Tesi sul tema "Museum workers"
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McCall, Vikki. "The 'chalkface' of cultural services : exploring museum workers' perspectives on policy". Thesis, University of Stirling, 2012. http://hdl.handle.net/1893/9798.
Testo completoSanger, Amanda. "REVEALING LIVES: excavating, mapping and interrogating life histories of women clothing workers from District Six (1940 - present)". Diss., University of Pretoria, 2020. http://hdl.handle.net/2263/78698.
Testo completoDissertation (MSocSci)--University of Pretoria, 2020.
Historical and Heritage Studies
MSocSci
Unrestricted
Tramposch, William Joseph. "A matter of degree : mid-career professional training for museum workers in the United States & Great Britain". W&M ScholarWorks, 1985. https://scholarworks.wm.edu/etd/1539618305.
Testo completoClapis, Pacheco Chaves Maria Luiza. "Le Musée du Mouvement des Sans Terre au Brésil : l'émergence d'un nouveau type de musée et d'une nouvelle muséologie". Thesis, Lyon 3, 2015. http://www.theses.fr/2015LYO30027.
Testo completoIn the present work, we aim, first and foremost, to conceive a museum of the Landless Rural Workers Mouvement (MST) in Brazil. The struggle of the landless is one of the most important social and political phenomena in the history of this country. The Mouvement, mainstay of the popular mobilisation in Brasil, is the main reference in the figth against social inequality and neoliberalism, a force that leads to a strengthening in the concentration of wealth, inherent to the capitalist system, and socioeconomic disparities. First, we analyse the conception of this museum, its feautures, objectives, its importance for the social, economic and political development of Brazil and the feasibility of its implementation. We will see that the MST Museum presents a new kind of museum, one we define as a Struggle Museum, within de contexte of a new museology designated as Museology of Contemporaneity. This new museology highlights the need to adapt or update the objectives of social museums, wich were stablished by the New Museology mouvement of 1970-1980, in order to take into account the problems and collective aspirations of ours time. We will try to understand why the museums of New Museology have become ineffective relative to their original goals and how the Museology of Contemporaneity can provide a way out of a situation of inertia and help them play their role as social and political levers more effectively. Finally, with the conception of the Struggle Museum and its Museologie of Contemporaneity, we hope to open up new perspectives for the development of social museology, wherein it operates ; a politically-engaged museology in service of the creation of a better world, of human dignity, equality and social justice
El-Amin, Cheryl W. "Personal and professional spirituality: Muslim social workers' perspectives". ScholarWorks, 2009. https://scholarworks.waldenu.edu/dissertations/676.
Testo completoTolley, Rebecca. "Review of Art Museum Image Gallery". Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/etsu-works/5631.
Testo completoEdwards, Deborah. "Understanding the organization of volunteers at visitor attractions". View thesis, 2005. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20050927.114921/index.html.
Testo completoA thesis submitted to the University of Western Sydney in partial fulfilment of requirements for the degree of Doctor of Philosophy from the College of Law and Business. Includes bibliography.
Blanco, Maria Cristina. "Museu casa da xilogravura de Campos do Jordão: colaboração para formação inicial de professores de artes". Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/27/27160/tde-27092017-115108/.
Testo completoThe current dissertation focuses mainly on studying the Woodcutting House Museum in the town of Campos do Jordão. A question was raised regarding the Arts/Education cooperation related to the teaching activities of this museum: \"What are the educational possibilities of the Casa da Xilogravura Museum for the initial training of Visual Art teachers?\". Information was gathered on the Festival de Inverno de Campos do Jordão (Winter Festival of Campos do Jordão) as parameters to reestablishing the relationships with current actions in which we suggest in this research a link between the visual arts teacher training and the town of Campos do Jordão, as well as its surroundings. Other pertinent issues were also considered, such as the approach to advanced studies elaborated by the professors Paulo Freire and Thierry De Duve as the basis for the discussion about the initial training of arts teachers. Brief study on legislation in the teaching of art was written for reflections on public policies in Higher Education. This paper comprises a cross section of the importance of the teaching work of the museums as basis of a concept, as well as a historic cross section on the teaching aspect of the first museums of the State of São Paulo. Studies on Educational Curatorship and Museum and digital collections were developed based on the relations we suggest on this thesis. A survey was carried out on the basis of the Observatory Project for Teacher Training, which dealt with the Education in Museums within the scope of graduation, which, by the way, was a very small amount in the research. A brief record on the development of the collection belonging to the Casa da Xilogravura Museum was made using bibliographic, documental and oral statement information; and we updated the quantitative data regarding personal visits of Fundamental School students to the Museum, as well as how the spontaneous visitor accesses the existing information on it. The study thoroughly contemplates the reading of the works-of-arts within the scope of the Triangular Approach of Arts Teaching by Ana Mae Barbosa; also, the Aesthetic Development was regarded in the light of the concepts of four researchers: Edmund B. Feldman, Robert W. Ott, Michael J. Parsons and Abigail Housen. We built an autonomous model based on these theories, which led us to propose Support Materials to the Visual Arts teacher which should be offered to the Colleges of the regions of Vale do Paraíba, South of Minas Gerais and South of Rio de Janeiro. This material presents the work of Lasar Segall, called \"Couple in the Mangue\", 1929, woodcut printed on paper, which is part of the collection of the Casa da Xilogravura Museum.
