Letteratura scientifica selezionata sul tema "Mining (in religion, folklore, etc.)"
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Articoli di riviste sul tema "Mining (in religion, folklore, etc.)"
1
Pham, Tiet Khanh. "The market of Theravada Buddhism in folk culture of the Khmers in Vietnam". Voprosy kul'turologii (Issues of Cultural Studies), n. 5 (31 maggio 2022): 420–26. http://dx.doi.org/10.33920/nik-01-2205-05.
Testo completoAbstract (sommario):
Literature is a cultural phenomenon and literary works represent national cultural values. Cultural elements, including belief — religion, exist in relation to each other and are reflected in the phenomena and relationships in literature. For the Khmer in Vietnam, Theravada Buddhism is the main religion and the main factor influencing the Khmer's way of thinking and behavior in all aspects, including folklore. Through this article, by methods of statistics, classification, analysis, generalization, etc., the author presents the manifestations of the philosophy of cause and effect, the concept of filial piety of Theravada Buddhism through images. Symbols, artistic details in Khmer folklore works.
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Upadhyay, Prakash. "Anthropological Perspectives On Folklore: Underpinnings on Some Nepali Folklore". Tribhuvan University Journal 29, n. 1 (31 marzo 2016): 149–60. http://dx.doi.org/10.3126/tuj.v29i1.25966.
Testo completoAbstract (sommario):
The main objectives of this article is to explore how people use folklore for interaction, and how folklore is useful for managing social/cultural situations for identity making. Pedestal on qualitative secondary data were obtained from various literature, books, journals and articles. The conceptual frame of the study respite on four field approaches of anthropology which comprehend folklore at local, regional, national, and global scales and are supportive in reflecting the understandings in application and seeking ways to adjust with communities to assist them in preserving folklore or in bridging the knowledge-community dissection---understanding and analyzing ethnic behaviors, their identity and institutions, human-culture-nature relation, micro-macro structural relations. With a unique cultural heritage, Nepal is copious with diverse folklore based on legends, religion, popular beliefs etc. They are the traditions of ethnic cultures, subcultures, or groups to express feelings. Nepali folklore establishes relationship of local people with their culture, ethno-cognition, using folklore for interaction and unity, for managing social/cultural/ecological situations in various institutional settings for identity making, explaining the natives as possessing an exclusive system of perceiving and organizing phenomenon. Anthropology’s in-depth fieldwork methodology, long rendezvous in questions of society–culture interactions and broad holistic view yields precious insights into Nepali folklore.
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T.R, Hebzibah Beulah Suganthi. "Folklore Elements in Vallikannan Novels". International Research Journal of Tamil 4, S-16 (12 dicembre 2022): 104–13. http://dx.doi.org/10.34256/irjt224s1614.
Testo completoAbstract (sommario):
Folk literature is created by the common people and preserved by them. Vallikannan is a renowned writer, journalist and author of all kinds of literature, his novels Iruttu Raja, Ninaivu charam and Oruveetin Kathi describe the life of Saiva Velalar in Nellai district in a rustic form. Among these games children's games are swinging, playing Tayakkatam, playing by singing and dancing, playing pandi, and playing Kannambuchi. Other common games are folk songs, titling, calling women by their village names, proverbs, folk performances related to religion, celebrating festivals, paying tribute to the village temple during festivals, performing arts, naming, marriage, processions, performing arts programs at weddings. They use figure of speech in their speech. The folk songs, proverbs and local idioms used by the Nellai district people reveals the author's general knowledge and approach to the people. It can be seen that the folk elements found in lullabies, folk tales, songs, stories, fables, myths, proverbs etc are mixed with the character and sentiment of the Tamil people. The article is about the folklore elements found in Vallikannan novels.
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Alieva, Fatima Abdulovna, Fatyma Khamzaevna Mukhamedova e Aigul' Muratovna Bekeeva. "Song genres of traditional folklore of the Dargin people: ideological-aesthetic and artistic uniqueness". Litera, n. 10 (ottobre 2020): 94–103. http://dx.doi.org/10.25136/2409-8698.2020.10.34105.
