sangam literature clearly captures the way of life and cultural characteristics of the ancient Tamils. It is the Sangam literature that reveals the antiquity and venerability of the Tamil people even today. Literature is composed of beautiful songs that are rich in ideas and imagination. It is through these verses that the backgrounds of the Brahmins, Kings, Vellalas, and Merchants who existed at that time can be understood. The occupations, customs, rituals, etc., of the people who lived in ancient society can be traced back to the Sangam literature. The Tamil language is the classical language of the world's languages. Literature in this language has innumerable details about culture. But in today's environment, culture is only found in the books we read. The purpose of this article is to reveal that the only truth is the idea that everyone, from the common man to the educated, is changing according to the times and the environment.

The Transforming Science: Some Remarks on the Medico-Alchemical Teachings in Selected Works of Siddha Yākōpu, with Special Reference to the Kuru Nūl Aimpattaintu The paper explores the concept of variously conceived transformations associated with figurative transcendence of manifold limitations, referred to in medico-alchemical Tamil Siddha literature. The research has been based on the study of selected texts of Yākōpu alias Irāmatēvar, one of prominent Tamil Siddha authors dated to 17th–18th centuries. Special reference has been made to the Kuru Nūl Aimpattaintu (“Fifty-five [Verses] of the Book on the Excellence”), considered by its author as a book containing some essential teachings of his science. The transformations referred to in the text concern both the domains of the human body, and the non-biological matter, being the object of alchemical operations of the Siddha adept. Such transforming science taught by Yākōpu is based on the action of certain substances credited with extraordinary potency.

Although literary works are the products of the imagination of individual writers, they are considered to be the voices of the times. It is appropriate to consider literature as the essence of a long history and as a necessary document for social change, rather than as a dry reflection of social currents. In this way, in the contemporary literary environment, more attention is paid to poetry, lyrical content, expressive ability, social vision, and new ideas than to other types of literature. Free verse, which in recent times has been identified as modern poetry, has developed in the form of singing new verses. Accordingly, these poems have the characteristic of absorbing the modern trends of recent times. In general, the free verse that appeared in the late nineteenth century was renaissance-oriented and addressed the morals of the human race living in a particular place. In addition, they looked closely at the effects of economic and social changes and acted in such a way as to express their effects immediately through depiction. Thus, the modern poems of recent periods depict the various types of changes that occur in society every day. Under it, the ideologies expressed in recent modern poetry appear as sources of 'confessions' and sources of life for the living people. Accordingly, the expressions of modern poetry have focused on important socio-political and economic issues such as humanity, life problems, contradictions, crises, imbalances, effects of contemporary trends, reactions etc. Accordingly, modern literature diverges from the classical language of Tamil grammatical traditional poetry that has existed so far. Individual disability, mental nature, experience impressions, anger at restrictions, resistance, unity for love, failure thoughts, likes and dislikes about politics, and slander can all be found in modern poems. In this way, this review examines the pains of the basic people's lives, the inequality positions, the economic problems of the peasants, and the inhuman misery between the relations from the poems of the recent period.

India has been the Land of notable poets whose exemplary works are world renowned. One such great poet is Thirugnana Sambandhar. He is a saint, poet, philosopher, composer who belongs to 7th Century. He was born in Seerkaazhi of Tamilnadu. He had coined many Special Geometrical poetic structures like Thiru ezhukkootrirukkai (poem with mathematical Triangular Pattern), Maalai Maatru (a poem with palindromic Structure), Mozhi Maatru (a poem in which the meaning of the poem can be observed by a systematic Chane of words), Gomuthri (Flow of the poem in such a way it forms a wave line), Chakramaatru (a poem which is constructed in a circular form ). By the above mentioned amazing structure He has no parallels in the worlds poetry Thirugnana Sambandhar is the epitome of Tamil Literature has penned down many such extraordinary poems. A Mathematician is one who uses an extensive knowledge of Mathematics in their work. Mathematicians are concerned with numbers, data, quantity, structure, space,models and change. Here in this poetic form Thiruezhukkootrirukkai Thirugnana Sambandhar had used numbers in a brilliant way to form a Triangle. This is called “Chitrakavi” in Tamil. By analyzing the whole poem we will get a geometrical structure. In this Thiruezhukkootrirukkai Thirugnana Sambandhar has constructed the words in such a way to form a symmetrical triangle. These triangle is arranged in a perfect mathematical calculation. This can be analysed through the law of binomial co- efficient. This is analysed and proved in this paper. Thirugnana Sambandhar belongs to 7th Century whereas the Scientist and Mathematician Pascal who discovered the law of Bi-nomial co-efficient belongs to 17th century. Other than this Mathematical diagram of triangle this poem has Palindromic numbers which add more beauty to this structure which is also a mathematical calculation. By constructing this amazing poetic structure Thirugnana Sambandhar proves beyond doubt that he is a “Mathematician” of India of the 7th Century itself who had applied the law of triangle earlier.