Edwards, Deborah. "Understanding the organization of volunteers at visitor attractions". Thesis, View thesis, 2005. http://handle.uws.edu.au:8081/1959.7/30804.
Testo completoLoury, Sharon D. "History of Nursing and Partnership with the Museum at Mtn. Home". Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/8191.
Testo completoTolley, Rebecca. "Review of Chicago History Museum, Digital Collection: Costume and Textile Collection". Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/5646.
Testo completoLembersky, Yelena. "Transformation of painting into architecture : museum for the works of F. Lembersky". Thesis, Massachusetts Institute of Technology, 1994. http://hdl.handle.net/1721.1/68284.
Testo completoIncludes bibliographical references (p. 89-91).
Art and architecture share a common goal and similar formal principles. Their common goal is to express and abstract spiritual content through harmonious, pure and beautiful material form. The shared principles of form generation in art and architecture are abstraction, dematerialization, organization and construction of space. The similarity of purpose and formal principles allow art and architecture to inform each other. Artists have employed architectural elements as pure abstract form, and architects have applied art to formulate architectural intentions and resolve formal architectural problems. As well, artists and architects have collaborated often in the creation of single artistic or architectural projects. This thesis introduces a method of transforming painting into architecture. The formal methods found in selected paintings of the Russian painter Felix Lembersky (1913-1970) are used to generate the architectural form for the museum of these same paintings. The intention is to derive a form which is both rooted in architectural principles and is expressive of the art works to be exhibited within the museum.
by Yelena Lembersky.
M.Arch.
Sirota, Barbara Haley. "A study of three volunteer programs /". Access Digital Full Text version, 1995. http://pocketknowledge.tc.columbia.edu/home.php/bybib/11792255.
Testo completoIncludes tables. Typescript; issued also on microfilm. Sponsor: Herv[symbol] Varenne. Dissertation Committee: Paul Byers. Includes bibliographical references (leaves 201-205).
Baker, Joseph O., e Joseph O. Baker. "Dinosaurs, Diagrams, and Diabolic Darkness: Sexual Politics in the Creation Museum and among the American Public". Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/2595.
Testo completoRoss, C. S. "Radical trust works : an investigation of digital visitor generated content and visitor engagement in museum spaces". Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1458024/.
Testo completoMOURA, MARIA TERESA JAGUARIBE A. DE. "ART AND CHILDHOOD: AN STUDY ABOUT THE INTERACTIONS BETWEEN CHILDREN, ADULTS, AND WORKS OF ART IN MUSEUM". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2005. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7000@1.
Testo completoThis research was realized at the Museum of Modern Art in Rio de Janeiro in 2004, having its main interest in the children, youngsters and teachers that joined, during school visits, its Educational Program, as well as the professionals who attended the visitors. This paper sought to understand the interactions between children, youngsters, adults and works of art within the space of the museum and reflect about those interactions concerning the aesthetic sensitivity and critical appreciation through direct observation, visual and written records. Recognizing childhood as a social construct and understanding the children and youngsters as social actors, sought theoretical references in the sociology of childhood, in the anthropological philosophy of Walter Benjamin and in the psychology of Lev Semenovich Vigotsky the fundamental bases for its interpretation. Understanding art as a source of human subjectivity and legitimate right, as well as the museum and the school as potential partners in the artistic and cultural education of all, this research sought in the meaningful nets woven between every individual involved and the exhibited works of art, resources for writing a text inspired by ethnography as a methodology for the description and analysis of the observed reality.
MacCulloch, Laura. "Ford Madox Brown : works on paper and archive material at Birmingham Museums and Art Gallery". Thesis, University of Birmingham, 2010. http://etheses.bham.ac.uk//id/eprint/611/.
Testo completoRehman, Tayyiba. "Muslim Feminism : A case-study of Fatima Mernissi's works and thought". Thesis, University of Birmingham, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.497481.
Testo completoGirard, Elizabeth. "A Survey of the Martin S. Ackerman Foundation at VCUarts Anderson Gallery". VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1982.
