Bibliografie tematiche / Merchants – Fiction

Letteratura scientifica selezionata sul tema "Merchants – Fiction"

Autore: Grafiati

Pubblicato: 27 luglio 2024

Ultima modifica: 29 luglio 2024

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Articoli di riviste sul tema "Merchants – Fiction"

Cowin, Jasmin, Cristo Leon, Sabra Brock e Xavier Oviedo Torres. "AI and the future of marketing education through the lens of the space merchants". Brazilian Journal of Business 6, n. 2 (11 giugno 2024): e70382. http://dx.doi.org/10.34140/bjbv6n2-024.

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Artificial Intelligence (AI) is transforming professional marketing practices as well as marketing education. This paper employs the science fiction novel “The Space Merchants” by Pohl and Kornbluth as a metaphorical framework for critically examining AI integration in marketing curricula. The authors review existing literature examining the impacts of AI on marketing practices and education. Furthermore, they establish a qualitative methodology analyzing a real-world case study, current applications of AI in marketing education, and discuss ethical frameworks surrounding the use of AI. Utilizing “The Space Merchants” satirical portrayal of consumerism, they reflect on AI’s potential to commodify marketing education, homogenize student thought, and undermine educational integrity. Also examined are AI’s capabilities to enhance personalization, engagement, and teaching efficiency. Ultimately, the paper argues for educators’ indispensable role in ethically leveraging AI to enrich the student experience. The unique fictional lens highlights the need to balance advancement and responsibility in AI-enabled marketing education. This comprehensive ethical analysis aims to significantly advance the discourse on AI's evolving function in shaping the next generation of marketing professionals. Furthermore, by adopting a transdisciplinary approach through the integration of science fiction and ethical critique, the paper seeks to catalyze broader transdisciplinary conversations between the technical and social sciences on the impacts of emerging technologies like AI on education.

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Przhigotskiy, Vladislav A. "Siberian Merchants as a Factor in the Formation of the Cultural Landscape of the Region in Nikolay Naumov’s Essays and Stories of the 1870s–1880s". Tekst. Kniga. Knigoizdanie, n. 26 (2021): 5–22. http://dx.doi.org/10.17223/23062061/26/1.

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Siberian merchants as a special social and cultural phenomenon that played a role in the formation of the cultural landscape of the region was reflected in several works of the Russian literature of the 18th and 19th centuries. An important place among them belongs to the stories and essays of the Siberian writer Nikolay Naumov created in the 1870s–1880s and included in the pantheon of populist fiction. These works can be attributed to the texts of “local consciousness”, and they were quite actively studied in the Soviet and post-Soviet times. At the same time, the image of Siberian merchants in Naumov’s works that addresses the problem of regional identity in the context of national identity remained practically unexplored. Important factors in the study of this image in the works of the writer-official Naumov are the interaction of his literary and official activities; the ideology of Siberian regionalism, whose member he was a that time; and the ideology of populism, which also had a strong influence on him. Accordingly, the aim of the article is to analyze the features of the depiction of Siberian merchants in Naumov’s works of the 1870s–1880s as an implication of the archetype, the national type of a merchant in Siberian plots. The analysis carried out in the context of the mutual influence of the various social fields occupied by the writer demonstrates the dominance of the pragmatic possibilities of Naumov’s works over the literary ones. Focused on creating a “reality effect”, all the stories are characterized by essay beginning, abundant use of facts, real events, specific details of everyday life. However, with all his efforts to focus his gaze on the material and its reliability, Naumov certainly and quite clearly communicates his ideological conception to the reader. As a rule, the presented image of the Siberian merchant class is completed and consistent, and therefore rather superficial and schematic, extremely typified. Moreover, the image of the Siberian merchant miroed (lit. “world eater”; exploiter) is part of the collective image of the miroed, which also includes kulaks and officials. The influence of the field of public service can be traced both in the subject matter of the works and in their poetics. In particular, they contain an autobiographical image of the hero-narrator (official), and they are also characterized by clearly defined temporal and spatial boundaries, which strengthens the essay element. Telling the reader about the ethnography and geography of Siberia, the writer (through the hero-narrator) draws attention to its “natural” merits, on the one hand, and persistently voices the idea, which performs a cycle-forming function, that Siberia’s natural well-being and harmony is violated by human intervention often coming to Siberia from outside, on the other. Accordingly, Naumov sees the common role of officials and writers in the development of Siberia as the protection of Siberia from predatory exploitation, which is not typical for the region, and from the destruction of lasting values.

