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Hong, Mi-Jung. "Who are Haredi Jews in Israel: anti-Zionism, Zionism, non-Zionism". Institute of Middle Eastern Affairs 23, n. 1 (30 aprile 2024): 137–82. http://dx.doi.org/10.52891/jmea.2024.23.1.137.
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This paper analyzes the political characteristics of Haredi Jews and evaluates their impact on Israeli political development. This paper analyzes and utilizes information from Jewish organizations and Haredi Jewish organizations, papers published in Haredi professional journals and religious journals, books on Haredi Jews, materials from Israeli government and Knesset, and Israeli, British, and American newspapers. I re-wrote this below This paper analyzes the political characteristics of Haredi Jews and evaluates their impact on Israeli political development by utilizing information from Jewish organizations, the academic literature, materials from Israeli government, and Israeli, British, and American newspapers. Historically, most Haredi Jews have pursued the political and economic interests of their community while changing their positions on the state of Israel and Zionism. In recent years, Haredi political parties have emerged as important influential actors in Israeli politics. Haredi Jews are a key element of Israel's identity as a Jewish state. However, the active participation of Haredi Jews in politics can be a fatal weakness and a major obstacle to Israel's development into a modern democratic state.
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Bedrettin, AYTAÇ. "The reception of modern Israeli literature in Turkey". Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi 53, n. 2 (2013): 520–29. http://dx.doi.org/10.1501/dtcfder_0000001365.
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Grözinger, Elvira. "War and Peace: The Theme of Conflict in Modern Hebrew Literature of the Last Seventy Years". Prace Filologiczne. Literaturoznawstwo, n. 10 (13) (26 aprile 2020): 337–52. http://dx.doi.org/10.32798/pflit.578.
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Modern Israeli Literature, starting with the foundation of the State of Israel in 1948 and overshadowed by the Shoah, until today is dominated by the theme of the political conflict with the Arab neighbours. In this article, some key works of different genres in prose and poetry depicting this state of affairs will be introduced.
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Ali, Baida Abbas. "THE PANORAMIC SOCIAL NOVEL IN MODERN HEBREW LITERATURE READING IN SAMI MICHAEL'S FICTION". International Journal of Humanities and Educational Research 04, n. 01 (1 febbraio 2022): 264–79. http://dx.doi.org/10.47832/2757-5403.12.19.
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Sami Mikhail's novel productions have recently received considerable attention from critics, scholars and researchers around the world. Perhaps this is due to the fact that his literary products serve as an artistic tool for awareness of the fate of the Jewish immigrant or citizen and his psychology and behaviors, and the daily reality lived and lived by the Iraqi or Israeli society, and the issues and transformations that occur in the life of the Israeli, as well as thanks to its artistic formulation and its substantive objectives. Many analysts saw Sami Michael's novels as a reflection of society and its current reality. Sami Michael was distinguished by his choice of the panoramic novel model because it is a mirror of the Israeli society with all its satisfactory and illuminated details, which may be difficult to engage in other literary genres, especially in monitoring social transformations, cultural changes, environmental and living developments and their repercussions in the lives of Israeli immigrants in the past century and the present century. Thinking and behaviors in society, as well as a clear expression of the traditions and values of Israeli society, addressing issues of concern to man, and the accounts of Sami Michael the Israeli-Jewish-Iraqi individual, And his concerns and issues and conflicts intellectual, psychological, cultural and emotional, and presented many solutions to the problems related to his existence and psychological and social conflicts, according to the vision of the author.
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Waller, Harold M. "Ofira Seliktar. Divided We Stand: American Jews, Israel, and the Peace Process. Westport, CT: Praeger, 2002. xvi, 272 pp." AJS Review 29, n. 2 (novembre 2005): 412–13. http://dx.doi.org/10.1017/s0364009405470178.
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Israel, and before that the idea of a Jewish state in the traditional homeland, has long captured the imagination of many, if not always most, American Jews. The close connection between Jews in Israel and the United States intensified as the events of the last century unfolded, especially the Holocaust, the struggle for Israel's independence, and then the unending effort to safeguard that independence and ensure security. The 1967 Six-Day War, the run-up to which conjured up images of another calamity, had a profound effect in the Diaspora, driving home the reality of Israel's precarious security and the state's central importance in modern Jewish life. That watershed produced a relatively short-lived period when it seemed that American Jews were united in their support for Israel. But, since 1977, that “sacred unity” has been called into question as sharp divisions have appeared—exacerbated by controversial Israeli government decisions and the pressures of the peace process since 1991.
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Kayyal, Mahmoud. "Intercultural relations between Arabs and Israeli Jews as reflected in Arabic translations of modern Hebrew literature". Target. International Journal of Translation Studies 16, n. 1 (31 dicembre 2004): 53–68. http://dx.doi.org/10.1075/target.16.1.04kay.
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Contacts between Arabic and Israeli Hebrew cultures have taken place in the shadow of a prolonged and violent political conflict between Arabs and Jews in the Middle East. The intercultural dialogue between them has, therefore, been antagonistic, polemical, and fraught with stereotypes and prejudices. This antagonistic dialogue is also reflected in Hebrew–Arabic translation activity, since the elements involved in this activity and the considerations which guided them both before and in the course of the translation were, first and foremost, political. The translations themselves were not accepted as literary creations, but rather as documents reflecting the culture of the other. Neither the presence of an ethnic Arab minority in Israel nor the peace agreements between Israel and certain Arab states brought about any significant change in the nature of translation activity. Clearly, therefore, in a state of violent national conflict translation activity will produce translations whose purpose is ideological rather than literary.
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Balaban, Avraham. "Biblical Allusions in Modern and Postmodern Hebrew Literature". AJS Review 28, n. 1 (aprile 2004): 189–203. http://dx.doi.org/10.1017/s036400940400011x.
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Hebrew authors of the 1960s and 1970s used the biblical context to hint at their protagonists' religious yearnings, to invest their texts with additional levels of meaning, and to amplify the significance of their plots. In the Hebrew “postmodernist” fiction of the late 1980s and the 1990s, however, biblical allusions are less commonly found, and their functions have fundamentally changed. To examine these different functions, let us first juxtapose two novels, Avram Heffner's Allelim [Alleles], a typical example of the “postmodernist” trend, and Amos Oz's Menuha Nekhona [A Perfect Peace], a representative novel of the Israeli “modernist” school.
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Kacman, Roman. "КРИЗИС ВИКТИМНОЙ ПАРАДИГМЫ (СЛУЧАЙ НОВЕЙШЕЙ РУССКО-ИЗРАИЛЬСКОЙ ЛИТЕРАТУРЫ)". Rusycystyczne Studia Literaturoznawcze 27 (30 novembre 2017): 9–28. http://dx.doi.org/10.31261/rsl.2017.27.02.
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The article describes a victimological paradigm in modern Russian-Israeli literature. The proposed opposition present in the two notions i.e. victim–victimizer is based on Eric Gans’s generative anthropology. The dynamics and possibilities of new form of victimological paradigm are analysed on the basis of chosen literary works in new Russian-Israeli literature.
