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Bibliografie tematiche / MIDI

Letteratura scientifica selezionata sul tema "MIDI"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 28 gennaio 2023

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Articoli di riviste sul tema "MIDI"

1

Swensen, Cole. "midi". Vacarme 25, n. 4 (2003): 88. http://dx.doi.org/10.3917/vaca.025.0088.

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2

Guérin, Michel. "Midi". La pensée de midi N° 1, n. 1 (1 aprile 2000): 183–88. http://dx.doi.org/10.3917/lpm.001.0183.

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3

Cavalcanti, Maria Cláudia Reis, Marcelo Trannin Machado, Alessandro de Almeida Castro Cerqueira, Nelson Sampaio Araujo Júnior e Geraldo Xexéo. "MIDIZ: content based indexing and retrieving MIDI files". Journal of the Brazilian Computer Society 6, n. 2 (1999): 00. http://dx.doi.org/10.1590/s0104-65001999000300002.

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4

Bernardini, Nicola, e Gareth Loy. "Whither MIDI?" Computer Music Journal 11, n. 1 (1987): 9. http://dx.doi.org/10.2307/3680167.

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5

Czeiszperger, Michael, e Stanley Jungleib. "General MIDI". Computer Music Journal 20, n. 3 (1996): 81. http://dx.doi.org/10.2307/3680828.

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6

de Laubier, Serge. "MIDI Formers". Computer Music Journal 21, n. 1 (1997): 39. http://dx.doi.org/10.2307/3681215.

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7

Guillon, Jean-Marie. "Le Midi". Les Cahiers de l'Institut d'Histoire du Temps Présent 27, n. 1 (1994): 103–12. http://dx.doi.org/10.3406/ihtp.1994.2285.

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8

Broecker, Régine, e Robert Lequément. "Midi-Pyrénées". Archéologie du Midi médiéval 3, n. 1 (1985): 159–62. http://dx.doi.org/10.3406/amime.1985.1108.

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9

Barrere, Michel. "Midi-Pyrénées". Archéologie du Midi médiéval 4, n. 1 (1986): 180–84. http://dx.doi.org/10.3406/amime.1986.1514.

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10

Roumain, Jacques. "Midi/Noon". Callaloo 23, n. 4 (2000): 1385. http://dx.doi.org/10.1353/cal.2000.0222.

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Tesi sul tema "MIDI"

1

Lui, Siu-Hang. "MIDI to SP-MIDI and I-melody transcoding using phrase stealing /". View abstract or full-text, 2005. http://library.ust.hk/cgi/db/thesis.pl?COMP%202005%20LUI.

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2

Schuller, Peter. "Calibration of MIDI, the mid-infrared interferometer for the VLTI". [S.l.] : [s.n.], 2002. http://deposit.ddb.de/cgi-bin/dokserv?idn=965507084.

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3

Holmberg, Anthony, e Nils Lundqvist. "WoodWinder : MIDI Controlled Recorder". Thesis, KTH, Skolan för industriell teknik och management (ITM), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-264499.

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Abstract (sommario):

WoodWinder is a machine whose job is to interpret the signal from a Musical Instrument Digital Interface (MIDI) keyboard and make a recorder play accordingly. This was performed by simulating the two human traits needed in order to play the recorder: providing air flow for the mouthpiece and fingers to cover its holes. The air flow was provided by a custom made centrifugal fan and directed through a separation chamber which determined how much air was allowed to travel through the mouthpiece and how much was driven out through an exhaust. The purpose of the separation chamber was to simulate the amplitude of the played tone. The movement of the fingers was enabled by seven servo motors, mounted collaterally to the recorder. All movement was governed by two Arduino Microcontroller Units (MCU), a servo driver and a motor driver. The machine can play any note on demand without hardly any noticeable lag. The two lowest tones D and C were somewhat limited as they produced a distorted sound at high enough velocities. The largest error in accuracy for expected frequencies was around 6Hz.
WoodWinder är en maskin vars jobb är att tolka signalen från ett MIDI keyboard och få en blockflöjt att spela efter. Detta utförs genom att simulera de två mänskliga egenskaperna som krävs just för att spela en blockflöjt: förmedla luftflöde till munstycket och fingrar till att täcka hålen. Luftflödet förmedlades via en specialtillverkad centrifugalfläkt och fördes genom en separationskammare som bestämde hur mycket luft som tilläts flöda in i munstycket kontra ut ur en ventil. Detta för att bäst simulera amplituden på tonen som spelades. Fingrarnas rörelse möjliggjordes av sju servomotorer, monterade längs blockflöjten och all rörelse styrdes av två Arduino-mikrokontroller, en servooch en motordrivare. Maskinen kan spela alla tänkta toner utan någon märkbar fördröjning. De två lägsta tonerna D och C blev något begränsade då de, vid högt luftflöde, producerade ett något förvrängt ljud. Det största uppmätta felet i förhållande till förväntade värden var 6Hz.

