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1

1945-, Hooper-Greenhill Eilean, a cura di. Cultural diversity: Developing museum audiences in Britain. London: Leicester University Press, 1997.

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2

Scharf, Ivana. Museen und Outreach: Outreach als strategisches Diversity-Instrument. Münster: Waxmann, 2018.

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3

Sharon, Macdonald, e Fyfe Gordon, a cura di. Theorizing museums: Representing identity and diversity in a changing world. Cambridge, Mass: Blackwell, 1996.

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4

Johns, Alison Fuller. Kids, Customs, and Cultures, Grades 3-4. Australia: Powerhouse Publishing, 1995.

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5

F, Cherry John, Walker S. E. C e British Museum, a cura di. Delight in diversity: Display in the British Museum, seminar March 1995. London: British Museum, 1996.

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6

Addis Ababa University. YaʾItyop̣yā ṭenātenā meremer taqwām. Anthropology Museum. The ark of diversity. [Addis Ababa]: Tewanney Studio Plc., 2003.

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7

Chapman, Sherry Anne. " I see myself. Do you see yourself?" Searching for the commonality of diversity in the past. [Toronto: The author], 1994.

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8

Jenness, Aylette. Families: A celebration of diversity, commitment, and love. Boston: Houghton Mifflin, 1990.

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9

Achjadi, Judi. Pameran wastra Borneo: The beauty of diversity, Museum Tekstil Jakarta, 4-16 Juni 2013. Jakarta: Museum Tekstil Jakarta, 2013.

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10

Martha, Longenecker, Gardiner Lynton, Mingei International Museum of World Folk Art. e San Diego Arts Festival (1st : 1989), a cura di. Folk art of the Soviet Union: Reflections of a rich cultural diversity of the fifteen republics. La Jolla, CA: Mingei International Museum of World Folk Art, 1989.

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11

Biology, Royal Ontario Museum Centre for Biodiversity and Conservation. An introduction to the Centre for Biodiversity and Conservation Biology at the Royal Ontario Museum. [Toronto: The Museum, 1995.

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12

Australia, Jewish Museum of. Diversity & development, Victorian Jews in public life 1835-1985: The Jewish Museum of Australia, 11th August-3rd November 1985. South Yarra, Vic: Jewish Museum of Australia, 1985.

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13

Cedar Bog Symposium (3rd 1996 Ohio State University). Cedar Bog Symposium III: Proceedings from the meeting held February 10, 1996, Museum of Biological Diversity, The Ohio State University. Columbus: Ohio Biological Survey, 1997.

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14

Museum, J. Paul Getty, a cura di. Book arts of Isfahan: Diversity and identity in seventeenth-century Persia. Malibu, Cal: J. Paul Getty Museum, 1995.

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15

J, Goodnow Katherine, Akman Haci e Museum of London, a cura di. Scandinavian museums and cultural diversity. New York: Berghahn Books, 2008.

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16

Australia. Office of Multicultural Affairs., a cura di. Training as access: Guidelines for the development of heritage curricula and cultural diversity : a project to develop guidelines for cross-cultural training curricula for the museum sector. Canberra: Australian Government Pub. Service, 1993.

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17

Scholte, Tatja. The Perpetuation of Site-Specific Installation Artworks in Museums. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463723763.

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Abstract (sommario):
Site-specific installations are created for specific locations and are usually intended as temporary artworks. The Perpetuation of Site-Specific Installation Artworks in Museums: Staging Contemporary Art shows that these artworks consist of more than a singular manifestation and that their lifespan is often extended. In this book, Tatja Scholte offers an in-depth account of the artistic production of the last forty years. With a wealth of case studies the author illuminates the diversity of site-specific art in both form and content, as well as in the conservation strategies applied. A conceptual framework is provided for scholars and museum professionals to better understand how site-specific installations gain new meanings during successive stages of their biographies and may become agents for change in professional routines.
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18

Britain, Department of the Environment Great. Conserving the world's biological diversity: How Britain can contribute ; proceedings of a seminar presented by the Department of the Environment in association with the Natural History Museum, 13-14 June 1991. London: Department of the Environment, 1991.

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19

Agency, London Museums. Holding up the mirror: Addressing cultural diversity in London's museums. London: London Museums Agency, 2003.

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20

Great Britain. Museums Libraries and Archives Council. Diversify!: Positive action for a representative museum workforce. London: MLA, 2004.

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21

G, Mazow Leo, Osthoff Simone e Palmer Museum of Art (Pennsylvania State University), a cura di. Dialogue and diversity: Recent work by faculty in the School of Visual Arts at Penn State : June 28-September 18, 2005, Palmer Museum of Art, the Pennsylvania State University, University Park, Pennsylvania. University Park, PA: Palmer Museum of Art, the Pennsylvania State University, 2005.

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22

MacKeith, Lucy. Embracing cultural diversity and social inclusion: South West museums. Taunton: South West Museums, Libraries and Archives Council, 2003.

