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Letteratura scientifica selezionata sul tema "Novel (haiti)20th century"

Autore: Grafiati

Pubblicato: 29 luglio 2024

Ultima modifica: 31 luglio 2024

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Articoli di riviste sul tema "Novel (haiti)20th century"

Tulp, PhD, MD, FACN, CNS, Orien L. "Will a re-emergence of ancient infectious diseases pose a new risk to humanity in the coming millennia?" Gastroenterology & Hepatology: Open access 15, n. 1 (28 febbraio 2024): 17–19. http://dx.doi.org/10.15406/ghoa.2024.15.00572.

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Infectious diseases including smallpox, the black plague, cholera, and others have been responsible for the loss of millions of lives over the past millennia, prior to the development of effective treatment strategies during the recent century. Throughout history, epidemics and pandemics are known to have occurred intermittently throughout the world for over 2,500 years. During the 20th century, many of the causative infectious agents were identified, the evolution of vaccines and antimicrobials were developed, resulting in treatment strategies and public health measures that brought about the resolution and presumed virtual eradication of some of the infectious agents. Cholera is transmitted via the fecal-oral route, and outbreaks continue to occur, with the most recent epidemic in Haiti following the massive earthquake of 2010 despite the development of effective vaccines and supporting public health measures. While smallpox was deemed to have been eradicated by the WHO, the recent discovery of Alaskapox, a novel strain of orthopoxvirus that is genetically similar to ‘old-world’ smallpox claimed its first fatality in January 2024. The bubonic plague also continues to reappear in clusters, most recently in rural Oregon in the USA in early 2024. Thus, the emergence of variants of these and other devastating ancient diseases continues to require diligence in establishing and delivery of public health measures and therapeutic options to ensure the plagues of former millennia remain in the history books and not in the community during the present and future generations.

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Spadijer, Sonja. "La domesticité, phénomène socioculturel, représentée dans les œuvres Zoune chez sa ninnaine de Justin Lhérisson et Rêves amers de Maryse Condé". French Cultural Studies 33, n. 1 (febbraio 2022): 3–18. http://dx.doi.org/10.1177/09571558211044965.

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That childhood should be everywhere at home whatever the circumstances, has been implored by poets. Their powerful voices call on the international community to mobilize to protect the rights of the child. However, there are unfair practices; child domestic work is one of them. These children are called ‘domestic children’, ‘service children’ and les ‘restavèk’. Denounced by humanitarian institutions, child domestic work unfortunately still exists today. This issue has been taken up by writers, thus becoming one of the key themes of literature in French and Creole languages. Our aim is to recall the major role that this literature has played, for more than a century, in raising the awareness of a very large readership on the harmful effects of this practice on children and adolescents. This study will focus on two authors and their works talking about this phenomenon in the context of Haiti, Justin Lhérisson (late 19th and early 20th centuries) with his lodyans Zoune chez sa ninnaine (1906) and Maryse Condé (20th and 21st centuries) with her novel Rêves amers (1987), both closely tied to Haitian culture. While using different literary frameworks, either Creolity in Maryse Condé or Social Realism in Justin Lhérisson, they chose in their fictions to tell about the condition of a child placed in domestic service. Dealing with this phenomenon is also talking about the quest for identity in Haitian literature, which at the beginning a literature of imitation. The expression of J. Lhérisson proves that this literature has become autonomous and that it represents its culture and its society. Because of the originality and the impact exerted, his work deserves to be remembered as part of the universal cultural heritage. M. Condé pleads for freedom of expression, literary cosmopolitanism, universal values, refusing any classification within the borders of a single country or a single language. Thus, the Haitian social realism represented in the expression of these two authors of the Caribbean space brings Creole literature closer to word literature.

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Hoetink, H. "The Dominican Republic in the twentieth century : notes on mobility and stratification". New West Indian Guide / Nieuwe West-Indische Gids 74, n. 3-4 (1 gennaio 2000): 209–33. http://dx.doi.org/10.1163/13822373-90002562.

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Sketches some major social developments in 20th-c. Dominican Republic, concentrating on the turn of the last century, the early decades of the 20th c., the Trujillo period, and the post-Trujillo era. Author pays special attention the the question of 'color', stratification, and identity and the relation between the country and Haiti. He concludes that the Dominican Republic has experienced many great changes, making society more complex and more stratified.

