Letteratura scientifica selezionata sul tema "Operas – film adaptations"
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Articoli di riviste sul tema "Operas – film adaptations"
Adams, Christy Thomas. "Staging the Cinematic: Puccini, Fanciulla, and Early Silent Film". Journal of the American Musicological Society 76, n. 1 (2023): 1–55. http://dx.doi.org/10.1525/jams.2023.76.1.1.
Testo completoCitron, Marcia J. "Opera-Film as Television: Remediation in Tony Britten's Falstaff". Journal of the American Musicological Society 70, n. 2 (2017): 475–522. http://dx.doi.org/10.1525/jams.2017.70.2.475.
Testo completoKropova, Daria Sergeevna. "From Greek Tragedy To Opera-Film". Journal of Flm Arts and Film Studies 7, n. 2 (15 giugno 2015): 62–72. http://dx.doi.org/10.17816/vgik7262-72.
Testo completoRadigales, Jaume, e Isabel Villanueva-Benito. "Technology, Audio-visual Adaptation and Cultural Re-education of Opera". Tripodos, n. 51 (27 gennaio 2022): 131–42. http://dx.doi.org/10.51698/tripodos.2021.51p131-142.
Testo completoGonzález Chávez, Carmen Milagros. "El mundo bajo la máscara: el vórtice creativo en Le Fantôme de l’Opera". Latente Revista de Historia y Estética audiovisual 20 (2022): 81–102. http://dx.doi.org/10.25145/j.latente.2022.20.03.
Testo completoZECHNER, INGEBORG. "Multiple-Music Versions?" Music, Sound, and the Moving Image 15, n. 2 (1 dicembre 2021): 133–64. http://dx.doi.org/10.3828/msmi.2021.9.
Testo completoKujawska-Lis, Ewa. "(Trans)fusions of Conrad’s darkness: Selected adaptations of Heart of Darkness". Journal of Adaptation in Film & Performance 14, n. 1 (1 marzo 2021): 65–86. http://dx.doi.org/10.1386/jafp_00043_1.
Testo completoBren, Frank. "Connections and Crossovers: Cinema and Theatre in Hong Kong". New Theatre Quarterly 14, n. 53 (febbraio 1998): 63–74. http://dx.doi.org/10.1017/s0266464x0001174x.
Testo completoPascal, Marie. "A Conversation with Linda Hutcheon on Film Adaptation". Transcr(é)ation 1, n. 1 (15 settembre 2022): 1–5. http://dx.doi.org/10.5206/tc.v1i1.15008.
Testo completoWilson, Alexandra. "Unreliable Authors, Unreliable History: Opera in Joe Wright’s Adaptation ofAtonement". Cambridge Opera Journal 27, n. 2 (luglio 2015): 155–74. http://dx.doi.org/10.1017/s095458671500004x.
Testo completoTesi sul tema "Operas – film adaptations"
Martucci, Maurício Dotto. "Dialogismo e tradução intersemiótica em Pink Floyd The Wall: luto e melancolia na Inglaterra do pós-guerra". Universidade Federal de São Carlos, 2010. https://repositorio.ufscar.br/handle/ufscar/5590.
Testo completoThe film Pink Floyd The Wall, adaptation to the cinema of the Pink Floyd´s concept album, tells the Pink´s story, a musician, that was born in England during the World War II final years, he had his father died in a battle and this fact start a process of depression and melancholy that culminate in his total apathy towards life. This research has its focus on the literary content of the songs from the original album, the aim is study the film formal structure, its differences, similarities and complementarities comparing to the album narrative, observing the translation and artistic recreation process from the album to the movie and also confirming the dialogical relations between the different problems, contextualization, languages and representations explored in this art piece.
O filme Pink Floyd The Wall, adaptação para o cinema do álbum conceitual da banda Pink Floyd, narra a história, desde a infância até sua completa alienação, do protagonista Pink, um músico nascido na Inglaterra nos anos finais da Segunda Guerra Mundial, cuja morte do pai durante a guerra lhe desencadeia um processo de depressão e melancolia que culmina em sua total apatia diante da vida. A presente pesquisa, tendo como foco o teor literário das canções do álbum original, tem por objetivo o estudo da estrutura formal do tecido fílmico, suas diferenças, semelhanças e complementaridades com a narrativa musical contida no álbum, observando e constatando os processos de tradução e recriação de uma obra para outra, além das relações dialógicas entre as diferentes problemáticas, contextualizações, linguagens e representações exploradas na obra.
