Tesi sul tema "Muriel"
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Sawada, Chikako. "Muriel Spark's postmodernism". Thesis, University of Glasgow, 2004. http://theses.gla.ac.uk/1561/.
Testo completoWalls, Kate. "Muriel Spark and Catholicism". Thesis, Queen's University Belfast, 2014. https://pure.qub.ac.uk/portal/en/theses/muriel-spark-and-catholicism(2d16b200-588b-4866-a1d6-dea6396b68cb).html.
Testo completoTolley, Rebecca. "Lee Krasner, Muriel Rukeyser". Digital Commons @ East Tennessee State University, 2011. https://www.amzn.com/1587657449.
Testo completoDoel, Irralie. "Muriel Rukeyser : Poetry, process, practice". Thesis, University of Liverpool, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.526830.
Testo completoMcIlroy, Colin William. "Muriel Spark and the Romantic ideal". Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/6439/.
Testo completoNasaif, F. K. I. "Muriel Rukeyser : poetry and the body". Thesis, University of Reading, 2015. http://centaur.reading.ac.uk/55811/.
Testo completoAshby, Justine. "Odd women out : Betty and Muriel Box". Thesis, University of East Anglia, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397480.
Testo completoGander, Catherine. "Muriel Rukeyser and the sources of documentary". Thesis, King's College London (University of London), 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.587512.
Testo completoGarratt, Julia Margaret. "The novels of Muriel Spark : intertextual readings". Thesis, University of Bristol, 1993. http://hdl.handle.net/1983/33edd215-6eb4-45e4-992b-ffb2f8837ffe.
Testo completoZapsu, Watt Hande Gaye. "Through the Dust, and, In the Driver's Seat : decoding the narrative style of Muriel Spark". Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/7786.
Testo completoBailey, James. "'A certain detachment' : Muriel Spark's experiments with form". Thesis, University of Sheffield, 2018. http://etheses.whiterose.ac.uk/22516/.
Testo completoRabin, Jacques. "De l'absurde dans les romans de Muriel Spark". Rennes 2, 1999. http://www.theses.fr/1999REN20017.
Testo completoMrs Spark's novels present the reader with a paradox: her stories focus on the absurdities of life, and yet many of her characters proclaim their christian - i. E. Roman catholic - beliefs. Her plots centre around the irrationality of human behaviour as men and women, apparently oblivious to their ineluctable ultimate fate, let themselves be driven by their passions. They live routine, empty lives dominated by sex in an imperfect world amidst uncomprehending, and as often as not hostile, fellow human beings. They spend much time and energy trying to avoid their fate or grappling with the problem of truth: meanwhile, the world is prey to suffering, social evils, war and death. Evil is the work of the devil acting under the guise of men, and increasingly of men alone. Indeed, at first imbued with religiosity and the uncanny, her fiction, which ranges from comedy to tragedy and even accommodates the gothic, has gradually become less christian and more absurd. Her novels reflect a deeply fractured world and stand in their unmistakable terse style as stark statements of the human condition. Art, a central theme in the novelist's work, has replaced religion as a transcendental value and as an antidote to the absurd
Arden, Jack. "The seventies according to Muriel Spark : space and the novel". Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/53829/.
Testo completoGonzález, Athenas Muriel [Verfasser]. "Kölner Zunfthandwerkerinnen 1650-1750. Arbeit und Geschlecht / Muriel González Athenas". Kassel : Kassel University Press, 2014. http://d-nb.info/1065320078/34.
Testo completoConlon, Rachel. "Muriel Spark's comic manifesto: Wit as weapon, tool, and cure". Thesis, University of Ottawa (Canada), 2009. http://hdl.handle.net/10393/28228.
Testo completoFavre, Muriel [Verfasser], e Gerhard [Akademischer Betreuer] Hirschfeld. "Les cérémonies radiophoniques du Troisième Reich / Muriel Favre. Betreuer: Gerhard Hirschfeld". Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2013. http://d-nb.info/1031421947/34.
Testo completoOthman, Juliana Binti. "Comic catharsis and Catholicism : Evelyn Waugh, Muriel Spark and David Lodge". Thesis, University of Newcastle Upon Tyne, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.413003.
Testo completoRacine, Sylvain. "En quoi la narration dans le romanL’Élégance du hérisson permet de bien rendre lamétaphore du « bocal à poissons »? : Une analyse narratologique". Thesis, Högskolan Dalarna, Franska, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:du-19523.
