Bibliografie tematiche / Muriel

Letteratura scientifica selezionata sul tema "Muriel"

Autore: Grafiati
Pubblicato: 4 giugno 2021
Ultima modifica: 20 febbraio 2023

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Articoli di riviste sul tema "Muriel"

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SMYTH, CHERRY. "Muriel". Critical Quarterly 36, n. 1 (marzo 1994): 115–19. http://dx.doi.org/10.1111/j.1467-8705.1994.tb01020.x.

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Barrow, Susan Makiesky, Antonio Lauria-Perricelli, Anne Lovell, Constance Sutton e Linda Winston. "Muriel Hammer". Anthropology News 58, n. 3 (maggio 2017): e435-e437. http://dx.doi.org/10.1111/an.490.

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Labbett, Beverley. "Muriel Wakefield". Cambridge Journal of Education 20, n. 3 (gennaio 1990): 207–22. http://dx.doi.org/10.1080/0305764900200302.

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Goldner, Virginia. "Remembering Muriel". Studies in Gender and Sexuality 18, n. 2 (3 aprile 2017): 126–27. http://dx.doi.org/10.1080/15240657.2017.1312857.

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Brown, Wesley. "Muriel (1969)". Callaloo 19, n. 3 (1996): 614–21. http://dx.doi.org/10.1353/cal.1996.0110.

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Racine, Catherine. "Muriel Irene". Medical Humanities 39, n. 2 (20 novembre 2013): 141. http://dx.doi.org/10.1136/medhum-2013-010412.

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Glavin, John. "Muriel Spark'sunknowingfiction". Women's Studies 15, n. 1-3 (ottobre 1988): 221–41. http://dx.doi.org/10.1080/00497878.1988.9978729.

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Kendall, Sally. "Muriel Lee". Primary Health Care Research and Development 5, n. 3 (1 luglio 2004): 279. http://dx.doi.org/10.1191/1463423604pc215xx.

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Stan, L. Joanne. "Muriel Driver Memorial Lecture Discours Commémoratif Muriel Driver". Canadian Journal of Occupational Therapy 54, n. 4 (ottobre 1987): 165–72. http://dx.doi.org/10.1177/000841748705400406.

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This paper explores the impact of a changing health care environment on the organization, management, and delivery of occupational therapy services in Canada. Political, economic, and other societal forces are having a profound effect on the demand for and the practice of occupational therapy. The influence of such forces on occupational therapy is discussed within the context of the profession's internal organization, external image, educational continuum, and practice directions. The paper reviews the profession's past response to such forces and develops approaches that occupational therapists individually and collectively can pursue to be more strategically positioned within the changing health care scene.
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Tompson, Margaret. "Muriel Driver Memorial Lecture Discours Commémoratif Muriel Driver". Canadian Journal of Occupational Therapy 56, n. 4 (ottobre 1989): 165–70. http://dx.doi.org/10.1177/000841748905600403.

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Tesi sul tema "Muriel"

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Sawada, Chikako. "Muriel Spark's postmodernism". Thesis, University of Glasgow, 2004. http://theses.gla.ac.uk/1561/.

