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1

Brimhall, John. Music theory. Las Vegas, NV (6010 W. Cheyenne Ave., Suite 15, Las Vegas, NV 89108): Brimhall Music Pub., Inc., 1990.

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2

Richer, Margaret. Music theory. London: Hodder Headline, 2002.

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3

Henry, Earl. Music theory. Englewood Cliffs, N.J: Prentice-Hall, 1985.

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4

Harrison, Mark. Contemporary music theory. Milwaukee: Hal Leonard, 1996.

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5

Schmeling, Paul. Berklee music theory. Boston, MA: Berklee Press, 2005.

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6

Mark, Harrison. Contemporary music theory. Milwaukee: Hal Leonard, 2001.

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7

Dorr, Joyce. Introductory music theory. Belmont: Wadsworth Pub. Co., 1995.

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8

Spencer, Peter. Music theory for non-music majors. Upper Saddle River, NJ: Prentice Hall, 1996.

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9

Engebretsen, Nora A. What kind of theory is music theory?: Epistemological exercises in music theory and analysis. Stockholm: Stockholm University, 2007.

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10

(Designer), Rebecca Halverson, e Gerald Wood (Illustrator), a cura di. Music Theory for Beginners (Music Theory). Usborne Books, 2006.

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11

Music Theory (Music Theory Study Guide). Prentice Hall, 1986.

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12

Richer, Margaret. Music Theory. Teach Yourself Books, 2002.

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13

Lefkowitz, David. Music Theory. Schirmer, 2008.

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14

McCann, Brian. Music Theory. 50/50 Press, LLC, 2018.

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15

Valk, Alexis. Music Theory. Kendall Hunt Publishing Company, 2014.

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16

Brown, Matthew, e David Headlam. Music Theory. Pearson Education, Limited, 2009.

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17

Chriss, Jacob. Music Theory. Not Avail, 2003.

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18

Baur, John. Music Theory. Kendall Hunt Publishing Company, 2016.

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19

Music Theory. HarperCollins College,U.S., 1994.

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20

Music theory. Alpha, a member of Penguin Random House, 2016.

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21

Music theory. Englewood Cliffs, NJ: Prentice-Hall, 1985.

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22

Music Theory. National Learning Corp, 2005.

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23

Music Theory: Manuscript Paper, Learning Music Theory Effortlessly, Theory Book. Independently Published, 2020.

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24

Music Theory: Manuscript Paper, Learning Music Theory Effortlessly, Theory Book. Independently Published, 2020.

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25

Music Theory: Manuscript Paper, Learning Music Theory Effortlessly, Theory Book. Independently Published, 2020.

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26

Jayden, Isabella. Music Theory: Manuscript Paper, Learning Music Theory Effortlessly, Theory Book. Independently Published, 2020.

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27

Jayden, Isabella. Music Theory: Manuscript Paper, Learning Music Theory Effortlessly, Theory Book. Independently Published, 2020.

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28

Popular Music Theory Grade 5 (Popular Music Theory). Registry Publications Ltd, 2006.

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29

(Illustrator), Chris Challinor, a cura di. Popular Music Theory Grade 1 (Popular Music Theory). Registry Publications Ltd, 2001.

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30

(Illustrator), Chris Challinor, a cura di. Popular Music Theory Grade 2 (Popular Music Theory). Registry Publications Ltd, 2001.

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31

Popular Music Theory Grade 3 (Popular Music Theory). Registry Publications Ltd, 2001.

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32

Popular Music Theory Grade 4 (Popular Music Theory). Rgt, 2001.

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33

The Open The Open Courses Library. Music Theory Definitions. Independently Published, 2019.

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34

Creations, M. J. F. Music Theory : : Name: ____________. Independently Published, 2021.

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35

Montiel, Mariana, e Robert W. Peck. Mathematical Music Theory. WORLD SCIENTIFIC, 2018. http://dx.doi.org/10.1142/10858.

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36

Blatter, Alfred. Revisiting Music Theory. Routledge, 2012. http://dx.doi.org/10.4324/9780203941041.

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37

Snodgrass, Jennifer. Teaching Music Theory. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190879945.001.0001.

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Abstract (sommario):
Many innovative approaches to teaching are being used around the country, and there is an exciting energy about the scholarship of teaching and learning. But what is happening in the most effective music theory and aural skills classrooms? Based on 3 years of field study spanning 17 states, coupled with reflections from the author’s own teaching strategies, Teaching Music Theory: New Voices and Approaches highlights teaching approaches with substantial real-life examples from instructors across the country. The main premise of the text focuses on the question of “why.” Why do we assess in a particular way? Why are our curricula designed in a certain manner? Why should students master aural skills for their career as a performer, music educator, or music therapist? It is through the experiences shared in the text that many of these questions of “why” are answered. Along with answering some of the important questions of “why,” the book emphasizes topics such as classroom environment, undergraduate research and mentoring, assessment, and approaches to curriculum development. Teaching Music Theory: New Voices and Approaches is written in a conversational tone to provide a starting point of dialogue for students, new faculty members, and seasoned educators on any level. The pedagogical trends presented in this book provide a greater appreciation of outstanding teaching and thus an understanding of successful approaches in the classroom.
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38

Solomon, Jason W. Music Theory Essentials. Routledge, 2019. http://dx.doi.org/10.4324/9781315167749.

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39

Blatter, Alfred. Revisiting Music Theory. Routledge, 2016. http://dx.doi.org/10.4324/9781315689975.

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40

Contemporary Music Theory. Gateway Publishing, 2020.

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41

Elementary music theory. Mississauga, Ont: F. Harris Music Co., 2001.

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42

Understand music theory. Teach Yourself, 2015.

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43

Music Theory Simplified. Dorling Kindersley Publishing, Incorporated, 2024.

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44

Johnson, Michael. Pop Music Theory. MonoMyth Music, 2009.

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45

Music Theory Essentials. Taylor & Francis Group, 2019.

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46

Understand Music Theory. Hodder & Stoughton, 2010.

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47

Understanding music theory. 2a ed. Langhorne, Pa: Music Theory 411 Press, 2009.

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48

Understanding Music Theory. Music Sales Corporation, 2002.

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49

Kyoku, Zeke. Simple: Music Theory. Independently Published, 2018.

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50

Gelling, Peter. Beginner Music Theory. Koala Publications, 2004.

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