Articoli di riviste sul tema "Musical prescription"
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Whittaker, Adam. "Investigating the canon in A-Level music: Musical prescription in A-level music syllabuses (for first examination in 2018)". British Journal of Music Education 37, n. 1 (16 novembre 2018): 17–27. http://dx.doi.org/10.1017/s0265051718000256.
Lorenzoni, Valerio, Tijl De Bie, Thierry Marchant, Edith Van Dyck e Marc Leman. "The effect of (a)synchronous music on runners’ lower leg impact loading". Musicae Scientiae 23, n. 3 (20 luglio 2019): 332–47. http://dx.doi.org/10.1177/1029864919847496.
Gilbert, Joel, Sylvain Maugeais e Christophe Vergez. "Minimal blowing pressure allowing periodic oscillations in a simplified reed musical instrument model: Bouasse-Benade prescription assessed through numerical continuation". Acta Acustica 4, n. 6 (2020): 27. http://dx.doi.org/10.1051/aacus/2020026.
Helitzer, E., e H. Moss. "Group singing for health and wellbeing in the Republic of Ireland: the first national map". Perspectives in Public Health 142, n. 2 (marzo 2022): 102–16. http://dx.doi.org/10.1177/17579139221081400.
Kovtoniuk, Valeriya. "A performing musician’s oeuvre through the prism of phenomenology." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 50, n. 50 (3 ottobre 2018): 8–16. http://dx.doi.org/10.34064/khnum1-50.01.
Chernysheva, Ekaterina N., e Svetlana A. Tyaglova. "FORMATION OF CULTURAL VALUES OF STUDENTS IN THE PROCESSING OF RUSSIAN FOLK SONGS". Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, n. 42 (2021): 223–30. http://dx.doi.org/10.17223/22220836/42/19.
Garrido, Sandra, Emery Schubert e Daniel Bangert. "Musical prescriptions for mood improvement: An experimental study". Arts in Psychotherapy 51 (novembre 2016): 46–53. http://dx.doi.org/10.1016/j.aip.2016.09.002.
Aguirre Dergal, Alfonso. "Enfoque prescriptivo de la educación musical instrumental". Epistemus. Revista de Estudios en Música, Cognición y Cultura 10, n. 2 (14 dicembre 2022): 045. http://dx.doi.org/10.24215/18530494e045.
Fiorussi, André. "La diéresis silenciada de Julio Herrera y Reissig". Rhythmica. Revista Española de Métrica Comparada, n. 17 (9 gennaio 2020): 35. http://dx.doi.org/10.5944/rhythmica.26314.
Doerksen, Paul F. "Aural-Diagnostic and Prescriptive Skills of Preservice and Expert Instrumental Music Teachers". Journal of Research in Music Education 47, n. 1 (aprile 1999): 78–88. http://dx.doi.org/10.2307/3345830.
Bresler, Liora. "Research education shaped by musical sensibilities". British Journal of Music Education 26, n. 1 (marzo 2009): 7–25. http://dx.doi.org/10.1017/s0265051708008243.
Lam, Nathan L. "Tonalité grégorienne: Musica recta as Prescriptive Harmony". Music Theory and Analysis (MTA) 7, n. 2 (31 ottobre 2020): 320–50. http://dx.doi.org/10.11116/mta.7.2.2.
Agawu, Kofi. "Schubert's Sexuality: A Prescription for Analysis?" 19th-Century Music 17, n. 1 (1993): 79–82. http://dx.doi.org/10.2307/746782.
Agawu, Kofi. "Schubert's Sexuality: A Prescription for Analysis?" 19th-Century Music 17, n. 1 (luglio 1993): 79–82. http://dx.doi.org/10.1525/ncm.1993.17.1.02a00060.
Magnusson, Thor. "Scoring with Code: Composing with algorithmic notation". Organised Sound 19, n. 3 (13 novembre 2014): 268–75. http://dx.doi.org/10.1017/s1355771814000259.
Fox, Christopher. "OPENING OFFER OR CONTRACTUAL OBLIGATION? ON THE PRESCRIPTIVE FUNCTION OF NOTATION IN MUSIC TODAY". Tempo 68, n. 269 (16 giugno 2014): 6–19. http://dx.doi.org/10.1017/s0040298214000023.
Pramudyo, Gani Nur, e Tamara Adriani Salim. "Tinjauan sistematis tentang preservasi warisan musik". Berkala Ilmu Perpustakaan dan Informasi 17, n. 1 (8 giugno 2021): 40–55. http://dx.doi.org/10.22146/bip.v17i1.1266.