Testo completoAbstract (sommario):
The subject of this research is the key genres of song folklore of the Dargin people – one of the ethnoses of Dagestan, which includes such Akushin, Kaitag, Kubachin, Mekegin, Tsudakhar, and others. An attempt is made to examine genre diversity of the Dargin people traditional poetic folklore, describe the forms of existence of specific genres, determine their ideological-aesthetic and artistic content, trace their evolution and transformation, as well as characterize the poetics. The goal of this work consists in demonstration of genre diversity of the song folklore of the Dargin people, its national specificity, artistic uniqueness and forms of existence. In the course of this research, the author applies the method of scientific analysis of theoretical literature on the topic, comparative-typological and descriptive-analytical methods, including observation, interpretation and comparison, which allows giving philological assessment of the text, reveal folk poetic means of expression. The scientific novelty lies in establishment of the fact that some of the genres under consideration still exist, but have undergone transformation. In a number the Dargin Districts, such as the rural localities of Harbuk, Urkarah, Madzhalis, Kubachi, Usisha, etc., texts of ritual poetry that have been previously performed by the adults, now shifted into the repertoire of children's folklore; multiple wedding songs – from ritual folklore to the category of love lyricism, and are performed mostly at youth parties and festivities. Lamentations were subjected to the influenced of Muslim religion, and now often feature the appeals to Allah to bless with patience and mercy, etc. Ballades in the folklore of the Dargin people also experiences certain genre changes: tragedy and drama of the situation fade away, and the ballades grow into the type of lyrical song of family, life or love content.
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Shakirova, Dilyara Sh. "Comparative Studies of Educating Methods of Different - Structured Languages: Etymological and Semantic Aspect". International Journal of Higher Education 8, n. 7 (28 ottobre 2019): 102. http://dx.doi.org/10.5430/ijhe.v8n7p102.
Testo completoAbstract (sommario):
The concepts in English and Russian dictionary sources of various types are used in the study to help teachers. The aim is to investigate the educating methods, not only for foreign students but also native speakers of the Russian language to acquaint themselves with the ideas of interpretation of individual images by the representatives of a given nation In the course of the research, analyzing approximately 40 common methods of teaching (explanatory, encyclopedic, scientific and technical, etc.). Results confer the possibility of grasping the intended concepts of folklore, literary texts or folk art and as well as abstract concepts . However, these concepts emerge from the interaction of national tradition and folklore, religion and ideology, life experience and images of art, sensations and value systems of this ethnic system.
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Shtyrkov, Sergei. "Ossetian Ritual Feasts and Transpersonal Experience: Re-Description of a Religion as a Religious Practice". Journal of Ethnology and Folkloristics 15, n. 2 (1 dicembre 2021): 74–88. http://dx.doi.org/10.2478/jef-2021-0018.
Testo completoAbstract (sommario):
Abstract The protest of the North Ossetian nativist religious movement against discourses of dominant institutions in the public sphere involves as its necessary component ‘re-description’ of religion in general and ‘re-constructed’ religious systems in particular. Usually, this means revealing allegedly forgotten ancient meanings of indigenous customs, rituals and folklore texts through the use of various concepts taken from esotericism and/or practical psychology. The language for this re-description is provided by conceptual apparatus developed by New Age movements. Of particular interest in this respect is the language of ‘new science’, ‘alternative history’, ‘transpersonal psychology’, etc., employed as a tool for criticising the established system of Christian-centric understanding of what religion is and what its social functions are.
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Loboda, M. I. "M.P.Drahomanov about freedom of conscience and social functionality of religion". Ukrainian Religious Studies, n. 9 (12 gennaio 1999): 55–59. http://dx.doi.org/10.32420/1999.9.823.