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4

MacArthur, Jeffrey Douglas. "Visualization of MIDI encoded music". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape3/PQDD_0024/MQ51403.pdf.

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5

Klčo, Michal. "Electric Guitar to MIDI Conversion". Master's thesis, Vysoké učení technické v Brně. Fakulta informačních technologií, 2018. http://www.nusl.cz/ntk/nusl-385891.

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Automatický přepis hudby a odhad vícero znějících tónu jsou stále výzvou v oblasti dolování informací z hudby. Moderní systémy jsou založeny na různých technikách strojového učení pro dosažení co nejpřesnějšího přepisu hudby. Některé z nich jsou také omezeny na konkrétní hudební nástroj nebo hudební žánr, aby se snížila rozmanitost analyzovaného zvuku. V této práci je navrženo, vyhodnoceno a porovnáváno několik systémů pro konverzi nahrávek elektrické kytary do MIDI souború, založených na různých technikách strojového učení a technikách spektrální analýzy.

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Spilka, Benedikt. "Elektrické housle s MIDI výstupem". Master's thesis, Vysoké učení technické v Brně. Fakulta elektrotechniky a komunikačních technologií, 2018. http://www.nusl.cz/ntk/nusl-377070.

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The main aim of this diploma thesis is to design and to construct a electric violin with MIDI output. This thesis include design and conctruction of violin pickup, violin electronic and software for translation of sound into MIDI messages. design of the instrument´s body is presented at the end of the thesis. Violin electronic include circuits for filtration, amplification, processing and AD/DA conversion of audio siganl. Software for MIDI transfer recognizes notes and translates them to MIDI messages.

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7

McKay, Cory. "Automatic genre classification of MIDI recordings". Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=81503.

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A software system that automatically classifies MIDI files into hierarchically organized taxonomies of musical genres is presented. This extensible software includes an easy to use and flexible GUI. An extensive library of high-level musical features is compiled, including many original features. A novel hybrid classification system is used that makes use of hierarchical, flat and round robin classification. Both k-nearest neighbour and neural network-based classifiers are used, and feature selection and weighting are performed using genetic algorithms. A thorough review of previous research in automatic genre classification is presented, along with an overview of automatic feature selection and classification techniques. Also included is a discussion of the theoretical issues relating to musical genre, including but not limited to what mechanisms humans use to classify music by genre and how realistic genre taxonomies can be constructed.

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Lopes, Luís Carlos Monsanto. "Sintetizador midi com capacidade de processamento". Master's thesis, Faculdade de Ciências e Tecnologia, 2013. http://hdl.handle.net/10362/10715.

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9

Korytář, Matěj. "MIDI kontroler pro řízení DAW software". Master's thesis, Vysoké učení technické v Brně. Fakulta elektrotechniky a komunikačních technologií, 2019. http://www.nusl.cz/ntk/nusl-401989.

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This thesis focuses on problematics of DAW controllers for sound production software. In this thesis is analysed Mackie Control protocol, one of used communication protocols. There is also an overview of MIDI messages, because Mackie Control protocol is based on MIDI protocol. The thesis contains two own DAW controller designs. First one is based on Mackie Control protocol, second one is based on Generic Remote which offers better customization.

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10

Ferret, Jérôme. "Les élites politiques en Midi-Pyrénées". Toulouse 1, 1995. http://www.theses.fr/1995TOU10018.