Helitzer, Elizabeth, Amy Clements-Cortes e Hilary Moss. "Group singing on social prescription: A scoping review". Music and Medicine 14, n. 4 (30 ottobre 2022): 226–37. http://dx.doi.org/10.47513/mmd.v14i4.849.
Reyner, Igor R. "Listening Through Language: Jean-Luc Nancy and Pierre Schaeffer". Paragraph 44, n. 2 (luglio 2021): 176–91. http://dx.doi.org/10.3366/para.2021.0364.
Kanno, Mieko. "Prescriptive notation: Limits and challenges". Contemporary Music Review 26, n. 2 (aprile 2007): 231–54. http://dx.doi.org/10.1080/07494460701250890.
Vives, Jean-Michel. "Protéger contre quoi ? Prescriptions musicales et jouissance lyrique au sein de l’église catholique". Topique 145, n. 1 (2019): 39. http://dx.doi.org/10.3917/top.145.0039.
Austern, Linda Phyllis. "“Sing Againe Syren“: The Female Musician and Sexual Enchantment in Elizabethan Life and Literature*". Renaissance Quarterly 42, n. 3 (1989): 420–48. http://dx.doi.org/10.2307/2862078.
Head, Matthew. ""If the Pretty Little Hand Won't Stretch": Music for the Fair Sex in Eighteenth-Century Germany". Journal of the American Musicological Society 52, n. 2 (1999): 203–54. http://dx.doi.org/10.2307/831998.
Lee-De Amici, Beth Anne. "“Et le moyen plain de paine et tristesse”: Solution, Symbology, and Context in Ockeghem's “Prenez sur moi”". Journal of Musicology 28, n. 4 (2011): 369–417. http://dx.doi.org/10.1525/jm.2011.28.4.369.
Kim-Boyle, David. "REFRAMING THE LISTENING EXPERIENCE THROUGH THE PROJECTED SCORE". Tempo 72, n. 284 (20 marzo 2018): 37–50. http://dx.doi.org/10.1017/s0040298217001243.
MacDonald, Calum. "‘Tutt' ora vivente’: Petrassi and the concerto principle". Tempo, n. 194 (ottobre 1995): 2–11. http://dx.doi.org/10.1017/s0040298200004472.
Stuart, Susan A. J., e Chris Dobbyn. "A Kantian Prescription for Artificial Conscious Experience". Leonardo 35, n. 4 (agosto 2002): 407–11. http://dx.doi.org/10.1162/002409402760181213.
Berry, David. "The Meaning[s] of "Without": An Exploration of Liszt's Bagatelle ohne Tonart". 19th-Century Music 27, n. 3 (2004): 230–62. http://dx.doi.org/10.1525/ncm.2004.27.3.230.
Chiu, Remi. "MUSIC, PESTILENCE AND TWO SETTINGS OF O BEATE SEBASTIANE". Early Music History 31 (2012): 153–88. http://dx.doi.org/10.1017/s0261127912000022.
Redhead, Lauren, Alistair Zaldua, Steve Gisby e Sophie Stone. "Performing temporal processes". New Sound, n. 50-2 (2017): 113–27. http://dx.doi.org/10.5937/newso1750113r.
O'Neill, Susan A. "Commentary: Considering Assumptions in Associations Between Music Preferences and Empathy-Related Responding". Empirical Musicology Review 10, n. 1-2 (8 aprile 2015): 71. http://dx.doi.org/10.18061/emr.v10i1-2.4571.
Kim, David Hyun-Su. "The Brahmsian Hairpin". 19th-Century Music 36, n. 1 (2012): 46–57. http://dx.doi.org/10.1525/ncm.2012.36.1.046.
Saupic, T., C. Beitz, E. Meunier e C. Duclos. "Le soin Berceuses : dynamiques d’un dispositif de soin psychocorporel mère-bébé". European Psychiatry 30, S2 (novembre 2015): S71. http://dx.doi.org/10.1016/j.eurpsy.2015.09.336.
Filocamo, Gioia. "Bolognese ‘Orations’ between Song and Silence: The <i>Laude</i> of the Confraternity of Santa Maria della Morte". Confraternitas 26, n. 2 (24 novembre 2016): 3–17. http://dx.doi.org/10.33137/confrat.v26i2.27242.