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Michalska-Suchanek, Mirosława. "Proza Anny Fein. Rosyjsko-izraelska odsłona humoru żydowskiego". Studia Rossica Posnaniensia 47, n. 1 (26 giugno 2022): 75–89. http://dx.doi.org/10.14746/strp.2022.47.1.6.
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Jewish humour with a rich repertoire of forms is an integral part of Jewish culture. The article summarises the typical features of Jewish humour and presents an outline of its history from its beginning at the turn of the 19th to the 20th century in the countries of Central and Eastern Europe, through the times of immigrants to Palestine, from the first Aliyah (1882–1903), until the establishment of the state of Israel in 1948, to the humour of modern Israel. The humour of Anna Fein – one of the important representatives of Russian-Israeli literature – is situated at the intersection of traditional Jewish humour, Israeli humour, and the mentality of a repatriate (the writer left Russia for Israel during the so-called Great Aliyah), creating an interesting Russian-Israeli version of Jewish humour. Fein’s humour fits in with the exemplary tone of archetypal Jewish humour. At the same time, referring not to the emotions, but to the recipient’s intellect, together with the assumption that humour must have pragmatic values, understood as the implementation of a utilitarian function, it brings the recipient closer to the postulates of Henri Bergson’s theory of laughter.
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Ben-Yehuda, Omri. "The Retribution of Identity: Colonial Politics in Fauda". AJS Review 44, n. 1 (aprile 2020): 1–21. http://dx.doi.org/10.1017/s0364009419000862.
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In its first season, Israeli television thriller Fauda proclaimed an utter symmetry between Israel “proper” and its Occupied Territories, by humanizing Hamas militants and treating them as equals to the Israeli characters. Throughout the story the Jewish warrior's body becomes a site for the detonation of explosives and a potential vehicle for suicide bombings, in a false but intriguing reenactment of the trauma of the second intifada, which has been repressed in Israeli consciousness. In this unwitting manifestation of Jewish martyrdom, the façade of the rule of law in the State of Israel is dismantled in what seems like a religious battle between clans. The discourse of pain in the series suggests a stream of constant retribution in a vicious circle that can never historicize the allegedly eternal conflict and work through its traumatic residues. Nonetheless, this dynamic of retribution and martyrdom also informs a multilayered structure whereby the secular, modern Jew returns to his roots by engaging with Arabness in the theatre of mistaʿaravim: in becoming Arab he also becomes, finally, a Jew.
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Khaldi, Boutheina. "Modern Salafism in Bint al-Shāṭiʾ’s Journey to the Ḥijāz". Journal of Islamic Thought and Civilization 13, n. 2 (6 dicembre 2023): 1–15. http://dx.doi.org/10.32350/jitc.132.01.
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In 1972, the Egyptian literary scholar and Islamic thinker, ʿᾹʾisha ʿAbd al-Raḥmān (known by the epithet Bint al-Shāṭiʾ), published a highly informative account of her pilgrimage journeys, ʿUmra and Ḥajj, respectively, under the title, Arḍ al-muʿjizāt: riḥla fī jazīrat al- ʿArab (Land of Miracles: Journey in the Arabian Peninsula, 1951 and 1972). The article argues that Bint al-Shāṭiʾ’s pilgrimage account should be read in light of the political and economic changes that the Arab and Islamic world was undergoing at that time. Western Imperialism, and the 1948 Arab-Israeli war and its aftermath, gave more impetus to Islamic revivalism, and Bint al-Shāṭiʾ was one of its proponents. Her oeuvre on Islam and anti-Zionism attests to her revivalist project. As a Salafist thinker well versed in history, Bint al-Shāṭiʾ advocates a return to the original Islam. Only through that return to the Qur’ān and Sunna and strong devotion to the umma can Muslims regain their strength and defeat the State of Israel. Bint al-Shāṭiʾ uses the communal aspect of pilgrimage to readdress the concept of Jihᾱd that should not only be confined to Ḥajj and ʿUmra, but equally performed against social and political injustices, such as the marginalization of women and the Israeli aggression against Palestinians. The article thus contends that Bint al-Shāṭiʾ’s pilgrimage narrative is a key component of her commitment literature.
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Shaltout, Sherif M. H. M. "Impact of the Israeli-Arab conflict on the Jews of Russia in Israel in the Contemporary Hebrew Novel". British Journal of Translation, Linguistics and Literature 2, n. 3 (8 settembre 2022): 49–61. http://dx.doi.org/10.54848/bjtll.v2i3.39.
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From the first attempts to establish Israel until the present time, this entity has witnesseda history full of wars and uprisings with the Arabs, produced by its usurper presence itselfon Arab lands in general, and Palestinian lands in particular. This ongoing conflict cast adark shadow on all sectors of Israeli society, including the Jews of Russia, which has hada direct impact on Modern Hebrew literature in general, and the contemporary Hebrewnovel in particular. The importance of the study is due to the fact that it is the first study -as far as I know - to deal with the impact of the Israeli-Arab conflict on the community ofRussian Jews in Israel as this issue is discussed through two models of the contemporaryHebrew novel by two Israeli female literary figures from Russian origin. The two novelsare “Victor and Masha” (2012) by the writer “Alona Kimhi”, which addressed the problemof the political integration of Jews who emigrated from Russia to Israel during the waveof the seventies of the twentieth century, and the novel “The Lost Community” (2014), bythe writer “Ola Groisman”, which She dealt with the political situation of Jewishimmigrants – especially young immigrants – from Russia to Israel in the seventies andnineties of the same century .The study aims to reveal the position of Russian Jews on thepersonality of the Arab in light of the conflict between Israel and the Arabs, in addition torevealing the extent to which the Israeli-Arab conflict affects the Russian Jews' sense ofsecurity and stability within Israel. This study adopts on the critical analytical approach,which includes analysis and interpretation of the two novels to highlight and address theissue of the impact of the Israeli-Arab conflict on Russian Jews in Israel. The study yieldsseveral results, including that the problems surrounding the process of integration into theIsraeli society, in addition to the state of war, insecurity and instability in this society, havecaused severe psychological damages to many Russian Jews. This eventually led to areverse immigration of a large sector of them.
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Harris, Rachel S. "ISRAEL: FINDING THE LEVANT WITHIN THE MEDITERRANEAN". Levantine Review 1, n. 1 (31 maggio 2012): 106. http://dx.doi.org/10.6017/lev.v1i1.2158.
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Reviews of:Alexandra Nocke. The Place of the Mediterranean in Modern Israeli Identity. Brill 2010, Cloth $70. ISBN 9789004173248 Amy Horowitz. Mediterranean Israeli Music and the Politics of the Aesthetic. Detroit: Wayne State University Press, 2010. Paper $29.95. ISBN 9780814334652. Karen Grumberg. Place and Ideology in Contemporary Hebrew Literature. Syracuse: Syracuse University Press, 2011. Cloth $39.95. ISBN 9780815632597.
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Leket-Mor, Rachel. "IsraPulp: The Israeli Popular Literature Collection at Arizona State University". Judaica Librarianship 16, n. 1 (31 dicembre 2011): 1–53. http://dx.doi.org/10.14263/2330-2976.1003.
