Letteratura scientifica selezionata sul tema "Olivier (1974-....)"
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Articoli di riviste sul tema "Olivier (1974-....)":
1
Forsyth, Louise. "Olivier Dumas, La scène québécoise au féminin, 12 coups de théâtre 1974-1988". Theatre Research in Canada 41, n. 1 (gennaio 2020): 162–67. http://dx.doi.org/10.3138/tric.41.1.162.
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François, Stéphane. "Olivier Dard, Ana Isabel Sardinha-Desvignes, Célébrer Salazar en France (1930-1974). Du philosalazarisme au salazarisme franç". Questions de communication, n. 34 (31 dicembre 2018): 353–54. http://dx.doi.org/10.4000/questionsdecommunication.16487.
3
Bernard, Jonathan W. "Messiaen's Synaesthesia: The Correspondence between Color and Sound Structure in His Music". Music Perception 4, n. 1 (1986): 41–68. http://dx.doi.org/10.2307/40285351.
Abstract (sommario):
Olivier Messiaen's published descriptions of his works and the color labels that appear in certain of his scores show that he is affected by colored-hearing synaesthesia. Because Messiaen's color responses, like those of other synaesthetes, exhibit a high degree of internal consistency, the analyst may tabulate the available correlations between sound and color and use them to explore the various factors, objectively considered, that govern Messiaen's color associations. The importance of absolute pitch and of the modes of limited transposition is studied, as are the conditions under which vertical spacing and pitch-class-set identity may assume primary significance in color delineation. The conclusions reached offer a key to more general matters of structure in Messiaen's music. Examples are drawn from several of Messiaen's works, dating from 1929 to 1974.
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Stagnaro, Juan Carlos. "Grandes psiquiatras argentinas". Vertex Revista Argentina de Psiquiatría 30, n. 148 (1 dicembre 2019): 426–53. http://dx.doi.org/10.53680/vertex.v30i148.125.
Abstract (sommario):
Dossier: Grandes psiquiatras argentinas: Arturo AMEGHINO (1869-1948), René ARDITI ROCHA (1904-1962), Gregorio BERMANN (1894-1972), José T. BORDA (1869-1936), Gonzalo BOSCH (1885-1965), Exequías BRINGAS NÚÑEZ (1904-2000),Domingo CABRED (1859-1929), Raúl CAMINO (1939-2018), Lanfranco CIAMPI (1885-1962), Juan DALMA (1895-1977), Francisco DE VEYGA (1866-1942), Noel FELDMAN (1928-2001), R. Horacio ETCHEGOYEN (1919-2016), Jorge GARCÍA BADARACCO (1924-2010), Mauricio GOLDENBERG (1916-2006), José INGENIEROS (1877-1925), Cristofredo JAKOB (1856-1966), Alejandro KORN (1860 -1936), Enrique Eduardo KRAPF (1901-1963), Osvaldo LOUDET (1889-1983), Lucio MELÉNDEZ (1844-1901), Braulio MOYANO (1906-1959), Juan M. OBARRIO (1878-1958), Elpidio R. OLIVERA (1924-2016), Carlos Rodolfo PEREYRA (1903-1965), Enrique PICHON RIVIÈRE (1907-1977), José María RAMOS MEJÍA (1852-1914), Telma RECA (1904-1979), Carolina TOBAR GARCIA (1898-1962), Guillermo VIDAL (1917-2000).
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Guedj, Jérémy. "Olivier Dard, Ana Isabel Sardinha-Desvignes, Célébrer Salazar en France (1930-1974). Du philosalazarisme au salazarisme français, Bruxelles, Peter Lang, 2018, 326 p." Cahiers de la Méditerranée, n. 99 (15 dicembre 2019): 209–12. http://dx.doi.org/10.4000/cdlm.12984.
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Almeida, Dimitri. "DARD, Olivier & Ana Isabel Sardinha-Desvignes. 2018. Célébrer Salazar en France (1930-1974): Du philosalazarisme au salazarisme français. Bruxelles : Peter Lang (Convergences, vol. 90)." apropos [Perspektiven auf die Romania], n. 5 (17 dicembre 2020): 170. http://dx.doi.org/10.15460/apropos.5.1588.
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Pereira, Victor. "Dard Olivier et Sardinha-Desvignes Ana Isabel , Célébrer Salazar en France (1930-1974). Du philosalazarisme au salazarisme français , Bruxelles, Peter Lang, 2018, 326 p., 55 €". 20 & 21. Revue d'histoire N° 144, n. 4 (2 ottobre 2019): 211ao—243. http://dx.doi.org/10.3917/vin.144.0211ao.
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Mouric, Joël. "Dard, Olivier/Sardinha-Desvignes, Ana Isabel: Célébrer Salazar en France (1930–1974). Du philosalazarisme au salazarisme français, 338 S., Lang, Frankfurt a. M. u. a. 2018." Neue Politische Literatur 64, n. 2 (3 giugno 2019): 411–13. http://dx.doi.org/10.1007/s42520-019-00080-w.
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Syed, A., e K. Graham. "RESPONSE OF THE MOUNTAIN PINE BEETLE, DENDROCTONUS PONDEROSAE HOPKINS, TO ETHANOL IN A LABORATORY OLFACTOMETER". Canadian Entomologist 119, n. 5 (maggio 1987): 489–90. http://dx.doi.org/10.4039/ent119489-5.
Abstract (sommario):
Graham (1968) demonstrated that logs became attractive to ambrosia beetles after the sapwood was subjected to anaerobic conditions. Pursuing this lead, Cade et al. (1970) and Moeck (1970a, 1970b, 1971) extracted, analyzed, and bioassayed anaerobic products from western hemlock and Douglas-fir trees and ascertained that ethanol was the principal “primary attractant” to the ambrosia beetles, Gnathotrichus sulcatus (LeConte) and Trypodendron lineatum (Olivier), respectively. The demonstration that ethanol enhanced the response of the Douglas-fir beetle, Dendroctonus pseudotsugae Hopkins, to its aggregation pheromones frontalin and seudenol (Pitrnan et al. 1975) suggested that ethanol could also be involved in the primary attraction of or host recognition by bark beetles. We report that the mountain pine beetle, Dendroctonus ponderosae Hopkins, is arrested to ethanol in a laboratorv olfactometer.
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Pinho, Davi. "O CONTO DE VIRGINIA WOOLF – OU FICÇÃO, UMA CASA ASSOMBRADA". IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 23, n. 2 (4 dicembre 2019): 03–17. http://dx.doi.org/10.34019/1982-0836.2019.v23.29176.
Abstract (sommario):
O presente artigo se debruça sobre o conto “Casa Assombrada”, coletado no único volume de contos que Virginia Woolf publicou em vida, Monday or Tuesday (1921), para investigar de que maneira seus contos intensificam a crise dos gêneros literários que seus romances encenam, por um lado; e para entender como tal crise é análoga à questão política que assombra toda sua obra, por outro lado: o gênero enquanto questão identitária. Em diálogo com a filosofia e com a crítica woolfiana, este estudo articula essa “crise dos gêneros” (gender x genre) e, ao mesmo tempo, produz uma contextualização histórico-cultural dos contos de Virginia Woolf.
Palavras-chave: Virginia Woolf. Conto. Gênero literário. Questões de gênero.
