Bibliografie tematiche / Ndongo-Bidyogo

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Letteratura scientifica selezionata sul tema "Ndongo-Bidyogo"

Autore: Grafiati
Pubblicato: 12 ottobre 2024
Ultima modifica: 31 luglio 2025

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Articoli di riviste sul tema "Ndongo-Bidyogo"

1

Celaya, Beatriz. "De victorias o derrotas: El metro, de Donato Ndongo-Bidyogo." Romance Quarterly 57, no. 2 (2010): 142–57. http://dx.doi.org/10.1080/08831150903504745.

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2

Koné, Ténon. "EL BARCO COMO CRONOTOPO EN EL METRO DE DONATO NDONGO-BIDYOGO." Perífrasis. Revista de Literatura, Teoría y Crítica 6, no. 11 (2015): 37–51. http://dx.doi.org/10.25025/perifrasis201561103.

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3

DÍAZ-SZMIDT, RENATA. "ZRANIONA PAMIĘĆ I HISTORYCZNA TRAUMA W LITERATURZE GWINEI RÓWNIKOWEJ. TWÓRCZOŚĆ DONATA NDONGO BIDYOGI." AFRYKA 50, no. 50 (2020): 81–98. http://dx.doi.org/10.32690/afr50.4.

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Abstract (sommario):
Wounded Memory and Historical Trauma in the Literature of Equatorial Guinea. Donato Ndongo Bidyogo’s Works The article, based on the example of Donato Ndongo Bidyogo’s works, presents two aspects of Equatorial Guinean literature, namely memory and trauma. They are crucial for the understanding of this still young literature, written in Spanish. The consideration of selected issues developed by contemporary Equatoguinean writers gives the country’s literature a specifi c character. A refl ection on the dramatic past and the diffi cult present is its recurring motif. The article is divided into
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4

Arbeláez, Olga. "GEOGRAFÍAS IMPOSIBLES: HOGAR Y NACIÓN EN LAS NOVELAS DE DONATO NDONGO-BIDYOGO." Revista Iberoamericana, no. 248-9 (December 9, 2014): 1041–56. http://dx.doi.org/10.5195/reviberoamer.2014.7216.

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5

Phaf-Rheinberger, Ineke. "DONATO NDONGO-BIDYOGO: ENTREVISTA CON INEKE PHAF-RHEINBERGER EN MARZO DE 2017." Nueva revista del Pacífico, no. 70 (June 2019): 164–66. http://dx.doi.org/10.4067/s0719-51762019000100164.

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Rizo, Elisa. "Una conversación entre guineoecuatorianos: Donato Ndongo Bidyogo y Juan Tomás Ávila Laurel." Journal of Spanish Cultural Studies 7, no. 3 (2006): 259–70. http://dx.doi.org/10.1080/14636200601084063.

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7

Hyoyoung Park. "The Dictatorship of Equatorial Guinea and the Postcolonial Writing of Donato Ndongo Bidyogo." Journal of Mediterranean Area Studies 18, no. 2 (2016): 63–83. http://dx.doi.org/10.18218/jmas.2016.18.2.63.

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8

Borst, Julia. "(Im)mobilities and migration in the work of César Mba Abogo and Donato Ndongo-Bidyogo." Tydskrif vir Letterkunde 56, no. 1 (2019): 113–26. http://dx.doi.org/10.17159/2309-9070/tvl.v.56i1.6277.

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Abstract (sommario):
Many literary texts written by authors of African origin in the Spanish language engage with the experience of migration and of living in a European society that marginalizes and homogenizes migrants as the ‘African Other.’ Rather than reproduce stereotypical images of African migrants, these texts challenge a biased debate on migration to Europe, offering an alternative vision of a complex phenomenon. In these texts, migrants are individuals whose mobility is restricted because they are subjected to processes of Othering, which confine them to the margins of Spanish society, raising issues of
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9

Clarence Mengue. "Lectura del espacio en Los poderes de la tempestad de Donato Ndongo Bidyogo." Arizona Journal of Hispanic Cultural Studies 8, no. 1 (2004): 185–95. http://dx.doi.org/10.1353/hcs.2011.0349.