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Neevel, Han. "Logwood Writing Inks: History, Production, Forensics, and Use". Restaurator. International Journal for the Preservation of Library and Archival Material 42, n. 4 (30 novembre 2021): 169–91. http://dx.doi.org/10.1515/res-2021-0015.

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Abstract In the 16th century, the Spanish brought logwood from Mexico to Europe. Its extract was used for textile dyeing. The French introduced the logwood tree to Western Hispaniola, which became Haiti in 1804. Around 1880, Haiti exported most of its logwood to France. In 1847, Runge introduced the black chrome-logwood ink as an alternative for iron-gall ink, because the latter attacked the steel writing nibs. The most important constituents of logwood are hematoxylin and hematein. Due to the profitable import conditions from Haiti, chrome-logwood ink became the cheapest and most commonly used black writing ink in France. This could explain why Vincent van Gogh, during his French period, used it for writing and drawing and why most of the French postcards from the first half of the 20th century, studied in this publication, were written with chrome-logwood ink, while most of the Dutch postcards were written with an iron gall ink.

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Timofeeva, Julia A. "Brazilian “soft power”. In the context of peacekeeping missions in Haiti and Lebanon". Latinskaia Amerika, n. 4 (5 maggio 2024): 74–81. http://dx.doi.org/10.31857/s0044748x24040057.

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In the context of growing tensions in international relations the example of Brazil as a country that integrated into the global context mainly by peaceful means and which in 2023 was again headed by the president who consolidated its status of a peacekeeping country in the first decade of the XXI century is of particular relevance. The year 2024 will mark the 20th anniversary of Brazil's landmark UN peacekeeping operation in Haiti, and the aggravation of the political and social situation on the island since the second half of 2021 makes the topic even more pressing. Using the case study method, i.e., the example of the missions in Haiti and Lebanon, the author analyses the use of “soft power” by Brazilian peacekeepers during the operations with a force component.

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Esaulenko, Larisa Andreevna. "Problems of artistic representation: French novel of 20th century". Vestnik of Saint Petersburg State University of Culture 4 (dicembre 2017): 20–23. http://dx.doi.org/10.30725/2619-0303-2017-4-20-23.

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Manolachi, Monica. "An overview on the 20th-century Central-European novel". Swedish Journal of Romanian Studies 7, n. 1 (15 maggio 2024): 166–69. http://dx.doi.org/10.35824/sjrs.v7i1.26035.

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Over the past century, the history of Romanian literature has been dominated by nationalist approaches, necessary for the consolidation of a stable cultural identity. However, the concept of cultural identity involves changing and migratory components as well, many related to its links with other cultural identities, each of them with its own literature. This book review provides insights into the scholarly significance of Dicționarul romanului central-european din secolul XX [The Dictionary of Central European Novel in the 20th Century] coordinated by Adriana Babeți and edited by Oana Fotache, understood as a project that maps a transnational literary phenomenon. The study is examined for its uniqueness, specific linguistic diversity and multicultural scope: 250 entries about works initially published in one of the fourteen languages spoken in the region, including French and English as international languages, either part of the canon or more marginal and less known. Other reasons include its adequate combination of analysis and synthesis; the extensive team research carried out over three decades; and its socio-political relevance nowadays. The review highlights the historical, cultural, and academic contexts in which the dictionary was published, the avatars of the concept of Central Europe, several characteristics of the Central-European novel, and details about its structure, sections and features. The presentation mentions a few limitations about the availability of the titles in the languages of the region and the admitted gender imbalance and indicates several research audiences possibly interested in alternative ways of approaching novels in the context of globalization.

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Phan, Hung Manh. "Novel in Southern Vietnam at the beginning of 20th century: Types and publicity forms". Science and Technology Development Journal 16, n. 2 (30 giugno 2013): 58–65. http://dx.doi.org/10.32508/stdj.v16i2.1463.

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The paper presented the types, the publicity forms of novels in southern Vietnam at the beginning of the 20th Century. The study emphasized on the typical characteristics of novels for the masses and its interactive relationship with publicity forms, readers and writers’ selection. The paper also affirms that the forms and contents of novels in the South are conceptive selection of southern novel writers during the early 20th Century.

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Morozova, Nataliia, e Andrii Savenko. "TRANSLATION CHALLENGES OF NIKOS KAZANTZAKIS' "AUTOBIOGRAPHICAL" NOVEL". Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, n. 31 (2022): 112–17. http://dx.doi.org/10.17721/1728-2659.2022.31.23.