Referências
AGAMBEN, Giorgio. Elogio da profanação. In: AGAMBEN, Giorgio. Profanações. Tradução Selvino Assman. São Paulo: Boitempo, 2007. p. 65-81
BENJAMIN, Walter. Sobre a linguagem em geral e sobre a linguagem humana. In: Linguagem, tradução, literatura. Tradução João Barrento. Belo Horizonte: Autêntica, 2018 [1916]. p. 9-27.
BENZEL, Kathryn N.; HOBERMAN, Ruth. Trespassing boundaries: Virginia Woolf’s Short Fiction. New York: Palgrave MacMillan, 2004.
BRAIDOTTI, Rosi. Nomadic theory: The portable Rosi Braidotti. New York: Columbia University, 2011.
BRIGGS, Julia. Virginia Woolf, an Inner Life. Londres: Harcourt Brace, 2005.
CIXOUS, Hélène. First names of no one. In: SELLERS, Susan (org.). The Hélène Cixous Reader. Londres: Routledge, 1994 [1974]. p. 25-35.
DELEUZE, Gilles; GUATTARI, Félix. 28 de novembro de 1947 – Como criar para si um corpo sem órgãos?. Tradução Aurélio Guerra Neto. In: DELEUZE, Gilles; GUATTARI, Félix. Mil Platôs. São Paulo: 34, 1996 [1980]. v. 3. p. 11-34.
FOUCAULT, Michel. Docile bodies. In: FOUCAULT, Michel; RABINOW, Paul (ed.). The Foucault reader. Toronto: Penguin, 1984a. p. 179-187.
FOUCAULT, Michel. The body of the condemned. In: FOUCAULT, Michel; RABINOW, Paul (ed.). The Foucault reader. Toronto: Penguin, 1984b. p. 170-178.
GOLDMAN, Jane. Modernism, 1910-1945, Image to apocalypse. Basingstoke: Palgrave Macmillan, 2004.
GOLDMAN, Jane. The Cambridge introduction to Virginia Woolf. Cambridge: Cambridge University, 2006.
HARRIS, Wendell. Vision and form: the English novel and the emergence of the story. In: MAY, Charles (ed.). The new short story theories. Athens, Ohio: Ohio University, 1994. p. 181-191.
KRISTEVA, Julia. Stabat mater. Tradução A. Goldhammer. In: MOI, Toril (ed.). The Kristeva reader. Oxford: Blackwell, 1986 [1977]. p. 160-187.
MATTHEWS, Brander. The philosophy of the short-story. Londres: Forgotten, 2015. [1901].
PEREIRA, Lucia Miguel. Dualidade de Virginia Woolf. In: ______. Escritos da maturidade. Rio de Janeiro: Graphia, 2005. [1944] p. 106-110.
SELLERS, Susan (ed.). The Cambridge Companion to Virginia Woolf. 2. ed. Cambridge: Cambridge University, 2010.
WOOLF, Leonard. Beginning again: an autobiography of the years 1911 to 1918. New York: Harvest, 1975. [1964]
WOOLF, Leonard. Editorial Preface. In: WOOLF, Virginia; WOOLF, Leonard (eds.). Granite and rainbow. Londres: Harcourt, 1958. p. 7-8.
WOOLF, Leonard. Foreword. In: WOOLF, Virginia; WOOLF, Leonard (eds.). A haunted house and other stories. Londres: Harcourt, 1944. p. v-vi.
WOOLF, Virginia. A haunted house. In: WOOLF, Virginia; WOOLF, Leonard (eds.). A haunted house and other stories. Londres: Harcourt, 1944 [1921]. p. 3-5.
WOOLF, Virginia. A room of one’s own & Three guineas. Londres: Oxford University, 1992 [1929] [1938].
WOOLF, Virginia. A sketch of the past. In: WOOLF, Virginia; SCHULKIND, Jeanne (eds.). Moments of being. London: Harcourt Brace, 1985 [1976]. p. 64-159.
WOOLF, Virginia. Casa assombrada. In: WOOLF, Virginia. Contos completos. Tradução Leonardo Fróes. São Paulo: Cosac Naify, 2005 [1921]. p. 162-165.
WOOLF, Virginia. Granite and rainbow, ed. Leonard Woolf. Londres: Harcourt, 1958.
WOOLF, Virginia. Jacob’s room. Oxford: Oxford University, 2008 [1922].
WOOLF, Virginia. Kew gardens. In: WOOLF, Virginia; WOOLF, Leonard (eds.). A haunted house and other stories. Londres: Harcourt, 1944 [1919]. p. 28-36.
WOOLF, Virginia. Men and women. In: WOOLF, Virginia; BARRETT, Michele (eds.). Women and writing. Londres: Harcourt, 1979 [1920]. p. 64-68.
WOOLF, Virginia. Modern fiction. In: WOOLF, Virginia. The common reader: first series. Londres: Vintage, 2003 [1925]. p. 146-154.
WOOLF, Virginia. Monday or Tuesday. Londres: The Hogarth, 1921.
WOOLF, Virginia. Night and day. ed. Michael Whitworth. Cambridge: Cambridge University, 2018.
WOOLF, Virginia. Professions for women. In: WOOLF, Virginia; WOOLF, Leonard (eds.). The death of the moth and other essays. Londres: Harcourt, 1942 [1931].
WOOLF, Virginia. The complete shorter fiction of Virginia Woolf. ed. Susan Dick. Orlando: Harcourt, 2006 [1985].
WOOLF, Virginia. The diary of Virginia Woolf, ed. Anne Olivier Bell, 5 vols. New York: Penguin, 1979-1985 [1977-1984].
WOOLF, Virginia. The letters of Virginia Woolf, ed. Nigel Nicolson, 6 vols. Londres: The Hogarth, 1975-1980.
WOOLF, Virginia. The mark on the wall. In: WOOLF, Virginia; WOOLF, Leonard (eds.). A haunted house and other stories. Londres: Harcourt, 1944 [1921]. p. 37-47.
WOOLF, Virginia. Thoughts on peace in an air raid. In: ______. The death of the moth and other essays, ed. Leonard Woolf. Londres: Harcourt Brace Jovanovich, 1942. [1940]
WOOLF, Virginia. The voyage out. Oxford: Oxford University, 2009 [1915].
WOOLF, Virginia. The waves. Oxford: Oxford University, 1992 [1931].
Tesi sul tema "Olivier (1974-....)":
1
Schmidt, Oliver René [Verfasser], e Silke [Akademischer Betreuer] Hensel. "Afroamerikanische GIs in Deutschland 1944 bis 1973 / Oliver René Schmidt. Betreuer: Silke Hensel". Münster : Universitäts- und Landesbibliothek der Westfälischen Wilhelms-Universität, 2013. http://d-nb.info/1034311794/34.
2
Schmidt, Oliver R. [Verfasser], e Silke [Akademischer Betreuer] Hensel. "Afroamerikanische GIs in Deutschland 1944 bis 1973 / Oliver René Schmidt. Betreuer: Silke Hensel". Münster : Universitäts- und Landesbibliothek der Westfälischen Wilhelms-Universität, 2013. http://nbn-resolving.de/urn:nbn:de:hbz:6-37379495788.
3
Da, Silva Lala Amaral. "L'enjeu colonial dans les relations franco-portugaises, 1944-1974". Paris, Institut d'études politiques, 2007. http://www.theses.fr/2007IEPP0021.