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This study explores the shifting notions of postmodernism developed through Muriel Spark’s fiction, and thereby clarifies this artist’s own postmodernism. I use Jean-François Lyotard’s definition of the notion in his The Postmodern Condition (1979), that there is no grand narrative, as my starting point, and deploy various postmodernist theories, which can illuminate Spark’s art and can in turn be illuminated by her art, in my arguments. Throughout the thesis, I focus on two of Spark’s most important themes as crucial keys to understanding her postmodernism: the theme of individual subjectivity and the theme of the interplay of life and art. The thesis begins with the claims Spark makes for her individuality and her individual art through the voice of “I”. Chapter I considers issues about being a woman and an artist, which Spark raises around the narrator-heroine of a fictional memoir, A Far Cry from Kensington (1988). Here I present this heroine as a definition of the strength of Sparkian women who liberate themselves by practicing art. Chapter II discusses Loitering with Intent (1981), a fictional autobiography of a fictional woman novelist, alongside Spark’s own autobiography and her various biographical works. This section illustrates Spark’s notion of the “author” in relation to the “work” - and an author in control in her sense - by investigating the dynamic interplay of life and art in the form of this novel. Chapter III analyses The Driver’s Seat (1970), the novel which most shockingly elucidates the postmodern condition according to Spark and demonstrates her postmodernist narrative strategies. Her concern with the crisis of the “subject” in the world in its postmodern phase is observed in the figure of the heroine, a woman who has tried and failed to be an author in control. I argue that Spark here theorises the notion of subject, by providing her own version of the psychoanalytical “death drive” and also represents the Lacanian real as the unfigurable with this figure. Chapter IV and Chapter V follow the developments of Spark’s discussion of the crisis of the “subject” in two of her later novels. Chapter IV concentrates on the theme of Otherness in Symposium (1990). Chapter V discusses Reality and Dreams (1996), in which Spark pursues the theme of excess and opens up the contradictions inherent in this notion to bring about a new philosophy of life by art as excess.
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Walls, Kate. "Muriel Spark and Catholicism". Thesis, Queen's University Belfast, 2014. https://pure.qub.ac.uk/portal/en/theses/muriel-spark-and-catholicism(2d16b200-588b-4866-a1d6-dea6396b68cb).html.

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My PhD thesis analyses Catholic themes in the novel,s of Scottish born writer Muriel Spark. Spark's career spanned five decades, and much of her work was influenced by her conversion to Catholicism. She is a sophisticated and enigmatic writer whose work defies categorisation. Part of this difficulty stems from her position as "other" within Catholicism· -a result of her conversion and her refusal to adhere to traditional Catholic gender roles. What does become clear upon examining Spark's fiction is that she uses subversive and paradoxical rhetoric to highlight the problems inherent in being unable to fully comprehend God's mystery. Spark appears to be obsessed with several religious concepts that appear constantly in her fiction. In the case of the Catholic convert and the Book of Job, these threads appear repeatedly and build to a climax-once Spark comprehensively addresses them in her fiction, the threads disappears from her work entirely. In exploring these Catholic themes, it becomes clear that, despite Spark's work being abundant with references to religion, there is very little narrative space devoted to the character's internal thoughts regarding God and religious thought. I argue that in Spark's fiction, creativity is a proxy for religious faith. Spark draws parallels to the personal and individual nature of both, but devotes more narrative space to explaining a sense of faith in the creative process. She also appears to grant narrative endorsement to characters who believe in and ate guided by their creativity, even when they clearly traverse the boundaries of acceptable "moral" behaviour.
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Tolley, Rebecca. "Lee Krasner, Muriel Rukeyser". Digital Commons @ East Tennessee State University, 2011. https://www.amzn.com/1587657449.

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Book Summary:The stories of over 650 fascinating individuals of Jewish heritage are told in this unique four-volume set. Coverage includes famous entertainers and sports figures, as well as leaders in the fields of business, science, and politics. Every essay was written exclusively for this set, and all essays adhere to the comprehensive, easy-to-use format that is standard for all the Great Lives titles. Plus, complimentary online access is provided through Salem History.
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Doel, Irralie. "Muriel Rukeyser : Poetry, process, practice". Thesis, University of Liverpool, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.526830.

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McIlroy, Colin William. "Muriel Spark and the Romantic ideal". Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/6439/.