Testo completoAbstract (sommario):
Our research is based on a rather large "library" of various works by M. Drahomanov, which contains his views on religion. Among them: Paradise and Progress, From the History of Relations Between Church and State in Western Europe, Faith and Public Affairs, Fight for Spiritual Power and Freedom of Conscience in the 16th - 17th Centuries, , "Church and State in the Roman Empire", "The Status and Tasks of the Science of Ancient History," "Evangelical Faith in Old England," "Populism and Popular Progress in Austrian Rus, Austrian-Russian Remembrance (1867- 1877)," "Pious The Legend of the Bulgarians "," The Issues of Religious Freedom in Russia, "" On the Brotherhood of the Baptist or the Baptist in Ukraine, "" The Foreword (to the Community of 1878), " Shevchenko, Ukrainianophiles and Socialism "," Wonderful thoughts about the Ukrainian national affair "," Zazdri gods "," Slavic variants of one Gospel legend "," Resurrection of Christ (folklore record) ", etc.
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Bayanova, Aleksandra. "Benjamin Bergmann’s Nomadische Streifereien unter den Kalmȕken in den Jahren 1802 und 1803: Introducing Russian Translations of Six Letters". Бюллетень Калмыцкого научного центра Российской академии наук 3, n. 19 (28 dicembre 2021): 79–113. http://dx.doi.org/10.22162/2587-6503-2021-3-19-79-113.
Testo completoAbstract (sommario):
Introduction. The impact of Benjamin Bergmann — a renown religious figure, writer and translator — in Kalmyk folklore studies is immense. He authored the earliest European documented record of the Kalmyk heroic epic of Jangar, German translations of the Buddhist treatise titled ‘Mirror of Reality’ and two songs of the Gesar epic, thirteen folktales from the Siddhi Kür collection, etc. Goals. The article introduces B. Bergmann’s letters included in the 1804 German-language edition of his Nomadische Streifereien unter den Kalmȕken in den Jahren 1802 und 1803 (Germ. ‘Nomadic Wanderings among the Kalmyks in 1802–1803’) published in Riga. Materials. The study explores and translates into Russian the first six letters containing ethnographic observations. Results. B. Bergmann’s scholarly insights into religion, language, lifestyles, and history of the Kalmyks to have compiled the edition were to lay the foundation of his work at the Russian Imperial Academy of Sciences which unfortunately never happened. The meticulousness of his accounts and descriptions testify of his decent proficiency in ethnography and folklore investigations.
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Kajitani, Shinji. "Atmosphere and Religion: The Phenomenology of Hermann Schmitz and the Possibility for a Comparative Study of Religion". Religija ir kultūra, n. 18-19 (20 dicembre 2016): 89–98. http://dx.doi.org/10.15388/relig.2016.7.
Testo completoAbstract (sommario):
[full article, abstract in English; abstract in Lithuanian]
On the basis of his phenomenological theory of body and emotion, and especially his concept of emotion as atmosphere, Hermann Schmitz (1928–) defines religion as “behavior derived from affectedness by the divine,” i.e., communication with a powerful atmosphere overwhelming human beings. This definition enables us to explore religion in a broader context, such as dwelling, daily practice, rituals, architecture, art, etc. From this perspective, religion cannot be confined to the fields of theory, practice, institution, or convention but covers a much richer field in life. On the other hand, this view means that our daily existence is more profoundly related to the religious. This makes it understandable why new religious movements appear repeatedly, and why social phenomena appear that are not called religions but have some religious aspects even in a modern, secularized society. In this way, the theory of atmosphere can give us insight into the general necessity of the religious for human existence in each culture. Schmitz’s phenomenology of religion has, therefore, its advantage in the analysis of folk religion, which is rooted more deeply in folk culture and such of its aspects as customs, festivals, and folklore. This article will address some characteristics of Japanese folk religion and then compare monotheism with polytheism.