Abstract (sommario):
Au lendemain de la Deuxième Guerre mondiale, il y a parmi les puissances administrantes, une convergence de vue sur la nécessité de constituer un « front commun », notamment en Afrique Noire, afin de résister à l’offensive anticoloniale. Dans le cadre de ce rapprochement, la Commission de Coopération Technique en Afrique Noire (CCTA), mise en place par les puissances administrantes, joue le rôle de bouclier contre l’intérêt manifesté par les Etats-Unis et les institutions de l'ONU pour l’Afrique. Dès lors, la France et le Portugal épousent ces différentes inquiétudes. Part la suite, dans le contexte de la guerre froide, de la décolonisation, des guerres de libération, de la construction européenne, ces deux nations se rapprochent. Dans la stratégie de la politique de grandeur qui consiste précisément à briser les structures du monde bipolaire, l’empire colonial portugais constitue un atout précieux. En effet, Charles de Gaulles et Salazar partagent les mêmes réserves à l’encontre des Etats-Unis. A cet égard, même si la crise de Suez constitue un échec cuisant pour les puissances coloniales, elle amorce néanmoins une nouvelle ère des relations franco-portugaises. Désormais, les Portugais sont définitivement convaincus que les Etats-Unis ne sont pas en mesure de garantir la souveraineté de leurs colonies. Au moment même où la politique britannique de "self government" est qualifiée par les autorités portugaises comme celle d'abandon, l'indépendance française vis-à-vis de Washington s'impose comme un élément décisifIn the wake of the Second World War, the administering Powers came to agree on the necessity of forming a “common front”, notably in Black Africa, to resist the anti-colonial offensive. In the context of this closer alignment, the Commission of Technical Cooperation in Black Africa (CCTA), established by the administering Powers, would play the role of a shield against the interest shown by the United States and the institutions of the UN in Africa. From now on, France and Portugal both took up these different concerns. In the context of the cold war, decolonisation, wars of liberation and European construction which followed, the two nations would become even closer. In pursuing the strategy of politics of national grandeur – which consisted of shattering the structures of the bipolar world – the Portuguese colonial empire was a precious asset. Indeed, Charles de Gaulle and Salazar shared the same reservations about the United States. From this perspective, even if the Suez crisis was a resounding failure for the colonial powers, it was the beginning of a new era in Franco-Portuguese relations. From this point onwards, the Portuguese were conclusively convinced that the United States was not in a position to guarantee the sovereignty of their colonies. At the same time as the policy of self government was described by the Portuguese authorities as that of abandon, French independence from Washington became a decisive factor
4
Woodford, Benjamin. "Oliver Cromwell and the Print Culture of the Interregnum". Thesis, Kingston, Ont. : [s.n.], 2007. http://hdl.handle.net/1974/695.
5
Adouni, Mouna. "La représentation de la figure du bourreau dans Les Bienveillantes de Jonathan Littel, La Part de l'autre d'Eric-Emmanuel Schmitt, La Disparition de Josef Mengele d'Olivier Guez et HhHH Laurent Binet". Electronic Thesis or Diss., Université de Lille (2022-....), 2023. http://www.theses.fr/2023ULILH059.
Abstract (sommario):
Nous envisageons l'étude d'une figure problématique : le criminel ou le bourreau nazi dans quatre romans contemporains. La cohérence du corpus retenu (La Part de l'autre d'E.-E. Schmitt, Les Bienveillantes de B. Littell, HHhH de L. Binet et La Disparition de Josef Mengele d'O. Guez) tient à la fois à cet aspect thématique lié à la représentation d'une réalité historique, mais aussi à l'empan chronologique choisi et à l'enjeu éthique qu'il induit : comment aujourd'hui « parler » du bourreau, comment lui donner la parole, sans accréditer d'une manière ou d'une autre l'idéologie funeste dont il se réclame ? Pour relever ce défi épistémologique, nous convoquons l'histoire de longue durée en interrogeant la place et la fonction du bourreau au travers des siècles. Nous montrons ensuite comment les procédures narratives des romans de son corpus restituent les logiques sociales qui rendent possible l'émergence d'une telle figure ; loin de toute complaisance psychologique pour la thématique du mal insondable, de la cruauté ou de la perversité romantiquement satanique, les écrivains contemporains entreprennent de déconstruire légendes noires et mythologies de la malédiction pour mettre en relief les rouages d'une rationalité purement instrumentale. La filiation avec les thèses d'Hannah Arendt sur la banalité du mal et la fiction documentée de Robert Merle (La Mort est mon métier, 1952) est à cet égard patente. La temporalité, l'espace, le système des personnages convergent pour replacer le bourreau dans une intelligibilité qui fait comprendre les faits (y compris psychiques) sans les justifier, ou les minorer. La dernière partie de la thèse apporte la pièce la plus fondamentale à la démonstration : contre les positions peu éclairées dont Charlotte Lacoste est la représentante la plus éminente (Séductions du bourreau. La négation des victimes, PUF, 2010), la chercheuse montre très bien comment les dispositifs énonciatifs qui travaillent une narration ventriloque, polyphonique (narrateur critique, usages de l'ironie) interdisent au lecteur de tomber dans le piège de la séduction ou de la manipulation nazie. Loin de toute esthétisation, de toute marchandisation des horreurs de l'histoire, les quatre romans du corpus constituent des mises en œuvre efficaces d'une anti-séduction littéraireWe consider the study of a problematic figure: the criminal or the Nazi executioner in four contemporary novels. The coherence of the corpus retained (La Part de l'autre d'E. Schmitt, Les Bienveillantes de B. Littell, HHhH de L. Binet and La Disparition de Josef Mengele d'O. Guez) is due both to this thematic aspect linked to the representation of a historical reality, but also to the chosen chronological span and the ethical issue that it induces: how can we today «speak» of the executioner, how can we give him the floor, without in any way accrediting the disastrous ideology that he claims to be? To meet this epistemological challenge, we summon the long history by questioning the place and the function of the executioner through the centuries. We then show how the narrative procedures of the novels of his corpus restore the social logics that make possible the emergence of such a figure; far from any psychological complacency for the theme of unfathomable evil, of romantically satanic cruelty or perversity, contemporary writers undertake to deconstruct black legends and mythologies of the curse to highlight the workings of a purely instrumental rationality. The filiation with the theses of Hannah Arendt on the banality of evil and the documented fiction of Robert Merle (Death is my profession, 1952) is in this respect patent. The temporality, the space, the system of the characters converge to place the executioner in an intelligibility that makes understand the facts (including psychic) without justifying them, or reduce them. The last part of the thesis brings the most fundamental piece to the demonstration: against the poorly lit positions of which Charlotte Lacoste is the most eminent representative (Seductions of the executioner. The denial of victims, PUF, 2010), the researcher shows very well how enunciative devices that work a ventriloquist narration, polyphonic (critical narrator, uses of irony) forbid the reader to fall into the trap of Nazi seduction or manipulation. Far from any aestheticization, from any commodification of the horrors of history, the four novels of the corpus constitute effective implementations of a literary anti-seduction
6
Barnes, Jennifer Ann. "Shakespeare's Olivier : selfhood, nationhood and the cinema (1944-1958)". Thesis, University of Exeter, 2012. http://hdl.handle.net/10036/3585.