Testo completoMameni-Bushor, Sara. ""Failed and Fell: Fell to Fail" : the narration of history in the works of Tacita Dean and Jeremy Deller". Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/2530.
Testo completoSmith, Maria Carmen. "Reaching for Understanding: Exploring the Potential of Four-Year-Old Children to Understand Works of Art". Thesis, University of North Texas, 2003. https://digital.library.unt.edu/ark:/67531/metadc4176/.
Testo completoSavaskan, Durak Nuran. "Non - Muslim Minorities And Turkish National Identity: A Research Through Armenian And Greek Literary Works". Phd thesis, METU, 2004. http://etd.lib.metu.edu.tr/upload/2/12605349/index.pdf.
Testo completo#8211
image of the minorities, i.e., Armenians and Greeks, the Turks being other. The research is carried out on the basis of the literary works produced by the intellectuals / authors of these minorities. The historical context, which is taken as the reference point for these discourses, covers the period from the late Ottoman Period up to the early 1960s. Furthermore, the study explores how the ethnic minorities constructed their identities in the last century. This study also seeks to find out which discourses have been the leading ones through history and to determine the continuities and ruptures in the use of themes by these ethnic groups to construct their identities. In addition, policies and ideologies attributed to the state by the minorities are tackled with the literary works and main discursive elements used by minority groups to (de)construct Turkish national identity are explored.
Yılmaz, Ferruh. "Ethnicized ontologies from foreign worker to Muslim immigrant : how Danish public discourse moved to the right through the question of immigration /". Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3310006.
Testo completoTitle from first page of PDF file (viewed September 19, 2006). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 366-373).
Al, Sarhan Saud Saleh. "Early Muslim traditionalism : a critical study of the works and political theology of Ahmad Ibn Hanbal". Thesis, University of Exeter, 2011. http://hdl.handle.net/10036/3374.
Testo completoKamolnick, Paul. "How Muslim Defenders Became “Blood Spilling” Crusaders: Adam Gadahn's Critique of the “Jihadist” Subversion of Al Qaeda's Media Warfare Strategy". Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/645.
Testo completoGendrich, Cynthia M. "Persona, performance, and comedy : patterns of success and accommodation in the lives and works of Mary Ann Vincent and Louisa Lane Drew /". free to MU campus, to others for purchase, 1997. http://wwwlib.umi.com/cr/mo/fullcit?p9842584.
Testo completoHeizer, Donna K. "Those other Orientals : the Muslim Orient in the works of Else Lasker-Schüler, Friedrich Wolf, and Franz Werfel /". The Ohio State University, 1992. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487779914827779.
Testo completoRuoso, Carolina. "Nid de frelons : neuf temps pour neuf atlas : histoire d'un musée d'art brésilien (1961-2011)". Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01H059/document.
Testo completoThis research sought to understand how Museum de Arte da Universidade do Ceara (MAUC) has become a Hornets House. In order to elaborate this explanation, we observed fifty years of it history (1961-2011), starting from the intrigue about the museum models in dispute in the late twentieth century, in Fortaleza city, as well as about the controversies involving its memory. So we organized our narrative in Nove Tempos para Nove Atlas, trying to analyze this Hornet House inside out, against the grain, and for this reason we present the MAUC through it scenes, watching from behind the windows, which are the characteristics and movements to this adjective. We understand that a Hornets House Museum goes through silence, while develop community and collaborative practices that take part of its history, contributing to the broad conceptual elaboration of its curatorial process. In this thesis we unfold its conceptual aspect that justified the creation of MAUC. We traced through a reading on knowledge circulation works of art and exhibitions, a mapping of relationships networks mobilized by this museum through its structural program. We investigate the possibilities of artistic creation in the physical museum space and the dimensions of cooperation proposed by the institution regarding expositions and works of art. We also try to identify the ways of seeing and being of the visitors at MAUC through the eyes of photographers while viewing exposures
Sternberg, Ilse. "Policies for the acquisition of printed books at the British Museum Library, 1837-1960 : with particular attention to the procurement of works from Africa, Asia, the Caribbean and Latin America". Thesis, University College London (University of London), 1991. http://discovery.ucl.ac.uk/1317768/.
Testo completoMaimone, Giovana Deliberali. "Estudo do tratamento informacional de imagens art?sticopict?ricas: cen?rio paulista - an?lises e propostas". Pontif?cia Universidade Cat?lica de Campinas, 2007. http://tede.bibliotecadigital.puc-campinas.edu.br:8080/jspui/handle/tede/808.