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Based on research literature, the article reviews the history of Hebrew popular literature since the 1930s, its connections with Yiddish Schund literature and its effects on the development of Modern Hebrew literature and Israeli identity, especially in light the New Hebrew ethos. The article features the research collection of Hebrew pulps at Arizona State Univeristy, demonstrates the significance of collecting popular materials in research libraries, and suggests possible new study directions. An appendix lists some of the materials available at the IsraPulp Collection.
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Ramadhan, Jelang. "The Unbent Support for Palestınıan Cause: Reflectıon of Indonesıan General Offensıve upon the Palestinian Aqsa Flood". مجلة القدس للبحوث الأكاديمية نسخة العلوم الانسانية والاجتماعية 03, n. 3 (29 giugno 2024): 10–18. http://dx.doi.org/10.47874/2024pp:10-18.
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The destinies of Indonesians and Palestinians are entangled in part due to Western colonialism. When Pal-estinians saw their distant brothers declaring independence after a long occupation in 1945, Indonesians witnessed a modern occupation in the form of illegal settlements and unjust killings carried out by Israelis against Palestinians since 1948. Humanity became once again at stake with the Aqsa Flood Operation of 2023, as Western countries, particularly the US and its ally Israel, deliberately framed the operation to acknowledge its success, turning the tide in favor of the Palestinians. The article aims to reflect on the suc- cess of the Indonesian General Offensive in March 1949, which culminated in Indonesia’s liberation from Western re-occupation in 1950, and its strong connection to the Aqsa Flood Operation in October 2023. If the operation could be managed well by utilizing hard and soft power thoroughly, sporadically, and massively, Palestinian independence is forseeable. The historical analysis and reflection were done utilizing qualitative research within literature and media studies. This article concludes that the wave of support for Palestine has sparked the international society’s concern as the Israeli genocidal actions become blatant. The cohesion of people and authority in Palestine will be the key to reaching full-fledged freedom, free from the Israeli occupation by defeating them at the diplomatic table as Indonesians did 75 years ago.
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Moshe, Shlomo. "P.2.18 The curriculum implementation of occupational medicine in israel". Occupational and Environmental Medicine 76, Suppl 1 (aprile 2019): A92.2—A92. http://dx.doi.org/10.1136/oem-2019-epi.251.
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BackgroundAt the early 1990s occupational medicine (OM) was recognized as a specialty in Israel. Fifteen years later after gathering problems and shortcomings of the first curriculum, the Israeli Association of occupational medicine (IAOM) defined the framework for a new curriculum in order to have a modern and better curriculum.MethodsIn the early 2000 an expert committee apointed by the IAOM suggested a new sylabous, based on the scientific literature. The recommendations were sent to all experts in OM in Israel, and other proffesional members like industrial hygienist. We got several responses. Most people suggested additional standards.ResultsThe curiculun includes 54 months of training programme. The characteristics of the new curriculum are: interaction between theory and practice; fields of knowledge, learning process; competencies which are needed; and multidisciplinarity. We added an obligatory walkthroug list of industries. Three of the walkthroug reports consists a part of the final oral examinations.ConclusionsThe aim of the curriculum was to produce a comprhensive aproach in OM competencies. The curiculum was adopted by the Israeli Medical Association and Ministery of Health since 2010.
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Sweeney, Marvin A. "Israel Knohl. The Divine Symphony: The Bible's Many Voices. Philadelphia: Jewish Publication Society, 2003. xv, 207 pp." AJS Review 29, n. 1 (aprile 2005): 160–63. http://dx.doi.org/10.1017/s0364009405220093.
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In this wide-ranging overview of biblical literature, Israel Knohl argues that the Hebrew Bible does not present a consistent or monolithic viewpoint concerning ancient Israel's or Judaism's understanding of God, itself, and the world in which it lived. Rather, Knohl contends that the Bible presents a pluralism of viewpoints that to a great degree anticipates the pluralistic outlook of Rabbinic Judaism. This will hardly come as a surprising thesis to anyone familiar with modern biblical and theological scholarship. Indeed, it takes up the classic question of unity and diversity within the Hebrew Bible that might be illustrated by Gerhard von Rad's well-known Old Testament Theology. Von Rad recognized the diversity of traditions that informed the various writings and viewpoints now gathered in the Bible while simultaneously trying to systematize them into a general concept of Heilsgeschichte, that is, “salvation history” or “sacred history.” Such Heilsgeschichte moved inexorably to what von Rad believed would be the ultimate culmination of human history. Knohl's contribution comes not in relation to the model of pluralism in the Bible per se, but in relation to his argument that so much of the priestly literature that engages in pluralistic debate with other biblical works is rooted in the monarchic period of ancient Israel's (or Judah's) history. In this respect, Knohl's own work—although original in its own right—owes much to an earlier model advocated by Yehezkel Kaufmann, one of the founding fathers of modern Israeli biblical scholarship.
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Amara, Muhammad. "Settler-Colonialism, Israelisation and Learning Hebrew in School from an Early Age: Attitudes of Indigenous Palestinian-Arab Parents in Israel". Journal of Holy Land and Palestine Studies 22, n. 2 (ottobre 2023): 163–83. http://dx.doi.org/10.3366/hlps.2023.0313.
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Considering the current policy and the reality of the Israeli-Palestinian conflict, teaching modern Hebrew from an early age to Palestinian-Arab pupils in Israel is a breakthrough in the Palestinian-Arab language education policy. It has far-reaching educational, cultural, political, and ideological consequences. The creation of modern Hebrew was central to the Zionist settler project in Palestine. Hebrew language education among Palestinian-Arab pupils has undergone radical changes regarding when and why they should begin learning the language. These topics have not been treated sufficiently in the existing literature. This paper will examine the perceptions of the parents of young Palestinian-Arab pupils regarding learning Hebrew from kindergarten onwards. Using a semi-structured interview protocol carried out via Zoom, eighteen parents were interviewed about various issues related to learning Hebrew from an early age, and the arising results were subsequently analysed. The issues concerned pedagogical, social, economic, political, and ideological factors influencing the parents’ perceptions of the topic under analysis: a) a need — integrating into Israeli society; b) a difficulty — Hebrew as a burden on the learner; and c) impingement — maintenance of, and threats to Palestinian-Arab identities.
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Shacham, Chaya. "Jew, Zionist, Hebrew, or Israeli?" AJS Review 28, n. 1 (aprile 2004): 173–88. http://dx.doi.org/10.1017/s0364009404000108.
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The life story of Jacob, one of the longest and most complex of the Bible narratives, is a mine for the imagination of modern writers. Hebrew writers of poetry and prose have been drawn to Jacob's biblical tale and have made it the overt or latent intertext in their work.
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Morozov, Vladimir. "Evolution of Assessment of the Oslo Agreements in the Modern International Relations". Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, n. 5 (2023): 104. http://dx.doi.org/10.31857/s086919080024658-0.
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The article is devoted to the study of the evolution of assessments of the Palestinian-Israeli peace negotiations in the period from 1993 to 2000, known as the Oslo process. The dynamics of the conflict itself, the emergence of new data, as well as the development of new theoretical concepts in the study of international negotiations and conflict resolution have determined the constant change in the general academic assessment of the designated stage in Western literature. The main trends of modern research can be considered the predominance of opinion about the unlikely resumption of the Palestinian-Israeli peace track in the near future, as well as an increase in the number of interdisciplinary studies and an increase in the depth of analysis.