Abstract (sommario):
This thesis traces the construction and evolution of the star text of Laurence Olivier as it relates to cinematic Shakespeare production and formulations of nationhood in 1940s and 1950s Britain. Organised around an examination of Olivier’s four Shakespearean film adaptations (including the unmade Macbeth), the project focuses on the ways in which the concept of 'Shakespeare' – signalled throughout by its italicisation – is appropriated through Olivier’s image in relation to the industrial and cultural contexts of the wartime and post-war British film industry. It also examines articulations of Shakespearean selfhood and related reappropriations of the filmic image in Olivier’s life writing, exploring how Olivier engages with his own star persona. In examining the relationship that exists between broader industrial-cultural appropriations of 'Shakespeare' and a sense of a star’s personal connection with the national poet, the thesis explores (in addition to the film texts) extratextual materials such as fan letters, publicity documents, theatre and film ephemera, magazine interviews, newspaper criticism, industrial reports and personal and professional correspondence in order to interrogate the national-cultural function of a star text whose image is aligned to 'Shakespeare'. This thesis seeks to make an original contribution to Shakespeare on screen studies by constituting the fullest study of Laurence Olivier’s cinematic Shakespearean career to date. In introducing and analysing previously unseen archival material (including screenplays and shooting scripts relating to the unmade Macbeth), the thesis informs our understanding of the evolving history of British Shakespeare production and, therefore, of the history of Shakespeare on screen. Rethinking Olivier’s cultural currency as a Shakespearean star in 2012 and in the space of the archive, the thesis also contributes to the theoretical thinking underpinning Shakespearean performance studies and archival studies. Finally, the thesis opens the way for further considerations as to how (and to what effect) the Shakespearean star operates as a national and transnational phenomenon.
7
Papi, Silmara de Oliveira Gomes 1965. "Professoras iniciantes bem sucedidas : um estudo sobre seu desenvolvimento profissional / Silmara de Oliveira Gomes Papi ; orientadora, Pura Lúcia Oliver Martins". reponame:Biblioteca Digital de Teses e Dissertações da PUC_PR, 2011. http://www.biblioteca.pucpr.br/tede/tde_busca/arquivo.php?codArquivo=1971.
Abstract (sommario):
Tese (doutorado) - Pontifícia Universidade Católica do Paraná, Curitiba, 2011Bibliografia: f. 279-288
O presente trabalho refere-se ao estudo do desenvolvimento profissional docente e tem como foco os professores em início de carreira com até cinco anos de exercício profissional, considerados como professores bem-sucedidos no exercício da profissão. O des
This study focuses teachers' professional development of well succeeded novice teachers that have been teaching for no more than five years. Professional development is understood as a continuous process that starts with pre-service education but can also
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Vallespir, Mathilde. "L'exorcisme produit par des oeuvres poétiques et musicales de la guerre et du direct après-guerre : 1939-1945". Paris 4, 2003. http://www.theses.fr/2003PA040211.
Abstract (sommario):
L'objet de la thèse est de circonscrire un agencement d'art particulier : l'exorcisme produit sur un récepteur actuel par des œuvres musicales et poétiques de la guerre et du direct après-guerre de R. Char, H. Michaux, O. Messiaen et A. Jolivet. En consommant ces œuvres, le récepteur exorcise la violence propre à la guerre en opposant à la négation de l'autre propre à Auschwitz, lequel emblématise la guerre, l'avènement d'une entité autre surgissant de la perception conditionnée par ces œuvres. Une telle " altérisation " perceptive repose sur un fonctionnement contradictoire de la perception, qui s'effectue tout en s'auto-déconstruisant, et qui brouille la réception. Après avoir en une première partie posé les fondements théoriques de l'approche, et cerné la spécificité de la musique et du langage en s'appuyant sur une critique des rapprochements effectués entre eux, on analyse l'agencement d'exorcisme à proprement parler, en décrivant, en une deuxième partie, sa manifestation fondamentale, le brouillage. On détermine les sources sémiotiques spécifiquement langagières et musicales de ce brouillage, et on montre son pouvoir de déstructuration de la perception et de désimplication sur le récepteur. Le brouillage est ainsi défini comme agencement monstrueux. La dernière partie réinsère cet agencement local dans l'agencement général d'exorcisme. Ce brouillage peut en effet se muer en altérisation, la lecture de la métaphore se transformant en création d' hétéro-univers de croyance, le paradoxe en hétéro-doxe, quand l'écoute s'opère selon des repères marginaux par rapport aux attentes. S'ensuit enfin une modélisation générale de l'agencement d'exorcisme comme mécanisme de substitution de l'autre à soi, comme contre-violence à l'HistoireThe objective of this work is to circumscribe an "agencement" (arrangement) of specific art: the exorcism produced on a receiver by musical or poetical works from the Second World War and the immediate after-war period by R. Char, H. Michaux, O. Messiaen et A. Jolivet. When encountering these works, the receiver exorcises the war-related violence by confronting the negation of the other characterising Auschwitz with the advent of another entity rising from the perception conditioned by these works. Such a perceptive "alterisation" rests on a contradictory functioning of perception, which de-constructs itself whilst happening, and which blurs perception. In a first part, we set the theoretical basis for our approach, by encircling the specificity of music and language based on a criticism of association usually made between both of them. We then analyse the mere "agencement" of exorcism by describing its fundamental manifestation - the process of "brouillage" (confusion) - in a second part. We define the semiotic sources for this process which are specific to language and music, as well as its manifestation more distinctively perceptive in both systems, through its power of de-construction and des-involvement. That way, we manage to define the "brouillage" as a monstrous "agencement". The last part of this work is dedicated to the reinsertion of this "agencement" into the more general "agencement" of exorcism. We show how the "brouillage" can change to "alterisation", with the reading of metaphor itself changing into the creation of a hetero-universe of belief, and the paradox into "hetero-dox", when listening operates along benchmarks which are marginal compared to expectations. To conclude, we propose a general modelling of the "agencement" of exorcism as a way of substituting to the other, as a challenge to the violence of History
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Alves, Edson Rossetti. "Yza Fava de Oliveira : uma intelectual mediadora à frente do Departamento de História da Universidade de Santos (1978-1994)". Universidade Católica de Santos, 2017. http://biblioteca.unisantos.br:8181/handle/tede/3841.
Abstract (sommario):
Submitted by Rosina Valeria Lanzellotti Mattiussi Teixeira (rosina.teixeira@unisantos.br) on 2017-08-15T19:21:18Z
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This present study investigates the journey of the history¿s course, in the period of teacher Yza Fava de Oliveira¿s management. This research gives highlight to the instruments that the course organized to reach its development goals on historic research, patrimony defense and construction of the Baixada Santista¿s knowledge. Among others, Documentation Center, Folk Studies Center, Historical Study Center, Archaeological Research Institute, History Week. Using documentary research served of the main collections of the Department and the support organs. The interviews made with the coordinator were equally important. That was important because it completed some doubts found in the documentary sources and motivated other ways of looking at reality. Besides the written documentation, the iconographic collections of the teacher and Department were important. It was also possible to have a preliminary view of the Course, under the school practices.
A presente dissertação investiga a trajetória do Curso de História, no período da gestão de 16 anos de professora Yza Fava de Oliveira. Nessa pesquisa dá-se destaque aos instrumentos que o Curso organizou para alcançar os seus objetivos de desenvolvimento da pesquisa histórica, defesa do patrimônio e construção do conhecimento da História da Baixada Santista. Entre outros, o Centro de Documentação, Centro de Estudos Folclóricos, Centro de Estudos Históricos, Instituto de Pesquisas Arqueológicas, Semana de História. Utilizando pesquisa documental serviu-se dos principais acervos do próprio Departamento e dos órgãos de apoio. Igualmente importante foram as entrevistas feitas com a própria coordenadora. Isso foi importante, pois completou algumas dúvidas encontradas nas fontes documentais e motivou outros modos de olhar a realidade. Além da documentação escrita, foram importantes os acervos iconográficos do próprio Departamento e de professores. Conseguiu-se, ainda que preliminarmente, ter uma visão do Curso, sob as práticas escolares.