Testo completoBased on Gérard Genette’s work, particularly Figures III, anarratological analysis of Muriel Barbery’s L’Élégance du hérisson (2006) is conductedin order to understand the links between the specificities of the narrative mode andtheir effects on the space of the story, the "fish bowl". Ultimately, we answer thisquestion: In which way the narrative in the novel L’Élégance du hérisson allows toproperly render the metaphor of the "fish bowl".
Francis, Rosemary. "Muriel Heagney and the Council of Action for Equal Pay : 1937-1948 /". Connect to thesis, 1989. http://eprints.unimelb.edu.au/archive/00000718.
Testo completoAzevedo, Célia Cristina de [UNESP]. "Conduzir o banquete da vida: a presença feminina na obra de Muriel Spark". Universidade Estadual Paulista (UNESP), 2007. http://hdl.handle.net/11449/94129.
Testo completoConstitui objetivo principal deste trabalho a observação da presença feminina nos romances The Driver.s Seat e Symposium, da escritora escocesa Muriel Spark, como fator que possibilite traduzir a realidade das mulheres que buscam autonomia e que, conseqüentemente, ofereça uma relação entre esta atitude e as reações sociais que causam. Com base nos estudos que tratam de questões identitárias (dentro dos estudos de gênero, especificamente, a crítica feminista) será averiguada a recorrência de alguns temas. Dentre eles, destacam-se a morte, a loucura e o aparente controle da situação que, de alguma forma, revelam problemas, conflitos e aflições das personagens estudadas. No primeiro capítulo, situamos a autora com relação ao movimento das mulheres, com o objetivo de, ao contextualizá-la, ter uma melhor compreensão de sua obra. Assim, observam-se as características mais evidentes de seu trabalho com relação às práticas das mulheres em um plano global. Dentre as questões que marcam os estudos da escrita das mulheres, no segundo capítulo serão abordadas algumas linhas críticas que por ela se interessam e a diferenciam da escrita dos homens. A proposta da crítica centrada na mulher (ginocrítica) trata da diferença a partir da ênfase no corpo, na linguagem, na psique e na cultura das mulheres. À luz destas críticas, será realizada uma análise preliminar dos romances sparkianos. No terceiro capítulo, as questões de gênero passam a ser discutidas como fator de análise que prevêem diferenças internas ao grupo das mulheres, bem como semelhanças com trabalhos masculinos. Este aspecto do gênero ocasiona uma leitura não mais binária e hierarquizada de textos, mas que permita às diferenças tornarem-se fator de liberdade e autonomia. Finalmente, a contribuição da autora para a literatura e sua relação com o movimento das mulheres constitui objeto de breves comentários.
The main aim of this work is to observe the female presence in Muriel Spark.s novels The Driver.s Seat and Symposium as a factor that can translate the reality of women who look for autonomy and that also offers, as a result, a relation between this attitude and the social reactions they cause. Based on studies that deal with identity matters (within gender studies, specifically, the feminist criticism) the recurring use of certain themes will be verified. Among them we can point out death, madness and an apparent control on the situation which in some way reveal problems, conflicts and afflictions of the observed characters. In the first chapter, the author is placed within the women.s movement as a way to have a better comprehension of her work by putting her in a specific context. Then, her work.s most evident characteristics are observed in relation to women.s practices as a whole. Among those questions that mark women.s writing studies, in the second chapter will be mentioned some critical trends interested in those writings and which differentiate them from men.s writing. The proposal of the criticism centered in the woman (gynocritics) deals with the difference emphasizing the women.s body, language, psyche and culture. Based on these critics it will be made a preliminary analysis of Spark.s novels. In the third chapter, gender matters begin to be discussed as an analytic factor which foresees internal differences in women.s group as well as similarities to men.s works. This gender aspect causes a reading no longer binary and based on hierarchies, but one that allows the differences to become a factor of freedom and autonomy. Finally, the author.s contribution to Literature and her relation to the women.s movement will be subject to brief comments.
Behra, Muriel [Verfasser]. "Synthesis of Functional Porous Poly(ethylene glycol) Microgels for Biotechnological Applications / Muriel Behra". Berlin : Freie Universität Berlin, 2013. http://d-nb.info/1037725875/34.
Testo completoOvaska, R. (Rosa). "”Koska kamelia voi muuttaa ihmisen kohtalon.”:kamelia johtomotiivina Muriel Barberyn teoksessa Siilin eleganssi". Bachelor's thesis, University of Oulu, 2019. http://jultika.oulu.fi/Record/nbnfioulu-201905141781.
Testo completoAzevedo, Célia Cristina de. "Conduzir o banquete da vida : a presença feminina na obra de Muriel Spark /". Assis : [s.n.], 2007. http://hdl.handle.net/11449/94129.