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Alexander, Amir. "Israeli Television and the Problem of the Modern Subject". Zeitschrift für Literaturwissenschaft und Linguistik 25, n. 2 (giugno 1995): 147–61. http://dx.doi.org/10.1007/bf03396119.
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Dolanbay, Hadjer. "Modern world history:a look at world events 1975-1984". SCIENTIFIC WORK 61, n. 12 (25 dicembre 2020): 18–23. http://dx.doi.org/10.36719/2663-4619/61/18-23.
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In this study, the events that shaped the recent world history were evaluated together with their impact on the foreign political life of Turkey. In the study field, literature was scanned with document analysis. The data collected are presented in a meaningful whole, in a controversial manner. In these years, the oil crisis caused by the Arab-Israeli war has left the countries of the world, especially Turkey, in economic difficulties. In relations with the Middle East, the Camp David treaty, the Israel - Egypt treaty and, the Golan Heights issue are among the important events of the period. In Iran, the fall of the Shah's regime and, the establishment of the Islamic Republic in its place are among the events that continue to echo from that period to the present. The overthrow of the Shah in Iran, Soviet Russia's invasion of Afghanistan and finally the Iraq-Iran war were important events that occurred in the early 80s. Although all these events seem to be separate, they are related. After the mentioned events, many countries changed their politics and economic policies. Key words: Modern History, Camp David Treaty, Islamic Revolution in Iran, Iran-Iraq War
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Mendelsohn, Ezra. "Haya Bar-Itzhak. Jewish Poland—Legends of Origin: Ethnopolitics and Legendary Chronicles. Detroit: Wayne State University Press, 2001. 195 pp." AJS Review 29, n. 2 (novembre 2005): 392–93. http://dx.doi.org/10.1017/s0364009405370176.
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The author, an Israeli folklorist who teaches at the University of Haifa, has had the excellent idea of scrutinizing the various “legends of origin” of Polish Jewry. She makes use of works by Hebrew and Yiddish authors, published in modern times but based on folk material of considerable antiquity, and of materials collected by ethnographers of pre-Holocaust Jewish Eastern Europe and by researchers in Israel. Her linguistic skills are admirable (she discusses material in German and Polish as well as both Jewish languages), and her book, while it does not altogether avoid professional jargon, is definitely accessible to the nonspecialist.
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Boniecka-Stępień, Daria. "From Altneuland to Neuland. Re-Interpretation of Jewish/Israeli Identity in Modern Hebrew Literature". Scripta Judaica Cracoviensia 17 (2019): 9–14. http://dx.doi.org/10.4467/20843925sj.19.002.12225.
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Nevo, Gideon. "“Then the Conscience of Humanity Arose”: Kishon and the Nations of the World". European Journal of Jewish Studies 15, n. 2 (29 marzo 2021): 335–63. http://dx.doi.org/10.1163/1872471x-bja10026.
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Abstract For many years, humorist Ephraim Kishon diligently brandished his satirical whip at Israel’s socio-economic socialist structure, while vividly portraying the vicissitudes of the Israeli ‘homo economicus’ in the labyrinth of modern life. This line of writing brought him his fame, both in Israel and abroad. At the later stages of his career though, a significant portion of his work was dedicated to the relationship between Israel and its neighbors and between Israel and the world. In this area Kishon has articulated and cemented a stern nationalistic worldview. A systematic analysis of this worldview is a matter for several articles. In this article I will focus on Kishon’s treatment of national entities that are not part of Israel’s immediate circle of confrontation (i.e., its neighboring Arab states) but are rather scattered far and wide all over the world.
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Karasova, Tatiana A. "Israeli Parlamentarism in XXI Century: Electorial Failure or System Crises?" Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, n. 3 (2022): 124. http://dx.doi.org/10.31857/s086919080020267-0.
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Just within three years Israel experienced four consecutive Knesset electoral campaigns (in April and September 2019; March 2020 and March 2021). However, neither leader of the permanently ruling since 2009 center-right Likud party Benjamin Netanyahu, no his electoral opponents were able to form in any way stable coalition Government. In fact the electoral campaign during this period due to the uncompromised rivalry between the major party blocs never terminated. In March 2021, at last, the anti-Netanyahu bloc managed to win electionsand form the coalition government. Such situation that hardly had any precedent in Israeli political history, as well as the obvious deadlock that Israeli political system appeared poses several questions that yet to find their comprehensive answer in the academic literature. Do we deal with a situational political "glitch", which - exactly as it had happened in the past, could be resolved at some point? Or, on the contrary, do we observe here the systematic crises of the party and political system of this country, which basic foundations were constructed long before the declaration of the State of Israel itself? Finally, considering similar political trends in other Western countries, could we talk about the general crises of the European-style parliamentary democracy model, the one that during the past centuries was believed to be the optimal political structure framework for modern and contemporary ethnic national and civic national states? While analyzing the Israeli experience the authors of this article intend to answer a part of these and related questions.
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Feldman, Yael S. "Deconstructing the Biblical Sources in Israeli Theater:Yisurei Iyovby Hanoch Levin". AJS Review 12, n. 2 (1987): 251–77. http://dx.doi.org/10.1017/s0364009400002038.
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When in 1981 the Israeli Cameri Theater performed The Passion of Job, written and directed by Hanoch Levin, the leading avant-garde playwrightin Israel (viewed by some as “the bad boy of the modern Israeli stage”),1 public outrage reached unprecedented heights.The scandal was partially provoked by Levin′s staging.His taste for the carnal and the cruel was much too unpalatable for many stomachs to digest.“People actually walked out, while others covered their eyes,” reported a review in the Jerusalem Post.2 No less detrimental, however, was the specific angle from which Levin th? playwright elected to retell the biblical story.For although the Hebrew title of the play, Yisurei Iyov, may be literally rendered as “Job′s Afflictions,” our translation was advisedly chosen: In his version, Levin catapults Job from the fictional land of Uz to Palestine of the Roman era, thereby embedding Job′s ordeal in that later agon between man and God–the passion of Christ.Accordingly, this dramatized Job does not live to hear an answer from the whirlwind, nor does he see his life redeemed.With a dramatic sleight of hand he is, paradoxically enough, the only character in the play who refuses to deny the existence of God–thus condemning himself to the stake.
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Papp-Váry, Árpád Ferenc, e Szabolcs Szolnoki. "‘Land of Creation’: The Position, Brand Owners, and Contributors for Israel's Branding". Acta Universitatis Sapientiae, European and Regional Studies 18, n. 1 (1 febbraio 2020): 29–45. http://dx.doi.org/10.2478/auseur-2020-0009.