Testo completoThe activities that include the informational treatment are broadly studied and applied by Information Science, concerning printed documents, conventionally found in libraries and information centers. However, in relation to imagetic material, specifically the artistic-pictorial works (paintings) situated in different places, there is little literature about the theme, in spite of communicative and documentary importance these materials can offer. Considering image as a source of information and as an element that can be analyzed and represented, the conceptual framework of the area concerning this theme is presented, intending to identify methodologies of informational treatment, specific of this kind of document. In this perspective, with the purpose of evidencing the state of art in Paulista scene, four representative art institutions of the state of S?o Paulo are observed. Analysis and proposals are elaborated in order to adjust the methodologies found in literatures of the area to the national context, taking into account the economic and the social limits. Two essays with two representative works of the studied museums are made to demonstrate the possibility of appliance of the proposals. Finally, the considerations about the theme reveal the situation of documentary backwardness of Brazil in relation to the developed countries, making the position of museums and painting collection galleries clear in relation to the public: the contemplation. On the other hand, this search demonstrates real possibility of changing this framework, through the application of suggested proposals, expressing worries about the generation of knowledge to the user. This research utilized the inductive method, starting of data observer specifically in each museum with the intent of a general reality.
As atividades que compreendem o tratamento informacional s?o amplamente estudadas e aplicadas pela Ci?ncia da Informa??o no que diz respeito aos documentos impressos, convencionalmente encontrados em bibliotecas e centros de informa??o. Por?m, em rela??o aos materiais imag?ticos, especificamente as obras art?stico-pict?ricas (pinturas) situadas em ambientes diferenciados encontram-se escassas literaturas, apesar da import?ncia comunicativa e document?ria que estes materiais podem oferecer. Partindo da concep??o da imagem como fonte de informa??o e elemento pass?vel de ser analisado e representado, apresenta-se o quadro conceitual da ?rea no que concerne a esta tem?tica, intentando identificar metodologias de tratamento informacional espec?ficas desta tipologia de documento. Nesta perspectiva, com o prop?sito de evidenciar o estado da arte em cen?rio paulista, recorre-se ? observa??o de quatro institui??es de arte representativas do estado de S?o Paulo. An?lises e propostas s?o elaboradas a fim de adequar as metodologias encontradas na literatura da ?rea ao contexto nacional, considerando os limites econ?micos e sociais. Para demonstrar a possibilidade de aplica??o destas propostas, s?o realizados dois ensaios com duas obras representativas dos museus estudados. Por fim, as considera??es revelam a situa??o de atraso document?rio do Brasil em rela??o aos pa?ses desenvolvidos, tornando clara a posi??o dos museus e pinacotecas em rela??o ao p?blico: a contempla??o. Em contrapartida, esta pesquisa demonstra clara possibilidade de modifica??o deste quadro, atrav?s da aplica??o das propostas sugeridas, manifestando preocupa??es quanto ? gera??o de conhecimentos para o usu?rio. Utilizou-se para esta pesquisa o m?todo indutivo, partindo-se de dados observados especificamente em cada museu com o intuito de se chegar a uma realidade gen?rica.
Kamolnick, Paul. "The Mysterious Case of the Islamic State Organization (iso) Smiling Martyr--Solved". Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/643.
Testo completoFaraut, Ruelle Sandrine. "Les musées en province de la Révolution à la Libération (1789-1945) : l'exemple du Sud-Est et de la Corse". Thesis, Nice, 2015. http://www.theses.fr/2015NICE0015.
Testo completoThe subject of this thesis concerns museums, the oldest and the first cultural institution in France. By choosing to take the example of the South-East, it will be a question of culture, locally and following the example of the national level, became aware, from the revolutionary period, of the need to protect cultural property by creating museum institutions. It is thus the complex relationships between art, society and policy which we shall try to redraw. We shall highlight the regional cultural sense of identity
Wolens, Sylvia E. (Sylvia Elaine). "The Effects of a Short-Term Videotape Training Program for Guides Conducting Older Adults on Tours in Public Spaces". Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc331875/.
Testo completoRasco, Clark Joseph. "Demographic trends in the European Union: political and strategic implications". Thesis, Monterey California. Naval Postgraduate School, 2004. http://hdl.handle.net/10945/1526.
Testo completoThis thesis analyzes adverse demographic trends in the European Union, including sub-replacement birthrates and increasing median ages. It investigates the implications of these trends for the EU's prospects for becoming a stronger and more influential actor in international affairs. Pressures arising from population trends in and near the EU could ultimately affect national and EU cohesion, governmental effectiveness, and social stability. Absent remedial measures, social programs in some EU countries will be unsustainable due to the mounting financial burden of pensions and health care for growing elderly populations. Such financial obligations hinder funding other national programs, including modernized military capabilities. Nationalism and national identity are at issue in immigrant integration and assimilation efforts. The role of population trends with regard to the growing threat of radical Islamic fundamentalism is explored. The thesis concludes with policy recommendations that might be considered to avert the looming economic, social, and security crises that may result from these demographic trends. In short, the security and financial consequences foreshadowed by the current demographic trends of an aging, economically weaker, and socially conflicted European Union could present dramatic implications for the vital national interests of the United States.
