Libri sul tema "Music theory History 18th century"

Lester, Joel. Compositional theory in the eighteenth century. Cambridge, Mass: Harvard University Press, 1992.

Lester, Joel. Compositional theory in the eighteenth century. Cambridge, Mass: Harvard University Press, 1994.

Street, Christensen Thomas, Beelaert Sylvester, Dejans Peter 1964-, Snyers Kathleen e International Orpheus Academy for Music Theory, a cura di. Towards tonality: Aspects of Baroque music theory. Leuven: Leuven University Press, 2007.

Street, Christensen Thomas, e Dejans Peter 1964-, a cura di. Towards tonality: Aspects of Baroque music theory. Leuven: Leuven University Press, 2007.

1917-, Mann Alfred, e Parker Mary Ann 1951-, a cura di. Eighteenth-century music in theory and practice: Essays in honor of Alfred Mann. Stuyvesant, NY: Pendragon Press, 1994.

Lester, Joel. Between modes and keys: German theory, 1592-1802. Stuyvesant, NY: Pendragon Press, 1989.

Daube, J. F. The musical dilettante: A treatise on composition. Cambridge: Cambridge University Press, 2006.

Daube, J. F. The musical dilettante: A treatise on composition. Cambridge [England]: Cambridge University Press, 1992.

Curry, Robert, 1952 Sept. 26-, Gable David 1955- e Marshall Robert Lewis, a cura di. Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday. Rochester, NY: University of Rochester Press, 2008.

Christensen, Thomas Street. Rameau and musical thought in the Enlightenment. Cambridge [England]: Cambridge University Press, 1993.

Heisler, Wayne. The ballet collaborations of Richard Strauss. Rochester, NY: University of Rochester Press, 2009.

Alfred, Mann. The great composer as teacher and student: Theory and practice of composition : Bach, Handel, Haydn, Mozart, Beethoven, Schubert. New York: Dover, 1994.

Semi, Maria. Music as a science of mankind in eighteenth-century Britain. Surrey, England UK: Ashgate Pub., 2011.

Cook, Nicholas. Analysis through composition: Principles of the Classical style. Oxford: Oxford University Press, 1996.

G, Ratner Leonard, Allanbrook Wye Jamison, Levy Janet M e Mahrt William P, a cura di. Convention in eighteenth- and nineteenth-century music: Essays in honor of Leonard G. Ratner. Stuyvesant, NY: Pendragon Press, 1992.

Roger, North. Roger North's the musicall grammarian: 1728. Cambridge: Cambridge University Press, 1990.

Day-O'Connell, Jeremy. Pentatonicism from the eighteenth century to Debussy. Rochester, NY: University of Rochester Press, 2007.

Seares, Margaret. Johann Mattheson's Pièces de clavecin and Das neu-eröffnete Orchestre: Mattheson's universal style in theory and practice. Surrey, UK: Ashgate, 2014.

1965-, Gallagher Sean, Kelly Thomas Forrest e Wolff Christoph, a cura di. The century of Bach and Mozart: Perspectives on historiography, composition, theory, and performance. Cambridge, Mass: Harvard University Department of Music, 2008.

Wardhaugh, Benjamin. Thomas Salmon: Writings on music. A cura di Salmon Thomas 1648-1706 e Locke, Matthew, 1621 or 2-1677. Burlington, VT: Ashgate, 2012.

Verba, Cynthia. Music and the French enlightenment: Reconstruction of a dialogue, 1750-1764. Oxford: Clarendon Press, 1993.

Herissone, Rebecca. Music theory in seventeenth-century England. New York: Oxford University Press, 2000.

Pearsall, Edward. Twentieth-century music theory and practice. New York: Routledge, 2012.

Popescu-Judetz, Eugenia. Sources of 18th-century music: Panayiotes Chalathzoglou [i.e. Chalatzoglou] and Kyrillos Marmarinos' comparative treatises on secular music. Beşiktaş, İstanbul: Pan Yayıncılık, 2000.

