Letteratura scientifica selezionata sul tema "New horror cinema"
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Articoli di riviste sul tema "New horror cinema"
Wada-Marciano, Mitsuyo. "J-Horror: New Media's Impact on Contemporary Japanese Horror Cinema". Canadian Journal of Film Studies 16, n. 2 (ottobre 2007): 23–48. http://dx.doi.org/10.3138/cjfs.16.2.23.
Testo completoWalker, Johnny. "A Wilderness of Horrors? British Horror Cinema in the New Millennium". Journal of British Cinema and Television 9, n. 3 (luglio 2012): 436–56. http://dx.doi.org/10.3366/jbctv.2012.0099.
Testo completoWajda, Piotr. "Specters of postcolonialism in HBO’s Folklore". Panoptikum, n. 28 (29 dicembre 2022): 86–97. http://dx.doi.org/10.26881/pan.2022.28.05.
Testo completoGavrilov, Lev, e Yulia Vetoshkina. "THE HORROR OF TECHNOLOGY AND THE TECHNOLOGY OF HORROR". Культурный код, n. 2024-2 (2024): 7–19. http://dx.doi.org/10.36945/2658-3852-2024-2-7-19.
Testo completoPalmer, Tim. "Frontier poetry: new adventures in contemporary French horror cinema". Modern & Contemporary France 30, n. 1 (10 novembre 2021): 1–17. http://dx.doi.org/10.1080/09639489.2021.1978414.
Testo completoSinha, Alia. "Book Review: Meraj Ahmed Mubarki, Filming Horror: Hindi Cinema, Ghosts and Ideologies". Social Change 47, n. 2 (giugno 2017): 302–5. http://dx.doi.org/10.1177/0049085717696379.
Testo completoCampoli, Alessandra. "A Ghostly Feminine Melancholy: Representing Decay and Experiencing Loss in Thai Horror Films". Plaridel 12, n. 2 (30 agosto 2015): 14–35. http://dx.doi.org/10.52518/2015.12.2-02cmpli.
Testo completoDe Oliveira, Sérgio Eduardo Alpendre. "JOE DANTE, O HORROR E O BAIXO ORÇAMENTO: PIRANHAS, GRITOS DE HORROR E DESENHOS ANIMADOS". Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual 4, n. 2 (25 luglio 2016): 28. http://dx.doi.org/10.22475/rebeca.v4n2.357.
Testo completoEvernden, Christopher Blake, Cynthia A. Freeland, Thomas Schatz e Frank P. Tomasulo. "Book Reviews". Projections 13, n. 3 (1 dicembre 2019): 121–41. http://dx.doi.org/10.3167/proj.2019.130310.
Testo completoAinslie, Mary. "Thai Horror Film in Malaysia: Urbanization, Cultural Proximity and a Southeast Asian Model". Plaridel 12, n. 2 (30 agosto 2015): 55–82. http://dx.doi.org/10.52518/2015.12.2-04ansli.
Testo completoTesi sul tema "New horror cinema"
Kravina, Carolina. "L'interesse della Feminist Film Theory nei confronti del cinema horror: alcuni esempi di analisi tra Psycho, New Horror e Slasher". Master's thesis, Alma Mater Studiorum - Università di Bologna, 2022.
Cerca il testo completoDe, Camilla Lauren. "Female Leads: Negotiating Minority Identity in Contemporary Italian Horror Cinema". The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1595519031355062.
Testo completoHwang, Yun Mi. "South Korean historical drama : gender, nation and the heritage industry". Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1924.
Testo completoMezzolla, Mario. "L'horror e il comico: la narrazione del corpo nel cinema splatter". Master's thesis, Alma Mater Studiorum - Università di Bologna, 2022.
Cerca il testo completoCOLLETTI, GUIDO CARLO. "LA FIGURA FEMMINILE NEL FANTASTICO ITALIANO". Doctoral thesis, Università Cattolica del Sacro Cuore, 2019. http://hdl.handle.net/10280/58413.
Testo completoThis current study aims to ascertain the close connection between female figure and Italian horror/thriller, cinema, here called "fantastico" in an extensive meaning, in order to highlight common features related to both genres. The periodization of research goes from 60s to 80s and the first purpose was to evaluate, according to a culturalist approach, the woman-horror interdependence, often focused in a mysoginic approach to the genre. The results have often been conflicting with respect to the starting presuppositions: the women are represented only as victims, the audience’s satisfaction is exclusively male. The discussion of this thesis was possible through an empirical and applicative research of a film sample and a careful investigation of latest writings that aim in different cases to reverse the paradigm of the starting point. The second objective detected differences between female representation in the Italian and American cinema, moving from the assumption that the theories which we are based on, come from united states and have provided a sample of more American films than Italian ones. Therefore the intent of this essay was testing the applicability of some historical theoric paradigms to the Italian case. the research’ s method involved a quantitative cataloging of extensive film corpus and an intensive one, which analyzes the main female stereotypes drawn from literature and cinema (damsel in distress, belle dame sans merci, final girl ). the conclusions show that the Italian fantastic genre has resisted more than other ones of a permanent conflict between emancipation and conservative resistance.