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Boyko, Vladimir P. "THE IMAGE OF RUSSIAN MERCHANTS IN WORKS BY ANTON CHEKHOV: ART FICTION AND REAL CHARACTER". Vestnik Tomskogo gosudarstvennogo universiteta, n. 404 (1 marzo 2016): 42–50. http://dx.doi.org/10.17223/15617793/404/6.

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Hegel, Robert E. "A Plain History of the Chronicles of the Three Kingdoms". East Asian Publishing and Society 9, n. 2 (29 ottobre 2019): 99–124. http://dx.doi.org/10.1163/22106286-12341332.

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Abstract Through six centuries of commercial activity, cultural identification, wartime pillage, and scholarly scrutiny, the Sanguo zhi pinghua 三國志平話 (Plain Tale on The Chronicles of the Three Kingdoms), a work of popular historical fiction, survived to be reprinted for scholarly study around 1930. But this title and others from an original 1320s series continue to exist only because of a shared dedication to the study of books and through the collaboration of generations of Chinese, Japanese, and probably Korean merchants, teachers, editors, scholars, and bibliographers. This essay traces the tortuous path followed by this thin book through time, wars, and personal passions to reveal the generosity of scholars in making this title and its historical significance known today. As with cultural matters at other times and places, this path was regularly overshadowed by political and commercial interests.

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Slofstra, B. "O sjorem magaaije! Fiktyf Joadsk etnolekt yn ‘e Fryske literatuer". Us Wurk 69, n. 1-2 (1 agosto 2020): 38–72. http://dx.doi.org/10.21827/5d4811aa0744f.

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In the past, Westerlauwers Friesland was already inhabited by a multilingual population, including speakers of local Frisian and non-Frisian vernaculars, the Dutch standard language and etnolects of foreign origin like those of German harvesters and Jewish merchants.In the past, Westerlauwers Friesland was already inhabited by a multilingual population, including speakers of local Frisian and non-Frisian vernaculars, the Dutch standard language and etnolects of foreign origin like those of German harvesters and Jewish merchants. Frisian literature reflects this multilingual situation to some extent. The details of it have yet to be studied in a systematic way, however. This case-study exemplifies how Jews were characterized in Frisian literature, especially drama. It turns out that the stereotypical Jewish character is presented as speaking a variety of artificial and real languages. This study sheds some light on the question of how literature relates to reality, prejudice and language. It is argued that Frisian literature and multilingualism interconnect, the former existing in a multilingual reality, the latter being creatively manipulated by literary fiction.

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LEE, KUN JONG. "Towards Interracial Understanding and Identification: Spike Lee's Do the Right Thing and Chang-rae Lee's Native Speaker". Journal of American Studies 44, n. 4 (19 febbraio 2010): 741–57. http://dx.doi.org/10.1017/s0021875810000022.

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African Americans and Korean Americans have addressed Black–Korean encounters and responded to each other predominantly in their favorite genres: in films and rap music for African Americans and in novels and poems for Korean Americans. A case in point is the intertextuality between Spike Lee's Do the Right Thing and Chang-rae Lee's Native Speaker. A comparative study of the two demonstrates that they are seminal texts of African American–Korean American dialogue and discourse for mutual understanding and harmonious relationships between the two races in the USA. This paper reads the African American film and the Korean American fiction as dialogic responses to the well-publicized strife between Korean American merchants and their African American customers in the late 1980s and early 1990s and as windows into a larger question of African American–Korean American relations and racialization in US culture. This study ultimately argues that the dialogue between Spike Lee's film and Chang-rae Lee's novel moves towards a possibility of cross-racial identification and interethnic coalition building.