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Abstract The modern and independent State of Israel celebrated the seventieth anniversary of its proclamation of independence in 2018. Besides this landmark anniversary, the remarkable development of Israel's image in the past decade was also a cause for celebration. Nowadays, many people around the world consider Israel as a start-up nation, the stronghold of innovation and risk capital, and the home of outstanding researchers and research organizations – or at least people have this association. In recent years, the ‘industry of peace’, tourism has also undergone significant expansion in the country. This has not always been the case in the past – the change is the result of conscious efforts, which is primarily attributed to the real successes of the economic structure and secondarily to controlled positioning and country branding activity. How could this positive country brand of a ‘start-up nation’ and the ‘land of creation and creativity’ be created? How can it be that many people consider Israel as a country with vibrant, colourful, rich metropolises, the cradle of innovative enterprises, millions of USD in capital investment and world-changing patents instead of a powder keg and the Arab–Israeli conflict? The methodology to analyse the topic is based on an examination of relevant literature and in-depth interviews conducted by the authors in Israel, involving a synthesis of interviews with the important figures of the innovation ecosystem and organizations involved in country branding. The present article aims to describe the branding ecosystem of Israel, introduce its main actors and activities in order to pave the way for future in-depth research.
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Laskier, Michael M. "Egypt and Beyond: The Jews of the Arab Countries in Modern Times - Gudrun Krämer. The Jews in Modern Egypt, 1914–1952. Seattle: University of Washington Press, 1989. x, 319 pp." AJS Review 16, n. 1-2 (1991): 199–210. http://dx.doi.org/10.1017/s0364009400003172.
Testo completoAbstract (sommario):
Gudrun Krämer's study on the Jews of Egypt is divided into five sections: Communal Structure and Composition; Communal Organization; Socioeconomic and Political Change (1914–1918); Jewish Reactions to Political Change: Egyptian Patriotism, Communism, and Zionism; and The Beginning of the End: Egyptianization, the Arab-Israeli War, and the Burning of Cairo.
30
Falah, Ghazi-Walid. "Geographies of Silence: The ‘Missing Chain’ in the Writing of Palestine’s Historical Geography". Journal of Holy Land and Palestine Studies 21, n. 2 (ottobre 2022): 127–50. http://dx.doi.org/10.3366/hlps.2022.0292.
Testo completoAbstract (sommario):
This paper provides a critical reading of (1) the ways in which Palestine’s cultural landscape and the indigenous people of Palestine have been represented in the eyes of Western and specifically European travelers and explorers in the 19th century; (2) how various such representations subsequently ‘filtered’ into Israeli geographical texts and writing, and were utilised by Israeli writers and others to (re) write a so-called ‘modern’, but distorted and incomplete historical geography of Palestine. The net result is that much of Palestine’s Arab landscape has been ‘de-historicised’, or as Keith Whitelam (1998 : 11) phrased it, has been ‘silenced’.
31
عموري, نعيم. "A study of the poetry of the resisting prisoners under the Israeli occupation". Kufa Journal of Arts 1, n. 31 (10 aprile 2017): 71–94. http://dx.doi.org/10.36317/kaj/2017/v1.i31.6166.
Testo completoAbstract (sommario):
Most of the Palestinian youth entered the prisons of the occupation, and this research deals with the literature of the resistance of the poets who were in captivity, and they sang with the hope of release, and his hope was obtained from them. To address the poetry of resistance in prisons and detention centers, and to study this literature from the modern critical point of view, where we note the frequent use of symbols, especially women, among poets of resistance, and thus we note the large number of terms that have been related to the literature of resistance, such as words such as detainee, prison, soldiers, comrades, freedom, The land and... In this article, we aim to study the resistance poetry of the captives and touch on the features of this literature and the symbolism of this literature. The approach of this article is descriptive-analytical.
32
Raz-Krakotzkin, Amnon. "Orientalism, Jewish Studies and Israeli Society: A Few Comments". Philological Encounters 2, n. 3-4 (16 agosto 2017): 237–69. http://dx.doi.org/10.1163/24519197-12340034.
Testo completoAbstract (sommario):
One of the claims that was voiced in the debate over Edward Said’s book Orientalism was that the author ignored German Orientalist research. This essay does not discuss this claim itself, but rather uses this debate as a starting point for investigating different aspects of Israeli consciousness. Indeed, German Orientalism was not directly connected to colonialist activity, but it encompassed the discourse regarding the relation between Germany and Judaism and “the Jewish Question.” The question was whether Jews were Oriental and therefore foreign to European culture, or rather a religious group that could be integrated into that culture. The modern national definition of the Jewish collective was based on adopting this worldview and on accepting the Orientalist paradigm. The tendency was to define the Jews as a European nation, emphasizing the difference between the new entity and the Orient. This tendency was manifested both in the attitude towards Arabs and towards the history of “the land” [Palestine/“Land of Israel”], and in the attitude to Oriental Jews [Mizraḥim]. Nonetheless, other directions for the definition of Jewish thought and identity can also be found in the Orientalist literature.
33
Almog, Yael. "PUBLIC RITUALS: GRASPING MYTH IN DAVID GROSSMAN’S TO THE END OF THE LAND". CONTEMPORARY JUDAISM AND POLITICS 10, n. 2 (26 dicembre 2016): 231–50. http://dx.doi.org/10.54561/prj1002231a.
Testo completoAbstract (sommario):
The article investigates David Grossman’s To the End of the Land as an intervention into debates on the presence of myth in Israeli society. Do resonances of the Bible in Modern Hebrew perpetuate biblical narratives as constitutive to Israeli collective memory? Do literary references to the Bible dictate the rootedness of Hebrew speakers to the Land? Grossman’s novel discerns the implications of these questions for the political agency of individuals. It does so through the striking adaptation of a motif much frequented in Israeli literature: the Binding of Isaac. The prominent biblical myth is transformed in the novel through a set of interplays: the unusual enactment of the Akedah scene by a matriarch; original exegeses of biblical names; and the merging of several biblical narratives into the novel’s structure. The protagonists reveal their “awareness” of these interplays, when they reflect on the correspondence of their “lives” with various biblical narratives – whose divergence from one another enable them to negotiate the overdetermination of myth in political discourse. The article argues that the novel’s reflective stance on the role of myth in Israeli society is codependent on the philosophy of language that it develops. To the End of the Land features language acquisition, linguistic interferences with Israel’s main vernacular by other languages, word play and semiotic collapse. Through the presentation of linguistic utterances as contingent, associative, subjective and ever-changing, the identification with biblical narratives is rendered volatile. To the End of the Land questions the limits of Israeli literature in redefining the valence of the language in which it is written as well as the ability of literary texts to reshape major conditions for their own reception: collective memory and national motifs.
34
Zamir, Eyal. "The Failure of The Remedy of Reduction in Israeli Law — Causes and Lessons". Israel Law Review 23, n. 4 (1989): 469–505. http://dx.doi.org/10.1017/s0021223700009663.
Testo completoAbstract (sommario):
The process of codifying Israeli private law began in the mid-1960's. Since then, numerous laws have been enacted, each devoted to a certain field or transaction (land law, pledges, sales, etc.). The idea was, and continues to be, that after the enactment of the separate laws is completed, they will be combined in order to create an integral, complete civil code. This stage of enactment is nearly finished, and at present a jurists' committee is considering changes and adjustments required in any of the laws in order to fit them together into one code. This method of legislation by stages has many disadvantages, which have been pointed out in the legal literature. However, there are also advantages. The new laws in the sphere of private law are not inspired by a single legal system or by any particular existing code; rather, they constitute an original, modern Israeli creation, based on comprehensive comparative research and implementation of new, original ideas. In the absence of an established Israeli legal tradition, and absent rooted legal concepts or terminology, the Israeli legislature must create a code which does not grow naturally out of an existing legal system. The code itself will constitute the basis for future development of the system.