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23

Museo de Arte Contemporáneo de Castilla y León. Departamento de Educación y Acción Cultural. Working from diversity: Learning experiences through art of the present. Barcelona: ActarBirkhäuser, 2010.

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24

Desai, Philly. Cultural diversity: Attitudes of ethnic minority populations towards museums and galleries. London: BMRB International for the Museums & Galleries Commission, 1998.

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25

Cafuri, Roberta. Riconoscere la diversità: Antropologia, arte e musei. Torrazza Coste (PV) [i.e. Pavia, Italy]: Altravista, 2008.

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26

Museum, South African. Shifting the paradigm: A plan to diversify heritage practice in South Africa : (discussion document only). Cape Town: South African Museum and South African Museums Association, 1996.

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27

Ivanic, Suzanna, Mary Laven e Andrew Morrall, a cura di. Religious Materiality in the Early Modern World. NL Amsterdam: Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789462984653.

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Abstract (sommario):
This collection of essays offers a comparative perspective on religious materiality across the early modern world. Setting out from the premise that artefacts can provide material evidence of the nature of early modern religious practices and beliefs, the volume tests and challenges conventional narratives of change based on textual sources. Religious Materiality in the Early Modern World brings together scholars of Catholic, Protestant, Jewish, Islamic and Buddhist practices from a range of fields, including history, art history, museum curatorship and social anthropology. The result is an unprecedented account of the wealth and diversity of devotional objects and environments, with a strong emphasis on cultural encounters, connections and exchanges.
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28

Association, Canadian Museums, a cura di. Cultural diversity and museums: Exploring our identities : a symposium of ideas, encounters and possibilities. [Ottawa]: Canadian Museums Association, 1994.

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29

Italy. Commissione nazionale per la parità e le pari opportunità tra uomo e donna. Donne, migrazione, diversità: L'Italia di oggi e di domani. Roma: Istituto poligrafico e Zecca dello Stato, 2002.

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30

Science, Department of Education &. A Survey of the use schools make of museums for learningabout ethnic and cultural diversity. Stanmore: Department of Education and Science, 1989.

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31

Musée des arts contemporains (Hornu, Belgium), a cura di. Le grand atelier: Traité de l'admirable diversité de la vie et du monde à l'usage des enfants. Hornu: Musée des Arts Contemporains, 2012.

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32

Rega, Nello. Diversi e divisi: Diario di una convivenza con l'Islam. Maiori (SA) [i.e. Salerno, Italy]: Terra del sole, 2009.

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33

Delight in Diversity. British Museum Press, 1996.

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34

Hooper-Greenhill, Eilean. Cultural Diversity: Developing Museum Audiences in Britain (Contemporary Issues in Museum Culture). Leicester Univ Pr, 1996.

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35

Cultural Diversity: Developing Museum Audiences in Britain (Contemporary Issues in Museum Culture). Cassell, 1996.

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36

Cultural Diversity: Developing Museum Audiences in Britain (Contemporary Issues in Museum Culture). Leicester University Press, 2001.

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37

Diversity, Equity, Accessibility, and Inclusion in Museums. American Alliance Of Museums, 2019.

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38

Ware, Syrus Marcus, e Gillian McIntyre. Building Diversity in Museums : Journal of Museum Education 34: 3 Thematic Issue. Taylor & Francis Group, 2009.

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39

Maltz Museum of Jewish Heritage. Maltz Museum of Jewish Heritage: Tolerance Diversity Humanity. 2007.

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40

Museums, Migration and Cultural Diversity: Swedish Museums in Tune with the Times? Taylor & Francis Group, 2015.

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41

Bridging diversity, building community: Folkloric models of museum interpretation. Washington: Museum Education Roundtable, 1999.

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42

American Museum of Natural History (Corporate Author, Editor) e Michael J. Novacek (Editor), a cura di. The Biodiversity Crisis: Losing What Counts (American Museum of Natural History Books). New Press, 2001.

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43

Association, National Science Teachers. Celebrating Cultural Diversity: Science Learning for All (Peabody Museum Monographs). National Science Teachers Association, 2001.

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44

Laws, Ana Sánchez. Museum Websites and Social Media: Issues of Participation, Sustainability, Trust and Diversity. Berghahn Books, Incorporated, 2019.

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45

Diversity Counts: Gender, Race, and Representation in Canadian Art Galleries. McGill-Queen's University Press, 2019.

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46

Dymond, Anne. Diversity Counts: Gender, Race, and Representation in Canadian Art Galleries. McGill-Queen's University Press, 2019.

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47

Museum websites and social media: Issues of participation, sustainability, trust, and diversity. New York: Berghahn Books, 2015.

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48

Banks, Patricia A. Diversity and Philanthropy at African American Museums: Black Renaissance. Taylor & Francis Group, 2019.

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49

Diversity and Philanthropy at African American Museums: Black Renaissance. Taylor & Francis Group, 2019.

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50

Jenness, Aylette. Families: A Celebration of Diversity, Commitment, and Love. Houghton Mifflin Company, 1993.

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