Testo completoBanca: Thomas Bonnici
Banca: Ana Maria Domingues de Oliveira
Resumo: Constitui objetivo principal deste trabalho a observação da presença feminina nos romances The Driver.s Seat e Symposium, da escritora escocesa Muriel Spark, como fator que possibilite traduzir a realidade das mulheres que buscam autonomia e que, conseqüentemente, ofereça uma relação entre esta atitude e as reações sociais que causam. Com base nos estudos que tratam de questões identitárias (dentro dos estudos de gênero, especificamente, a crítica feminista) será averiguada a recorrência de alguns temas. Dentre eles, destacam-se a morte, a loucura e o aparente controle da situação que, de alguma forma, revelam problemas, conflitos e aflições das personagens estudadas. No primeiro capítulo, situamos a autora com relação ao movimento das mulheres, com o objetivo de, ao contextualizá-la, ter uma melhor compreensão de sua obra. Assim, observam-se as características mais evidentes de seu trabalho com relação às práticas das mulheres em um plano global. Dentre as questões que marcam os estudos da escrita das mulheres, no segundo capítulo serão abordadas algumas linhas críticas que por ela se interessam e a diferenciam da escrita dos homens. A proposta da crítica centrada na mulher (ginocrítica) trata da diferença a partir da ênfase no corpo, na linguagem, na psique e na cultura das mulheres. À luz destas críticas, será realizada uma análise preliminar dos romances sparkianos. No terceiro capítulo, as questões de gênero passam a ser discutidas como fator de análise que prevêem diferenças internas ao grupo das mulheres, bem como semelhanças com trabalhos masculinos. Este aspecto do gênero ocasiona uma leitura não mais binária e hierarquizada de textos, mas que permita às diferenças tornarem-se fator de liberdade e autonomia. Finalmente, a contribuição da autora para a literatura e sua relação com o movimento das mulheres constitui objeto de breves comentários.
Abstract: The main aim of this work is to observe the female presence in Muriel Spark.s novels The Driver.s Seat and Symposium as a factor that can translate the reality of women who look for autonomy and that also offers, as a result, a relation between this attitude and the social reactions they cause. Based on studies that deal with identity matters (within gender studies, specifically, the feminist criticism) the recurring use of certain themes will be verified. Among them we can point out death, madness and an apparent control on the situation which in some way reveal problems, conflicts and afflictions of the observed characters. In the first chapter, the author is placed within the women.s movement as a way to have a better comprehension of her work by putting her in a specific context. Then, her work.s most evident characteristics are observed in relation to women.s practices as a whole. Among those questions that mark women.s writing studies, in the second chapter will be mentioned some critical trends interested in those writings and which differentiate them from men.s writing. The proposal of the criticism centered in the woman (gynocritics) deals with the difference emphasizing the women.s body, language, psyche and culture. Based on these critics it will be made a preliminary analysis of Spark.s novels. In the third chapter, gender matters begin to be discussed as an analytic factor which foresees internal differences in women.s group as well as similarities to men.s works. This gender aspect causes a reading no longer binary and based on hierarchies, but one that allows the differences to become a factor of freedom and autonomy. Finally, the author.s contribution to Literature and her relation to the women.s movement will be subject to brief comments.
Mestre
Ask, Celia Cristina de Azevedo [UNESP]. "Sparkianas texto adentro: narrativa e relações humanas nos contos de Muriel Spark (1918-2006)". Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/103660.