Sen, Suddhaseel. "The Afterlife of Shakespeare's Plays: A Study of Cross-cultural Adaptations into Opera and Film". Thesis, 2010. http://hdl.handle.net/1807/32186.
Testo completoKolich, Tomáš. "Makabrózní, mysteriózní, monstrózní. Architektura a prostředí v gotickém hororu". Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-353862.
Testo completoKupková, Marika. "Z písaře ministerským radou: Působení Jiřího Mařánka v kinematografii čtyricátých a padesátých let". Doctoral thesis, 2017. http://www.nusl.cz/ntk/nusl-371279.
Testo completoLibri sul tema "Operas – film adaptations"
Demonet, Gilles, e Jean-Pierre Saez. Opéra à l'écran: Opéra pour tous? : nouvelles offres et pratiques culturelles. Paris: L'Harmattan, 2013.
Cerca il testo completoKacem, Mehdi Belhaj. La seconde vie de l'opéra. Paris: Scheer, 2012.
Cerca il testo completoDanièle, Huillet, Straub Jean-Marie e Schoenberg Arnold 1874-1951, a cura di. Moïse et Aaron. Toulouse: Ombres, 1990.
Cerca il testo completoTambling, Jeremy. Opera, ideology and film. Manchester: Manchester University Press, 1987.
Cerca il testo completoTambling, Jeremy. Opera, ideology, and film. New York: St. Martin's Press, 1987.
Cerca il testo completoRochelle, Réal La. Opérascope: Le film-opéra en Amérique. Montréal, Québec: Triptyque, 2003.
Cerca il testo completoFreitag, Wolfgang. Amadeus & Co: Mozart im Film. Mödling-Wien: Edition Umbruch, 1991.
Cerca il testo completoKünzig, Bernd. Richard Wagner und das Kinematographische. Eggingen: Edition Isele, 1990.
Cerca il testo completoCroissant, Charles R. Opera performances in video format: A checklist of commercially released recordings. Canton, Mass: Music Library Association, 1991.
Cerca il testo completoSalzburger Symposion (1989- ) (11th 1999). Das Musiktheater in den audiovisuellen Medien: "--ersichtlich gewordene Taten der Musik" : Vorträge und Gespräche des Salzburger Symposions 1999. Anif/Salzburg: Mueller-Speiser, 2001.
Cerca il testo completoCapitoli di libri sul tema "Operas – film adaptations"
Newell, Kate. "Transferring Handmaids: Iconography, Adaptation, and Intermediality". In Beyond Media Borders, Volume 2, 33–57. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49683-8_2.
Testo completoMcHugh, Dominic. "“We’re Not in Kansas Any More”". In Adapting The Wizard of Oz, 161–82. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190663179.003.0009.
Testo completoIyengar, Sujata. "Beds, Handkerchiefs and Moving Objects in Othello". In Variable Objects, 21–36. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474481397.003.0002.
Testo completoKam, Tan See. "Three-Women Fiction, Mandarin Ducks and Butterflies". In Tsui Hark's Peking Opera Blues. Hong Kong University Press, 2016. http://dx.doi.org/10.5790/hongkong/9789888208852.003.0006.
Testo completoDagna, Stella. "Dangerous Liaisons: Quo vadis? (1913, dir. Enrico Guazzoni) and the Previous Theatrical Adaptations of Sienkiewicz’s Novel". In The Novel of Neronian Rome and its Multimedial Transformations, 123–42. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198867531.003.0008.
Testo completoPanova, Olga Yu. "Contemporary British-American Stage and Cinema Adaptations of Fyodor Dostoevsky’s Notes from Underground". In “Notes from Underground” by F.M. Dostoevsky in the Culture of Europe and America, 692–713. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/978-5-9208-0668-0-692-713.
Testo completoAndré, Naomi. "Carmen". In Black Opera, 120–66. University of Illinois Press, 2018. http://dx.doi.org/10.5622/illinois/9780252041921.003.0005.
Testo completoRoberts, Gillian. "The Empire Gazes Back? The Portrait of a Lady and Vanity Fair". In Race, Nation and Cultural Power in Film Adaptation, 19–48. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781474483537.003.0002.
Testo completo"The Spoken Opera-Film Fedora (1942): Intermedial Transposition and Implicit Operatic References in Film". In Essays on Word/Music Adaptation and on Surveying the Field, 75–92. Brill | Rodopi, 2008. http://dx.doi.org/10.1163/9789004358041_006.
Testo completoTurquety, Benoît. "The Power of Speech (or the Voice), of Seeing and the Path: Moses And Aaron". In Danièle Huillet, Jean-Marie Straub. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463722209_ch03.
Testo completo