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La sociologie des élites politiques en Midi-Pyrénées montre la permanence de tropismes notabiliaires dans la définition de l'éligibilité méridionale. Elle révèle aussi l'existence de réseaux départementaux spécifiques dans la sélection et la formation de ces membres. Ces derniers se recrutent essentiellement dans la région. Cependant, on ne peut expliquer ces phénomènes de reproduction interne d'une manière mécaniste en faisant appel soit au paradigme de l'archaïsme soit à celui de la modernité. Les termes de l'équation se sont modifiés avec le temps. En fait, la combinaison de ressources acquises ou héritées procure simplement des prédispositions, des potentialités qui demandent à être actualisées selon les circonstances. Ce travail, tout à fait particulier, n'est pas mécanique et relève plus justement d'un agencement complexe des contraintes rencontrées dans la réalité. Les élites politiques locales interviennent désormais dans des domaines divers. Dans ces derniers, les contraintes potentielles peuvent se transformer en ressources effectives et vice versa. Les conditions d'exercice du métier politique évoluent, constamment, en fonction du rythme du changement et des fractures sociales. L'analyse de l'effectivité du paradigme de l'actualisation sur trois terrains différents montre bien que la position d' "aventurier" du leader politique local est d'autant plus revendiquée que la légitimité traditionnelle, caractérisée par l'origine locale et le capital social hérité, est faible. L'ambition du local augmente d'une manière considérable et désormais, on vend du "local". Parallèlement, ce processus de responsabilisation des élites politiques locales qui va de pair avec l'explosion de leurs ambitions, ne rend pas la tache plus facile pour ces dernières
The sociology of political elites in Midi-Pyrénées shows the permanence of notability tropisms in the definition of the southern eligibility. It also reveals that there are specific departmental networks which intervene in the selection and the training of its members. These members are mainly selected in the region. However, these facts of internal reproduction can not only be explained in a mechanistic way by referring whether to the paradigm of archaism or the paradigm of modernity. As time goes by, datas are changing. In fact, the combination of acquired or inherited resources simply bring predispositions, potentialities that need to be put up to date following circumstances. This quite particular work is not mechanic but it is more precisely a matter for a complex organization of constraints met in reality. Now, local political elites intervene in various fields. Potential constraints may turn into real resources and vice versa. The conditions of political job practice keep changing following the rhythm of change and social issues. The analysis of the functional aspect of the paradigm of actualization in three different areas shows very well that the position of "adventurer" of the local political leader is all the more claimed since the traditional legitimacy, characteristic of the local origin and the social wealth, is weak. The local ambition significantly increase and now one sells some "local". In the same way, this process of responsibilization which goes hand with their still growing ambition does not make easier their task. The ruling network gets more localized, more technical especially for the regional elites. The changes of political spaces both strengthen local leadership but also put the emphasis on territorial disparities in Midi-Pyrénées

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Libri sul tema "MIDI"

1

Déchelette, Elisabeth. Entre midi et midi: Récit. [Paris]: M. de Maule, 1988.

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2

Altidor, Raoul. Koulè midi. Port-au-Prince, Haiti: Mémoire, 1999.

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3

Casabona, Helen. Using MIDI. Cupertino, Calif: GPI Publications, 1987.

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4

Turkel, Eric. MIDI gadgets. London: Amsco Publications, 1988.

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5

Olscamp, Marcel. Midi craqué. Trois-Rivières: Ecrites des Forges, 1987.

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6

Music, Center for Electronic, a cura di. MIDI gadgets. New York, NY: Amsco Publications, 1988.

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7

Understanding MIDI. London: Amsco, 1986.

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8

Midi-Pyrénées. Paris: Hachette, 1997.

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9

General MIDI. Madison, Wis: A-R Editions, 1995.

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10

MIDI power! 2^a ed. Boston, MA: Thomson Course Technology, 2006.

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Capitoli di libri sul tema "MIDI"

1

Stotz, Dieter. "MIDI". In Computergestützte Audio- und Videotechnik, 127–79. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-23253-4_4.

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2

Newmarch, Jan. "MIDI". In Linux Sound Programming, 317–19. Berkeley, CA: Apress, 2017. http://dx.doi.org/10.1007/978-1-4842-2496-0_16.

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3

Stotz, Dieter. "Midi". In Computergestützte Audio- und Videotechnik, 123–80. Berlin, Heidelberg: Springer Berlin Heidelberg, 1995. http://dx.doi.org/10.1007/978-3-642-79691-3_6.

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4

Stotz, Dieter. "MIDI". In Computergestützte Audio- und Videotechnik, 133–87. Berlin, Heidelberg: Springer Berlin Heidelberg, 2019. http://dx.doi.org/10.1007/978-3-662-58873-4_4.

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5

McGuire, Sam. "MIDI Hardware". In Modern MIDI, 41–77. Second edition. | New York, NY : Routledge, 2019. |Includes index.: Routledge, 2019. http://dx.doi.org/10.4324/9781351263849-2.

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6

McGuire, Sam. "Mobile MIDI". In Modern MIDI, 78–111. Second edition. | New York, NY : Routledge, 2019. |Includes index.: Routledge, 2019. http://dx.doi.org/10.4324/9781351263849-3.

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7

McGuire, Sam. "Recording MIDI". In Modern MIDI, 112–46. Second edition. | New York, NY : Routledge, 2019. |Includes index.: Routledge, 2019. http://dx.doi.org/10.4324/9781351263849-4.

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8

McGuire, Sam. "Editing MIDI". In Modern MIDI, 147–87. Second edition. | New York, NY : Routledge, 2019. |Includes index.: Routledge, 2019. http://dx.doi.org/10.4324/9781351263849-5.

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9

McGuire, Sam. "Introduction To MIDI". In Modern MIDI, 1–40. Second edition. | New York, NY : Routledge, 2019. |Includes index.: Routledge, 2019. http://dx.doi.org/10.4324/9781351263849-1.