35
Brenner, Naomi. "Directed by God: Jewishness in Contemporary Israeli Film and Television by Modern Era". AJS Review: The Journal of the Association for Jewish Studies 42, n. 1 (aprile 2018): 236–38. http://dx.doi.org/10.1353/ajs.2021.0063.
Testo completo
36
Shaked, Malka. "The Figure of Moses in Modern Hebrew Poetry". AJS Review 28, n. 1 (aprile 2004): 157–71. http://dx.doi.org/10.1017/s0364009404000091.
Testo completoAbstract (sommario):
From its inception in the Enlightenment to this day, modern Hebrew poetry conveys a deep connection to the Bible that manifests itself in a variety of ways. An in-depth understanding of this connection—including its various expressions in content and language, its causes, its purposes, and its manifestations in all the literary genres, in each generation and for each individual writer—would require extensive research that could profitably occupy a large number of scholars. Nonetheless, even with the limited research that I have conducted, focusing on the place of the Bible in Hebrew poetry from the generation of national renaissance to the present time, the substantial anthology of poems that I am preparing for this purpose demonstrate clearly that modern Hebrew poetry constantly returns to the Bible, and that the Bible's oft-lamented decline in stature in Israeli society is nowhere to be seen.
37
Feldman, Yael. "Israeli Gnosticism: Amos Oz's Gospel According to Jephthah". European Journal of Jewish Studies 2, n. 2 (2008): 259–68. http://dx.doi.org/10.1163/187247109x454431.
Testo completoAbstract (sommario):
AbstractAmos Oz's early story, Ish Pere' [Wild Man, 1966] is analyzed here as a modern Midrash that superimposes Jephthah's sacrificial story [Judges 11] on the analogous story of the Aqedah [Genesis 22], thereby following in the footsteps of the Christian tradition, which had early on elevated Jephthah to the status of a “hero of faith” [Hebrews 11] and later prized the daughter as a model of female martyrdom. I argue moreover that Oz was not content to allude to normative Christianity alone but rather made use of the Church's subversive margins, of the Gnostic sects that rejected the Judeo-Christian tradition. Hence the Jephthah of this story represents three “bad” guys turned “good.” He is not only also Ishmael—he in fact aspires to be Cain too! Not however the biblical Cain—the rejected son, but rather the Gnostic Cain—the beloved son. The political meanings of this story for 1966 [!] are explored in the study from which this paper is culled, Glory and Agony: Rewriting Isaac/Sacrifice in Tel Aviv (Stanford: Stanford University Press; forthcoming).
38
Shoham, Hizky. "The Bar and Bat Mitzvah in the Yishuv and Early Israel: From Initiation Rite to Birthday Party". AJS Review 42, n. 1 (aprile 2018): 133–57. http://dx.doi.org/10.1017/s0364009418000090.
Testo completoAbstract (sommario):
This article is an anthropological history of the bar/bat mitzvah ceremony in the Yishuv and Israel of the 1940s and the 1950s, when this ceremony radically grew in terms of the space, time, and economic resources devoted to it, as well as expanded to include girls. To explain that shift, I suggest distinguishing classic rites of initiation from the system of life-cycle ceremonies typical of modern consumer culture, which emphasizes the transition between temporal markers rather than social statuses and imposes no task on the birthday celebrant. The article reconstructs the process by which, during the 1940s and the 1950s, the bar/bat mitzvah ceremony came to function more as an elaborate birthday party than as a rite of initiation. The historical reconstruction demonstrates how, during the late Mandate period and early years of statehood, a new grassroots Israeli culture emerged, shaped by the accommodation of Western consumer culture to Jewish traditions rather than by Zionist ideology or established religion.
39
Jacobsohn, Gary J. "Alternative Pluralisms: Israeli and American Constitutionalism in Comparative Perspective". Review of Politics 51, n. 2 (1989): 159–89. http://dx.doi.org/10.1017/s0034670500048075.
Testo completoAbstract (sommario):
Constitutional transplantation, the process by which the constitutional practice of one society becomes an important source for the legal development of another, has figured importantly in the institutional evolution of new politics. In this article, I examine the constitutional experience of Israel and the United States, two societies that share a language of jurisprudential discourse while differing significantly in a number of polically relevant ways. In particular, the fact that both societies can be described as pluralistic only conceals the fact that they represent alternative models of pluralism that may render problematic the the transferablity of constitutional outcomes from one place to another. Thus, the literature of modern constitutionalism, which has tended to emphasize the rights-based liberal ethic of individualism, is arguably more compatible with an American model in which the principles of the “procedural republic” are more unproblematically embraced. To pursue this question, I look at two issues—the advisability of adopting a bill of rights and the appropriate stance of the regime on the question of free speech—that allow us to reflect upon the limits and possibilities of constitutional transplantation.
40
Kayam, Orly. "The Rhetorical Structure of Argumentative Discourse as Expressed in Israeli Supreme Court Verdicts". Journal of Public Administration and Governance 2, n. 4 (8 gennaio 2013): 144. http://dx.doi.org/10.5296/jpag.v2i4.2618.
Testo completoAbstract (sommario):
The aim of this article is to present and discuss the role and function of structure in argumentative discourse as expressed in Israeli Supreme Court Verdicts with a review of the literature from ancient Greece to modern times. This article includes a presentation of both Brewer’s and Roe’s models of text classification and presents the four types of text according to the classic classification, focusing primarily on the argumentative-persuasive text with particular attention to its unique rhetorical structure. The rhetorical structure of a text has crucial importance because it enables one to see an aspect of the rhetorical analysis. Graphic representation of the rhetorical structure of argumentative discourse by means of flowcharts is also discussed and examples are presented in the appendix to this article.
41
Zerubavel, Yael. "The Politics of Interpretation: Tel Hai in Israel's Collective Memory". AJS Review 16, n. 1-2 (1991): 133–60. http://dx.doi.org/10.1017/s0364009400003147.
Testo completoAbstract (sommario):
In 1920, a brief but fatal battle between Arabs and Jews took place at the Jewish settlement of Tel Hai in the northern Galilee. The defense of Tel Hai soon became a landmark in the history of Israeli society. The story of Tel Hai was regarded as a major symbolic text of the pioneering ethos and an important step toward the development of a new national Hebrew culture. Highlighting the theme of collective death and rebirth, Tel Hai offered a modern, secular text that sanctified the new nation and dramatized the emergence of a new type of Jew. For the Jewish pioneers in Palestine, Tel Hai embodied the ideals of settlement and defense, providing a concrete example of their resolute determination to hold on to new settlements at all costs.The present study examines the role of Tel Hai as a national myth, name-ly, a symbolic narrative relating to an important event in the nation's past that embodies sacred national values and is used as a charter for political action.1 Following Halbwachs's pioneering approach to the study of collective memory,2 this article explores the meaning of Tel Hai as it was constructed in public discourse, focusing upon two periods of conflict within Israeli society. Thus it is not a historical study of the event that took place at Tel Hai in 1920, but a study of how this event has been remembered and reinterpreted in Israeli culture.