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Shannon, Brent. "“THE TERRIBLE MÄELSTROM OF DEBT”: CREDIT, CONSUMPTION, AND MASCULINITY IN OXBRIDGE FICTION, 1841–1911". Victorian Literature and Culture 44, n. 2 (10 maggio 2016): 385–407. http://dx.doi.org/10.1017/s1060150315000686.

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In 1907, writer and Oxford graduate Lionel Portmanbegan his novelThe Progress of Hugh Rendal: A 'Varsity Storywith an impassioned attack on the university system of fees and credit. “An unrighteous anomaly it seems that on entering Oxford University the first thing you have to do is to pay money,” Portman protests,Once entered, apparently, you may owe it to the limit of your taste. The shops smile “Credit;” the streets sing of it, the breezes whisper “Put it down”; the whole spirit of the place assumes it as a matter of course; and that so sweet a symphony should begin on so harsh a chord appears an outrage unpardonable. But so in the wisdom of most colleges it is ordained. Thirty pounds, “caution money,” must be paid to the Bursar before he will write your name in his book of the Elect. And till this is paid, be your other debts what they may, you cannot owe to College or University. (1)Upon enrolling in Oxford, the novel's earnest freshman hero Hugh is immediately subjected to a “baptism of debt,” and, by the end of his first year, he agonizes over the £58 in bills he owes to his grocer and other merchants (2, 102). Portman suggests that young undergraduates from families of modest means were ill-equipped to negotiate the consumer temptations that characterized the university experience and often met with painful – even disastrous – financial consequences. “What undergraduate,” the novelist asks his readers, “finding himself for the first time in the sublime position of having unlimited credit if very limited cash gives a thought to that distant but inevitable sunset, when he is informed that ‘The accounts of Mr. ––– have been placed in our hands for collection,’ etc., etc.?” (30).

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Im, Seo Hee. "The Ghost in the Account Book: Conrad, Faulkner, and Gothic Incalculability". Novel 52, n. 2 (1 agosto 2019): 219–39. http://dx.doi.org/10.1215/00295132-7546745.

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Abstract “The Ghost in the Account Book” claims that the imperial fiction of Joseph Conrad and William Faulkner rejects accounting as a totalizing logic and, by extension, questions the English novel's complicity in propagating faith in that false logic. Accounting, which had remained unobtrusively immanent to realist novels of empire such as Mansfield Park and Great Expectations, surfaces to the diegetic level and becomes available for critical scrutiny in high modernist novels such as Heart of Darkness or Absalom, Absalom! Drawing from writings by Max Weber (on guarantees of calculability) and Mary Poovey (on the accuracy effect), this essay attends to the dandy accountant of Heart of Darkness, the accretive narrative structure of Nostromo, and Shreve's recasting of Sutpen's life as a debtor's farce in Absalom, Absalom! If Conrad bluntly equates accounting with lying, Faulkner reveals secrets elided in rows of debit and credit one by one as sensational truths; to those ends, both writers invoke Gothic conventions. By dispatching the totalizing technique that had been invented by early modern merchants and finessed by realist novelists to generate faith in a stable fiduciary community, Conrad and Faulkner impel the invention of newer forms and figures with which to express the new imperial (and later, postcolonial) world order.

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Volf, S. P. "Legal nihilism in resolving family conflicts of nobles and peasants of Russian Empire in the first third of XIX century". Omsk Scientific Bulletin. Series Society. History. Modernity 6, n. 3 (2021): 22–30. http://dx.doi.org/10.25206/2542-0488-2021-6-3-22-30.