Lieutenant, United States Navy
Ryu, Christine Y. "The face of museums : the state of docent programs in art museums today /". 2006. http://library2.jfku.edu/Museum_Studies/Face_of_Museums.pdf.
Testo completoMoreno, Rachael. "Put your gloves on! : managing volunteers in museum collections /". 2007. http://library2.jfku.edu/Museum_Studies/Put_Your_Gloves_On.pdf.
Testo completoRetseck, Hilary A. "Madison, Indiana's saddletree industry and its workers, 1860-1930". Thesis, 2013. http://hdl.handle.net/1805/5098.
Testo completoA foreign concept to most twenty-first century individuals, a saddletree provides support and acts as the framework to saddles, giving saddlers a base on which to add cushioning, stretch leather, and create beautiful or functional saddles. Saddletree factories were an integral part of Madison, Indiana’s late nineteenth-century economy. As one of the Ohio River town’s leading industries, saddletree shops employed approximately 125 men during 1879, Madison’s peak saddletree production year, and made Madison a national center of saddletree production. However, the industry faded into oblivion as the beginning of the twentieth century, leaving the men drawn to these shops in the 1870s and 1880s to find new opportunities. While past historians contributed to the fields of industrial and economic history by studying large industries engaged in mass production in major urban areas, Madison’s saddletree workers represent a view of nineteenth-century specialized production. This thesis examines the saddletree industry’s place in Madison during the late nineteenth century and the lives of saddletree workers during and after the industry’s peak. My findings, based off extensive digital research and tools utilized in earlier social mobility studies, create a nuanced view of Madison’s relationship to the saddletree industry, saddletree makers, and what the industry’s collapse meant to saddletree factory employees.
Ratliff, Jonathan. "The exploration of color theory in museum education using works found in the J. B. Speed Museum's collection /". 2009. http://digital.library.louisville.edu/cgi-bin/showfile.exe?CISOROOT=/etd&CISOPTR=884&filename=885.pdf.
Testo completo"Personal and professional spirituality: Muslim social workers' perspectives". WALDEN UNIVERSITY, 2010. http://pqdtopen.proquest.com/#viewpdf?dispub=3366969.
Testo completoDoležalová, Monika. "Performance v radikálním politicko-socilálním kontextu od konce 60. let 20. století". Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-347916.
Testo completoChen, Chiu-chu, e 陳秋菊. "Research on the Interpretation Theories and Application of Art Works in an Art Museum". Thesis, 2003. http://ndltd.ncl.edu.tw/handle/66317995121303907702.
Testo completo南華大學
美學與藝術管理研究所
91
The gist of this research was to combine the practical experiences of art works interpretation, to discuss the application of art works interpretative theories by means of the dialectic of different doctrines’ perspectives in the relative academic realms toward the art works’ substance, to clarify the limitations of academic theories in proper sequence, to exclude the possible potential bigotry in the knowledge theories, to confirm the adaptability of theories in the research cautiously, and to make theoretical analyses and induction further to be the conclusion. In the first place, I emphasized the principal standpoint of education from an art museum’s foundation organization, and researched art works interpretation’s functions on education and communication by revealing an art museum’s operational property with the goal of education. By going deep into the theories of art works interpretation, I explored art works’ meanings and value in deep layer; from the diversified and crisscross academic fields, I probed into the substance of art works in the boundaries of art history, art criticism, aesthetics, art sociology, and art psychology respectively, grasped the relevant artistic perspectives, combined the experiences of gallery tour guide and interpretation in practice, expounded the application and limitations on arts work interpretation of the theory in each academic sphere, and got to the bottom of each theory and each doctrine’s possible restrictions on arts work interpretation. The objectives of the research consist in expanding the application categories of art works interpretation theories, deeply inspecting and demonstrating the artistic perspectives in relative academic scopes, and providing the thought of another direction for the theoretical connotation of interpreting art works. Moreover, through the art museum spectators’ psychology of art appreciation and the stage-by-stage development of aesthetic appreciation abilities, I investigated the strategies of art works interpretation in response to the spectators’ aesthetic appreciation capacities in order to achieve art works interpretation’s functions on education and communication. 1. The 3rd Chapter: “The Application of the Art History Theory on Interpretation” In view of the explanations of traditional art works interpretation applying to the art history are inapplicable for the modern and avant-garde explanations of the diversified artistic creations, the research analyzed the complexity of multitudinous meanings and the profundity of art works under the evolvement of history and the agitation of the artistic rational concepts while making comments on the paintings, and discussed in which way the gallery tour guide and interpretation can penetrate through and connect the traditional, the modern, and the contemporary artistic outlooks of history with so many historical outlooks. 