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By narrowing the disparate and often contradictory trajectories of Romantic thought into a compressed framework, this thesis seeks to scrutinise the treatment of the Romantic ideal in the fiction of Muriel Spark. A number of recurring themes can be understood to collectively constitute this Romantic ideal. These include Coleridge’s theory of the power of the imagination to coalesce disparities into unity and harmony. The relationship between creativity and psychosis in The Comforters (1957) is considered within a wider discussion on the nature of creativity and the conception of the visionary Romantic artist. This leads to an investigation of the Romantic Movement’s emphasis on interiority and the self, and the influence of John Henry Newman in The Mandelbaum Gate (1965). The resulting discussion treats the concepts of transfiguration and the sublime as they relate to individual subjectivity in The Driver’s Seat (1970). The Romantic fascination with the reinvigoration of myth, legend and oral narrative cultures is examined in relation to The Ballad of Peckham Rye (1960), and the discussion returns to unity, harmony, vision, and the artist in The Finishing School (2004). The investigation of these elements of the Romantic ideal highlights a number of corollary questions. The emphasis on the self prompts the examination of Spark’s engagement with the themes of solipsism, ego, and performance, while Keats’ ‘Negative Capability’ is considered in the attempt to comprehend the other. The methodology will be comparative textual analysis with reference to relevant extant criticism, alongside consideration of literature from anthropology and folklore studies. By illuminating previously overlooked connections with Romanticism and Romantic literary methodologies, this interdisciplinary approach will assist in ascertaining whether Spark’s sustained engagement with these themes is evidence of a complex, multivalent relationship with the Romantic ideal, or whether recent criticism positing her rejection of Romanticism can be upheld.
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Nasaif, F. K. I. "Muriel Rukeyser : poetry and the body". Thesis, University of Reading, 2015. http://centaur.reading.ac.uk/55811/.

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The human body occupies a central place in Rukeyser’s poetry. Her characters’ physical experiences inspire their search for an artistic form and a holistic vision that reconciles the corporeal and conceptual aspects of their life. My thesis deals with Rukeyser’s reconciliation of disparate aspects of existence through the image of the human body and the practical experiences she underwent in her personal life and incorporated in her poetry. I discuss her poetry of the 1940s, where a tension is observed between the artist’s personal life and her art, which she attempts to resolve by adopting an artistic form that accommodates her quotidian experiences. I study, mainly through her poetry of the 1950s, Rukeyser’s poetic technique in the light of her organicist poetics and the combination of tendencies to coercion and suggestiveness distinguishing her style. I examine her portrayal of the suffering body in her poetry of the 1960s and 1970s. By means of their physical experiences, the ill, her despised and the imprisoned protagonists undergo a process of development whereby they perceive the different aspects of their identity and attempt to broaden perspectives on their situation by reconciling them. I argue that Rukeyser’s engagement with physical encounters and with the poem as an inclusive, organic body enables her to reconcile disparate elements in her poetry, such as her personal life and her art, her individual existence and the public world, as well as the distinct aspects of her characters’ identity. Her vatic outlook, which integrates distinct aspects of experience, is consistent with Merleau-Ponty’s idea of human perception as characterised by the two interdependent positions of immanence and transcendence. Rukeyser’s poetry depicts her physical engagement with quotidian events of her life as a factor of artistic inspiration. These situations constitute shared human experiences that enable her to imagine the links binding her to other people and the world at large. The poet’s personal experiences inspire her search for an artistic form that accommodates them. Her perception of the concrete aspect of her individual existence gains significance when it is linked to social and political issues. Both the private and public are thus seen as interconnected, and they affect the existence of each other while retaining their distinctness.
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Ashby, Justine. "Odd women out : Betty and Muriel Box". Thesis, University of East Anglia, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397480.

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Gander, Catherine. "Muriel Rukeyser and the sources of documentary". Thesis, King's College London (University of London), 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.587512.

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This thesis explores the sources of documentary in the work of Muriel Rukeyser. It argues for a distinct correlation between her writing and the modes, techniques, and ideologies of the documentary movement as it flourished during the 1930s, the decade in which Rukeyser came of age. Although recent scholarship has noted Rukeyser's debt to the photographic and reportorial trends of the 1930s, such scholarship focuses primarily on her early, modernist poetry, and does not investigate the enduring influence of documentary on her work. My thesis addresses this lack, charting the dialogue that emerged between Rukeyser's relational poetics and documentary's similarly intertextual and interdisciplinary approach to the realities of the world. It posits that Rukeyser's interest and involvement in the various aspects of documentary lasted for the duration of her life. It further argues that this profound connection goes some way to explaining her guiding poetic principles. Chapter one discusses Rukeyser's experimentation with the documentary form of the photo-text. It examines a process by which Rukeyser's belief in the necessity of the confluence of image and word took shape. Chapter two investigates Rukeyser's engagement in the documentary discourse of biography. It examines the extent to which the 1930s' impulse towards the aesthetic and iconographical depiction of human lives informed Rukeyser's own methods of biographical representation. Chapter three locates the sources of Rukeyser's engagement with documentary within the discipline of American Studies, and examines her contribution to the American project of national and literary re-discovery. Chapter four explores Rukeyser's involvement in travel reportage and touring the American landscape. It illustrates how Rukeyser pioneered a poetic cartography that provided witness to both the past and the present. In so doing, she constructed a mapping device by which to read her own poetics of connection.
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Garratt, Julia Margaret. "The novels of Muriel Spark : intertextual readings". Thesis, University of Bristol, 1993. http://hdl.handle.net/1983/33edd215-6eb4-45e4-992b-ffb2f8837ffe.