Yordanova, Iskrena, Guiseppina Raggi e Maria Ida Biggi. Theatre spaces for music in 18th-century Europe. Wien: Hollitzer, 2020.

Greenberg, Robert. Kant's theory of a priori knowledge. University Park, PA: Pennsylvania State University Press, 2001.

Smith, Charlotte. A manual of sixteenth-century contrapuntal style. Newark: University of Delaware Press, 1989.

Byrnside, Ronald L. Music in eighteenth-century Georgia. Athens: University of Georgia Press, 1997.

Blasius, Leslie David. The music theory of Godfrey Winham. Princeton, N.J: Dept. of Music, Princeton University, 1997.

Lowinsky, Edward E. Tonality and atonality in sixteenth-century music. New York, NY: Da Capo Press, 1990.

Lowinsky, Edward E. Tonality and atonality in sixteenth-century music. New York: Da Capo Press, 1989.

1968-, Keefe Simon P., a cura di. The Cambridge history of eighteenth-century music. Cambridge: Cambridge University Press, 2009.

1968-, Keefe Simon P., a cura di. The Cambridge history of eighteenth-century music. Cambridge: Cambridge University Press, 2009.

Palisca, Claude V. Music and ideas in the sixteenth and seventeenth centuries. Chicago: University of Chicago Press, 2006.

Goodway, Martha. The metallurgy of 17th- and 18th- century music wire. Stuyvesant, NY: Pendragon Press, 1987.

Danuta, Mirka, e Agawu V. Kofi, a cura di. Communication in eighteenth-century music. New York: Cambridge University Press, 2008.

1960-, Burden Michael, e Cholij Irena, a cura di. A handbook for studies in 18th-century English music. Oxford: Burden & Cholij, 1999.

Felicity, Nussbaum, e Brown Laura 1949-, a cura di. The New eighteenth century: Theory, politics, English literature. New York: Methuen, 1987.

McBeth, W. Francis. Twentieth century techniques of composition: For the beginning student. Arkadelphia, Arkansas: Delta Publications, 1994.

Wason, Robert W. Viennese harmonic theory from Albrechtsberger to Schenker and Schoenberg. Ann Arbor, Mich: UMI Research Press, 1985.

Wason, Robert W. Viennese harmonic theory from Albrechtsberger to Schenker and Schoenberg. Rochester, N.Y., USA: University of Rochester Press, 1995.

Carlier, Gilles. On the dignity & the effects of music: Two fifteenth-century treatises. London: Institute of Advanced Musical Studies, King's College London, 1996.

Lester, Joel. Compositional Theory in the 18th Century. Harvard University Press, 2013.

Lester, Joel. Compositional Theory in the Eighteenth Century. Harvard University Press, 2005.

Towards tonality: Aspects of Baroque music theory. Leuven: Leuven University Press, 2007.

(Editor), Alfred Mann, e Mary Ann Parker (Editor), a cura di. Eighteenth-Century Music in Theory and Practice: Essays in Honor of Alfred Mann (Festschrift Series, No 13). Pendragon Press, 1994.

Lester, Joel. Compositional Theory in the 18th Century (Studies in the History of Music, No. 4). Harvard University Press, 1993.

Brover-lubovsky, Bella. Tonal Space in the Music of Antonio Vivaldi (Music and the Early Modern Imagination). Indiana University Press, 2008.

(Editor), Robert Curry, David Gable (Editor) e Robert L. Marshall (Editor), a cura di. Variations on the Canon: Essays on Music from Bach to Boulez (in Honor of Charles Rosen on his Eightieth Birthday) (Eastman Studies in Music). University of Rochester Press, 2008.

Keefe, Simon P. Mozart's Viennese Instrumental Music: A Study of Stylistic Re-Invention. Boydell & Brewer, Incorporated, 2007.