2. “The 4th Chapter: The Application of the Art Criticism Theory on Gallery Tour Guide and Interpretation” The art criticism of the research covered two aspects: First, starting from art works to clutch art works’ features with the steps of description, analyses, interpretation, and judgment, etc.. Second, beginning from the angle of a spectator to explore the acceptability of art works through the criteria of aesthetic appreciation, and giving consideration to both subjective and objective ideas to appraise art works. On the other hand, I probed into the political and social mechanisms that affect the artistic creation and the interpretation of the inner value of art works from two major aspects of art works interpretation and evaluative criticism to be the bases of value judgment. 3. “The 5th Chapter: The Application of the Aesthetics Theory on Art Works Interpretation” This part was quoted from the two dominant fields of aesthetic appreciation morphology and aesthetic appreciation psychology in the aesthetic boundaries. I studied the styles of art works in accordance with the aesthetic appreciation morphology, and researched the artwork styles’ effects and functions in the chief experiences to explore the art works’ value deeply, which laid particular stress on the objective aspect of aesthetic appreciation. What was more, to probe into the psychological conditions regarding artistic creation and art appreciation in the light of the aesthetic appreciation psychology, which laid particular stress on the subjective aspect of aesthetic appreciation. Next, to make a thorough inquiry about the aesthetic appreciation value between the subjectivity and the objectivity, to establish dialectical thought for art works interpretation, and to enable the gallery tour guide and interpretation to seize the works’ features and the special meanings of aesthetic appreciation phenomena on philosophic profundity. On the other hand, I tried to discuss the value and limitations of the artistic perspectives in the traditional aesthetics with the theoretical dialectic. Most of the traditional aesthetic theories give undue emphasis to the judgment of aesthetic appreciation value (such as being beautiful and pleasant to the eyes). However, this ideology can not fully respond to and satisfy the theoretical demands of art works interpretation, for not all of the aesthetic theories hold the same standpoint, especially the modern art and the contemporary art. Through analyzing and clarifying it, we can avoid the spectators’ bewilderment and dilemma on aesthetic appreciation. 4. “The 6th Chapter: The Application of Other Relevant Theories on Art Works Interpretation” ˙The Application of the Art Sociology Theory on Interpretation About the sociological perspective of art works, I focused on the discussions of extensive meanings of art works, and dissected the environmental factors of artistic fashions and artwork styles by means of the contentions of social consciousness and social restrictions. Besides, to explore the possible defects of comprehending art works and decoding art creation with social consciousness by the negative viewpoints of sociology. From the position of creation, the doctrine, and the theory of doing art for art, I analyzed and demonstrate the limitations of interpreting art works with the sociological perspective while a work of art is deemed to be of the closed system. ˙The Application of the Art Psychology Theory on Gallery Tour Guide and Interpretation About the psychological aspect of art creation and appreciation, first of all, I elaborated the motives of art creation and the perspectives of aesthetic appreciation with Sigmund Freud’s theory of subconscious psychology, and disclosed his theories and doctrine’s applied value on art works interpretation. Furthermore, by the controversial contention of the theory of original desire sublimation, I analyzed the limitations of his theories and doctrine applying on art works interpretation. Also, I defined the relationship between the feature of personality and the category of art creation with the arguments of Freidrich Schiler, Carl Gustav Jung, and Whilhelm Worringer on art, and analyzed artists’ psychology, intentions, and motives of creation. Then I quoted Rudolf Arnhein’s theory of visual perception psychology, stressed the structure of form and the effect of cognition, and dissected the inclination of Gestalt on visual perception of esthetic appreciation, and the course that the spectators participate in the creation initiatively. To continue the above-mentioned various contentions about art works interpretation, I discussed spectators’ stage-by-stage development of aesthetic appreciation abilities and the principles of response according to the appreciation analyses of the spectators’ experiences of aesthetic appreciation, so as to increase gallery tour guide and interpretation’s profit on communication, and achieve art works interpretation’s functions on education and communication in an art museum.
Edwards, Deborah, University of Western Sydney, College of Law and Business e School of Management. "Understanding the organization of volunteers at visitor attractions". 2005. http://handle.uws.edu.au:8081/1959.7/30804.
