Letteratura scientifica selezionata sul tema "Office du crédit populaire"
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Articoli di riviste sul tema "Office du crédit populaire"
Ducourant, Hélène. "Le crédit revolving, un succès populaire". Sociétés contemporaines 76, n. 4 (2009): 41. http://dx.doi.org/10.3917/soco.076.0041.
Testo completoFerraton, Cyrille, e David Vallat. "Une approche politique du crédit populaire : Pierre-Joseph Proudhon et le crédit mutuel". Cahiers d Économie Politique 60, n. 1 (2011): 45. http://dx.doi.org/10.3917/cep.060.0045.
Testo completoLaroulandie, Fabrice. "Crédit et endettement populaire à la veille de 1789". Revue d'économie financière 10, n. 2 (1989): 220–29. http://dx.doi.org/10.3406/ecofi.1989.2687.
Testo completoChaïbi, Olivier. "Le « crédit des travailleurs » : un aperçu du crédit populaire en France de 1848 à 1914". Vie sociale 7, n. 3 (2014): 13. http://dx.doi.org/10.3917/vsoc.143.0013.
Testo completoFillieux, Véronique. "Formes locales de crédit aux premiers temps du logement populaire". Revue du Nord 344, n. 1 (2002): 91. http://dx.doi.org/10.3917/rdn.344.0091.
Testo completoLebon, Dominique. "Ludovic de Besse (1831-1910), un capucin artisan du crédit populaire". Les Études Sociales 164, n. 2 (2016): 113. http://dx.doi.org/10.3917/etsoc.164.0113.
Testo completoMercier, Guy. "La norme pavillonnaire". Cahiers de géographie du Québec 50, n. 140 (1 dicembre 2006): 207–39. http://dx.doi.org/10.7202/014087ar.
Testo completoPanet-Raymond, Jean. "Le Manifeste du mouvement A.C.E.F." Éducation populaire, culture et pouvoir, n. 2 (29 gennaio 2016): 89–94. http://dx.doi.org/10.7202/1034857ar.
Testo completoSt-Amant, Gilles, Raymond Théoret e Yéo Doferèta. "Évaluation du risque de crédit de travailleurs autonomes : le cas d’une caisse populaire Desjardins du Québec". La Revue des Sciences de Gestion 269-270, n. 5 (2014): 149. http://dx.doi.org/10.3917/rsg.269.0149.
Testo completoChateau, Jean-Pierre D. "Une analyse économétrique du comportement d’intermédiation financière des sociétés de crédit populaire : le cas des caisses populaires". Articles 53, n. 3 (23 giugno 2009): 415–47. http://dx.doi.org/10.7202/800732ar.
Testo completoTesi sul tema "Office du crédit populaire"
Ngambou, Jean-Claude. "Le crédit agricole en République populaire du Congo : contribution aux vicissitudes du crédit agricole en Afrique". Angers, 1989. http://www.theses.fr/1990ANGE0011.
Testo completoThe credit undoubtably constitutes a determining element in the process of restarting the agricultural sector in the congo, as well as in the rest of Africa. The institutionalization of appropriate agricultural credit formulas capable of mobilizing the necessary resources (notably savings) and achieving optimal deployment appears as the sine qua non of this restarting. The credit will not alone be sufficient, because its success is equally determined by other factors concurrent with the process (provisionment and commercialization). The establishment of true local "farmer's banks" largely depends upon the hogeneity and the cohesion of the chosen social structures. Moreover, these banks, by establishing a federation, would bring forth an institution whose financial equilibrium constitutes the essential test, and the development could not occur outside the favourable economic and monetary policies, national as well as international
Alliez, Camille. "L' office du juge en matière de crédit à la consommation". Montpellier 1, 2008. http://www.theses.fr/2008MON10047.