Testo completoSecretaria de Estado de Educação de São Paulo
Este trabalho tem por objetivo realizar uma leitura dos contos da autora escocesa Muriel Spark, nos quais a importância das práticas narrarativas se manifesta como a característica mais evidente: a estrutura narrativa e as construções significativas agem em favor da expressão de um modo de estar no mundo e, mais regularmente, representam também o grande desafio que a leitura poderá abrigar ao tratar das personagens, em especial as femininas. No entanto, é necessária a identificação das referências que constituem os mundos ficcionais, geralmente atreladas à realidade e à proposição de novas formas de inteligibilidade. Em geral, estas formas estão implícitas no texto e cabe às leitoras e aos leitores acessá-las; para que isto ocorra, devemos reconhecer que estrutura narrativa e caracterização de personagens encontram-se intrinsecamente relacionadas. Por meio dos contos sparkianos, é possível ter uma ampla visão da obra da autora e, ao mesmo tempo, das práticas e experiências das mulheres historicamente situadas. Assim, a tese que defendemos é a de que os contos de Muriel Spark, com base nas construções significativas presentes no texto, permitem um diálogo entre o texto e a realidade sob o enfoque da personagem feminina. Servindo-se das referências adequadas, a leitura dos contos sparkianos pode contribuir para a compreensão das formas de interação das mulheres em seu próprio grupo e com o grupo dos homens
This study aims to perform a reading of the short stories of Scottish author Muriel Spark, in which the importance of the narrative practices manifests itself as their most evident feature: the narrative structure and the building of significances may favor the expression of a mode of being in the world and, more regularly, they also represent the great challenge that reading can accommodate concerning the characters, especially the female ones. However, it is necessary to identify the references that constitute the fictional worlds, usually tied to reality and proposing new forms of intelligibility. In general, these forms are implicit in the text and it is a readers’ task to access them; for this to occur, we must recognize that narrative structure and characterization are intrinsically linked. Through the sparkian characters it is possible to get a broad overview of the work of the author and, at the same time, the practices and experiences of women historically situated. Thus, the thesis we defend is that the stories written by Muriel Spark, based on significant buildings in the text, enable a dialogue between text and reality from the perspective of female characters. With the appropriate references, the reading of those sparkian short stories can contribute to the understanding of the ways by which women interact within their own group and with the male group
O'Sullivan, Terence John. "English Catholic novelists with special reference to Evelyn Waugh, Graham Greene and Muriel Spark". Thesis, University of Newcastle Upon Tyne, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244937.
Testo completoAsk, Celia Cristina de Azevedo. "Sparkianas texto adentro : narrativa e relações humanas nos contos de Muriel Spark (1918-2006) /". Assis [s.n.], 2012. http://hdl.handle.net/11449/103660.
Testo completoBanca: Susana Borneo Funck
Banca: Ivan Marcos Ribeiro
Banca: Maira A. Pandolfi
Banca: Márcio Roberto Pereira
Resumo: Este trabalho tem por objetivo realizar uma leitura dos contos da autora escocesa Muriel Spark, nos quais a importância das práticas narrarativas se manifesta como a característica mais evidente: a estrutura narrativa e as construções significativas agem em favor da expressão de um modo de estar no mundo e, mais regularmente, representam também o grande desafio que a leitura poderá abrigar ao tratar das personagens, em especial as femininas. No entanto, é necessária a identificação das referências que constituem os mundos ficcionais, geralmente atreladas à realidade e à proposição de novas formas de inteligibilidade. Em geral, estas formas estão implícitas no texto e cabe às leitoras e aos leitores acessá-las; para que isto ocorra, devemos reconhecer que estrutura narrativa e caracterização de personagens encontram-se intrinsecamente relacionadas. Por meio dos contos sparkianos, é possível ter uma ampla visão da obra da autora e, ao mesmo tempo, das práticas e experiências das mulheres historicamente situadas. Assim, a tese que defendemos é a de que os contos de Muriel Spark, com base nas construções significativas presentes no texto, permitem um diálogo entre o texto e a realidade sob o enfoque da personagem feminina. Servindo-se das referências adequadas, a leitura dos contos sparkianos pode contribuir para a compreensão das formas de interação das mulheres em seu próprio grupo e com o grupo dos homens
Abstract: This study aims to perform a reading of the short stories of Scottish author Muriel Spark, in which the importance of the narrative practices manifests itself as their most evident feature: the narrative structure and the building of significances may favor the expression of a mode of being in the world and, more regularly, they also represent the great challenge that reading can accommodate concerning the characters, especially the female ones. However, it is necessary to identify the references that constitute the fictional worlds, usually tied to reality and proposing new forms of intelligibility. In general, these forms are implicit in the text and it is a readers' task to access them; for this to occur, we must recognize that narrative structure and characterization are intrinsically linked. Through the sparkian characters it is possible to get a broad overview of the work of the author and, at the same time, the practices and experiences of women historically situated. Thus, the thesis we defend is that the stories written by Muriel Spark, based on significant buildings in the text, enable a dialogue between text and reality from the perspective of female characters. With the appropriate references, the reading of those sparkian short stories can contribute to the understanding of the ways by which women interact within their own group and with the male group
Doutor
Cain, Christina. "Between the Waves: Truth-Telling, Feminism, and Silence in the Modernist Era Poetics of Laura Riding Jackson and Muriel Rukeyser". Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5419/.
Testo completoMukherjee, Paromita. "The uncanny moments phantasm, gender, and identity in the works of Elizabeth Bowen and Muriel Spark /". [Gainesville, Fla.] : University of Florida, 2009. http://purl.fcla.edu/fcla/etd/UFE0041072.