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Novikova, V. G. "Britain Social Novel at the End of the 20th Century". Rossiiskii Gumanitarnyi Zhurnal 4, n. 1 (2015): 16. http://dx.doi.org/10.15643/libartrus-2015.1.3.

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Tesi sul tema "Novel (haiti)20th century"

Leister, Lori, e University of Lethbridge Faculty of Arts and Science. "Closing the circle: A novel with critical commentary". Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 1998, 1998. http://hdl.handle.net/10133/355.

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There are two parts to this thesis: a novel, Closing the Circle, and a critical commentary on the process of writing a novel from beginning to end. The novel tells the story of Natasha, a young, late twentieth century woman who searches for her "roots." It begins in southern Alberta and she eventually travels to Eastern Europe where she uncovers the voices in her dreams and from the past. It deals with the metaphysical question of a collective unconscious that houses past symbols pertinent to her search as well as the question as to the validity of dreams and memory in human life. The critical commentary addresses issues involved in writing a fiction vis a vis structure and other literary devices. It also addresses questions that come with taking personal familial historical events and writing them into "story."
28 cm.

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Klein, Sascha [Herausgeber]. "Skyscraping Frontiers : The Skyscraper as Heterotopia in the 20th-Century American Novel and Film". Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2020. http://d-nb.info/122330986X/34.

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Ross, Frances Pamella. "The gift : a novel". Thesis, Queensland University of Technology, 2000.

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The gift is a research-based novel set in Cambodia in 1993, during the United Nations - sponsored elections. The central character is a Brisbane woman who travels to Cambodia to help run the elections.

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Myers, Tony. "Postmodernism and historicity : narrative forms in the contemporary novel". Thesis, University of Stirling, 1998. http://hdl.handle.net/1893/1809.

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This study proposes that modernity is constitutively based upon a synchronic temporality which perpetuates the present of the ego. Within this matrix, history is subject to the processes of subjectivization and the 'otherness' of the past disappears. Postmodernism, it is argued, designates the attempt to disinter a properly historical thinking, or historicity, from the recursive temporality of the modern. This attempt is predicated upon the retroactive temporality of the future perfect which, whilst also a synchrony, arises from a productive tension between the past, the present and the future. The self-divisive time of the future perfect expedites the discomfiture of the ego and its concomitant subjectivization of the past and, by so doing, registers the historicity of that past. The relation between the modern and the postmodern forms of temporality is expressed by the Lacanian distinction between the imaginary and symbolic orders. It is argued, moreover, that this distinction is manifest in the narrative forms of the contemporary novel. Whilst the modern form of the contemporary novel replicates the structures of an egocentric repletion of synchrony, the postmodern novel displaces this imaginary problematic to the symbolic. By employing a variety of techniques founded upon retroactivity, postmodern novels are thereby shown to foster a disclosure of the structure of historicity. Within this rubric five novels are given extended consideration: William Gibson's Neuromancer, Bret Easton Ellis's American Psycho, Thomas Pynchon's The Crying of Lot 49, Kurt Vonnegut's Slaughterhouse-Five and John Banville's Doctor Copernicus.

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Gasiorek, Andrew B. P. (Andrew Boguslaw Peter). "A crisis of metanarratives : realism and innovation in the contemporary English novel". Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74280.

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Critics of the English novel, arguing that it is underpinned by liberalism, frequently claim that the crisis of realism disclosed in the work of many contemporary writers derives from a concomitant crisis of liberalism. Liberalism's dissolution is thus seen to prefigure the death of the novel. This dissertation contends that realism cannot be equated with liberalism and that the contemporary crisis of representation signals a broader crisis of metanarratives.
Focussing on selected novels of five post-war English novelists--B. S. Johnson, Doris Lessing, John Berger, Iris Murdoch, and Angus Wilson--I argue that their different responses to the crisis of representation show that it is not a crisis of liberalism alone. Johnson rejects realism for epistemological reasons; Lessing and Berger question it on political grounds; Murdoch and Wilson combine its strengths with a self-reflexive awareness of its weaknesses. I suggest that Murdoch's and Wilson's novels, which argue that fiction does not reflect reality but endows it with meaning and which are at once representational and metafictional, offer the most fruitful ways of acknowledging the crisis of representation while refusing to be paralyzed by it.

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Greenfield, Stacey Amanda Lorraine. "Formal techniques and self/other relations in the novels of Dirk Bogarde". Thesis, University of Gloucestershire, 2006. http://eprints.glos.ac.uk/3149/.