Zaldua, Alistair. "NOTATION AND IMPROVISATION: NOTATIONAL PRAXIS IN THE WORK OF THE ICP, SARAH BRAND AND MOSS FREED". Tempo 78, n. 308 (aprile 2024): 24–37. http://dx.doi.org/10.1017/s0040298223000931.
Bujić, Bojan. "A Sacred Bridge or an Unsteady Pontoon? – Some Communication Problems Between Philosophers and Musicians". Musicological Annual 43, n. 1 (1 dicembre 2007): 11–19. http://dx.doi.org/10.4312/mz.43.1.11-19.
Dupuy-Salle, Manuel, Camille Jutant e William Spano. "La musique dont vous êtes le héros. Quelques nouvelles formes de prescription culturelle à travers l’étude des plateformes musicales sur le web". Les Enjeux de l'information et de la communication N° 17/3A, S1 (2 settembre 2017): 99–113. http://dx.doi.org/10.3917/enic.hs3.0099.
Панов, А. А., e И. В. Розанов. "On the Term con discrezione and Its Derivates in Baroque Music". Научный вестник Московской консерватории, n. 1(44) (23 marzo 2021): 48–63. http://dx.doi.org/10.26176/mosconsv.2021.44.1.003.
Safariants, Rita. "From Pugacheva to Pussy Riot". Canadian-American Slavic Studies 56, n. 2 (10 maggio 2022): 200–230. http://dx.doi.org/10.30965/22102396-05602012.
Thomas, Niall. "Innovation and tradition in metal music production". Metal Music Studies 7, n. 3 (1 settembre 2021): 423–43. http://dx.doi.org/10.1386/mms_00058_1.
Carter-Ényì, Aaron, e Quintina Carter-Ényì. "“Bold and Ragged”: A Cross-Cultural Case for the Aesthetics of Melodic Angularity". Music & Science 3 (1 gennaio 2020): 205920432094906. http://dx.doi.org/10.1177/2059204320949065.
Docherty, Barbara. "‘We know for whom we mourn’: Britten, Auden and the politics of 1936". Tempo, n. 192 (aprile 1995): 22–28. http://dx.doi.org/10.1017/s0040298200004083.
Leonard, Hakeem. "A Problematic Conflation of Justice and Equality: The Case for Equity in Music Therapy". Music Therapy Perspectives 38, n. 2 (2020): 102–11. http://dx.doi.org/10.1093/mtp/miaa012.
Armstrong (book author), Lawrin, e Wim Decock (review author). "The Idea of a Moral Economy: Gerard of Siena on Usury, Restitution, and Prescription". Renaissance and Reformation 40, n. 2 (5 ottobre 2017): 166–68. http://dx.doi.org/10.33137/rr.v40i2.28508.
Rosand, Ellen. "Monteverdi's mimetic art: L'incoronazione di Poppea". Cambridge Opera Journal 1, n. 2 (luglio 1989): 113–37. http://dx.doi.org/10.1017/s0954586700002925.
Redhead, Lauren. "MUSIC COMPOSITION AND EPISTEMIC INJUSTICE". Tempo 76, n. 302 (29 settembre 2022): 32–41. http://dx.doi.org/10.1017/s0040298222000328.
Zayaruznaya, Anna. "Hockets as Compositional and Scribal Practice in the ars nova Motet—A Letter from Lady Music". Journal of Musicology 30, n. 4 (2013): 461–501. http://dx.doi.org/10.1525/jm.2013.30.4.461.
Katta, A., D. L. Preston, S. K. Karkala, S. Asano, S. Meduru, S. P. Mupparaju, E. Yokochi, Kevin M. Rice, D. H. Desai e E. R. Blough. "Diabetes Alters Contraction-Induced Mitogen Activated Protein Kinase Activation in the Rat Soleus and Plantaris". Experimental Diabetes Research 2008 (2008): 1–10. http://dx.doi.org/10.1155/2008/738101.
Власова, Е. С. "Soviet Сlassical Opera: Ideas and Realities". Научный вестник Московской консерватории, n. 4(43) (24 dicembre 2020): 102–31. http://dx.doi.org/10.26176/mosconsv.2020.43.4.006.
Melnikova, Anna A. "Can Orchestration Teaching be improved?" Vestnik of Saint Petersburg University. Arts 13, n. 4 (2023): 600–620. http://dx.doi.org/10.21638/spbu15.2023.401.