The reason for the pride and richness of a language is due to the grammar and literature that have emerged in the eyes of that language. The epics occupy a significant place in those verses. Homer's Iliad and Odyssey, considered to be the oldest epics in the world, have also been written in accordance with the epic tradition of that language. Indian language epics are also written within the epic tradition of the regional languages. These include the five great and minor epics that have appeared in the Tamil language; the Kamba Ramayanam, the Periyapuranam, etc. However, if we examine whether the Sangam literature, viz., the songs and the thokai, falls within the epic tradition, the Agam and Puram songs contain at least a few of the epic traditions of the Dandiya author. It can be seen that the majority of the epic elements have been matched in the Kalitthokai and the Pathuppaattu Songs. This study is intended to examine how the epic traditions have adapted to the song that has been taken up for the subject matter of the study. In particular, this study has revealed whether the epic grammar of the Dandiya author has been followed.

The events of life become literary records. No statement can be explained without pointing to at least one of the three periods of the past, present, and future. All the elements of the poem are special additions to the poem's specialty. In this way, the element of time helps to enhance the subtlety of the poem. The purpose of the term can be realized by understanding the way in which the elements of time are arranged. The Sangam literature deals with the various aspects and values of life, which are divided into Agatthinai and Puratthinai. Tolkappiyam defines the grammar of how Tamil verses should be arranged without breaking the tradition. In this article, it is examined with some evidence how the element of time, which the Tolkappiyar has shown as one of the elements of poetry, has been studied in the Korunthokai volumes. Finally, the element of time is an essential part of the verse, and the special additional style has been explained. The idea that it could be used as an extensive research field has also been put forward.

It is the Sangam literature that is a testament to the antiquity of the Tamil language and a repository of Tamil culture. Such Sangam literature has continued to be read in one form or another since its inception. The Sangam literature, which was considered oral literature, was read aloud through recitation and singing. It can be seen from the verses of Nannul that the reading continued till the time of Sage Bhavananthi, who composed Nannul, which is considered a dependent of the book of Tolkappiyam. The advent of the printing press in the late nineteenth and early twentieth centuries made the Sangam literature hidden in paper prints accessible to all. This article summarises the continuous reading of Sangam literature from aural reading, which is known to have been the case during the Tolkappiyam period, to today's online reading.

In the Tamil siddha texts, the passages on yoga frequently interlace with teachings on alchemy. The texts on these domains of the traditional siddha knowledge are often composed in a deliberately ambiguous and obscure manner, which results from the use of various strategies, such as wordplay riddles, metaphors, ellipses and vague technical vocabulary. In this article, I examine ambiguous passages in the alchemical literature of the Siddhars which, apart from their literal, alchemical meaning, can be also interpreted as metaphorical allusions to yogic practices and concepts. I concentrate mostly on the literature ascribed to Siddhar Yakopu, tentatively dated to the seventeenth century. I analyse several instances of equivocal verses and consider the possible role of the obscure passages. I study the intertwined alchemical and yogic discourse and I reflect on the siddha understanding of matter.

The purpose of this study is to explore the innovations that creator Sujatha has used in her works and that she has some unique identities in handling language. The explanatory approach approach has been handled based on the thread study of this study. The researcher confirms that Sujatha is also a great creator in the world of Tamil literature. Creators use many elements in their work to convey to the reader the emotions they have received. The creator can be identified by examining those elements. The study aims to identify her uniqueness in Sujatha's work. In Sujata's works, the language structure is better than the plot. His essence has been adopted by later literary men as well. I am learning a lot from Sujatha in the post-modernist Charu Nivedita uirmai magazine. Also says my teacher (p.43). S. Ramakrishnan says of Sujatha's "chopped verses are a forerunner to those like me today".