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Luna, Joseph. "The poetry and poetics of Douglas Oliver, 1973-1991". Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/55079/.
Abstract (sommario):
This dissertation is about the poetry and prose, published and unpublished, of the British poet Douglas Dunlop Oliver (1937-2000), written between 1973-1991. It traces the development of Oliver's poetics from his early prose through his later poetry of the 1970s and 1980s. The dissertation makes extensive use of archive material stored in the Douglas Oliver Archive at the Albert Sloman Library, University of Essex, the vast majority of which has thus far received little or no critical commentary or appraisal. Contained in the archive are a set of unpublished essays Oliver wrote as a mature undergraduate at the University of Essex between 1974-1975. In my first chapter, I discuss these essays and examine their philosophical and aesthetic standpoints in order to understand and expand upon Oliver's published claims about the experience of reading poetry in his theoretical monograph Poetry and Narrative in Performance (1989). Oliver's thinking about prosody and poetic language are then discussed in relation to his books of poetry on explicitly political subjects, The Diagram--Poems (1979) and The Infant and the Pearl (1985). My second and third chapters present close readings of Oliver's poetry with a view to understanding and critiquing the political arguments conducted therein. My second chapter, on The Diagram--Poems, adds to the discussion of prosody the historical significance of Oliver's thinking about “stupidity,” and reads the poetry's political intervention in the light of such thinking. My third chapter, on The Infant and the Pearl, reads the poem's critique of the contemporary political landscape with the help of the extensive scholarship on its prototype, the medieval Pearl, in order to explain and critique Oliver's poem's emphasis on national and interpersonal “unity.” The dissertation argues throughout that the inseparability of poetic form and political feeling is at the heart of Oliver's practice as a poet.
Libri sul tema "Olivier (1974-....)":
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T, Raspail, e Musée Saint-Pierre art contemporain (Lyon, France), a cura di. Jean Olivier Hucleux, 1971-1999. Lyon: Musée d'art contemporain, 1999.
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Olivier, Edith. Edith Olivier: From her journals, 1924-1948. London: Weidenfeld & Nicolson, 1989.
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Olivier, Edith. Edith Olivier: From her journals 1924-48. London: Weidenfeld & Nicolson, 1989.
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Rush, Solveiga. Oliver Newberry Chaffee, 1881-1944. Cincinnati: Taft Museum, 1991.
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Stone, Oliver. Oliver Stone's Platoon & Salvador. New York: Vintage Books, 1987.
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Schaefer, Sherry. Classic Oliver tractors: History, models, variations & specifications : 1855-1976. Minneapolis, MN: MBI Pub. Co. and Voyageur Press, 2009.
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Cuevas, Isabel Oliver. Isabel Oliver: Quaranta anys d'art compromès (1970-2009). València: Fundació General de la Universitat de València, 2019.
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North, Oliver. One more mission: Oliver North returns to Vietnam. Grand Rapids, Mich: Zondervan Pub. House, 1993.
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Olivier, Fernande. Loving Picasso: The private journal of Fernande Olivier. New York: Abrams, 2001.
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Warloe, Constance. The legend of Olivia Cosmos Montevideo: A novel. New York: Atlantic Monthly Press, 1994.
Capitoli di libri sul tema "Olivier (1974-....)":
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Stassinopoulou, Maria A. "The “System”, “New Greek Cinema”, Theo Angelopoulos: a Reconstruction (1970–1972)". In Bananen, Cola, Zeitgeschichte: Oliver Rathkolb und das lange 20. Jahrhundert, 832–47. Wien: Böhlau Verlag, 2015. http://dx.doi.org/10.7767/9783205203353-066.
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Foguet i Boreu, Francesc. "Joan Oliver Under Francoist Police Surveillance (1948–1977)". In The Rise of Catalan Identity, 159–69. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-18144-4_9.
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Raghavan, S. K., D. R. Connell e A. Khayat. "Capillary Gas Chromatography Procedure for Determining Olive Oil Flavor". In ACS Symposium Series, 315–24. Washington, DC: American Chemical Society, 1994. http://dx.doi.org/10.1021/bk-1994-0558.ch022.
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Street, Sarah. "In the Studio and on Location: Mapping Pinewood’s Culture in 1947–1950". In Pinewood, 79–107. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-51307-7_4.
Abstract (sommario):
AbstractThis chapter focuses on films produced by the Independent Producers at Pinewood during 1947, a key year in which the film industry was under great pressure to produce more films. It examines in detail the new techniques and approaches to set design in the films Blanche Fury (1948), The End of the River (1947), The Woman in the Hall (1947), Oliver Twist (1948), The Red Shoes (1948), Esther Waters (1948) and London Belongs to Me (1948). Experiments in Technicolor design in particular emerge as an important theme, and also techniques used for films shot primarily on location. The chapter concludes with an overview and assessment of the immediate post-war years when Pinewood supported many productions whose art direction practices and working methods were very much situated in the exigencies of post-war shortages and studio rehabilitation.
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Humbert-Knitel, Geneviève. "Jugend im Elsass unter dem Nationalsozialismus Organisatorische und institutionelle Aspekte 1940–1944". In Bananen, Cola, Zeitgeschichte: Oliver Rathkolb und das lange 20. Jahrhundert, 318–29. Wien: Böhlau Verlag, 2015. http://dx.doi.org/10.7767/9783205203353-030.
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Hauch, Gabriella. "„Welcher Weg Ist Einzuschlagen …?“ Spurensuche Nach Isa Strasser, Geb. Von Schwartzkoppen (1891–1970)". In Bananen, Cola, Zeitgeschichte: Oliver Rathkolb und das lange 20. Jahrhundert, 137–49. Wien: Böhlau Verlag, 2015. http://dx.doi.org/10.7767/9783205203353-017.
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Beer, Siegfried. "„Planned Communist Insurrection in Austria“ A CIC-Document on Putsch-plotting from October 1947". In Bananen, Cola, Zeitgeschichte: Oliver Rathkolb und das lange 20. Jahrhundert, 681–91. Wien: Böhlau Verlag, 2015. http://dx.doi.org/10.7767/9783205203353-055.
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Pešek, Jiří, e Nina Lohmann. "Die Ambivalenzen (Nicht Nur) Der Wissenschaftsgeschichte. Der Biochemiker Ernst Waldschmidt-Leitz (1894–1972) An Den Prager Hochschulen". In Bananen, Cola, Zeitgeschichte: Oliver Rathkolb und das lange 20. Jahrhundert, 243–57. Wien: Böhlau Verlag, 2015. http://dx.doi.org/10.7767/9783205203353-025.
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O’Donnell, William H. "Preface (1923) to Oliver St John Gogarty, An Offering of Swans and Other Poems (1924)". In Prefaces and Introductions, 154–55. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-06236-2_23.