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Ispas, Sabina. "Folclor și identitate". Teologie și educație la "Dunărea de Jos" 17 (12 giugno 2019): 183–99. http://dx.doi.org/10.35219/teologie.2019.06.
Testo completoAbstract (sommario):
The folklore phenomenon (the deep, oral, popular, traditional culture) is represented by all the creations of a community that is based on tradition, are expressed by a group of individuals and recognized as reflections of its expectations to the extent that it represents its social and cultural identity. This is, in fact, a sum of local, village and city identities in which “individual identities” are incorporated. Through it, the fusion between territory, language and people is obtained, which is legitimized “through a genealogy and a space conceptualized as such”. We belong to a world in which access to information is open to all. In this context, in order to find yourself, you must define and assume your own identity. Such a complicated and responsible process cannot be undertaken without reference to the traditional system of norms, expressed in that large segment of the culture that is folklore. A Europe of nations cannot be achieved without knowing and understanding the system of values to which they have appealed throughout the entire period of their definition. Folklore is a fundamental landmark for the man of the post-industrial society who is in search of the self. Along with the scholarly culture, to which it is complementary, folklore contributes to the realization of the universal, European, national heritage. Forms of expression of folklore, musical, literary or choreic texts, ritual practices, beliefs, the dominant religion of the group, etc. cooperates for the purpose of forming this identity. The standards and values are transmitted orally, by imitation or other means. Folklore includes, inter alia, phenomena of language, literature, music, dance, games, mythology, rituals, customs, crafts, architecture and other arts. The present study highlights, synthetically and systematically, the main traditions created and developed over time by the Romanian people, traditions that define it and give it a specific identity.
Tesi sul tema "Mining (in religion, folklore, etc.)"
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Kimilike, Lechion Peter. "An African perspective on poverty provebs in the book of proverbs : an analysis for transformational possibilities". Thesis, 2006. http://hdl.handle.net/10500/2372.
Testo completoAbstract (sommario):
An African Perspective on Poverty Proverbs in the Book of Proverbs: An Analysis for Transformational Possibilities. This thesis contributes to the emerging global scholarly discussion on prioritising the practical relevance of biblical interpretation, particularly in Africa. Taking poverty as a case study, this thesis employs the notion of the popular social origin of proverbs to critically analyse the subject in the Book of Proverbs. A social anthropological approach, historical-critical methods, rhetorical criticism and contextual exegesis are used to analyse proverbs regarding the poor in the Book of Proverbs and African proverbial material. On one hand, the investigation reveals that many Western scholars take their cue from the `official' social context of the Book of Proverbs. However, the impact of an unconscious subjectivity owing to the Western secularising influence on their studies into poverty has posited a conservative status quo in the way the Book of Proverbs addresses it. On the other hand, an investigation of similar traditional African proverbial material on the poor reveals a holistic transformative possibility. Its life-centred dynamism is located in an integrative worldview that comprises mutual assistance, collective responsibility, family, community, social, political, religious and economic networks as one whole. Because cultural parallels exist between the society of ancient Israel and traditional African societies, the thesis argues the use of the African proverbial performance context in the interpretation of proverbs concerning the poor in the Book of Proverbs. The result of such cross-cultural application highlights the possible transformative social, economic, political and religious supportive networks essential to a viable and sustainable holistic development of society. Consequently, such a holistic approach to poverty may enable Bible readers to make meaning and empower the will of African Christians to rise practically to the challenge of poverty eradication in all spheres of their lives. A caution also to the universal church is to be found in the fact that the Book of Proverbs made an essential contribution to the transformation of the social, economic, political and religious life of Israel. Approaching the Book of Proverbs in terms of a popular context is a fact that can no longer be simply ignored.Old Testament and Ancient Near Eastern Studies
D.Th.
Libri sul tema "Mining (in religion, folklore, etc.)"
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Mackinlay, James M. Folklore of Scottish lochs and springs. Largs: Banton press, 1991.