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The thesis foregrounds the distinctive contribution Dirk Bogarde made to contemporary writing in a second career that developed in parallel to his screen commitments. It dispels the notion that Bogarde followed a familiar path as an actor who wrote books. Instead it establishes his reputation as an innovative writer whose formal technique was substantially influenced by the textual systems of cinema and the cross-fertilisation from acting to writing. In examining the formative factors that steered Bogarde towards authorship, the thesis addresses the role of performance as a generative factor in the evolution of the novels, establishing a discursive link with Bakhtinian dialogism, and specifically, transgredience as a formal imperative. Secondly, it affords a critical insight into why the major concerns with staging and performativity preoccupy his writing career. The thesis claims that Bogarde was an empirically dialogical writer whose use of camera-eye narration fostered the proliferation of competing discourses across the fiction. This formal dynamic is centred on the relationship between stages and dialogism, which incorporates the work of Erving Goffinan as a complementary critique to Bakhtinian theory with its emphasis on self-presentation. The concern with socially-constructed behaviour leads the thesis to address the associated issues of stereotyping and 'otherness', which in terms of body politics is articulated by the mono logic drive to confine the sexual 'other' to a fixed representation. Bogarde's ability to draw on cinematic and performance techniques identifies an area of expertise unavailable to most other writers. This is an unusual repository of skills to bring to writing which is why the thesis makes the claim for his singular achievement as a contemporary author. There are fruitful points of intersection to be explored in this respect with the work of Christopher Isherwood, whom Bogarde read and admired, as a basis for further research. It is hoped that the thesis will play its part in opening up new possibilities for Bogarde's writing to be re-visited by future critics.

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Massie, Eric. "Stevenson, Conrad and the proto-modernist novel". Thesis, University of Stirling, 2002. http://hdl.handle.net/1893/21610.

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This thesis argues that Robert Louis Stevenson's South Seas writings locate him alongside Joseph Conrad on the 'strategic fault line' described by the Marxist critic Fredric Jameson that delineates the interstitial area between nineteenth-century adventure fiction and early Modernism. Stevenson, like Conrad, mounts an attack on the assumptions of the grand narrative of imperialism and, in texts such as 'The Beach of Falesa' and The Ebb Tide, offers late-Victorian readers a critical view of the workings of Empire. The present study seeks to analyse the common interests of two important writers as they adopt innovative literary methodologies within, and in response to, the context of changing perceptions of the effects of European influence upon the colonial subject.

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Dammert, Juan Luis. "Supe: Arguedas’s unfinished novel". Pontificia Universidad Católica del Perú, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/79433.

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Tuvo varios nombres: «Harina Mundo», «Mar de Harina», «Jonás», «El pez grande», y fue un proyecto literario que emprendió José María Arguedas después de la publicación de Todas las Sangres (1964). Con él quiso novelar «la transformación del puerto de Supe», lugar donde había pasado los veranos entre 1943 y 1963 y que conocía muy bien. Como sabemos, Arguedas terminó convirtiendo ese proyecto inicial en El zorro de arriba y el zorro de abajo, una novela límite y relato ambientado en el puerto de Chimbote. Dos capítulos de esta novela sobre Supe fueron publicados en vida del escritor, «Mar de Harina» y «El Pelón». En este artículo recojo información que da luces sobre estos textos y sus personajes, ya que fueron tomados de la realidad. Me baso en fuentes orales, tanto de mi memoria personal y familiar como de las conversaciones tenidas con pobladores actuales del puerto en un conversatorio en 2004 sobre los personajes descritos en el inacabado proyecto novelístico.
It had several names, «Harina Mundo», «Mar de Harina», «Jonás», «El pez grande», and was a literary project that José María Arguedas started after the publication of Todas las Sangres (1964). The novel was intended to tell the story of ‘the transformations of Puerto Supe’, a fishing town he knew well, for he spent there the summer of 1943 and 1963. As we know, Arguedas later transformed this project into his last novel called El zorro de Arriba y el zorro de Abajo, which took place in the port of Chimbote.Two chapters of the unfinished novel about Supe were published while Arguedas was still alive: «Mar de Harina» and «El Pelón». In this article I present information about those chapters and the characters they portray, given that they were taken from real life. For this purpose, I draw on oral sources, such as my personal memories and the conversations I held in 2004 with the current inhabitants of Supe, about the characters of this unfinished project.

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Macklovitch, David Nathaniel. "Modalités de lecture du nouveau roman". Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79791.