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Muriel Spark's novels engage with a wide variety of other texts, embracing both "popular" and "high" cultural forms. They display a democratic enjoyment of the popular and of story-telling while at the same time adapting established formulas to serious purposes. Theories of intertextuality therefore provide a rewarding approach to her novels. The functioning of their humour is compatible with Mikhail Bakhtin's concepts of the dialogic and the carnivalistic, but Julia Kristeva's formulation of the operation of intertextuality indicates that readings derived from it would go against the grain of a Catholic novelist's enterprise. However, Muriel Spark's novels can be seen to participate in rather than resist deconstructive explorations of meaning. A frank admission that texts are based on other texts and an acceptance of conventions as points of departure is comparable with Christian belief in something external to the self. The challenge to orthodoxy favoured by Kristeva may, in a bourgeois culture, take the form of resistance to a humanist emphasis on individualism and Romantic notions of originality. The idea that God is accessible only through texts endorses the importance of textuality and supports the capacity of fiction to engage with debates about the limits of indeterminacy. In this study discussion of theory is linked to close readings of individual novels. Different kinds of intertexts are considered - those which may be termed cultural attitudes, such as concepts of the self and ideas of place, as well as written ones. Attention is also given to the impact of the rhetorical strategies adopted, and to the connection between subverting narrative conventions and challenging received opinions. This necessitates recognition of the contribution of the novels to debates about political power, their use of satire as a weapon, and their demand on readers to play
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Zapsu, Watt Hande Gaye. "Through the Dust, and, In the Driver's Seat : decoding the narrative style of Muriel Spark". Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/7786.

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Through the Dust is a novel that takes place in the city of my birth: Istanbul. Using an earthquake as a driving force, the novel explores several themes: the ability to ‘know’ fictional characters and by extension real people, the role memory plays in how we view the world and each other, fate vs. free will, and isolation. Book One entitled ‘The Failure of Ali’ takes place before the earthquake and tells the story of Ali Toz who has hyperthymesia, a condition which prevents him from forgetting and often pulls him into the past. Each chapter alternates between the past and present, allowing us to follow Ali’s youth, his strained relationship with his mother, his time at the ‘school for the gifted’ and his marriage to Mina, while watching his present self wander through Istanbul. It is only when the past catches up with the present that we understand why Ali has come back to Istanbul after 20 years even after vowing never to do so, and why he is so desperate to find five old schoolmates. Book Two entitled ‘The 24th of July’ follows Ali’s five schoolmates through the twenty-four hours before the earthquake happens. Kerim is a surgeon who is having a particularly bad day. Elif is a telemarketer who has been played by her boss and is hated by everyone in her office. Ayse is cheating on her husband in an effort to find the love he promised her she would feel. Omer is going to propose to the love of his life and Didem is stuck in a bar-tending job so she can be with an emotionally destructive man. As the characters go through their day, completely immersed in their own problems, the earthquake strikes the city. Book Three entitled ‘Mary Was Here’ takes place the day after the earthquake and tells the story of Mary, a young woman who has a fatal brain tumor that is making her forget everything. In a parallel voyage to Ali’s, Mary arrives in Istanbul by hitching a ride on an aid bus coming in from Bulgaria. We don’t know why she has come to the city or who she is looking for, but she seems to believe that whoever it is may be able to help her. Early into her arrival, Mary loses her belongings and finds herself alone in the city. One by one, she encounters the five characters from Part Two. It is with Kerim that she creates a real bond and in the midst of all the chaos Mary gets swept along and ends up working as a nurse in a make-shift burn unit by the Golden Horn. The critical element of the thesis, entitled “In The Driver’s Seat: Decoding the Narrative Style of Muriel Spark” focuses on the narrative style of Muriel Spark in the eeriest of her novels. Through an investigation of The Driver’s Seat, I will endeavor to show the narrative and thematic complexity that lies within this seemingly simple and much overlooked novel, and how her techniques influenced my own work.
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Libri sul tema "Muriel"

1

OCork, Shannon. The murder of Muriel Lake. Toronto: Worldwide, 1990.