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Phillips, Alexandra. "Philip MacDonald (Also Wrote as Oliver Fleming, Anthony Lawless and Martin Porlock, 1899–1981), 1924: The Rasp (Published Anonymously)". In 100 British Crime Writers, 133–34. London: Palgrave Macmillan UK, 2020. http://dx.doi.org/10.1057/978-1-137-31902-9_29.
Atti di convegni sul tema "Olivier (1974-....)":
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"Continuous Rearing of the Red Palm Weevils, Rhynchophorus ferrugineus (Olivier), 1970 on Sugarcane in Laboratory for Biological Studies (Coleoptera: Dryophthoridae)". In 3rd International Conference on Chemical, Agricultural and Medical Sciences. International Institute of Chemical, Biological & Environmental Engineering, 2015. http://dx.doi.org/10.15242/iicbe.c1215040.
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Самойлова, Е. В. "Семейство Entomophthoraceae в России: история исследований и современное состояние изученности". In III молодёжная всероссийская научная конференция с международным участием «PLANTAE & FUNGI». Botanical Garden-Institute FEB RAS, 2023. http://dx.doi.org/10.17581/paf2023.60.
Abstract (sommario):
Представители грибов семейства Entomophthoraceae - это облигатные внутриполостные паразиты насекомых. Группа включает в себя 11 родов по Outline of fungi. На территории нашей страны первые упоминания семейства встречаются в работах Сорокина (1883 г). Ранние исследования включали в себя описание видового разнообразия [2,4,5,7] и описания новых видов грибов [6] в местах массовых эпизоотий насекомых-вредителей. На территории СССР были изданы 2 подробных определителя энтомопатогенных грибов под авторством Э.З.Коваль (1974) и А.А. Евлаховой (1974). С 1960-х годов активно изучались энтомофторозы различных видов тлей в работах Э.Г Ворониной и Г.Р. Леднева. Исследования были направлены на разработку способов применения патогена в методах биологической борьбы с вредителями. В XXI веке исследования все также фиксируют нахождение видов семейства на территории страны [1,3]. Большинство представителей определяются методами сравнительной морфологии и приуроченности к хозяину. Цитологические исследования проводились с 1906 г (Olive EW) и позднее в 1980-х были подробно пересмотрены в работах Хамбера (Humber, 1981, 1984,1989). Молекулярные исследования проводились с 1990-х годов, современные исследования направлены на изучение филогении семейства и его родов [8,9].
3
Thouverez, F., L. Humbert e L. Jezequel. "Error Localization Methods With Static Modes and Thermographic Data". In ASME 1995 Design Engineering Technical Conferences collocated with the ASME 1995 15th International Computers in Engineering Conference and the ASME 1995 9th Annual Engineering Database Symposium. American Society of Mechanical Engineers, 1995. http://dx.doi.org/10.1115/detc1995-0707.
Abstract (sommario):
Abstract The goal of updating methods in dynamic is to improve the finite element models by means of experimental tests. In fact, we try to estimate a better value of the mass (M) and stiffness (K) matrices. Several ways are possible to complete the updating of M and K : - Global techniques which consist to correct the entire matrices without keeping a physical meaning of the M and K modifications. This approach transforms the finite element “knowledge” models into “representation” models which are more accurate in the measured frequency range but don’t represent the actual structure. This kind of method has been developed first by Baruch (1978) and Berman (1979) and improved by lots of researchers (Kabe, 1985 and Wei, 1990). - Local techniques try to compute the best values of the physical parameters defined on each element of the modelling. This method is a very stiff one since the optimization of the numerical modes is required over a very large number of parameters. To be able to use this approach we must select only the elements which must be modified to reduce the size of the optimization problem. To do so, we will apply the localization methods. In this paper we will present two ways to locate the modelling errors as well as a new approach based on thermographic, data. Each localization methods will be tested and we will show the influence of the expansion technique and the improvement due to the use of the static modes. The thermographic measurements give us a large number of data but partial because the information gathered by the camera concernes only the sum of the principal strains (Olivier et al, 1988 and Ryall et al, 1992). But the advantages of this method are the number of points which is important and the nature of the data which is a strain information (very sensitive to the local defaults of modelling).
4
Mackeben, Manfred, e August Colenbrander. "The Assessment of Residual Vision in Patients with Maculopathies." In Noninvasive Assessment of the Visual System. Washington, D.C.: Optica Publishing Group, 1993. http://dx.doi.org/10.1364/navs.1993.nmb.3.
Abstract (sommario):
There is evidence that some patients with damaged macular vision can improve their visual performance by learning to utilize intact parts of the retina for "eccentric viewing" (Holcomb and Goodrich (1976), Goodrich and Mehr (1986), Carman-Merifield (1990), McMahon, Hansen, Stelmack, Oliver and Viana (1992)). The chance for such improvement varies greatly with the task, e.g. reading, and with the position of the utilized retinal spot relative to the fovea. In order to optimally guide the patient's learning of eccentric viewing, it is necessary to assess residual vision topographically and in a way releveant to practical viewing tasks. We have developed a computerized test that focusses on finding the best "candidate spot(s)" for eccentric viewing, rather than on mapping scotomata. The test is non-invasive, easy to administer and yields results within minutes.
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Howland, Howard C. "An Economic Analysis of Screening for Amblyopia: Influences of Prevalence, Test Cost, Test Quality, Value of Detection, Sensitivity and Specificity". In Vision Science and its Applications. Washington, D.C.: Optica Publishing Group, 1995. http://dx.doi.org/10.1364/vsia.1995.suc4.
Abstract (sommario):
When is it profitable to screen for amblyopia? In order to answer this question, we must place some values on the various outcomes of screening. What is the value of finding an amblyope at an early age? What is the cost of a false positive, a false negative, or a true negative? Because it is not easy to provide answers to these questions, the method of this paper is to investigate a range of assumptions, the possible values in this pay-off matrix. These are coupled with screening tests of various quality in order to find the minimum prevalence of the disease for which it would be profitable to screen. Indeed, the prevalence of amblyopia is itself unknown, variously estimated at between 0.05 and 0.005 (Ciuffreda et al. 1991; Oliver & Nawratzki, 1971) in normal populations.
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Lima, Sued, e Taís de Oliveira. "Transition médiatique sur les corps et pratiques homosexuels : de la censure à la présence obligatoire". In Actes du congrès de l’Association Française de Sémiotique. Limoges: Université de Limoges, 2024. http://dx.doi.org/10.25965/as.8423.
Abstract (sommario):
Au Brésil, pendant le XXe siècle, les corps et les pratiques homosexuels étaient constamment réprimés et censurés ; la prédominance d’une morale conservatrice a contribué à la promotion d’actions discriminatoires de la part de la société civile et de l’État. Aujourd’hui, l’émergence des discours qui promeuvent la reconnaissance des LGBTQIAP+ cherche à répondre aux demandes sociales et médiatiques. Les demandes sociales se réfèrent à l’inclusion de cette minorité qui se constitue comme une « identité concessive » (Oliveira 2021) par rapport à des constructions identitaires hétérocisnormatives. Les demandes médiatiques correspondent aux intérêts marchands qui s’adaptent aux exigences sociales et donnent lieu à l’insertion de personnages LGBTQIAP+ dans diverses sphères de communication. Afin d’aborder ces transitions socioculturelles et médiatiques, nous mobilisons des concepts de la sémiotique pour comparer la répression des homosexuels qui a été mise en évidence dans les articles d’opinion du journal Lampião da Esquina (1978-1981) avec la présence de nombreux corps LGBTQIAP+ dans les productions médiatiques contemporaines.