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In this thesis, we examine theories of reading as they apply to three examples of the French New Novel. We begin with a detailed theoretical expose in which we compare and attempt to reconcile the reading models of Umberto Eco, Wolfgang Iser, Stanley Fish, Bertrand Gervais and Richard Saint-Gelais. The hybrid theory thus obtained is then tested on three works in order to underscore the modalities of reading that are particular to the New Novel, while insisting on these modalities' inherent variability. We focus on the reader's reconstructing of the narrative in L'Emploi du temps , on the impossibility of structuring the plot in La Maison de rendez-vous, and on the paradigmatic mode of reading La Bataille de Pharsale. In so doing, we hope to demonstrate how an analysis of the reading process allows for a heightened appreciation of the essential indeterminacy of the New Novel, of its fundamental otherness. We conclude with tentative remarks on the heuristic function of these texts.

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Little, Michael Robert. "Novel affirmations: defending literary culture in the fiction of David Foster Wallace, Jonathan Franzen, and Richard Powers". Diss., Texas A&M University, 2004. http://hdl.handle.net/1969.1/366.

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This dissertation studies the fictional and non-fictional responses of David Foster Wallace, Jonathan Franzen, and Richard Powers to their felt anxieties about the vitality of literature in contemporary culture. The intangible nature of literature's social value marks the literary as an uneasy, contested, and defensive cultural site. At the same time, the significance of any given cultural artifact or medium, such as television, film, radio, or fiction, is in a continual state of flux. Within that broad context I examine some of the cultural institutions competing with literature for public attention, as well as some of the cultural developments impacting the availability of public attention for literary concerns. With Wallace, I study his efforts in fiction and essays to establish an anti-ironic mode of literary rebellion, in opposition to the culturally pervasive tone of self-protective irony modeled by television. Franzen opens discussion about the transience of cultural authority, a situation in which the imprimatur of the academy, for instance, confers a cultural significance different in kind but not degree from the imprimatur of a popular televised book club. My study of Franzen in particular demonstrates the impact of proliferating sites of cultural authority, addressing the emergence of middlebrow culture and audiences from contested space to authoritative cultural arbiter. The chapter on Franzen also examines the increasing role of corporate interests in the production of cultural artifacts with an eye toward their financial viability more than their cultural impact. And finally, my study of Powers focuses on the animosity between the sciences and the humanities. Powers produces fiction that serves as an indispensable tool for communicating between disparate and otherwise isolated disciplines, and for helping those specialized fields synthesize their information with others.

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Libri sul tema "Novel (haiti)20th century"

B, Kershner R. The twentieth-century novel: An introduction. Boston: Bedford Books, 1997.

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B, Kershner R. The twentieth-century novel: An introduction. Boston, MA: Bedford Books, 1997.

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Elke, D'hoker, e Martens Gunther 1976-, a cura di. Narrative unreliability in the 20th century first-person novel. Berlin: De Gruyter, 2008.

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Michael, Sollars, e Facts on File Inc, a cura di. The Facts on File companion to the 20th-century world novel. New York NY: Facts On File, 2007.

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1976-, Sánchez Conejero Cristina, a cura di. Spanishness in the Spanish novel and cinema of the 20th - 21st century. Newcastle, UK: Cambridge Scholars, 2007.

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Matz, Jesse. The modern novel: A short introduction. Oxford: Blackwell, 2004.

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Saltzman, Arthur M. The novel in the balance. Columbia, S.C: University of South Carolina Press, 1993.

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VIEUX-CHAUVET, MARIE. La Danse sur le volcan. ZELLIGE (ï¿½DITIONS), 2021.

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Siegel, Paul N. Revolution and the 20th Century Novel. 2^a ed. Pathfinder Press (NY), 1998.

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Shere Book of 20th Century Novel. Time Warner Books UK, 1991.

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Capitoli di libri sul tema "Novel (haiti)20th century"

Paniconi, Maria Elena. "Building the nation, imagining the youth in early 20th-century Egypt". In Bildungsroman and the Arab Novel, 20–39. London: Routledge, 2022. http://dx.doi.org/10.4324/9780203710074-2.

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Nuccorini, Stefania. "Chapter 3. Teaching phraseology in the 19th century". In AILA Applied Linguistics Series, 43–58. Amsterdam: John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/aals.20.03nuc.