Testo completoMete, Baris. "Reconceptualisation Of Realism In British Postwar Fiction: The Cases Of Iris Murdoch, Muriel Spark And John Fowles". Phd thesis, METU, 2011. http://etd.lib.metu.edu.tr/upload/12613417/index.pdf.
Testo completo60s Britain tended to catalogue the novelists of this period according to a well-established dichotomy between tradition and innovation in which the traditional realist novels, the neorealist works of C. P. Snow, Angus Wilson and Kingsley Amis, were privileged over any other fictional work having modernist innovative characteristics. Therefore, the first published novels of Iris Murdoch, Muriel Spark and John Fowles, novelists belonging to today&rsquo
s postmodern canon, were first critically recognised as social realist works in Britain. One of the objects of this study is to demonstrate the shortcomings of this classification. Moreover, the main argument of the study is that none of these three novelists should have been classified as a traditional realist novelist. All of these three British postwar novelists were reconceptualising traditional realism by self-reflexively including the problem of representation as part of their conventional subject matters in their formal realist novels.
Kreppold, Muriel Maria Rebekka [Verfasser]. "Die Auswirkungen des Schulübertritts auf die Entwicklung von Fähigkeitsselbstkonzept, Depression und physischen Beschwerden / Muriel Maria Rebekka Kreppold". Gießen : Universitätsbibliothek, 2012. http://d-nb.info/1064836887/34.
Testo completoNorquay, Glenda. "Moral absolutism in the novels of Robert Louis Stevenson, Robin Jenkins and Muriel Spark : challenges to realism". Thesis, University of Edinburgh, 1985. http://hdl.handle.net/1842/20066.
Testo completoLizé, Muriel [Verfasser], Matthias [Akademischer Betreuer] Dobbelstein, Ralf [Akademischer Betreuer] Ficner e Thomas [Akademischer Betreuer] Pieler. "The E2F1-responsive microRNA-449 promotes apoptosis / Muriel Lizé. Gutachter: Ralf Ficner ; Thomas Pieler. Betreuer: Matthias Dobbelstein". Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2011. http://d-nb.info/1042531404/34.
Testo completoAires, Leomaris Espindola. "Literatura, cinema e identidade em L'élégance du hérisson de Muriel Barbery e Le hérisson de Mona Achache". reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/handle/123456789/107487.
Testo completoMade available in DSpace on 2013-12-06T00:15:06Z (GMT). No. of bitstreams: 1 320093.pdf: 2097376 bytes, checksum: 01878e3e6ea2880df63c1f8a141fc7aa (MD5) Previous issue date: 2013
No âmbito desta dissertação de Mestrado na área de Estudos da Tradução, interessamo-nos pelas relações entre literatura e cinema a partir de um corpus composto por duas obras contemporâneas em língua francesa, a saber, o romance L'élégance du hérisson (2006) de Muriel Barbery e o longa-metragem Le hérisson (2010) de Mona Achache. Valendo-nos nas ideias propostas por Linda Huctheon em Uma teoria da adaptação (2011), analisamos estratégias e escolhas adotadas pela cineasta na criação de uma obra cinematográfica que dialoga com o texto literário. Para tanto, privilegiamos o estudo de elementos como tempo, música e elipses. A fim de constatar em que medida o estudo de uma obra permite melhor compreender a outra, examinamos a função do paratexto (Genette, 2009) e do intertexto (Kristeva, 1974) no romance e no filme, além de nos interrogarmos sobre questões identitárias dos três protagonistas, bem como sobre suas relações de alteridade.
Résumé: Muriel Barbery, et le film long-métrage Le hérisson (2010), de Mona Achache. Souscrivant aux idées proposées par Linda Hutcheon dans A Theory of adaptation (2006), nous analysons des stratégies et des choix adoptés par la réalisatrice dans la creátion d'une ?uvre cinématographique qui dialogue avec le texte littéraire. Pour ce faire, nous privilégions l'étude d?éléments comme le temps, la musique et les ellipses. Afin de constater dans quelle mesure l'étude de ces deux ?uvres permet un éclairage mutuel, nous nous penchons sur le fonctionnement du paratexte (Genette, 2009) et de l'intertextualité (Kristeva, 1974) dans le roman et dans le film, en plus de nous interroger sur des questions identitaires concernant les trois protagonistes, ainsi que sur leurs relations d'alterité.