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dos Santos, Camila, e Andreia Machado Oliveir. "Zonas de Ação da Comunicação em Arte e Tecnologia - ZACAT". In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.101.g142.
Abstract (sommario):
Zonas de Ação Comunicativa em Arte e Tecnologia – ZACAT, é uma pesquisa de mestrado desenvolvida no âmbito do Programa de Pós-Graduação em Artes Visuais da Universidade Federal de Santa Maria (PPGART-UFSM), dentro da área de concentração de Arte Contemporânea e linha de pesquisa Arte e Tecnologia, sob a orientadora da Dra. Andrea Machado Oliveira. ZACAT é um conjunto de poéticas sonoras e visuais, que consiste numa investigação sobre práticas comunicacionais artísticas de caráter ativista. Em primeiro lugar, através de estratégias e propostas diversificadas para diferentes interlocutores vividos em 2019, em diferentes espaços da cidade de Santa Maria — ruas, museus, galerias de arte, universidade, escola, redes sociais, espaço das ondas de rádio. Posteriormente, devido ao cenário mundial apresentado desde 2020, com a pandemia de COVID-19, a poética passa por transformações significativas. Além das estratégias artísticas e comunicacionais passarem por mudanças de abordagem, o espaço Santa Maria desloca-se para o do Clube Naturista Colina do Sol (CNCS), localizado no município de Taquara, também no Rio Grande do Sul — não urbanizado e imerso no meio selvagem, com menos interferência da ação humana, o que proporciona outras formas de escuta e conexão, além da relação com o corpo, comunicação e tecnologia, como o uso de plataformas on-line de realidade virtual para compartilhar o trabalho realizado. Para abordar a construção desta pesquisa, são utilizados estudos sobre metodologia da pesquisadora e artista plástica Sandra Rey (1953). Como fundamentação teórica, faz-se referência à ideia de micropolítica, conceito que remete aos filósofos Michel Foucault (1926-1984) e Gilles Deleuze (1925-1995), e à crítica de arte Suely Rolnik (1948). As práticas artísticas ativistas baseiam-se nas experiências de coletivos brasileiros da década de 1990 até a atualidade, conforme visto na historiografia do Art Ativismo dos anos 1950, com filósofos autonomistas italianos como Giorgio Agamben (1942) e Franco Berardi (1949). Para apoiar a noção de Arte e Comunicação, partimos de autores como Mario Costa (1936), Fred Forest (1933), Mônica Tavares, Priscila Arantes, Christine Mello e Giselle Beiguelman. O conceito de dispositivo surge da investigação teórica e é um mediador das práticas artísticas, tendo como referência Agamben, Foucault, Vilém Flusser (1920-1991) e Gilbert Simondon (1924-1989). Desde performances, passando por instalações, áudios, vídeos e experiências interativas presenciais ou via redes virtuais, esta pesquisa busca dar visibilidade à micropolítica cotidiana, com suas memórias, afetos, impulsos de vida formalizados ou efêmeros em momentos de encontro.
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Armesto, Leonardo Moraes. "Neuroeletrofisiologia como biofísica análoga às redes elétricas aplicadas". In II SEVEN INTERNATIONAL MEDICAL AND NURSING CONGRESS. Seven Congress, 2023. http://dx.doi.org/10.56238/iicongressmedicalnursing-031.
Abstract (sommario):
O arcabouço neurológico guarda consigo as mais variadas condições de conectividade e relações que fundamentam os aspectos sinápticos nas múltiplas transmissões informativas centrais e periféricas. Estas, por sua vez, são base significativa no entendimento de estímulos, interações nervosas e vias fisiológicas impulsionadas pela geração e transmissão de eletricidade. Dada síntese, apesar de correspondente a um olhar mais genérico do sistema nervoso, guarda consigo similaridades que lhes auxiliam em uma explicação mais aproximada de outras áreas da ciência, como é o caso da engenharia da biofísica elétrica. Assim, para Quillfeldt (2005), a eletrofisiologia condicional às fibras nervosas, no que tange sua constituição arquitetural, dimensionamentos de seções, fatores e funções de resistividade e condutância, são indubitáveis referenciais na criação e formação de redes de eletricidade que conduzem energia a partir da estação de geração, e que por meio do enredamento em ramos, típico do processo de abastecimento, leva corrente ao mesmo tempo em que depende da exeqüibilidade do material de trajeto constituinte para controle de potencial e efetividade na entrega do conteúdo energético ofertado. Neste sentido, Timo-Iaria et al (1971) e mais à frente, Oliveira et al (2015) entendem que falhas canalíticas, perda de isolamento de fio/fibra, deturpação do trajeto em rede e uma série de outras imprecisões e acometimentos no transporte que provoquem dissipações, são ocasionalmente convertidas á ocasiões eletropatológicas, tanto na engenharia de eletricidade, quanto na biofísica da vida.
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dos Santos, Camila, e Andreia Machado Oliveir. "Zonas de acción comunicativa en el arte y la tecnología - ZACAT". In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.101.g141.
Abstract (sommario):
Zonas de Acción de Comunicación en Arte y Tecnología (ZACAT) es una investigación de maestría desarrollada dentro del Programa de Posgrado en Artes Visuales de la Universidade Federal de Santa Maria (PPGART-UFSM), dentro del área de concentración de Arte Contemporáneo y de investigación en Arte y Tecnología, bajo la supervisión de la Dra. Andrea Machado Oliveira. ZACAT es un conjunto de poéticas sonoras y visuales que consiste en una investigación sobre prácticas comunicacionales artísticas de carácter activista. En primer lugar, a través de estrategias y propuestas diversificadas para diferentes interlocutores experimentadas en 2019 en diferentes espacios de la ciudad de Santa María —calles, museos, galerías de arte, universidad, escuela, redes sociales, espacios de ondas de radio—. Posteriormente, debido al escenario mundial presentado desde 2020, con la pandemia del virus SARS-CoV-2, que provocó la enfermedad del Nuevo Coronavirus, COVID-19, la poética sufrió transformaciones significativas. Además de las estrategias artísticas y comunicacionales que experimentaron cambios de enfoque, el espacio de Santa María se trasladó al del Clube Naturista Colina do Sol (CNCS), ubicado en el municipio de Taquara, también en Rio Grande do Sul. Se trata de un espacio no urbanizado, inmerso en un medio salvaje y menos interferido por la acción humana, lo que proporciona otras formas de escucha y conexión, además de la relación con el cuerpo, la comunicación y la tecnología, así como el uso de plataformas de realidad virtual online para compartir el trabajo llevado a cabo. Para abordar la construcción de esta investigación se utilizan los estudios sobre metodología de la investigadora y artista Sandra Rey (1953). Como fundamento teórico se hace referencia a la idea de micropolítica, concepto que remite a los filósofos Michel Foucault (1926-1984) y Gilles Deleuze (1925-1995) y a la crítica de arte Suely Rolnik (1948). Las prácticas artísticas activistas se basan en las experiencias de los colectivos brasileños desde la década de 1990 hasta la actualidad, como se ve en la historiografía del Activismo Artístico de la década de 1950, con filósofos autonomistas italianos como Giorgio Agamben (1942) y Franco Berardi (1949). Para apoyar la noción de Arte y Comunicación partimos de autores como Mario Costa (1936), Fred Forest (1933), Mônica Tavares, Priscila Arantes, Christine Mello y Giselle Beiguelman. El concepto de dispositivo surge de la investigación teórica y es un mediador de las prácticas artísticas, teniendo como referencia a Agamben, Foucault, Vilém Flusser (1920-1991) y Gilbert Simondon (1924-1989). Desde performances, pasando por instalaciones, audio, video y experiencias interactivas en persona o vía redes virtuales, esta investigación busca dar visibilidad a la micropolítica cotidiana, con sus recuerdos, afectos e impulsos de vida formalizados o efímeros en momentos de encuentros.