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10

Otabela Mewolo, Joseph-Désiré. "La figura del dictador: Macías Nguema y Rafael Trujillo en Los poderes de la tempestad de Donato Ndongo Bidyogo y en La fiesta del chivo de Mario Vargas Llosa." Connotas. Revista de crítica y teoría literarias, no. 02 (June 1, 2004): 27–46. http://dx.doi.org/10.36798/critlit.v0i02.271.

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El artículo se propone estudiar la figura del dictador en dos novelas relativamente recientes comparando el tratamiento del tema en un autor y un contexto histórico latinoamericanos (el tirano dominicano Rafael Leónidas Trujillo en La fiesta del Chivo de Mario Vargas Llosa) y en un representante de la joven y poco conocida literatura hispanófona de la Guinea Ecuatorial (el retrato de Macías Nguema Biyogo Ñegue Ndong en Los poderes de la tempestad de Donato Ndongo Bidyogo). Se presta particular atención a tres aspectos del dictador: a) el culto a la personalidad que va hasta la divinización, b)
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Più fonti

Tesi sul tema "Ndongo-Bidyogo"

1

Koné, Ténon. "Représentation du migrant noir africain (1980-2000) dans El Metro de Donato Ndongo-Bidyogo." Perpignan, 2014. http://www.theses.fr/2013PERP1234.

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2

Puplampu, Margaret Nuerki. "La reconstrucción de la identidad en Las tinieblas de tu memoria negra de Donato Ndongo-Bidyogo." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ49581.pdf.

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3

Bohoussou, Adjo N'go Rosine. "Ecriture de la domination en Amérique Centrale (Guatemala) et en Guinée Equatoriale : une traversée critique des romans de Miguel Ángel Asturias, El papa verde (1954), et de Donato Ndongo-Bidyogo, Los poderes de la tempestad (1997)." Electronic Thesis or Diss., Perpignan, 2024. http://www.theses.fr/2024PERP0012.

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Abstract (sommario):
Que dit et que peut la littérature, notamment dans les sociétés qui ont été marquées par la colonisation ? Tels sont les deux grands questionnements auxquels tente de répondre cette thèse. Préparée sous la direction du Professeur Victorien Lavou (Université de Perpignan, France) et sous la codirection du Professeure Clotilde Chantal ALLELA (Université Omar Bongo, Gabon), ma thèse a pour titre : « Ecriture de la domination en Amérique Centrale (Guatemala) et en Guinée Equatoriale. Une traversée critique des romans de Miguel Ángel Asturias, El papa verde 1954, et de Donato Ndongo-Bidyogo, Los po
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4

Biboumi, Jean de Dieu. "Le roman de dictature : de la colonie au "macisme" à travers Las tinieblas de tu memoria negra et Los poderes de la tempestad de Donato Ndongo Bidyogo, journaliste et écrivain équato-guinéen." Perpignan, 2009. http://www.theses.fr/2009PERP0899.

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Abstract (sommario):
Nombreuses sont les œuvres qui intègrent la littérature négro-africaine d’expression française. On constate cependant que la littérature hispano-africaine n’a pas encore reçu une attention particulière. Cela s’explique par le fait qu’il n’y a qu’un seul pays africain de langue espagnole : la Guinée Equatoriale. La littérature de cette nation est par conséquent méconnue des milieux universitaires et critiques littéraires. Pour tenter de combler ce vide et la sortir de l’oubli, nous centrons notre attention sur elle, afin de rendre témoignage de cette réalité émergente. La Guinée Equatoriale aya
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5

Martinez, Kamir. "Entre violence et resistance : la réinsertion de la femme africaine subsaharienne dans l'histoire." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA018/document.

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Abstract (sommario):
Se situant dans l’histoire immédiate, la littérature africaine contemporaine participe de la dénonciation de la violence des régimes postcoloniaux et des guerres civiles. Ce sont des nouvelles formes d’écriture caractérisées à la fois par l’urgence et par l’intention de s’éloigner des formes européennes, donnant lieu à une expression universelle et à la revendication du roman comme œuvre d’art. Cette contribution se propose, à partir de neufs romans francophones, anglophones et hispanophones publiés entre 1990 et 2000, d’explorer et d’analyser la réinsertion de la femme africaine subsaharienne
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Libri sul tema "Ndongo-Bidyogo"

1

Mewolo, Joseph-Désiré Otabela. Entre estética y compromiso: La obra de Donato Ndongo-Bidyogo. Universidad Nacional de Educación a Distancia, 2008.