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The article highlights the ways of resolving family conflicts nobles and peasants in the first third of the XIX century in the Russian Empire, against the background of the ongoing systematization of legislation. Based on examination of the letters and memoirs of the nobles and peasants we highlighted the methods, which are actually used to solve family conflicts. I conclude that nobles and peasants rarely used help of the state in resolving family conflicts. The sphere of family relations was sacred for these estates; therefore, they did not rope the authorities into family conflicts. I have identified the following ways to resolve family conflicts: duel; marriage, often in the form of a secret wedding; going to the monastery and punishing the unfaithful wife; different approaches to raising children by peasants and nobles. The author of the article pays attention to passivity of the peasants in resolving their family conflicts. The results of the study allow exploring the alternative ways of resolving family conflicts based on representatives of other classes of Russian society in the first third of the 19th century (clergy, merchants, philistines, foreigners) as well, using wider range of sources (journalism, normative acts, fiction, paperwork). This analysis contributes to the discussion about the limits of the government intervention into family affairs. The author of the article redlines that people did not trust the law and resorted to the personally legitimate sources of dealing with family conflicts. This conclusion presents a new perspective in the discussion of legal nihilism and real application of the law in life

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McDowell, Linda, e Gill Court. "Performing Work: Bodily Representations in Merchant Banks". Environment and Planning D: Society and Space 12, n. 6 (dicembre 1994): 727–50. http://dx.doi.org/10.1068/d120727.

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Not only is the workplace a significant site of the social construction of feminine and masculine identities but in an increasing range of service sector occupations, a gendered bodily performance is a significant part of selling a product. In this paper, we draw on Butler's notion of gender identity as a regulatory fiction to investigate the consequences of the specificity of embodiment and gendered performances. Drawing on three case studies in the City of London, we explore the differential fictions constructed by men and women engaged in interactive service work in a professional capacity in merchant banks. We examine the ways in which women are embodied and/or represented as ‘woman’ in the workplace, comparing women's sense of themselves and their everyday workplace experiences with those of men doing the same job. Our aim is to establish whether the necessity of selling oneself as part of the product in such service sector employment challenges the idealisation of male workers as disembodied rational subjects, while not necessarily disrupting the inferior position of embodied women.

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Più fonti

Tesi sul tema "Merchants – Fiction"

Shu-hua, Wang, e 王淑華. "The Study of Tang Dynasty Merchant Fiction——Base on “Tai Pin Guan Chi”". Thesis, 2010. http://ndltd.ncl.edu.tw/handle/15647898350432449297.

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碩士
中國文化大學
中國文學研究所
98
In Tang Dynasty, there were more merchant fictions that appear the life style of merchant, due to the stable society and the blooming economy. The authors were specially focused on the characters of the roles to spread various plot and to develop writing skills. The artistry of Tang Dynasty merchant fictions influences the commercial philology in future age. It is worth to study the mentioned influence. This study divided into six chapters is based on the “Tai Pin Guan Chi” to analysis the artistry and value of Tang Dynasty merchant fictions. The development and maturity of Tang Dynasty merchant fictions reflect the distinguishing feature of the age, and expand the commercial philology in future age. It shows the importance and values of Tang Dynasty merchant fictions.

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Christle, Michele. "Out Here". 2013. https://scholarworks.umass.edu/theses/1029.

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Libri sul tema "Merchants – Fiction"

Pohl, Frederik. The merchants' war. New York: St. Martin's Press, 1986.

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Pohl, Frederik. The merchants' war. London: Gollancz, 1985.

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Stross, Charles. The merchants' war. New York: Tor, 2007.

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Timms, Kathleen. One-eyed merchants. London: Methuen, 1985.

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Pohl, Frederik. The merchants' war. New York: St. Martin's Press, 1986.

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Pohl, Frederik. The merchants' war. London: Futura, 1986.

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Pohl, Frederik. The merchants' war. New York: St. Martin's Press, 1986.

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Timms, Kathleen. One-eyed merchants. London: Methuen, 1986.

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John, Barnes. The merchants of souls. New York: Tor, 2001.