COLLETTI, GUIDO CARLO. "LA FIGURA FEMMINILE NEL FANTASTICO ITALIANO". Doctoral thesis, Università Cattolica del Sacro Cuore, 2019. http://hdl.handle.net/10280/58413.
Testo completoThis current study aims to ascertain the close connection between female figure and Italian horror/thriller, cinema, here called "fantastico" in an extensive meaning, in order to highlight common features related to both genres. The periodization of research goes from 60s to 80s and the first purpose was to evaluate, according to a culturalist approach, the woman-horror interdependence, often focused in a mysoginic approach to the genre. The results have often been conflicting with respect to the starting presuppositions: the women are represented only as victims, the audience’s satisfaction is exclusively male. The discussion of this thesis was possible through an empirical and applicative research of a film sample and a careful investigation of latest writings that aim in different cases to reverse the paradigm of the starting point. The second objective detected differences between female representation in the Italian and American cinema, moving from the assumption that the theories which we are based on, come from united states and have provided a sample of more American films than Italian ones. Therefore the intent of this essay was testing the applicability of some historical theoric paradigms to the Italian case. the research’ s method involved a quantitative cataloging of extensive film corpus and an intensive one, which analyzes the main female stereotypes drawn from literature and cinema (damsel in distress, belle dame sans merci, final girl ). the conclusions show that the Italian fantastic genre has resisted more than other ones of a permanent conflict between emancipation and conservative resistance.
Libri sul tema "New horror cinema"
Pagliardini, Fabio. Brividi nel bel paese: Il cinema dell'orrore In Italia. Lecce: Youcanprint, 2022.
Cerca il testo completoPezzella, Nicola. Il soprannaturale e il fantastico nel cinema messicano. Roma: Profondo rosso, 2019.
Cerca il testo completoFamiliari, Antonio Fabio. Il seme del male: La natura nel cinema gotico. Reggio Calabria: Città del sole, 2014.
Cerca il testo completoBaschiera, Stefano, e Russ Hunter, a cura di. Italian Horror Cinema. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9780748693528.001.0001.
Testo completoTurnock, Bryan. Studying Horror Cinema. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325895.001.0001.
Testo completoNew Israeli Horror: Local Cinema, Global Genre. Rutgers University Press, 2023.
Cerca il testo completoNew Israeli Horror: Local Cinema, Global Genre. Rutgers University Press, 2023.
Cerca il testo completoNew Israeli Horror: Local Cinema, Global Genre. Rutgers University Press, 2023.
Cerca il testo completoNew Heritage of Horror: The English Gothic Cinema. Bloomsbury Publishing Plc, 2024.
Cerca il testo completoSimpson. Urban Terrors : New British Horror Cinema: 1997-2008. Hemlock Books Limited, 2012.
Cerca il testo completoCapitoli di libri sul tema "New horror cinema"
Williams, Jessica L. "Horror Movies, Horror Bodies: Blurring the Freak Body in Cinema". In Media, Performative Identity, and the New American Freak Show, 37–77. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-66462-0_3.
Testo completoHauser, Brian R. "Weird Cinema and the Aesthetics of Dread". In New Directions in Supernatural Horror Literature, 235–52. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-95477-6_12.
Testo completoHarris, Martin. "Cloverfield, 9/11, and the New Normal". In Horror and Science Fiction Cinema and Society, 191–204. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003372288-14.
Testo completoRodríguez Ortega, Vicente, e Rubén Romero Santos. "Spanish Horror Film: Genre, Television and a New Model of Production". In European Cinema in the Twenty-First Century, 317–33. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33436-9_18.
Testo completo"New Hollywood Horror". In Studying Horror Cinema, 159–80. Auteur, 2019. http://dx.doi.org/10.2307/j.ctv138424v.11.
Testo completoTurnock, Bryan. "New Hollywood Horror". In Studying Horror Cinema, 159–80. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325895.003.0009.
Testo completoTurnock, Bryan. "Postmodern Horror". In Studying Horror Cinema, 225–44. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325895.003.0012.
Testo completoRyan, Mark David, Jonathan Rayner e Lauren Carroll Harris. "HORROR". In Directory of World Cinema: Australia and New Zealand 2, 126–43. Intellect Books, 2015. http://dx.doi.org/10.2307/j.ctv36xvmdt.19.
Testo completoChurch, David. "Apprehension Engines: Defining a New Wave of Art-Horror Cinema". In Post-Horror, 1–26. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474475884.003.0001.
Testo completoWalker, Johnny. "British film production and the horror genre". In Contemporary British Horror Cinema. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748689736.003.0002.
Testo completoAtti di convegni sul tema "New horror cinema"
Kurtoğlu, Ramazan. "Financial-Economic Crisis and Hollywood’s Social Transformation Operations by Horror Movies". In International Conference on Eurasian Economies. Eurasian Economists Association, 2014. http://dx.doi.org/10.36880/c05.01055.
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