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McGuire, Sam. "Exploring the Future of MIDI". In Modern MIDI, 326–34. Second edition. | New York, NY : Routledge, 2019. |Includes index.: Routledge, 2019. http://dx.doi.org/10.4324/9781351263849-10.

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Atti di convegni sul tema "MIDI"

1

Klipfel, Kristofer. "MIDI Motion". In TEI '17: Eleventh International Conference on Tangible, Embedded, and Embodied Interaction. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3024969.3035535.

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2

Kotkin, A. L., M. A. Kumakhov, V. B. Musatov e Ya B. Skuratnik. "Midi scalpel". In SPIE Proceedings, a cura di Muradin A. Kumakhov e Richard B. Hoover. SPIE, 2005. http://dx.doi.org/10.1117/12.637991.

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3

Miyazaki, Reiko, Issei Fujishiro e Rumi Hiraga. "Exploring MIDI datasets". In the SIGGRAPH 2003 conference. New York, New York, USA: ACM Press, 2003. http://dx.doi.org/10.1145/965400.965453.

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4

Feldman, Elizabeth. "MIDI music model". In SoutheastCon 2015. IEEE, 2015. http://dx.doi.org/10.1109/secon.2015.7133038.

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5

Vanegas, Roy. "The MIDI pick". In the 7th international conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1279740.1279812.

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6

Leinert, Christoph, e Uwe Graser. "MIDI: a mid-infrared interferometric instrument for the VLTI". In Astronomical Telescopes & Instrumentation, a cura di Robert D. Reasenberg. SPIE, 1998. http://dx.doi.org/10.1117/12.317101.

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7

Nørmark, Kurt. "MIDI programming in scheme". In the 7th European Lisp Workshop. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1890703.1890704.

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8

Suarez Guarnizo, Edgar Andres, e Luis Miguel Ramirez Rios. "Portable percussion MIDI controller". In 2015 20th Symposium on Signal Processing, Images and Computer Vision (STSIVA). IEEE, 2015. http://dx.doi.org/10.1109/stsiva.2015.7330416.

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9

Moriwaki, Katherine. "MIDI scrapyard challenge workshops". In the 7th international conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1279740.1279772.

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10

Dhanalakshmy, Dhanya M., Hema P. Menon e V. Vinaya. "Musical notes to MIDI conversion". In 2017 International Conference on Advances in Computing, Communications and Informatics (ICACCI). IEEE, 2017. http://dx.doi.org/10.1109/icacci.2017.8125940.

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Rapporti di organizzazioni sul tema "MIDI"

1

Lazzaro, J., e J. Wawrzynek. RTP Payload Format for MIDI. RFC Editor, novembre 2006. http://dx.doi.org/10.17487/rfc4695.

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2

Lazzaro, J., e J. Wawrzynek. RTP Payload Format for MIDI. RFC Editor, giugno 2011. http://dx.doi.org/10.17487/rfc6295.

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Lazzaro, J., e J. Wawrzynek. An Implementation Guide for RTP MIDI. RFC Editor, novembre 2006. http://dx.doi.org/10.17487/rfc4696.

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4

Hendricks, Barbara. Clinical Use of the Midi-Mult. Portland State University Library, gennaio 2000. http://dx.doi.org/10.15760/etd.5928.

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5

Frojdh, P., U. Lindgren e M. Westerlund. Media Type Registrations for Downloadable Sounds for Musical Instrument Digital Interface (MIDI). RFC Editor, settembre 2006. http://dx.doi.org/10.17487/rfc4613.

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6

BROWN, DAVID, G. Nobre, M. Chadwick, Y. Danon, T. Kawano, M. Pigni e M. Zerkle. Mini minutes for a mini CSEWG Virtual mini-CSEWG Meeting 16-19 August, 2021. Office of Scientific and Technical Information (OSTI), agosto 2021. http://dx.doi.org/10.2172/1822341.

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7

Stannard, Casey R. Pikeman's Mini-Dress. Ames: Iowa State University, Digital Repository, novembre 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1634.

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8

Brown, David N. The BaBar Mini. Office of Scientific and Technical Information (OSTI), luglio 2003. http://dx.doi.org/10.2172/813343.

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9

Chemerisov, S., e G. F. Vandegrift. Mini-SHINE/MIPS Experiment. Office of Scientific and Technical Information (OSTI), aprile 2014. http://dx.doi.org/10.2172/1132249.

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10

Sanders, III, Sells George A. e Ray. Mini-Rocket User Guide. Fort Belvoir, VA: Defense Technical Information Center, agosto 2007. http://dx.doi.org/10.21236/ada471792.

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