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Phraseology has long been associated with lexicography (Knappe, 2004), especially with bilingual dictionaries, which have traditionally had a didactic aspect (Moon, 2000). In the 19th century, it was considered a fundamental area of concern in teaching and learning a foreign language and the Royal phraseological English–French, French–English dictionary (Tarver, Vol. 1, 1845; Vol. 2, 1849) addressed it by recording “an extensive phraseology to illustrate the proper manner of using the words” (1845, p. 7), with a novel lexicological, lexicographical and pedagogical approach. This chapter shows that Tarver’s dictionary innovates in relation to the few previous, comparable lexicographical works, and that it foreshadows later, especially 20th-century, approaches to the inclusion and treatment for didactic purposes of word combinations in English general-purpose and specialized learner dictionaries.

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Vidal, Adolf Piquer. "Catalan Identity in the 20th Century Novel". In Advances in Religious and Cultural Studies, 150–64. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-6614-5.ch011.

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The 20th century is definitely the consolidation of Catalan literary movements in which Catalan identity plays a fundamental role. Modernism and avant-garde movements prompted a renewal of literary genres. The Spanish Civil War (1936-1939) was a point of conflict that led to the exile of most writers in Catalan. However, they continued publishing their works in Catalan. That´s the case of La Plaça del Diamant by Mercé Rodoreda and Cròniques de la veritat oculta by Pere Calders. That process of exile came to an end between 1962 to 1975 (death of Franco). Terenci Moix, Montserrat Roig, and others belonged to a generation called “generació literària dels setanta.” Most of them were born in Spanish postwar, educated in Francoism, concerned to recover the Catalan national identity, democratic politics, and social liberation of women and gay people.

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Olah, George A., e John S. Staral. "Novel Aromatic Systems. 4: Cyclobutadiene Dications". In World Scientific Series in 20th Century Chemistry, 463–77. World Scientific Publishing Company, 2003. http://dx.doi.org/10.1142/9789812791405_0089.

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BARTON, D. H. R., A. L. J. BECKWITH e A. GOOSEN. "Photochemical Transformations.: Part XVI. A Novel Synthesis of Lactones." In World Scientific Series in 20th Century Chemistry, 332–36. WORLD SCIENTIFIC / IMPERIAL COLLEGE PRESS, 1996. http://dx.doi.org/10.1142/9789812795984_0050.

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"Fiction: 18th Century see Novel: 18th Century Fiction: British—19th Century see Novel: Romantic Era , Novel: Victorian Fiction: British—20th Century". In Reader's Guide to Literature in English, 532–75. Routledge, 2012. http://dx.doi.org/10.4324/9780203303290-26.

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Satishkumar, B. C., A. Govindaraj, J. Mofokeng, G. N. Subbanna e C. N. R. Rao. "Novel experiments with carbon nanotubes: opening, filling, closing and functionalizing nanotubes". In World Scientific Series in 20th Century Chemistry, 282–91. WORLD SCIENTIFIC, 2003. http://dx.doi.org/10.1142/9789812835734_0030.

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Rao, C. N. R. "Novel materials, materials design and synthetic strategies: Recent advances and new directions". In World Scientific Series in 20th Century Chemistry, 5–18. WORLD SCIENTIFIC, 2003. http://dx.doi.org/10.1142/9789812835734_0001.

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Rao, C. N. R., Anupama Ranganathan, V. R. Pedireddi e A. R. Raju. "A novel hybrid layer compound containing silver sheets and an organic spacer". In World Scientific Series in 20th Century Chemistry, 401–2. WORLD SCIENTIFIC, 2003. http://dx.doi.org/10.1142/9789812835734_0047.

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Olah, George A., John S. Staral e Gao Liang. "Novel Aromatic Systems. I: The Homocyclopropenyl Cation, the Simplest 2π Homoaromatic System". In World Scientific Series in 20th Century Chemistry, 457–59. World Scientific Publishing Company, 2003. http://dx.doi.org/10.1142/9789812791405_0087.

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Atti di convegni sul tema "Novel (haiti)20th century"

Baldanmaksarova, E. Y. "GENRE OF THE MONGOLIAN NOVEL IN THE SECOND HALF OF THE 20th CENTURY". In Международная научная конференция "Мир Центральной Азии-V", посвященная 100-летию Института монголоведения,буддологии и тибетологии Сибирского отделения Российской академии наук. Новосибирск: Сибирское отделение РАН, 2022. http://dx.doi.org/10.53954/9785604788981_397.