Testo completoDoctor of Philosophy (PhD)
LIAN, TIK-YIN, e 練迪英. "The Investigation of Literary Works in Script Golden Awards in National Museum of Taiwan Literature". Thesis, 2013. http://ndltd.ncl.edu.tw/handle/20536097194118726827.
Testo completo國立臺灣藝術大學
戲劇學系
101
Literature is highly emphasized in Taiwan, However, within different literary prizes, drama playwriting is often neglected for selection. Typically, readers accustomed to reading models like novels, essays and poetry. Drama playwriting is not familiar to the readers and it is not easy to have further imaginary space. In Taiwan, the drama playwriting literary prizes are held officially by County Government or Central Units. However, private organizations seldom hold this kind of literary competition. It is not surprising that the government places more emphasis on dramatic literature than general organizations do . In order to encourage literary creation, National Museum of Taiwan Literature sets up Taiwan Literary Award, and further classify the Golden awards into Book class and Creative class. Among them, the Golden Awards of creative class include previously neglected subjects such as script, local native Hakka poetry, native Chinese reportage and local native Taiwanese novel. This is a good sign of the development of Taiwan literature. Life and ceremony are closely connected. In our human life, ceremony is a behavior that has fixed and repeating steps to achieve a particular result. According to Arnold Van Gennep's thesis, when people in different cultures experience the turning points during their lives, they have to arrange some kinds of transitional ceremony. When people’s identities change upon deferent stages of life, the activities held during this period are called “Rites of Passage”. Based on the thesis of Rites of Passage, A British anthropologist called Victor Turner extended the concepts of transition into "Social Drama", which include four stages: breach, crisis, redressive action and re-integration or schism. To make it easier for readers to understand the story, the author uses Victorien Sardou’s dramatic structural rules in analyzing the plots of play. By analyzing the ceremony in social drama, we will find out the relationship between the Taiwanese drama and the Taiwanese society, and further strengthen their connection. This study attempts to analyze Taiwanese Literature Script Writing Golden Award during Year 2005-2010 by using the Tuner’s thesis about ceremony.
Khan, Aneesah. "An analysis of the arrival, settlement and domestic arrangements of South Asian Muslim salon workers in Durban". Thesis, 2011. http://hdl.handle.net/10413/8175.
Testo completoThesis (M.A.)-University of KwaZulu-Natal, Durban, 2011.
Wreford, Liz. "Field works: explorations in the tall grass prairie landscape". 2007. http://hdl.handle.net/1993/324.
Testo completoMay 2007
CHUNG, YUN, e 仲芸. "Moral Economy of Selling Hijab:An Analysis of Part-Time Economic Activities of Indonesian Muslim Migrant Workers in Taiwan". Thesis, 2018. http://ndltd.ncl.edu.tw/handle/96476t.
Testo completo國立暨南國際大學
東南亞學系
106
When Muslim migrant workers from Indonesia come to work in Taiwan, the first challenge they encounter with realizing religious practices is how to maintain a religious life similar to that in their homeland given the lack of distribution channels and product availability of hijabs in Taiwan as well as their Taiwanese employer’s passive attitude towards lending a hand. Consequently, in order to carry on their religious practices, Indonesian Muslim migrant workers reach out to trustworthy communities and channels to replenish their Islamic supplies. Among them, some migrant workers – with or without permission from their employers – have joined the business of selling hijabs and will be referred to as “moonlighting migrant workers” in this study. The moonlighting migrant collect non-operating income by selling hijabs; in the legal aspect, these beyond-the-permit commercial activities are a violation to the Taiwanese law; in the moral aspect, selling religious articles outside of Indonesia at higher prices warrants the controversy of exploiting fellow compatriots. However, this study has concluded that the main products sold by these moonlighting migrant workers are those pertaining to realizing religious practices of the customers as well as the moonlighting migrant workers themselves. Moreover, the execution of such economic activities incorporates personal interest, public benefits, and all the moral and economic principles of the Islamic doctrine. Hence, there is no worry for the aforementioned issues. This study aims to explore how the moonlighting migrant workers’ community resources, labor contents, labor conditions, and labor relations affect their entrepreneurship and business operation; the study also discusses how moonlighting migrant workers resort to implicit and explicit strategies at their work place – their employer’s home – to negotiate with their employer so as to advance their moonlighting business. Meanwhile, the study also offers an explanation to how these economic strategies centered around religious practice and mutual help between Indonesians not only benefit the moonlighting migrant workers themselves but also advance the interests of their customers as well as other competitors who are also moonlighting migrant workers; by doing so, the study hopes to illustrate the spirit of mutual help and moral economy demonstrated in the economic activities of Indonesian Muslim migrant workers selling hijab in Taiwan.