42
Abramson, Glenda. "Israeli Drama and the Bible: Kings on the Stage". AJS Review 28, n. 1 (aprile 2004): 63–82. http://dx.doi.org/10.1017/s0364009404000054.
Testo completoAbstract (sommario):
Drama is the most neglected genre within Hebrew cultural development. In fact, until shortly before the foundation of the State of Israel, few plays in Hebrew had been staged. Although a large number of works in dramatic form had been written, particularly in the nineteenth century, few of them were viable theatrical dramas. They fell into the categories of rhetoric and allegory, devoid of believable dramatis personae. There were some milestones along the way, such as Somi's Zahut Bedihuta de-Kiddushin (An Eloquent Marriage Farce, c. 1600), Luzzatto's Leyesharim tehilla (Praise for the Righteous, 1743), and some modern plays, but these were not sufficiently feasible for the establishment of a dramatic tradition. An important factor qualifying the late development of Hebrew drama was the language, for within the communities' diglossia throughout the ages, Hebrew was reserved for more elevated discourse than playacting. Moreover, Hebrew, the language of the sacred texts, was inadequate for the expression of everyday life. Nowhere in the diaspora was there a Hebrew-speaking audience; there was no folk life in Hebrew as there was in Yiddish. Also, the potential playwrights were faced with the problem of the divine imperative in Jewish history, which precludes anything like the theodicy that gave rise to classical tragedy. Other religious restrictions against certain forms of representation, together with the small value Jewish religious authorities traditionally placed on theatre for its own sake, were also crucial factors mitigating against the drama's development.
43
Baek, Hye-Won. "Research on the Changes to Narrative Discourse in Modern Arab Literature Post-Defeat in the War of 1967: Focusing on Naguib Mahfouz’s Novel, Under the Canopy". Institute of Middle Eastern Affairs 21, n. 3 (31 dicembre 2022): 263–86. http://dx.doi.org/10.52891/jmea.2022.21.3.263.
Testo completoAbstract (sommario):
This study began with the premise of recognizing the importance of narrative analysis that focuses on analyzing and critiquing a work of literature based not on its content, but rather on how its content is delivered. Therefore, this study first elaborates upon the concept of the narrative being its own independent research topic in the field of literature, as well as the serial processes and principles by which it can become its own standard in analyzing works of literature, and at the same time, examines in detail what the formative elements of a narrative are. In addition, this research identifies how, after defeat in the Third Arab-Israeli War in 1967, narrative discourse in modern Arab literature changed and developed in a form different from previous discourse; the research further analyzes the cause of these changes from internal and external perspectives. Furthermore, the researcher uses Egyptian author Naguib Mahfouz’s short story Under the Canopy as an example to discuss the main characteristics of narrative discourse in Arab literature as newly formed after the War of 1967, and to analyze the hidden messages within this narrative technique.
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Fadhil HAMMOODY, shaimaa. "NAZISM AND ITS REFLECTION IN THE NOVEL BY DAVID GROSSMAN". International Journal Of Education And Language Studies 04, n. 02 (1 giugno 2023): 179–95. http://dx.doi.org/10.47832/2791-9323.2-4.13.
Testo completoAbstract (sommario):
The journey of modern Hebrew literature began in the last third of the eighteenth century, and Jewish critics record the virtue of introducing this new art to the Jews and alerting the public to it, Abraham Mabo. They reflect the realism of life through their writings, which expressed the writer's awareness and intellectual aspiration, which provided him with an increase of his references that he influenced and was influenced by to reflect them through the transformations that accompanied his career in the field of literary authorship. Intellectualism in the novel text of the wellknown Israeli writer David Grossman. Where it contained two topics, the first topic dealt with: an introduction in which we touched on the problem of displacement and diaspora that occurred to the Jews. The topic also included the importance of research and the need for it, since the research is a knowledge outcome that benefits readers and scholars, as well as the biography of the writer David Grossman and his most important literary productions, with the most important ideas dealt with in the novel " See Under: LOVE," the subject of the research. The second topic contained: the most important ideas highlighted by the novel, and presented the most important methods practiced by Nazism on the Jews of killing and torturing. The research concluded a set of conclusions, the most important of which are: 1. Since the beginning of the fifties, literary texts have been able to approach the political scene by addressing realistic topics that were able to embody and express the issues of the emerging Israeli society. 2. The subject of the Nazis distorted a large part of the Israeli literature, as it tended towards giving symbolic connotations through displaying events and analyzing them objectively
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Singal, Youke L., Yusak Tanasyah, Maya Malau e Susanti Embong Bulan. "Sumbangsih Pendidikan Israel Kuno Dalam Pendidikan Agama Kristen Pada Anak". Harati: Jurnal Pendidikan Kristen 3, n. 1 (27 maggio 2023): 61–75. http://dx.doi.org/10.54170/harati.v3i1.126.
Testo completoAbstract (sommario):
This study explores the contribution of education in ancient Israel and its application to Christian education for children today. The study begins by examining the education system in ancient Israel, including the role of parents, religious leaders, and formal institutions in imparting knowledge and moral teachings. Taking lessons from the ancient Israelites, the study then explores how these principles can be applied to Christian education today. It examines the role of parents, teachers, and the church community in fostering a nurturing and holistic educational environment. It also investigates the use of Scripture, prayer, worship, and ministry to engage children in their faith journey. The purpose of this study emphasizes the value of integrating educational wisdom and practices in ancient Israel into modern Christian education. By adopting a holistic approach that combines Scripture, experiential learning, community engagement, and character building, Christian educators can provide a solid foundation for children to develop lifelong faith, moral values, and a living relationship with God. This study used a literature review research method that investigated books and journals related to ancient Israeli education.
Studi ini mengeksplorasi kontribusi pendidikan di Israel kuno dan penerapannya pada pendidikan Kristen untuk anak-anak saat ini. Studi dimulai dengan mengkaji sistem pendidikan di Israel kuno, termasuk peran orang tua, pemimpin agama, dan lembaga formal dalam menyampaikan pengetahuan dan ajaran moral. Mengambil pelajaran dari bangsa Israel kuno, penelitian ini kemudian mengeksplorasi bagaimana prinsip-prinsip ini dapat diterapkan pada pendidikan Kristen saat ini. Ini mengkaji peran orang tua, guru, dan komunitas gereja dalam membina lingkungan pendidikan yang mengasuh dan holistik. Itu juga menyelidiki penggunaan Kitab Suci, doa, ibadah, dan pelayanan sebagai sarana untuk melibatkan anak-anak dalam perjalanan iman mereka. Tujuan dari penelitian ini menekankan nilai integrasi kebijaksanaan dan praktik pendidikan di Israel kuno ke dalam pendidikan Kristen modern. Dengan mengadopsi pendekatan holistik yang menggabungkan Kitab Suci, pengalaman belajar, keterlibatan masyarakat, dan pembentukan karakter, pendidik Kristen dapat memberikan landasan yang kokoh bagi anak-anak untuk mengembangkan iman seumur hidup, nilai-nilai moral, dan hubungan yang hidup dengan Tuhan. Penelitian ini menggunakan metode penelitian kajian pustaka yang menyelidiki buku-buku dan jurnal yang berkaitan dengan pendidikan Israel kuno.