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Guo xue jing dian wen ku bian wei hui. Hu Xueyan zhuan. Chengdu: Sichuan mei shu chu ban she, 2018.

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Capitoli di libri sul tema "Merchants – Fiction"

Cenamor, Rubén. "How Can Fiction Help Raise Ecological Awareness? Ecological Masculinities in The Space Merchants". In Men, Masculinities, and Earth, 433–43. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-54486-7_20.

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Howie, Luke. "Vampires, Lawyers, Merchant Bankers and Other Monsters: Post-9/11 Organisations in Science Fiction". In Witnesses to Terror, 112–32. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137271761_6.

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Knight, Deirdre Sabina. "Capitalist and Enlightenment Values in Chinese Fiction of the 1990s: The Case of Yu Hua’s Blood Merchant". In Contested Modernities in Chinese Literature, 217–37. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403981332_13.

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Çelikkol, Ayşe. "Meandering Merchants and Narrators in Captain Marryat’s Nautical Fiction". In Romances of Free Trade, 43–62. Oxford University Press, 2011. http://dx.doi.org/10.1093/acprof:oso/9780199769001.003.0003.

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Holt, Elizabeth M. "Like a Butterfly Stirring within a Chrysalis". In Fictitious Capital. Fordham University Press, 2017. http://dx.doi.org/10.5422/fordham/9780823276028.003.0002.

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Finance infiltrated fiction, just as fiction enabled readers of the early 1870s Arabic press to apprehend the dangerous and deceptive fictitiousness underwriting a financialized society. With the rise of a credit economy in Beirut, transactions textualized in the form of ledgers, receipts, checks, promissory notes, and mortgages were securing the economy, but the very immateriality of these exchanges introduced a new kind of risk and uncertainty. Fiction loomed within finance and threatened dreams of progress; speculating in Arabic became the province of novelists and financiers alike. Merchants and brokers became stock protagonists of novels by Salīm al-Bustānī and Yūsuf al- Shalfūn. Enabled by the telegraph, a new kind of speed emerged: merchants and traders relied on the press for the latest shipping news and commodity prices; a single year’s silk harvests could make or break fortunes; and imported fashions changed so fast, as one printed anecdote had it, that a wife’s hat could go out of style before her husband even made it home from the shop. Ultimately, a sense of anxiety pervaded a Beirut reading public increasingly worried about the costs of keeping pace with the flows and imbalances of a global order of finance capital.

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Fichter, James R. "Toward Non-importation". In Tea, 87–112. Cornell University Press, 2023. http://dx.doi.org/10.7591/cornell/9781501773211.003.0006.

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This chapter covers the struggles to achieve non-importation of tea. It explains how tea parties were part of an ongoing struggle to control the harbor front and stop tea importation. In November and December 1774, committees began to enforce non-importation and merchants submitted, but tea consumption continued in various regions. Dockside protests against tea imports simultaneously revealed colonial disapproval of Parliament and the Patriots needed to continue stopping tea because colonists still liked it. The chapter cites that the notion of impending boycott encouraged colonists to stock up and Dutch tea was smuggled continuously into the colonies. It also considers the fiction of the legal distance between the committee and the crowd.

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"XI. The Franklin and the Merchant". In Chaucerian Fiction, 195–216. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400867578-013.

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Merchant, Hoshang. "The Oedipus Story as Detective Fiction". In Secret Writings of Hoshang Merchant, 5–9. Oxford University Press, 2016. http://dx.doi.org/10.1093/acprof:oso/9780199465965.003.0001.

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"Merchant Lives in Mughal Agra and British Delhi". In Fiction as History, 55–108. SUNY Press, 2019. http://dx.doi.org/10.1515/9781438476070-003.

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"The Merchant’s Tale, or Another Poor Worm". In Chaucer and the Fictions of Gender, 245–66. University of California Press, 2023. http://dx.doi.org/10.2307/jj.2711555.12.

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