Nuttall, Keir. "I’m with Muriel: Applying a persona-centred songwriting technique to the creation of a new Australian musical". Thesis, Queensland University of Technology, 2021. https://eprints.qut.edu.au/209305/1/Keir_Nuttall_Thesis.pdf.
Testo completoPohjola, Hanna. "Because I Am In My Prime : ”A Psychoanalytical Reading of Muriel Spark’s The Prime of Miss Jean Brodie”". Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-14435.
Testo completoRakotomalala, Muriel [Verfasser], e Manfred [Akademischer Betreuer] Döring. "Synthesis and Investigation of Heterocyclic Organophosphorus Compounds as Flame Retardants for Epoxy Resins / Muriel Rakotomalala ; Betreuer: Manfred Döring". Heidelberg : Universitätsbibliothek Heidelberg, 2011. http://d-nb.info/1179229304/34.
Testo completoStoppe, Muriel [Verfasser], Jens [Akademischer Betreuer] Eilers, Andreas [Gutachter] Reichenbach e Ingo [Gutachter] Bechmann. "Synaptische Plastizität im Kleinhirnkortex von FoxP2-mutanten Mäusen / Muriel Stoppe ; Gutachter: Andreas Reichenbach, Ingo Bechmann ; Betreuer: Jens Eilers". Leipzig : Universitätsbibliothek Leipzig, 2012. http://d-nb.info/1238020615/34.
Testo completoNeuert, Nora Linde Muriel Verfasser], Dieter [Akademischer Betreuer] [Dinkler e Peter [Akademischer Betreuer] Horst. "Ein reduziertes Modell zur Untersuchung der Aeroelastizität von Tragflügeln mit Hochauftriebssystemen / Nora Linde Muriel Neuert ; Dieter Dinkler, Peter Horst". Braunschweig : Technische Universität Braunschweig, 2021. http://d-nb.info/1237047749/34.
Testo completoNóbrega, Filho Emanoel Raiff Gomes da. "História das multiplicidades travestis em muriel total, de laerte coutinho: cartografias discursivas da estética de si por um devir transgênero". Universidade Federal da Paraíba, 2016. http://tede.biblioteca.ufpb.br:8080/handle/tede/9186.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This thesis discusses the emerging of new types of transvestites subjectivities and new ways of existence called transvestility. With views to that, we have analyzed a series of statements composed of the strip cartoons from the narrative ‘Muriel Total’ by the renowned transgender cartoonist Laerte Coutinho, in which it is possible to observe the transformation of the character Hugo into Muriel. These discourse analysis seek to demonstrate how heteronormativity makes it possible the transvestilities by not allowing their existence, taking into consideration that the same law segregates and produces them. Therefore, according to Butler (2012; 2013) we propose that the abject bodies – the ones which are not allowed by heteronormativity – are discursively produced following desires that can be formed discursively by the norm, deviating from it while they rearrange themselves, resisting to it by not repressing themselves, thus, making transgender ontologies possible. For that purpose, it was also sought to design a panorama, an archaeology of contemporary transvestites, seeking to distinguish them from their predecessors, the hermaphrodite and the transvested individuals – whether considering what was clinically defined as fetishistic transvestitism or by the association with the image of an effeminate man from final 19th century and part of the 20th century. It was also observed on Foucault’s studies of sexuality (2007a; 2007b; 2007c), that the confession – being a tactic used by the Church and by science, especially the psi ones – having being the means to construct sexuality, figures as a trace of a statement of themselves made by transvestites when they start considering themselves as an object of ethical importance. However, due to the main scope of the study, it is criticized the heteronormatizing model of Freudian psychoanalysis that is Oedipus Complex, as long as it is obeserved the productive characteristic of the transgender schizo. Therefore, the research is developed through the analysis of the cartoon stripes, based on the concepts introduced by the French Discourse Analysis, such as, discourse, enouncement, discursive formation, cultural formation and discursive memory, as well as dialoguing with Gender Studies and Anthropology via authors such as Geertz (2008) and Wagner (2012), when discussing about culture, and to philosophy following Foucault’s (2003; 2007a; 2010a), Deleuze and Guattari’s (2010) criticism to psychoanalysis’s modus operandi concerning to the question of power in the relation of desire with the subject and among subjects, implying on a criticism to the (hetero)normative model which, through Oedipus Complex, leads the individual to conceive itself as a heterosexual. Thus, the transvestites’s existence is possible exactly because they do not submit their desire to the obligation of mattering their bodies according to a binary perspective, in which, each gender would be dialectically conceived (masculine/feminine) and performed by the attribution of its respective birth sex, also having their desire oriented to the opposite sex, making the subjects compulsorily heterosexuals. Meanwhile, it is by non-subjecting to the norm, from a force (Thûmos) discursively converted into desire, that transvestites matter their bodies in their abjection, inventing themselves and their culture, new desires, inventing ways of life on the ethical relation with themselves and with others. Thus, leading us to believe that their very existences are etopoietic, for being thumopoietic – thence thumopolitic – whose complexity is bigger than the on powerful relation of desire with the regular individual, once it is by abjection that the transvestites claim their ontological status, their existence becoming different transgender beings.