Testo completoThe consumer credit is a contract making it possible to the consumer to finance the purchase of consumer goods without having the funds necessary. This contract which especially developed with the consumer society during the second part of the XXth century rests on a relation unbalanced between a financial institution and a consumer. The question of “the office of the judge as regards consumer credit” has arisen for a few years, because of the importance of the contentious matters which this unbalanced contract causes, often presented like a factor of over-indebtedness. It is advisable to raise the question of the intervention of the judge in this contract (Left 1) before studying the methods of this intervention (Left 2). The judge “d'Instance”, exclusively qualified on the matter, indeed is led to raise office certain means of defence of the failing borrower (often absent from the debates), as the irregularity of the preliminary offer of credit or the preclusion from the action in payment, step which is not validated by the Supreme court of appeal : the ignored rules would not concern a law and order of protection, which can be discussed. In the field close to the abusive clauses, the Court of Justice of the European Communities recognized with the judge the capacity to seize office of the abusive character of a clause contained in a contract of loan on personal property. In several recent judgments, the Court of Justice of the European Communities did not decide with all the clearness awaited on the precise question of the office of the matter judge of consumer credit, but the recent intervention of the legislator in article 34 of the law n° 2008-3 of January 3 2008, made it possible to clear up the situation by granting to the judge the possibility of raising of office non-observance of the provisions of the Code of consumption. This whole of given testifies to the acuity of the problem and its national dimension as well as Community
Robleh, Ibrahim. "Microfinance et réduction de la pauvreté : le cas de Djibouti". Thesis, Amiens, 2015. http://www.theses.fr/2015AMIE0045/document.
Testo completoMicrofinance accounts, around the world, a way to fight against poverty by improving the living conditions of poor households. Its beneficial effects are best known in developing countries and represents an alternative source of financing for the poor who have no access to banks.This potential of the microfinance sector has attracted the attention of the authorities in Djibouti to fight against poverty and significant funding has been invested in this sector.The Djiboutian surveys of households (EDAM, 2002 and 2012) showed an increase in poverty. Different policies against poverty put in place since the late 90's had very little impact in the fight against poverty.But can we generalize this positive impact of microfinance? In the case of Djibouti, is the appropriate response microfinance faces the needs of needy. Our thesis seeks to verify by empirical data if the hypothesis of a positive impact on the well-being of clients is still relevant in Djibouti
Darhouani, Lahcen. "Le rôle de l'État et l'impact du contexte islamique sur l'évolution du Crédit populaire du Maroc, 1961-1995". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq31703.pdf.
Testo completoHikoe, Tomohiro. "Roman et récits légendaires et populaire chez L. -F. Céline". Paris 4, 2004. http://www.theses.fr/2004PA040048.
Testo completoIn an article in 1936, Walter Benjamin predicted the decline of oral tale in modern society, in which novels are a favoured means of expression. That very year, Céline demonstrated the same phenomenon in his second novel: in the prologue to Mort à crédit, advised by his cousin to change his genre, Ferdinand tries in vain to tell the " Légende du Roi Krogold ". This parallel allows us to suppose that Céline was himself sensitive to the decline of oral tale phenomenon, and that his novelistic universe is not monolithic. Such a perspective enables us to read the core of the novel Mort à crédit as an account of the coming of age of an author, in other words, as the path of a child forced to relinquish oral tale to come to the prologue where he appears as a novelist. This reading will in fat cast a light on the reason why Céline wrote ballet arguments and scenarios for twenty odd years: these texts are also what Céline must have been relinquishing in spite of himself to write his novels. But at the same time, this reading of Mort à crédit will suggest that instead of relinquishing to set aside oral tale, he devised a kind of synthesis with the novel. Indeed, it is possible to note traces of the synthesis in the stylistic work of Céline
Laborderie, Pascal. "Le film-parabole dans les Offices du « cinéma éducateur » en France dans l'entre-deux-guerres : histoire d'un cinéma de propagande et étude d'un genre cinématographique". Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030069.