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Dabbaghi, Ehsan, e Kam Ng. "Investigation of the Mechanical Properties of Hanna Sandstone Using Newly Installed High Pressure and High Temperature Polyaxial Equipment". In 57th U.S. Rock Mechanics/Geomechanics Symposium. ARMA, 2023. http://dx.doi.org/10.56952/arma-2023-0132.
Abstract (sommario):
ABSTRACT The design of civil infrastructure requires the assessment of the mechanical properties of rock layers supporting these structures. In this study, a newly installed high-pressure and high-temperature polyaxial equipment at the University of Wyoming is described and used in the mechanical testing. Uniaxial and triaxial compression tests are performed on dry and water-saturated cylindrical sandstone samples obtained from the Hanna Formation, Wyoming. The cylindrical samples are prepared and tested in two different sizes: 1) 25.4 mm diameter by 50.8 mm length, and 2) 76.2 mm diameter by 152.4 mm length. The sandstone samples are vacuum-saturated for 7 and 14 days. For the triaxial compression tests, the samples are subjected to three effective confining pressures of 5, 15 and 25 MPa and under two temperatures of 35 and 55 °C. The results show that the effective confining pressure has a clear positive effect on the compressive strength of all samples. Under the same effective confining pressure, larger samples show higher compressive strength and Young's modulus. For all three effective pressures, the dry samples exhibit higher compressive strengths, Young's modulus and more brittle behavior. Permeability decreases with the confining pressure. P and S wave velocities increase with the confining pressure. INTRODUCTION The design and performance of infrastructures can be highly affected by the strength and deformation of the rocks beneath or around them. Characteristics like rock type, sample size, porosity, water content, and temperature can change the strength and deformability of rocks. Studying the simultaneous effect of the aforementioned characteristics can improve our understanding of rock behavior, which leads to more dependable designs of civil infrastructures. The Hanna Basin is located in southeast Wyoming, bounded by Laramide-aged uplifts (Fig. 1). The formation was formed in the Tertiary period and extends from 0 to 7000 ft below the ground level (Bowen, 1918). A conglomeratic sandstone lays at the base of the formation, with conglomerate, sandstone, shale, and coal beds alternating to the top. In a study (Oliver and Youngberg, 1984) on a unit from the Hanna formation, 72.2% of the rock footage was comprised of Calcareous sandstone. The bulk mineralogy of the Calcareous sandstone was determined as follows: 54% quartz, 9.6% kaolinite, 9% K-Feldspar, 8.4% Dolomite, 6.1% Plagioclase, 5.4% Mica, 3.9% Calcite, 3.4% Siderite, and 0.3% Acmite.
Rapporti di organizzazioni sul tema "Olivier (1974-....)":
1
Livensperger, Carolyn, Rebecca Weissinger, Luke Gommermann e Alice Wondrak Biel. Riparian monitoring of wadeable streams on the Fremont River, Capitol Reef National Park, 2009?2021. National Park Service, 2023. http://dx.doi.org/10.36967/2301391.
Abstract (sommario):
The goal of Northern Colorado Plateau Network (NCPN) riparian monitoring is to deter-mine long-term trends in hydrologic, geomorphic, and vegetative properties of wadeable streams in the context of changes in other ecological drivers, stressors, and processes. This information is intended to provide early warning of resource degradation and determine natural variability of wadeable streams. This report summarizes NCPN monitoring of the Fremont River in Capitol Reef National Park (NP) from water years 2009 to 2021. The focus of this report is to (1) examine patterns in water availability at one monitoring reach from 2010 to 2021, and (2) present geomorphology and vegetation data from four reaches monitored from 2009 to 2021. Vegetation sampling and geomorphology surveys were completed at varying intervals throughout the time period; this report looks at changes within single reaches and establishes a baseline for future comparisons. There are four monitoring reaches established on the Fremont River: (1) F-01, approximately 2.5 kilometers upstream of a knickpoint (sharp change in channel slope) and associated waterfall that emerged following construction of State Highway 24 in 1964, (2) F-07, in a large oxbow that was cut off due to the highway construction, (3) F-04, approximately 1.5 kilometers downstream of the knickpoint, and (4) F-14, approximately 4.8 kilometers downstream of the knickpoint. Geomorphic and vegetation surveys took place at all reaches. Hydrologic monitoring occurred only at F-01. From 2001 to 2021, the entire range of flows recorded at a gaging station on the Fremont River upstream of the park near Bicknell, Utah, decreased, with the steepest decreases occurring in the highest flow percentiles. Continuous hydrologic monitoring at reach F-01 in the park from 2010 to 2021 showed perennial flows in the Fremont River, with lower flows during the irrigation season (April 1?October 31). The irrigation season was also characterized by greater evapotranspiration, which may be exacerbated in the future due to higher air temperatures. Lower observed inputs and greater evapotranspiration suggest the Fremont River is at risk for progressively lower flows over time. While overbank flows occurred infrequently in the monitoring reach, inhibiting cottonwood recruitment, groundwater levels remained shallow enough to support mature cottonwood trees. Protecting spring snowmelt flows of 94 cfs (the average annual maximum 14-day rolling mean at reach F-01), or greater should maintain the current wetland vegetated zone. Maintaining the hydrologic record was challenging due to high-magnitude flood events and turbid flows; the park should consider a gaging station for an accurate discharge record. Geomorphic surveys showed net sediment deposition at reaches F-01 and F-14 in the channels, banks, and floodplains from 2009 to 2021, with more deposition occurring earlier in the study period. A large flood event in 2013 resulted in high flows and deposition of close to one meter at F-01. Only localized erosion occurred, and thalweg surveys showed that stream channels were either stable or increasing in elevation. Reach F-07, the abandoned oxbow, exhibited little geomorphic change over the study period. Riparian vegetation was characteristic of a Fremont cottonwood woodland, with canopy closure up to 30% and a mixed understory of shrubs and herbaceous species. Obligate wetland vegetation cover of 5%?10% was present at reaches F-01, F-04, and F-14. Reach F-07, in the oxbow, has transitioned to an upland system, with little to no canopy cover and no obligate wetland species. While mature cottonwoods were present in reaches F-01, F-04, and F-14, there was limited evidence of seedlings or saplings graduating into larger size classes. Cottonwood seedlings are primarily resprouts from beaver-browsed trees, although one seedling recruitment event was observed in 2014, following high flows in late 2013. Protecting some cottonwoods with chicken wire may help protect the larger size classes and maintain a mixed-age woodland. Exotic plant species cover was less than 10% in reaches F-01, F-04, and F-14. Efforts to control Russian olive (Eleagnus angustifolia) along the Fremont River appear to have been successful in these reaches. In reach F-07, exotic plant cover ranged from 9% to 25%, with notable spikes in Russian thistle (Salsola tragus) and cheatgrass (Bromus tectorum) in 2010 and 2011, respectively.