Winters, Yvonne. "Indigenous aesthetics and narratives in the works of Black South African artists in local art museums". Thesis, 2009. http://hdl.handle.net/10413/618.
Testo completoThesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2009.
Yang, Li-Ying, e 楊力穎. "The Influence of Digital Technology on Aesthetic Visual Perception:A Case Study of Digital Images of Art Works in National Palace Museum". Thesis, 2011. http://ndltd.ncl.edu.tw/handle/2aau9k.
Testo completo國立臺北藝術大學
博物館研究所碩士班
99
Through integration of digital technology and modern media techniques, all conventional media including text, graphic, and audio can be easily converted into digital formats and further stored, edited, and disseminated by computers. With the increasing prevalence of computer and networking facilities, the role that computers play has shifted from a computing instrument to an important media center. Influenced by this trend, many arts museums have applied digital technology to interpretation of art works to enhance the accessibility of both the museum and collections. Their effort has also produced fruitful results. The aim of this paper is to investigate how physical museums can influence the results of digital archive programs and issues concerning aesthetic visual perception and digitalization of art works. In this paper, art museums are viewed as an intermediary between art works and the audience. Through analysis of commonality and generality of visual perception, this paper attempts to explore the effects of digital technology on aesthetic visual perception. National Palace Museum is selected as a subject for case study and cross-validation. Results indicate that through digitalization of art collections, museums can directly deliver their basic research of historical or cultural works to the audience. In terms of the content of permanent exhibitions, using original art works as the main exhibits can highlight the characteristics of the collection but is also limited to display techniques and protection of the art works. Online exhibitions and educational activities (hereafter referred to as online resources) are based on existing collections of the museum and primarily intended to promote the collections. Because items to be exhibited will be converted into digital images, online exhibitions or resources are not subject to physical constraints and can also encompass items from across different eras and genres. In the application of digital images in permanent exhibitions, displaying digital images and their originals in parallel can present a different angle of the art works. Displaying online resources without their originals in permanent exhibitions can help the audience directly associate the resources to the exhibition and educational content. Through digitalization of art works, details in art works that may be easily neglected can be emphasized, and art elements can be edited or added to create a certain atmosphere or present the history or artist techniques behind the art works. Besides, images captured by technological instruments can extend the audience’s visual experience. Through use of various imaging techniques and visual effects, museums can guide the audience to experience the implicit content and history of art works. Digital technology and digital images can provide diverse looks of art works. They can be used to integrate themes and content to guide and influence audience''s aesthetic visual perception. However, National Palace Museum’s various online resources and online archive systems have not been properly connected and utilized in collaboration with physical exhibitions in the museum. As a result, repetition and fraction of online audience’s visual perception may occur. In the present, all the units of online exhibitions or resources offer explanations of the diverse looks and meanings of art works but within a single context. Despite the fact that visitors are allowed to select the content to view on their own, the museum can also actively present resources related to the content selected by the audience, guiding them to further explore related information.
Chen, Shieh-ni, e 陳雪妮. "A Study on the Emergency Prevention Procedures and Management for Works of Art: Taking Kaohsiung Museum of Fine Arts as an example". Thesis, 2000. http://ndltd.ncl.edu.tw/handle/44423177585331756162.
Testo completoScarpa, Mariana Castelo dos Reis Lopez. "Cedência temporária de bens culturais móveis: reciprocidade implícita na relação entre museus?" Master's thesis, 2021. http://hdl.handle.net/10071/24916.
Testo completoIt is widely accepted that the aim of increasing the knowledge, the value and the fruition of works of art is one the driving forces of the exchange of works of art between museums. On the other hand, it is (also) through the mobility of their collections that much of the cultural heritage of a collection, a museum, a country is strengthened and valued. However, the mobility of works of art generates high burdens and difficult challenges for those who have increased re- sponsibilities in safeguarding cultural heritage. This dissertation’s objectives are the following: clarify the methodologies used in the procedures of lending works between institutions; identify the conditions that, in most cases, must be met in order for a loan request to be accepted by the borrowing entity; diagnose the permanent challenges faced by those responsible for making this lending process viable; and, finally, detect the existence of exchanges under which the lending processes are based. Thus, we started from a theoretical framework based on the systematization of the stra- tegic lines necessary for the circulation of works between museums. As a result of the research carried out, we present a summary description of the usual procedures for the implementation of the Loan Process, through the identification and sharing of its practices. The research plan outlined took into account the testimonies of people with direct influence on the strategy of some of the Portuguese institutions with greater relevance in the Portuguese cultural panorama and, consequently, in the lending and borrowing environment.