46
Tatu, Silviu. "Jotham's fable and the crux interpretum in Judges ix". Vetus Testamentum 56, n. 1 (2006): 105–24. http://dx.doi.org/10.1163/156853306775465108.
Testo completoAbstract (sommario):
AbstractThe article surveys the linguistic and historical data available in order to assess the identity of the plant called upon in Jotham's fable as the last of the candidates to king-ship, the 'ātād. Mesopotamian linguistics and literary tradition indicate that the interpretation of the term ed-de-tu allows one to interpret it as a thorn-tree. Although not always coherent, the historical renderings regarding this plant admit the possibility of multiple varieties of plants sharing several qualities of which the most important are extreme habitat, valuable shade, healthy fruits and green foliage, and combustible wood. Modern botanists do not exclude totally 'ātād 's interpretation as Ziziphus spina-Christi, but it is contemporary Israeli botanists who holds it as the only legitimate interpretation. Its presence in the Levant and particularly in Israel throughout the centuries is just one more reason to support such a possibility. Only such a literal rendering prompts the prophetic value of Jotham's imprecation on the irony of dilemma in which the citizens of Shechem found themselves.
47
Ben-Horin, Michal. "The Sound of the Unsayable: Jewish Secular Culture in Arnold Schönberg and Aharon Appelfeld". Religions 10, n. 5 (19 maggio 2019): 334. http://dx.doi.org/10.3390/rel10050334.
Testo completoAbstract (sommario):
This article examines the use of central elements of the Jewish religious repertoire and transcendental realm, such as prophecy or revelation, within the aesthetic secular realm of musical avant-garde and modern Hebrew literature. By focusing on two case studies, I attempt to shed new light on the question of Jewish secular culture. Arnold Schoenberg (1874–1951), an Austrian Jewish composer, was born into an assimilated Viennese family and converted to Protestantism before returning to Judaism in the 1930s while escaping to the United States. Aharon Appelfeld (1932–2018), an Israeli Jewish writer, was born in Czernowitz to assimilated German-speaking parents, survived the Holocaust and emigrated to Israel in 1946. My claim is that in their works both composer and author testify to traumatic experiences that avoid verbal representation by: (1) subverting and transgressing conventional aesthetic means and (2) alluding to sacred tropes and theological concepts. In exploring Schoenberg’s opera Moses und Aron and Appelfeld’s Journey into Winter among others, this article shows how the transcendent sphere returns within the musical and poetic avant-garde (musical prose, 12-tone composition, prose poem, non-semantic or semiotic fiction) as a “sound” of old traditions that can only be heard through the voices of a new Jewish culture.
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Shahar, Ido. "A New Look at the Agency of Qāḍīs: Israeli Sharīʿa Courts as a Case Study". Die Welt des Islams 59, n. 1 (27 febbraio 2019): 70–98. http://dx.doi.org/10.1163/15700607-00591p04.
Testo completoAbstract (sommario):
AbstractIn the literature on Islamic law, qāḍīs are usually depicted as lower-level jurists, who are marginalized by other actors in the Sharīʿa field (such as muftīs, author-jurists and legislators) and therefore have no significant impact on the development of Islamic law. The article calls for a reevaluation of this assessment, arguing that modern qāḍīs actually possess far-reaching agency for transforming Islamic law. A case study of the Sharīʿa courts in Israel serves as illustration for the argument. It is shown that qāḍīs in Israel employ a broad range of judicial and extra-judicial mechanisms for the purpose of introducing innovations into applied Islamic law in their courts. In particular, the article dwells on judicial tools for reforms such as procedural reforms, innovations in evidence rules, and several types of material reforms (takhayyur, hybridization of Islamic and non-Islamic principles, and the continuous operationalization of Islamic concepts).
49
Hirsch, Dafna, e Dana Grosswirth Kachtan. "Is “Hegemonic Masculinity” Hegemonic as Masculinity? Two Israeli Case Studies". Men and Masculinities 21, n. 5 (3 marzo 2017): 687–708. http://dx.doi.org/10.1177/1097184x17696186.
Testo completoAbstract (sommario):
In this article, we consider Connell’s theory of masculinity through a phenomenon we encountered in our respective research projects, one focusing on the construction of masculinity among early Zionist ideological workers and the other focusing on present-day military masculinities and ethnicity in Israel. In both contexts, a bodily performance which marks the breach of “civilized behavior” is adopted in order to signify accentuated masculinity. In both, a symbolic hierarchy of masculinities emerges, in which Arabs—and in the case of Golani soldiers, also “Arab Jews,” that is, Jews who descended from Arab countries—are marked as more masculine than hegemonic Ashkenazi men (i.e., men of European descent). Thus, while our case studies support Connell’s argument that masculinity may be practiced in various ways, the hierarchical relationship between masculine styles appears to be more multilayered than Connell’s theory suggests. We connect the tension between masculine status, understood as a location within a symbolic hierarchy of masculinities, and social status in our case studies to the contradiction at the heart of modern masculinity. We argue that in order to account for this tension, which may arise in specific interactional contexts, we need a concept of masculinity as a cultural repertoire, of which people make situated selections. The repertoire of masculinity is where the elements and models that organize both masculine practice and perceptions concerning masculinity are stored. While selections from the repertoire of masculinity cannot be conceived as voluntary, the conventional nature of cultural repertoires allows for some leeway in the selections that people make. Hence, it allows for a more flexible relationship between social positions and masculine styles.
50
Shoham, Reuven. "Kovner vs. Kovner: “A Parting from the South” vs. “Combat Page”". AJS Review 22, n. 2 (novembre 1997): 223–42. http://dx.doi.org/10.1017/s0364009400009600.
Testo completoAbstract (sommario):
The poet Abba Kovner was a partisan and freedom fighter during World War II (1942–1945), made aliyah in 1945, and published his first long poem, ‘Ad lo ’or (“Until There Was No Light”), in 1947. At the outbreak of the Israeli War of Independence he fought on the Egyptian front (1947–48), serving as a cultural officer, or politruk in the Giv'ati Brigade. Preda me-ha-darom (“A Parting from the South”), his second long poem and one of the pivotal works by a modern Hebrew poet, was written against the background of the War of Independence. However, critics have not yet been able to find a fitting place for it in the canon of Hebrew poetry and culture, although several serious attempts have been made. The present study does not refer to every aspect of this complex poem but focuses on one particular point. I contend that “A Parting from the South” implies an attempt by the visionary speaker of the poem to compel the young country, soon after the war, to part from the world of death, from cultic memories of the dead and guilt feelings toward them (the dead in the 1948 war in Israel and the dead in the ghettos of Nazi Europe in World War II). Abba Kovner tries to detach himself, and his readers, from death, to liberate them from the old perspectives.