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Mackinlay, James M. Folklore of Scottish lochs and springs. Felinfach, Wales: Llanerch, 1993.
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3
Budapest, Zsuzsanna E. Grandmother Moon: Lunar magic in our lives : spells, rituals, goddesses, legends and emotions under the moon. San Francisco: HarperSanFranciso, 1991.
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Budapest, Zsuzsanna Emese. Grandmother moon: Lunar magic in our lives : spells, rituals, goddesses, legends, and emotions under the moon. [San Francisco]: HarperSanFrancisco, 1991.
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5
Yoshitani, Hiroya. Hakusan Isurugi shugen no shūkyō minzokugakuteki kenkyū. Tōkyō: Iwata Shoin, 1994.
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Curran, Douglas. In advance of the landing: Folk concepts of outer space. New York: Abbeville Press, 1985.
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Paulaharju, Samuli. Syntymä, lapsuus ja kuolema: Vienan Karjalan tapoja ja uskomuksia. Helsinki: Suomalaisen Kirjallisuuden Seura, 1995.
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Lopez, Barry Holstun. Of wolves and men. New York: Touchstone, 1995.
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Lopez, Barry Holstun. Of wolves and men. New York: Simon & Schuster, 1995.
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Joret, Charles. La rose dans l'antiquité et au Moyen Age: Histoire, légendes et symbolisme. Genève: Slatkine Reprints, 1989.
Cerca il testo completoCapitoli di libri sul tema "Mining (in religion, folklore, etc.)"
1
Manninger, Sandra, e Matias del Campo. "Deep Mining Authorship". In Computational Design and Robotic Fabrication, 3–10. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-8405-3_1.
Testo completoAbstract (sommario):
AbstractConsidering the emerging field of architecture and artificial intelligence, it might be necessary to contemplate the remodeling of the concept of authorship entirely. The invention of authorship is a complex historical process that can be traced back to the emergence of print culture in Europe in the 15th century. Prior to this period, most literary and artistic works were created anonymously or attributed to collective or anonymous sources, such as folklore or religious traditions. However, with the rise of printing, texts became more easily reproducible and marketable, and there emerged a need for individual authors to take credit for their works. The notion of authorship was closely tied to the idea of originality and ownership, as authors sought to assert their exclusive rights to their works and to distinguish themselves from other writers. This was supported by the development of copyright law, which granted legal protection to authors and their works, and helped to establish a market for literary and artistic works. The idea of the author as a singular, autonomous figure gained further prominence in the 18th and 19th centuries, with the emergence of romanticism and the cult of the individual. This period saw the rise of the idea of the artist as a genius, whose works were the product of their own unique creativity and imagination. This idea was further reinforced by the rise of literary criticism, which focused on the interpretation and analysis of individual works and their authors. However, as Michel Foucault and other scholars have argued, the notion of authorship is not a universal or timeless concept, but rather a historically contingent and culturally specific one. Different societies ad cultures have different understandings of authorship, and these have shifted over time in response to changes in technology, culture, and social values. As it stands now, authorship in its traditional form can hardly be applied in a context where automated collaborations provide more than 50% of the generated material. This is true for multiple art fields. Visual Arts (Mario Klingemann, Sofia Crespo, Memo Atken, Ooouch, etc.), Music (Dadabots, YACHT, Holly Herndon), Literature, etc. Very soon this will also be true for Architecture. The consequence is also an entire rethinking of the concept of the sole genius. This notion, developed by German Romanticists in the early 19th century, is, in the current context of AI-assisted creativity, completely obsolete, as we are drawing from the genius of hundreds of thousands of artists and artworks in order to interrogate the latent space for unseen artistic opportunities. More akin to an archeological dig leading to the discovery of a next-generation jet fighter plane.
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Khan, Nadim Akhtar, Sabiha Zehra Rizvi, Tazeem Zainab e Samah Mushtaq Khan. "Digital Humanities in Cultural Preservation". In Advances in Library and Information Science, 181–94. IGI Global, 2015. http://dx.doi.org/10.4018/978-1-4666-8444-7.ch009.
