Letteratura scientifica selezionata sul tema "Music – california – history and criticism"
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Articoli di riviste sul tema "Music – california – history and criticism"
Тарускин, Р. ""'Everybody Gotta be Someplace' (on Context)"". Музыкальная академия, n. 2(782) (26 giugno 2023): 52–83. http://dx.doi.org/10.34690/308.
Testo completoBotstein, Leon. "On Criticism and History". Musical Quarterly 79, n. 1 (1995): 1–5. http://dx.doi.org/10.1093/mq/79.1.1.
Testo completoMarcus, K. H. "Nineteenth Century California Sheet Music". Journal of American History 98, n. 1 (1 giugno 2011): 308. http://dx.doi.org/10.1093/jahist/jar137.
Testo completoBotstein, L. "Witnessing Music: The Consequences of History and Criticism". Musical Quarterly 94, n. 1-2 (1 marzo 2011): 1–8. http://dx.doi.org/10.1093/musqtl/gdr001.
Testo completoRadice, Mark A. "Reader's Guide to Music: History, Theory, Criticism (review)". Notes 58, n. 1 (2001): 66. http://dx.doi.org/10.1353/not.2001.0165.
Testo completoVojvodić Nikolić, Dina D. "PREDLOG ODREĐENjA POJMA MUZIČKA KRITIKA I TIPOLOGIJE KRITIČKIH TEKSTOVA MEĐURATNOG DOBA U SRBIJI". Nasledje Kragujevac XX, n. 55 (2023): 299–312. http://dx.doi.org/10.46793/naskg2355.299vn.
Testo completoFoote, Thelma Wills. "Music of African Americans in California". Pacific Historical Review 69, n. 1 (1 febbraio 2000): 89–95. http://dx.doi.org/10.2307/3641239.
Testo completoTukova, Iryna, Valentina Redya e Iryna Kokhanyk. "Ukrainian Music Criticism of the 2010s: General Situation, Problems, Directions of Development (Based on the Examples From Contemporary Art Music Scene)". Studia Universitatis Babeş-Bolyai Musica 67, n. 2 (20 dicembre 2022): 129–43. http://dx.doi.org/10.24193/subbmusica.2022.2.07.
Testo completoMajer-Bobetko, Sanja. "Between music and ideologies: Croatian music criticism from the beginning to World War II". Muzyka 63, n. 4 (31 dicembre 2018): 55–64. http://dx.doi.org/10.36744/m.344.
Testo completokang, sun ha. "The Problems an Improvement Direction of High School Music Appreciation and Criticism Textbook". Korean Association For Learner-Centered Curriculum And Instruction 23, n. 17 (15 settembre 2023): 1–15. http://dx.doi.org/10.22251/jlcci.2023.23.17.1.
Testo completoTesi sul tema "Music – california – history and criticism"
Hilliard, Howard (Howard Louis). "The History of Horn Playing in Los Angeles from 1920 to 1970 : a Lecture Recital, Together With Three Recitals of Selected Works for Horn by M. Haydn, Franz, Britten, Mozart, Koetsier, Hindemith, Herzogenberg, Rossini, Stevens and others". Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc1038828/.
Testo completoKirilov, Kalin Stanchev. "Harmony in Bulgarian Music". Thesis, University of Oregon, 2007. http://hdl.handle.net/1794/13533.
Testo completoThis study focuses on the development of harmonic vocabulary in Bulgarian music. It analyzes the incorporation of harmony in village music from the 1930s to the 1990s, "wedding music" from the 1970s to 2000, and choral and instrumental arrangements (obrabotki, creations of the socialist period (1944-1989). This study also explains that terms which are frequently applied to Bulgarian music, such as "westernization," "socialist-style arrangements," or "Middle Eastern influence," depict sophisticated networks of codified and non-codified rules for harmonization which to date have not been studied. The dissertation classifies different approaches to harmony in the above mentioned styles and situates them in historical and cultural contexts, examines existing principles for harmonizing and arranging Bulgarian music, and establishes new systems for analysis. It suggests that the harmonic language of the layers of Bulgarian music is based upon systems of rules which can be approached and analyzed using Western music theory. TV1y analysis of harmony in Bulgarian music focuses on representative examples of each style discussed. These selections are taken from the most popular and well-received compositions available in the repertoire.
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Ram, Deepak. "A portfolio of original compositions exploring syncretism between Indian and western music". Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002320.
Testo completoSchmid, William A. (William Albert). "An Analysis of Elements of Jazz Style in Contemporary French Trumpet Literature". Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332815/.
Testo completoBrownlee, Jane. "The Transmission of Traditional Fiddle Music in Australia". Master's thesis, Sydney Conservatorium of Music, 2009. http://hdl.handle.net/2123/13919.
Testo completoBrownlee, Jane. "The transmission of traditional fiddle music in Australia". Master's thesis, Sydney Conservatorium of Music, 2009. http://hdl.handle.net/2123/7913.
Testo completoStewart, Shawna Lynn. "Charles C. Hirt at the University of Southern California| Significant contributions and an enduring legacy". Thesis, University of Southern California, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3564029.