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The murder of Muriel Lake. South Yarmouth, Ma: Curley Pub., 1990.

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OCork, Shannon. The murder of Muriel Lake. Toronto: Worldwide, 1990.

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Hartlaub, Geno. Muriel: Roman. Bern: Scherz, 1985.

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Blancpain, Muriel. Muriel Blancpain. Genève: [Galerie Calart, 1990.

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Council, British, a cura di. Muriel Spark. Tavistock, Devon, U.K: Northcote House, in association with the British Council, 2000.

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Muriel Spark. London: Methuen, 1986.

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Muriel Spark. New York: St. Martin's Press, 1990.

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Pattison, Muriel. Love, Muriel. Warman, Sask: Village Press Publishing, 1991.

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Hughes, Kathryn. Muriel Spark. [S.l.]: [Scottish Book Collector], 2004.

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Capitoli di libri sul tema "Muriel"

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Moffett, Kristin, e Alyssa Eidson. "Lezak, Muriel". In Encyclopedia of Clinical Neuropsychology, 1999–2001. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-57111-9_633.

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Moffett, Kristin, e Alyssa Eidson. "Lezak, Muriel". In Encyclopedia of Clinical Neuropsychology, 1–3. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-56782-2_633-2.

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Frodl, Aglaja. "Spark, Muriel". In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17134-1.

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Neudecker, Claudia. "Rukeyser, Muriel". In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18623-1.

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Stanlake, Christy. "Muriel Miguel". In Fifty Key Figures in Queer US Theatre, 165–69. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003203896-34.

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Braaten, Alyssa. "Lezak, Muriel". In Encyclopedia of Clinical Neuropsychology, 1459–61. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-0-387-79948-3_633.

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Ertler, Klaus-Dieter. "Barbery, Muriel". In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11579-1.

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Page, Norman. "A Writer’s Life". In Muriel Spark, 1–9. London: Macmillan Education UK, 1990. http://dx.doi.org/10.1007/978-1-349-20716-9_1.

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Page, Norman. "Angels Dining at the Ritz: The Early Novels". In Muriel Spark, 10–53. London: Macmillan Education UK, 1990. http://dx.doi.org/10.1007/978-1-349-20716-9_2.

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Page, Norman. "Interlude". In Muriel Spark, 54–63. London: Macmillan Education UK, 1990. http://dx.doi.org/10.1007/978-1-349-20716-9_3.

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Atti di convegni sul tema "Muriel"

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Medard, Muriel. "LCN 2015 keynote by Prof. Muriel MÙdard, professor at MIT, USA". In 2015 IEEE 40th Conference on Local Computer Networks (LCN). IEEE, 2015. http://dx.doi.org/10.1109/lcn.2015.7366258.

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"Assessing last mile delivery strategies � A hybrid solution approach". In 24th International Congress on Modelling and Simulation. Modelling and Simulation Society of Australia and New Zealand, 2021. http://dx.doi.org/10.36334/modsim.2021.m1.muriel.

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Griffante, Andrea. "Humanitarian Conflicts: Lady Muriel Paget’s Mission to Lithuania and the Baltic States". In Cilvēks un karš. Atzīmējot simtgadi kopš Neatkarības kara beigām Latvijā. Latvijas Universitāte, 2020. http://dx.doi.org/10.22364/ksl.01.

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Khotemova, Lyubov Vasilevna. "Women's charity associations in the system of social care of children (the end of XIX – beginning of XX centuries)". In InternationalExtra-murral Online-conference. TSNS Interaktiv Plus, 2017. http://dx.doi.org/10.21661/r-119532.