Esta pesquisa discute a emergência de novas formas de subjetividade da travesti e de modos de existência denominados de travestilidades. Para tanto, analisamos uma série enunciativa composta pelas tirinhas da narrativa Muriel Total, da renomada cartunista transgênera Laerte Coutinho, na qual se observa a transformação da personagem Hugo em Muriel. Tais análises discursivas buscam demonstrar como a não permisão da existência de travestilidades, pela heteronormatividade, as torna possíveis, visto que a lei que as segrega é a mesma que as produz. Ou seja, com isso, propomos, segundo (BUTLER, 2012; 2013) como os corpos abjetos – aqueles que não são permitidos pela heteronormatividade –, são produzidos discursivamente segundo desejos os quais, ainda que possam ser dados discursivamente pela norma, em seu rearranjo se desviam da mesma, resistindo-lhe por meio do não recalcamento, tornando possíveis, assim, ontologias transgêneras. Para tanto, buscou-se ainda, traçar uma cartografia, uma arqueogenealogia da travesti contemporânea, buscando distinguí-la de seus predecessores, a saber, o indivíduo hermafrodita e o indivíduo travestido – quer pelo que se denominou clinicamente por travestismo fetichista, quer pela associação com a imagem do afeminado de fins do século XIX e boa parte do XX. Observou-se ainda, conforme a História da sexualidade de Foucault (2007a; 2007b; 2007c), como a confissão – sendo tática usada pela igreja, depois pela ciência, especialmente as ciências psi –, tendo sido aquilo pelo qual a sexualidade foi erigida, é um traço na enunciação de si que fazem as travestis quando tomam a si como objeto de importância ética. Contudo, e diante do principal objetivo da pesquisa, critica-se o modelo normativo heterossexualizador da Psicanálise freudiana que é o Complexo de Édipo à medida em que se observa o caráter produtivo da esquize transgênera. Nesse sentido, todo o trabalho se realiza pelas análises das tirinhas, pautando-se segundo categorias do campo teórico da Análise do Discurso francesa, tais como discurso, enunciado, formação discursiva, formação cultural e memória discursiva, bem como seu diálogo com os Estudos de Gênero, a Antropologia, via autores como Geertz (2008) e Wagner (2012), no referência à cultura, e à Filosofia, pelas críticas feitas por Foucault (2003; 2007a; 2010a), Deleuze e Guattari (2010) ao modus operandi da Psicanálise quanto à questão do poder na relação do desejo com o sujeito e entre sujeitos, implicando uma crítica ao modelo (hetero)normativo o qual, por meio do Complexo de Édipo, interpela o indivíduo a ser sujeito heterossexual. Assim, a existência da travesti se possibilita exatamente pela não submissão do desejo à obrigação de materializar seus corpos segundo uma ótica binária pela qual cada gênero seria concebido dialeticamente (masculino/feminino) e performatizado na atribuição do mesmo ao respectivo sexo de nascimento, tendo, igualmente o seu desejo orientado para o sexo oposto, fazendo dos indivíduos, sujeitos compulsoriamente heterossexuais. Nesse ínterim, é pelo não assujeitamento à norma, que as travestis, a partir de uma força (Thumós) discursivizada em desejo, materializam o seu corpo em sua abjeção, inventam a si, a sua cultura, novos desejos, inventando modos de vida na relação ética consigo – e com os outros –, o que nos faz considerar, portanto, que as existências das travestis são etopoiéticas, porque thumopoiéticas – e, por isso, thumopolíticas – cuja complexidade é maior do que na relação poderosa do desejo com o sujeito normal, visto que é na abjeção que as travestis reivindicam o seu status ontológico, devindo em sujeitos transgêneros.
Haines, Julie A. "Redefining the Sublime and Repositioning Appalachian Literature: A Closer Look at the Poetry of West Virginia's Muriel Miller Dressler and Irene McKinney". Ohio Dominican University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=odu1456918057.