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Burima, Maija. "PROJECTION OF THE CONCEPT OF BIOPOLITICS IN THE LATVIAN NOVEL SERIES �WE. LATVIA, THE 20th CENTURY�". In 6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sws.iscah.2019.1/s27.069.

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Kuksa, P. V. "Psychologism of the French novel of the 17th-19th centuries and Russian literature of the 20th century". In SCIENCE OF RUSSIA: GOALS AND OBJECTIVES. "Science of Russia", 2020. http://dx.doi.org/10.18411/sr-10-06-2020-76.

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Bystrenkov, D. L. "TYPOLOGICAL ASPECTS OF THE DEATH MOTIVE IN THE DYSTOPIAN NOVEL OF THE 20TH CENTURY: E. ZAMYATIN, O. HUXLEY, J. ORWELL." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-80.

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Vincitorio, Fabio M., Gustavo Bolla, Ana Flores, Micaela Gomez-Coronel, Alberto Ramil e Ana J. López. "A novel method based on digital holographic interferometry (DHI) to in-situ register the dynamic behavior of concrete 20th century building heritage". In Optics for Arts, Architecture, and Archaeology (O3A) VIII, a cura di Roger Groves e Haida Liang. SPIE, 2021. http://dx.doi.org/10.1117/12.2592112.

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Roelofs, Michelle B. "Mass Timber: 19 Century to Today". In IABSE Congress, New York, New York 2019: The Evolving Metropolis. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.0634.

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New mass timber technologies are entering the US market allowing for innovative, sustainable, and affordable designs. As the market embraces mass timber it is important to reflect on the history of mass timber and to learn best practices to ensure sustainable growth of this sector. This paper will discuss the evolution of mass timber in three parts:19th Century: Large sawn timbers were used to construct impressive warehouse structures that still remain functional and beautiful in our cities today. Logging practices of this era led to deforestation in parts of the Americas before the rise of steel and concrete as dominant building materials.20th Century: Mass timber using adhesives emerged in the 20th century. The novel idea of adhering small dimensioned lumber together to create massive elements is the genesis of all modern mass timber technology. This practice allows for timber to be sustainably harvested for structural applications.21st Century: Cross Laminated Timber (CLT) has quickly shifted from a bespoke building material to an affordable system being used to address the pressing need for affordable housing. 475 W. 18th St is a model project that was used to compare the carbon impact of building a multi-family residential building as compared to conventional reinforced concrete.

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Dolzhikova, Zh. "NOVEL BY YU. OLESHA “ENVY” IN THE LITERARY CONTEXT OF THE 1920S". In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3695.rus_lit_20-21/65-66.

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Yu.K. Olesha is one of the key figures of the “Collective of Poets”, a writer who was both a phenomenal innovator and a continuer of traditions - he entered the history of literature as a classic of the twentieth century. To understand the problems of “Envy”, it is necessary to enter the circle of problems around which the author built his novel. The article attempts to analyze how the facts of reality were refracted in the creative consciousness of the writer, the analysis of the novel's connections with literary traditions - all this allowed us to penetrate deeper into the ideological intent of one of the most significant creations of Yu.K. Olesha.

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Romanova, K. "THE MANIFESTATIONS OF TRANSCULTURALITY IN ELCHIN SAFARLI’S NOVEL THE “SWEET SAULT OF THE BOSPHORUS”". In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3734.rus_lit_20-21/234-238.

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The article analyses how transculturality manifests itself in a Russian-language novel the Sweet Salt of the Bosphorus by Azerbaijani writer Elchin Safarli. Despite the author’s allusions to the Constantinopolitan text of the 20th century Russian literature, a range of specifics prevents one from referring this novel to the Russian literary tradition. Due to the symbiosis of two mentalities in Safarli’s perception of the world, this literary piece incorporates the following transliterary features of writing: the author’s specific bilingual consciousness, which unlike monolingual, particularly the Russian one, states that human’s destiny is predetermined by one’s personal choice and actions, and the reconstruction of an Azerbaijani view of the world by means of the Russian language, which at the level of poetics manifests itself in that the gustatory and olfactory components of perception become dominant form of the autobiographical character’s sensory reactivity and are an important key to understanding the author’s position.

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Vasconcelos, Verônica Jaciara da Silva. "Female representation in the novel 'Founder' by Nélida Piñon". In V Seven International Multidisciplinary Congress. Seven Congress, 2024. http://dx.doi.org/10.56238/sevenvmulti2024-134.