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2

Sosthéne, Onomo-Abena, ed. Entre estética y compromiso: La obra de Donato Ndongo-Bidyogo. Universidad Nacional de Educación a Distancia, 2008.

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3

Mewolo, Joseph-Désiré Otabela. Entre estética y compromiso: La obra de Donato Ndongo-Bidyogo. Universidad Nacional de Educación a Distancia, 2008.

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4

Jonsson, Herbert, Lovisa Berg, Chatarina Edfeldt, and Bo G. Jansson, eds. Narratives Crossing Borders: The Dynamics of Cultural Interaction. Stockholm University Press, 2021. http://dx.doi.org/10.16993/bbj.

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Abstract (sommario):
Which is the identity of a traveler who is constantly on the move between cultures and languages? What happens with stories when they are transmitted from one place to another, when they are retold, remade, translated and re-translated? What happens with the scholars themselves, when they try to grapple with the kaleidoscopic diversity of human expression in a constantly changing world? These and related questions are, if not given a definite answer, explored in the chapters of this anthology. Its overall topic, narratives that pass over national, language and ethnical borders include studies
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Capitoli di libri sul tema "Ndongo-Bidyogo"

1

Borst, Julia. "Ndongo-Bidyogo, Donato." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2021. http://dx.doi.org/10.1007/978-3-476-05728-0_23231-1.

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2

Borst, Julia. "Ndongo-Bidyogo, Donato: Tinieblas de tu memoria negra." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2021. http://dx.doi.org/10.1007/978-3-476-05728-0_23232-1.

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3

Tybinko, Anna. "All That Glitters: Questioning the Spanish El Dorado through Rachid Nini’s and Donato Ndongo-Bidyogo’s Narratives of Migration." In Migrant Frontiers. Liverpool University Press, 2023. http://dx.doi.org/10.3828/liverpool/9781802070514.003.0011.

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Abstract (sommario):
Tybinko’s chapter examines the work of two contemporary authors – both of African origin – whose work has become fundamental for understanding the migrant experience in Spain. While African-born authors such as Donato Ndongo Bidyogo and Rachid Nini are most frequently read as the bulwarks of a burgeoning category of Spanish literature often posed as “immigrant fiction,” this chapter explores their vivid portrayal of the aforementioned economic circumstances in fictional form. Through a re-reading of Ndongo Bidyogo’s El metro (2007) and Nini’s Diario de un ilegal (1995), this chapter offers an
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4

Magrinyà, Carles. "Liminality, Migration and Transgression in El Metro by Donato Ndongo-Bidyogo." In Narratives Crossing Borders: The Dynamics of Cultural Interaction. Stockholm University Press, 2021. http://dx.doi.org/10.16993/bbj.o.

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Abstract (sommario):
My investigation aims to contribute to the understanding of the functionality of the fictitious border zones and how characters relate to spaces that put them in contact with the transitory, that is, liminal characters and spaces. In this sense I will work with the concept of liminality developed by anthropologists Arnold Van Gennep and Victor Turner. The object of study is El metro (2007), by Equatorial Guinean writer Donato Ndongo, and it is an example of the contemporary Equatoguinean novel in Spanish. My contribution focuses on how narrator and characters perceive and relate to liminal spa
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5

Bermúdez, Silvia. "“Africa begins in …”: Donato Ndongo Bidyogo’s and Francisco Zamora Loboch’s Transatlantic Cartographies." In Transatlantic Studies. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620252.003.0028.

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Abstract (sommario):
This essay takes as point of departure the well-known expression “Africa begins in the Pyrenees,” to evaluate the ways in which two postcolonial authors from Equatorial Guinea, Francisco Zamora Loboch (1948) and Donato Ndongo Bidyogo (1950) express the double consciousness that molds the writing of those living in exile in Spain, displaced by brutal dictatorships. Particular attention is paid to the transatlantic cartographies delineated by Donato Ndongo’s El metro (2007) [The subway], as it dramatizes the negotiation of Africanness in the city of Madrid, an emblem of present-day Fortress Euro
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