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Sorokin, Alexey Vyacheslavovich. "Problems of russian prisonners of war in the period of World War I (on the materials of the article "captivity martyrs")". In InternationalExtra-murral Online-conference. TSNS Interaktiv Plus, 2016. http://dx.doi.org/10.21661/r-112322.

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Pereselkina, Victoria Igorevna, e Evgeny Mikhailovich Zak. "Premises of appearing and development of socio-psychological and economical problems among students". In InternationalExtra-murral Online-conference. TSNS Interaktiv Plus, 2016. http://dx.doi.org/10.21661/r-113088.

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Tsaregorodtsev, Anton Vladimirovich. "The individual is unthinkable without society". In InternationalExtra-murral Online-conference. TSNS Interaktiv Plus, 2016. http://dx.doi.org/10.21661/r-114305.

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Litvyak, Yuriy Fedorovich. "Soviet government and church: aspects of the relations". In InternationalExtra-murral Online-conference. TSNS Interaktiv Plus, 2016. http://dx.doi.org/10.21661/r-116555.

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Fidchenko, Elena Vladimirovna. "Kontseptual'nye osnovy tsifrovogo obrazovaniia: filosofsko-metodologicheskii aspekt". In InternationalExtra-murral Online-conference. TSNS Interaktiv Plus, 2022. http://dx.doi.org/10.21661/r-558180.

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Belokopytova, Viktoriia Pavlovna. "Vliianie sotsial'nykh setei na dosug i obshchenie molodezhi v sovremennom obshchestve". In InternationalExtra-murral Online-conference. TSNS Interaktiv Plus, 2021. http://dx.doi.org/10.21661/r-497668.

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Rapporti di organizzazioni sul tema "Muriel"

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Freedman, Robert B. Retratos de Mujeres en Bioquímica: Muriel Wheldale. Sociedad Española de Bioquímica y Biología Molecular, luglio 2012. http://dx.doi.org/10.18567/sebbmdiv_rmb.2012.07.1.

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Edlund, Lena, e Cecilia Machado. It's the Phone, Stupid: Mobiles and Murder. Cambridge, MA: National Bureau of Economic Research, maggio 2019. http://dx.doi.org/10.3386/w25883.

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Lu, Jinhua. The Role of the MHV Receptor and Related Glycoproteins in Murine Hepatitis Virus Infection of Murine Cell Lines. Fort Belvoir, VA: Defense Technical Information Center, marzo 1995. http://dx.doi.org/10.21236/ad1011449.

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Loyd, Jody S. A Partially Translucent Mural Decoy. Fort Belvoir, VA: Defense Technical Information Center, marzo 2000. http://dx.doi.org/10.21236/ada385454.

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Lopez-Diego, Rocio S., e Gregory M. Shackleford. Identification of Oncogenes Cooperating in Murine Mammary Tumorigenesis. Fort Belvoir, VA: Defense Technical Information Center, giugno 2001. http://dx.doi.org/10.21236/ada396673.

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Lopez-Diego, Rocio S., e Gregory M. Shackleford. Identification of Oncogenes Cooperating in Murine Mammary Tumorigenesis. Fort Belvoir, VA: Defense Technical Information Center, giugno 2002. http://dx.doi.org/10.21236/ada409479.

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7

Sibyl Rae Bucheli, Sibyl Rae Bucheli. How Insects and Bacteria Can Solve Murder Mysteries. Experiment, febbraio 2016. http://dx.doi.org/10.18258/6531.

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8

Luhmann. MURI94 Western Consortium on High Energy Microwave Sources. Fort Belvoir, VA: Defense Technical Information Center, maggio 2000. http://dx.doi.org/10.21236/ada378846.

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Beamer, Wesley G. Genetic and Dynamic Analyses of Murine Peak Bone Density. Fort Belvoir, VA: Defense Technical Information Center, ottobre 2001. http://dx.doi.org/10.21236/ada400443.

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Boxer, Robert B., e Lewis A. Chodosh. Role of Murine BRCA1 Protein Interactions in DNA Repair. Fort Belvoir, VA: Defense Technical Information Center, luglio 2001. http://dx.doi.org/10.21236/ada400472.

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