Testo completoThis study explains why and how the popular State Education contributed to the emergence of a genre, called “parable film”, within the context of a propaganda cinema in France between the interwar years. Competing with the charities of the Employers and of the Church, the teachers of the State Education took in hand the leisure of the working-class and farming-class families within associations federated by the Ligue de l’enseignement. Offices of the “educational cinema” constituted a vast network which did the propaganda of French culture and of the political ideas of the Cartel des gauches, and then of the Popular Front [part I]. With their entertaining and educational aims, these offices favoured narrative and argumentative non-fiction feature films, such as those directed by Jean Benoit-Lévy. Those “parable films” are studied according to a method of analysis which offers theoretical viewpoints on the study of the genres [! part II]. Eventually, this work consists in leading in a complementary way history of “educational cinema” and the study of the “parable film” genre in order to consider how a sociocultural context popular State Education cinema and a mode of production of meaning the parable are linked with propaganda aims
Gillotot, Annelieke. "Relevé d'office du juge et droit de la consommation". Thesis, Avignon, 2014. http://www.theses.fr/2014AVIG2040/document.
Testo completoThe office of the judge is organized by the rules of the Code of civil procedure: the judge must solve the litigations in law, and that, in order to do that, he benefits from the right to raise his own motion. This mission raises a particular difficulty in consumer law, especially regarding the law of the unfair clauses and consumer credit: these fields imply taking into consideration the contractual imbalance due to the weakness of the consumer. The office of the judge is confronted to the necessity to protect this « weak party », which raises the question of knowing if the judge has the right to raise his own motion. The difficulty of the answer opens a rich controversy (Part 1): the legislator, at the whim of the reforms, and the judge, at the whim of the reversals, will enrich this latter to finally come to a recognition of the right to raise the motion of the judge (Part 2).First the national judge clearly disapproved the exercising of the right to raise one's own motion in the name of the concept of public order of protection. The controversy was finally submitted to the assessment of the Community judge who enabling a recognition of the right to raise the motion of the judge. Driven by the Community jurisprudence, the French legislator finally lined up with this requirement. Then, a new impulse of the Community jurisprudence will question again the national law by the recognition of the duty of the judge to raise his own motion. The new law « Hamon » of march 17th 2014 and the recent internal jurisprudence are not evidence of a real satisfaction of the requirement set down by the Community law.We must embrace, from this laborious construction of the jurisprudence and internal legislation, the difficulty raised by the question of the right for the judge to raise his own motion concerning law consumption, which calls for future evolutions
Scheppler, Gwenn. "« Je suis le premier spectateur » : l’œuvre de Pierre Perrault ou le cinéma comme processus". Thesis, Lyon 2, 2009. http://www.theses.fr/2009LYO20017.
Testo completoThis thesis aims to a better understanding of the ways in which Pierre Perrault’s work interacted with Québécois society during the Quiet Revolution and with the ideas on which it was based.Specifically, it will focus on the way in which the filmmaker’s artistic conception might have been influenced by Québécois popular culture and how it has, in turn, reinvested it. I will analyse the relationships between the filmmaker’s work and three distinct contexts: the representations of the Québécois nation and their historicity in the 20th century; the ambivalent relationship between cinema and Québécois society since the birth of this mass media; and the reminiscences of oral tradition in popular culture and cinema.In order to properly understand Perrault’s creative practice an its inscription in the Québécois society, I propose to consider his work from a global perspective, which includes the films and the essays, as well as the film production and distribution, with the idea that all these elements formed in fact a coherent and indivisible whole in the ways in which Perrault thought of his filmmaking. I thus suggest the idea that the “cinéma de la parole” must be considered from a fresh perspective: its core or its meaning are not specifically found in the films themselves, nor in their reception, but in a long “process” of sharing that begins before the film’s recording and that is meant to continue beyond the screening of the finished work: the true aim of Perrault’s cinema is the very process of exchange, of interrelation and co-definition. The concept of “process”, which will be developed throughout this entire study, constitutes a frame for its “contextual” analysis. It also encompasses the way in which the filmmaker conceived his work as cinematographer; my analysis can thus be situated within a hermeneutic tradition.Finally, describing and analysing Perrault’s cinema in terms of process also allows us to consider a different conception of film based on Perrault’s example: a complex historical and socio-cultural phenomenon intimately tied to the evolutions of a given society, and whose meanings depend on the contexts in which it grows and with which it maintains a relationship based on exchange
Scheppler, Gwenn. "« Je suis le premier spectateur » : l’œuvre de Pierre Perrault ou le cinéma comme processus". Electronic Thesis or Diss., Lyon 2, 2009. http://www.theses.fr/2009LYO20017.