Testo completoAbstract (sommario):
Libraries and cultural institutions have been proactive in adopting different policies for preservation of culture. This is evident by the growing number of cultural repositories and digital libraries set for managing and making accessible different forms of cultural assets ranging from folklore, custom documentaries, craft designs and patterns, architectural setups etc. These procedures not only help them to preserve valuable indigenous knowledge but explore the richness in the cultural values of different nations. The proliferation of Information communication technology (ICT) has resulted in the merging of different forms of digitalized information which combine print, voice, video, and graphics for educational and recreational purposes. The application of Digital Humanities in preservation, management and accessibility of cultural resources ranging from curating online collections to data mining large cultural data sets cannot be neglected. The chapter discusses the concept of Digital Humanities in the light of its rich background and importance in present times for preserving human culture by acquiring, managing and making available cultural assets for further research. The chapter also attempts to explore and identify the recent contributions to the concept by analyzing ongoing Digital Humanities initiatives and projects by different organizations and information centers to stimulate future Research and development trend in the field.
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Georgieva, Albena, e Vihra Baeva. "The Worship of Mary in the Region of Asenovgrad (Central Southern Bulgaria): Sites, Rituals and Narratives". In Traces of the Virgin Mary in Post-Communist Europe. Institute of Ethnology and Social Anthropology, Slovak Academy of Sciences, VEDA, Publishing House of the Slovak Academy of Sciences, 2020. http://dx.doi.org/10.31577/2019.9788022417822.250-282.
Testo completoAbstract (sommario):
The chapter presents Marian worship in one of its specific local manifestations – the cult to the Virgin in the region of Asenovgrad, Central Southern Bulgaria. The fact that it is the most representative example of the vital and well-developed Marian cult within present-day Bulgaria, as well as authors' long-term fieldwork in the region (started 1996), influenced the choice of Asenovgrad as the focus of their attention. The methodological framework is based on the concept of local religion (Christian 1989: 3), reformulated by the authors into the concepts of local religiosity and local religious culture. The local Marian cult in Asenovgrad region is used as an example of how to understand this local and cultural embeddedness of religiosity, presented via (1) devotional sites and the images belonging to them (in this case, miracle-working icons of the Virgin); (2) local feasts and ritual practices; and (3) local and personal religious narratives. The authors regard places, rituals and narratives as basic elements which complement, influence and support each another, constituting a complex system of local religious culture. Following this pattern, the authors pinpointed for their analysis the three most important places of Marian worship in the region: the Dormition of Mary Monastery of Bachkovo, the Annunciation of Mary Church in Asenovgrad, and the Dormition of Mary Church in Gorni Voden. Besides the contextual information, the authors also focused on a more intimate, individual dimension of Marian worship, exploring the presence of the Virgin in personal narratives about miraculous recoveries, dreams, visions, etc. and delineating the connection between individual experience and cultural background. According to the authors, the local worship of Mary in Asenovgrad region is a brilliant example of the ways in which local religiosity exists and develops in the intersection of universal religion and local traditions, folklore and cultural specificities. On the local level, the general Christian figure of the Virgin acquires characteristic features, associated with her motherly aspect and her quality of a divine patroness and immediate helper in every need. Her intercession is achieved by means of sacred intermediaries that have the power to connect the common devotee with the celestial power: holy places, miracle-working icons, springs and caves. Apart from the well-known Marian feasts, idiosyncratic local holidays are observed, too, and the related ritual actions span from the canonical to the folkloric and ‘magical’. Specific symbols, such as the apple, the water, and the fish, come to the fore as a material representation of Mary's sacred power and assistance. Local and personal narratives add a private, sometimes even intimate aspect to the Marian devotion, binding the universal sacred figure of the Virgin with the history and geography of the local community, as well as with the individual life trajectories of the believers.