Testo completoDr. Charles Hirt and the Department of Church and Choral Music at the University of Southern California (USC) produced some of America's most successful choral conductors and administrators. Many of those students are conducting or administrating at the finest colleges and universities, secondary schools, churches, and community choral organizations in the nation. From the earliest moments of his career, Charles Hirt himself received a seemingly endless string of accolades. Always focused on the betterment and future of the choral arts, he was a "founding father" of significant choral organizations such as the American Choral Directors Association (ACDA), Choral Conductors Guild of California, and the International Federation of Choral Music. It was also his visionary mindset that served as a hallmark of his tenure at USC and arguably earned him the right to stand as an equal alongside the greatest of American choral conductors.
It is the aim of this study to examine Hirt's significant contributions to the University of Southern California and his legacy as it continues on in his students and the subsequent generation of choral leaders they generated.
Williams, Stephanie E. (Stephanie Evangeline). "On folk music as the basis of a Jamaican primary school music programme". Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63211.
Testo completoSarmast, Ahmad Naser. "A survey of the history of music in Afghanistan, from ancient times to 2000 A.D., with special reference to art music from c.1000 A.D". Monash University, School of Music-Conservatorium, 2004. http://arrow.monash.edu.au/hdl/1959.1/9685.
Testo completoPapanikolaou, Dimitris. "Singing poets : literature and popular music in France and Greece /". London : Legenda, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016510046&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.
Testo completoLibri sul tema "Music – california – history and criticism"
Haslam, Gerald W. Workin' man blues: Country music in California. Berkeley: University of California Press, 1999.
Cerca il testo completoWood, Jack. Surf city: The California sound. New York: Friedman/Fairfax Publishers, 1995.
Cerca il testo completoReyes, David. Land of a thousand dances: Chicano rock 'n' roll from Southern California. Albuquerque: University of New Mexico Press, 1998.
Cerca il testo completoReyes, David. Land of a thousand dances: Chicano rock 'n' roll from Southern California. Albuquerque: University of New Mexico Press, 1998.
Cerca il testo completoReyes, David. Land of a thousand dances: Chicano rock 'n' roll from Southern California. Albuquerque: University of New Mexico Press, 1998.
Cerca il testo completoCountry Music Hall of Fame & Museum (Nashville, Tenn.), a cura di. The Bakersfield sound: Buck Owens, Merle Haggard, and California country. Nashville, Tenn: Country Music Foundation Press Country Music Hall of Fame, 2012.
Cerca il testo completoYang, Mina. California polyphony: Ethnic voices, musical crossroads. Urbana: University of Illinois Press, 2008.
Cerca il testo completoYang, Mina. California polyphony: Ethnic voices, musical crossroads. Urbana: University of Illinois Press, 2008.
Cerca il testo completoYang, Mina. California polyphony: Ethnic voices, musical crossroads. Urbana: University of Illinois Press, 2008.
Cerca il testo completoFowley, Kim. California confidential: A small taste of California dreamin' and California schemin' : in conversation with Kim Fowley. 2a ed. North Strathfield, N.S.W: CMusic Books, 2001.
Cerca il testo completoCapitoli di libri sul tema "Music – california – history and criticism"
Wehrs, William. "Affect and Film Music: A Brief History". In The Palgrave Handbook of Affect Studies and Textual Criticism, 735–52. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63303-9_28.
Testo completoBrüstle, Christa. "Gender Issues as Criticism Within (New) Music Institutions". In New Music and Institutional Critique, 49–68. Berlin, Heidelberg: Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-67131-3_3.
Testo completoIddon, Martin. "Darmstadt and Its Discontents". In New Music and Institutional Critique, 69–84. Berlin, Heidelberg: Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-67131-3_4.
Testo completoLockhart, Ellen. "Giuditta Pasta and the History of Musical Electrification". In Animation, Plasticity, and Music in Italy, 1770-1830. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520284432.003.0006.
Testo completoKramer, Lawrence. "History". In Interpreting Music, 96–112. University of California Press, 2010. http://dx.doi.org/10.1525/california/9780520267053.003.0006.
Testo completo"History and Criticism". In Italian Ars Nova Music, 13–74. 2a ed. University of California Press, 2023. http://dx.doi.org/10.2307/jj.8306149.10.
Testo completoDahl, Per. "Music Criticism in Norway". In The Cambridge History of Music Criticism, 392–407. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.021.
Testo completoSolie, Ruth A. "Beethoven as Secular HumanistIdeology and the Ninth Symphony in Nineteenth-Century Criticism". In Music in Other WordsVictorian Conversations, 5–43. University of California Press, 2004. http://dx.doi.org/10.1525/california/9780520238459.003.0002.
Testo completoKarnes, Kevin C. "MUSIC CRITICISM AS LIVING HISTORY". In Music, Criticism, and the Challenge of History, 48–76. Oxford University Press, 2008. http://dx.doi.org/10.1093/acprof:oso/9780195368666.003.0003.
Testo completoFrey, Emily. "Music Criticism in Imperial Russia". In The Cambridge History of Music Criticism, 208–28. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.012.
Testo completoAtti di convegni sul tema "Music – california – history and criticism"
Kolomiets, G. "ON THE QUESTION OF MUSICAL HERMENEUTICS IN AESTHETICS". In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2548.978-5-317-06726-7/65-69.
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