Testo completoLang, Muriel Friederike [Verfasser], Sandra [Akademischer Betreuer] Hirche, Dongheui [Gutachter] Lee e Sandra [Gutachter] Hirche. "Human Motor Behavior Prediction through Gaussian Process Modeling on Manifolds / Muriel Friederike Lang ; Gutachter: Dongheui Lee, Sandra Hirche ; Betreuer: Sandra Hirche". München : Universitätsbibliothek der TU München, 2019. http://d-nb.info/1189316544/34.
Testo completoMcLoughlin, Marie. "Fashion, the Art School and the role of Muriel Pemberton in the development of degree level fashion education in the UK". Thesis, University of Brighton, 2010. https://research.brighton.ac.uk/en/studentTheses/dcb4f707-0a35-427e-9bf1-2780249190cb.
Testo completoMajava, Cecilia. "Qui parle et comment? Les voix et les effets dans L'Élégance du hérisson". Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-94108.
Testo completoWildung, Merit [Verfasser], Muriel [Akademischer Betreuer] Lizé, Matthias [Gutachter] Dobbelstein e Halyna [Gutachter] Shcherbata. "MiRNAs and tumor suppressors form a gene regulatory network to protect multiciliogenesis / Merit Wildung ; Gutachter: Matthias Dobbelstein, Halyna Shcherbata ; Betreuer: Muriel Lizé". Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2019. http://d-nb.info/1201548640/34.
Testo completoWilkinson, Lorna Christine Rose. ""A blur of potentialities" : the figure of the trickster in the works of Elizabeth Bowen, Elizabeth Taylor, Iris Murdoch and Muriel Spark". Thesis, University of Exeter, 2017. http://hdl.handle.net/10871/28760.
Testo completoEngelmann, Anna Verfasser], Admela [Akademischer Betreuer] [Jukan, Muriel [Akademischer Betreuer] Médard, Suresh [Akademischer Betreuer] Subramaniam e Regine [Akademischer Betreuer] Mallwitz. "An Analytical Framework for Evaluation of Reliability and Security in Advanced Network Systems / Anna Engelmann ; Admela Jukan, Muriel Médard, Suresh Subramaniam, Regine Mallwitz". Braunschweig : Technische Universität Braunschweig, 2021. http://d-nb.info/1228533903/34.
Testo completoLORCY, DANIEL. "La menopause mythique de jean brodie". Nantes, 1986. http://www.theses.fr/1986NANT3011.
Testo completoThis ph. D dissertation is a detailed study of jean brodie, the character that gave its name to the novel. This study enables us to understand better the writer, muriel spark, in these two aspects which are most important in the art of the novelist: her assertion of her catholic belief and the capital importance to her, of another world more real than ours : the world of the eternal life. It is because jean brodie will only put forward the world of the senses in her life and in her teaching, that she will be condemned by the author. So this menopause that jean brodie wanted to transform into a legend, a myth, will only be a trivial oldage
Galkina-Gromer, Anna. "Etude comparative de l'ironie chez M. Spark et A. S. Byatt d'une part et chez D. Lodge et J. Barnes d'autre part". Nice, 2011. http://www.theses.fr/2011NICE2016.
Testo completoIn the late 20th century several fundamental works on the subject of irony were published. Today, irony remains a fashionable topic of literary research. The aim of the present study is not to propose a new definition of irony but to determine if there is a difference between the irony of women-writers and that of men-writers. Four contemporary novelists provide the corpus for this work: Julian Barnes and David Lodge on the one hand, and Muriel Spark and A. S. Byatt on the other hand. The six novels under consideration have been grouped in pairs on the ground of their stylistic and thematic similarities. Flaubert’s Parrot and Possession are both postmodern novels dealing with the topic of literary quest. The Finishing School and Nice Work are variations of the campus novel. England, England and Aiding and Abetting explore the themes of Englishness, authenticity and artifice
Duncan, James Bryan. "Literary labor : reform and resistance in American literature, 1936-1945 /". view abstract or download file of text, 2005. http://wwwlib.umi.com/cr/uoregon/fullcit?p3181097.
Testo completoTypescript. Includes vita and abstract. Includes bibliographical references (leaves 260-265). Also available for download via the World Wide Web; free to University of Oregon users.
Bourier, Muriel [Verfasser], e Florian [Akademischer Betreuer] Probst. "Benigne Speicheldrüsentumoren : eine retrospektive Analyse über 15 Jahre aus der Klinik und Poliklinik für Mund-, Kiefer- und Gesichtschirurgie der Universität München im Vergleich zur aktuellen Literatur / Muriel Bourier ; Betreuer: Florian Probst". München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2021. http://d-nb.info/123075458X/34.
Testo completo