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Nélida Piñon (1937-2022) was one of the main Brazilian writers of the 20th century. Piñon explored themes related to identity, power, love and resistance, and her female characters often defy traditional gender stereotypes. She stood out for giving a voice to strong and independent women, who faced challenges and who seek their own path in life. This work aims at female freedom against patriarchy in the novel she wrote entitled ''Founder'' based on the article by Lúcia Osama Zolin, from 2008, called ''The Representation of Women in the Narrative of Nélida Piñon''. In the aforementioned novel, Piñon addressed the conditions of women against the social expectations imposed on them, in the fight for equality.

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Perevalova, S. "TRADITIONS OF THE NOVEL “IN THE TRENCHES OF STALINGRAD” BY V.P. NEKRASOV IN THE RUSSIAN “LIEUTENANT’S” PROSE OF THE LAST THIRD OF THE XX CENTURY". In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3740.rus_lit_20-21/257-260.

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The article is devoted to the influence of the novel “In the trenches of Stalingrad” by V.P. Nekrasov on the Russian “lieutenant” prose of the last third of the XX century, authors of which during the great Patriotic war fought on the front line as soldiers or young commanders of the Red Army. Because autobiographical heroes of analyzed artworks are young as their authors in their front youth, today books of veterans of the Great Patriotic war and talented authors, including in educational literary programs at school and at universities, have the big value in patriotic education of the young, clearly disclose the process of the spiritual growth of defenders of their motherland.

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Rapporti di organizzazioni sul tema "Novel (haiti)20th century"

F. Al-Sanea, Hamad. Evaluation of Recent Surgical Updates Regarding Diagnosis and Management of Diverticulitis. Science Repository, aprile 2024. http://dx.doi.org/10.31487/j.jsr.2024.01.01.

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Diverticulosis occurs when small, bulging pouches (diverticula) develop in your digestive tract. When one or more of these pouches become inflamed or infected, the condition is called diverticulitis. Diverticula are small, bulging pouches that can form in the lining of your digestive system, although it was rare before the 20th century, diverticular disease is now one of the most common health problems in the western world. It’s a group of conditions that can affect your digestive tract. The most serious type of diverticular disease is diverticulitis. It can cause uncomfortable symptoms and, in some cases, serious complications. If left untreated, these complications can cause long-term health problems. Read on to learn more about diverticulitis, including its causes, symptoms, treatment options, and how your diet might affect your risk of developing it. Objective: In this paper, our main focus was on diverticulitis and surgical intervention, and only relevant studies were discussed. Methodology: PubMed database was used for articles selection, and papers on diverticulitis were obtained and reviewed. Conclusion: Colonoscopy is best avoided in acute and uncomplicated diverticulitis. Classically, it is a surgical disease but uncomplicated cases can often be managed conservatively. Follow up of treated diverticulitis occurs after four weeks via colonoscopy, in selected cases assessing the risk of developing colonic cancer. Novel therapies are under-studied and are probable replacements for surgical intervention.

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Identification of Hazards in Meat Products Manufactured From Cultured Animal Cells. Food Standards Agency, marzo 2023. http://dx.doi.org/10.46756/sci.fsa.crw572.

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Culturing of animal cells was developed in the late 19th and early 20th century, when researchers worked out how to support the growth of cells in media in an ex-vivo environment(footnote). The technology has been used commercially in the medical products industry, notably to produce antibodies for use as new medicines and as reagents in diagnostics. Animal cell culturing has expanded into the food industry especially due to its benefit in promoting sustainability for example by freeing up global arable land used for livestock farming, with cultured meat predicted to enter the UK market in the coming year(s) and already on the market in Singapore. With this in sight, a systematic search protocol was devised to identify hazardous concerns that will help inform the risk assessment for any future applications for authorisation to the FSA. To note, the term ‘cultured’ is now referred to as ‘cultivated’ but the report uses the former term to keep in line with the search string used for the research. This report was limited to meat products manufactured from cultured animal cells. Even though majority of these hazards cross-over to other products such as fish, there is potential to evaluate hazards associated with fish/seafood products separately in the near future. This hazard identification considers the nature of potential hazards associated with the production of cultured animal cells; a novel technology that uses animal cells and cell culturing to produce a substance that resembles meat thus avoiding animal rearing for meat products or aquaculture. As cultured animal cells may pose new risks this report aims to ‘scope out’ the technology to gain an understanding of it and to identify the potential risks that this may pose

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