Testo completoThis thesis aims to a better understanding of the ways in which Pierre Perrault’s work interacted with Québécois society during the Quiet Revolution and with the ideas on which it was based.Specifically, it will focus on the way in which the filmmaker’s artistic conception might have been influenced by Québécois popular culture and how it has, in turn, reinvested it. I will analyse the relationships between the filmmaker’s work and three distinct contexts: the representations of the Québécois nation and their historicity in the 20th century; the ambivalent relationship between cinema and Québécois society since the birth of this mass media; and the reminiscences of oral tradition in popular culture and cinema.In order to properly understand Perrault’s creative practice an its inscription in the Québécois society, I propose to consider his work from a global perspective, which includes the films and the essays, as well as the film production and distribution, with the idea that all these elements formed in fact a coherent and indivisible whole in the ways in which Perrault thought of his filmmaking. I thus suggest the idea that the “cinéma de la parole” must be considered from a fresh perspective: its core or its meaning are not specifically found in the films themselves, nor in their reception, but in a long “process” of sharing that begins before the film’s recording and that is meant to continue beyond the screening of the finished work: the true aim of Perrault’s cinema is the very process of exchange, of interrelation and co-definition. The concept of “process”, which will be developed throughout this entire study, constitutes a frame for its “contextual” analysis. It also encompasses the way in which the filmmaker conceived his work as cinematographer; my analysis can thus be situated within a hermeneutic tradition.Finally, describing and analysing Perrault’s cinema in terms of process also allows us to consider a different conception of film based on Perrault’s example: a complex historical and socio-cultural phenomenon intimately tied to the evolutions of a given society, and whose meanings depend on the contexts in which it grows and with which it maintains a relationship based on exchange
Robitaille, Francine. "Élaboration d'une stratégie et proposition de sa mise en oeuvre pour le service de crédit commercial de la Caisse populaire de Rouyn-Noranda". Thèse, 1986. http://constellation.uqac.ca/1726/1/1425194.pdf.
Testo completoLibri sul tema "Office du crédit populaire"
Guichonnet, Paul. 75 ans d'économie régionale: Histoire de la Banque populaire savoisienne de crédit, 1919-1994. [Haute-Savoie, France]: La Banque, 1994.
Cerca il testo completoRouayrenc, Catherine. C'est mon secret: La technique de l'écriture populaire dans Voyage au bout de la nuit et Mort à crédit. Tusson, France: Du Lérot, 1994.
Cerca il testo completoSt-Hyacinthe, Caisse populaire de, a cura di. Statuts de la caisse populaire de St----, société coopérative régie par la loi des syndicats de Québec. [Québec?: s.n.], 1996.
Cerca il testo completoThe cooperative people's bank: La Caisse populaire. New York: Division of Remedial Loans, Russell Sage Foundation, 1995.
Cerca il testo completoCapitoli di libri sul tema "Office du crédit populaire"
Gutton, Jean-Pierre. "Lyon et le crédit populaire sous l’Ancien Régime : les projets de mont-de-piété". In Pauvreté, cultures et ordre social, 43–50. LARHRA, 2006. http://dx.doi.org/10.4000/books.larhra.940.
Testo completoHenry, Brice. "France". In Financial Services Regulation In Europe, 219–35. Oxford University PressOxford, 2008. http://dx.doi.org/10.1093/oso/9780199532803.003.0012.
Testo completoAlbert, Anaïs. "La vente à tempérament à Paris à la Belle Époque : les magasins de crédit et leur clientèle populaire". In Les révolutions du commerce. France, xviiie-xxie siècle, 113–30. Presses universitaires de Franche-Comté, 2020. http://dx.doi.org/10.4000/books.pufc.20244.
Testo completo