Tesi sul tema "Medieval litterature"
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McCarthy, Terence. "Sir thomas malory dans la tradition anglaise". Paris 4, 1993. http://www.theses.fr/1993PA040085.
Sir thomas malory's le morte darthur has too often been studied as merely the english version of the arthurian legends, a faithful translation adaptation of (for the most part) french originals. Closer study reveals that malory is by no means a translator and that his book, although not a work of literary invention, is an independent reworking of the matter of britain with a structure, a conception and an identity of its own. It is essential that malory be accorded the status of an author in his own right and that his work be studied according to literary standards which the book itself imposes rather than in the light of certain french works which malory was not, after all, trying to reproduce
Carozzi, Claude. "Le voyage de l'ame dans l'au-dela d'apres la litterature latine (veme-xiiieme siecle)". Paris 4, 1989. http://www.theses.fr/1989PA040107.
This study is concerned with the travel fo the soul through the otherworld, taken as a literary genre. It is divided into three parts. The first one is devoted to an analysis of the apocalypse of paul. Written in the ii cent. , revised in the v , it is the only ancient christian text describing the lot of the souls after death. In the second part it is shown how st. Augustine and bede opened the way for the great visions to be written from the vii cent. . Down to the ix cent. The monks compilers mapped out an itinerary and organised the relationships between the living and the dead. All these texts, as read by the venerable bede, are turned into the system of public penance prolonged inthe otherworld; the last stage, purgation, is to take place in the next world. The third part describes the peak and decline of the literary genre. During the x and xi cent. It has a tendency to dissolve itself and become more allusive. In the xii cent. , two orientations becom clear. Some texts show a cosmic and more symbolical trend, while others get back to the older tradition. The former, longer and more famous ones (saint patrick's purgatory, visions of tnugdal or alberic) progressively come up against the scepticism of the theologians. After 1206 (thurkill's vision) the genre passes into the vernacular language and, in a very different appearance, results in the divine comoedia
Aupest-Conduche, Dominique. "PAIENS, IDOLES ET SUPERSTITIONS PAIENNES DANS LA GAULE CHRETIENNE DU IVe AU VIIe SIECLE : les temoignages de la litterature, de l'hagiographie et de la legislation conciliaire". Paris 4, 1986. http://www.theses.fr/1986PA040038.
The iv th century gallo-roman intellectuals are mixing with their grecoroman paganisme a strong liking for gaulish antiquities. The only known cases of armed resistance to christianity are in relation with the defence of indigene sanctuaries. From the beginning of the v th century, cultivated pagans have no more gaulish tendancies: their faith is in the perennity of rome. However, the bulk of the population is turning to local life and, in some cases, to local cults. Pagan francs go to local sanctuaries together with the gallo-romans. These sanctuaries rites are mainly indigene and are better accounted for by island texts. Merovingian kings tolerated pagans and pagan-pratices till the beginning of the vii th century, probably under pressure from the grands and their familiae. By the middle of the century, the last sanctuaries are being destroyed. The many practices remaining, sometimes for centuries, are only superstitions of miscellaneous origins
Adeux, Malo. "Appropriation et légitimation du discours historique : l’exemple de trois traductions vernaculaires du De Excidio Troiae de Darès le Phrygien : la Veraie Estorie de Troies, l’Ystoria Daret galloise, la Trójumanna saga islandaise (XIIIème siècle)". Electronic Thesis or Diss., Brest, 2023. https://theses-scd.univ-brest.fr/2023/These-2023-ALL-Langue_litteratures_francaises_litteratures_francophones-ADEUX_Malo-Tome_1.
Presenting himself as an eyewitness of the Trojan war, Dares Phrygius is the reference historian of the Latin Middle Ages when it comes to the war of Troy. In the 13th century, his work, De Excidio Troiæ, wastranslated in many vernacular languages, amongst them French, Welsh and Norse (i.e. Icelandic). But the story of Dares seldom comes alone: it is often associated with the story of Romans or even of Bretons (i.e. Welsh), as they thought themselves then to be of Trojan ascent. In this study, I analyze the textual strategies at work in order to legitimize the transfer of Dares’s story towards vernacular languages and to appropriate this story by a new, unlatinized, textual community. This work presents itself as a compared study of these three corpuses. After a presentation of the context in which they were written and their manuscripts comes an analysis of the sources and their uses by the translators. After analyzing the compilations, I turn towards internal textual strategies, that is the treatment of the story of Dares, the modifications, the explanation of references, the role of the narrator and how history was conceived therefore in these works. In this study, I endeavor to show that appropriating the Trojan matter, even if the process is never made explicit in the texts, came from a specific interest for the story of Dares and more generally for the history of Troy
Dubost, Francis. "L'autre, l'ailleurs et l'autrefois : aspects fantastiques de la litterature narrative medievale (xiie - xiiie siecles)". Paris 3, 1989. http://www.theses.fr/1990PA030025.
When applied to french medieval narrative literature of the 12th and 13th centuries, the fantastic, as a concept, designates a semantic category rather than a literary genre. In medieval narrative, fantastic episodes are underpropped by resurgent figments of an archaic imaginary (a mythical pre-christian age, l'autrefois) as well as by the traditions of wonders from abroad (l'ailleurs) - whether from brittany or the east - and by the super imposition of historical, moral, and metaphysical patterns of evil on the fantasized image of the alien (l'autre), i. E. The monster or devi- lish creature. Fantastic phenomena occur at the intersection between two modes of thought - symbolical thought on the vertical axis and discursive thought on the horizontal axis - as these coexist and conflict at the time. An examination of the topography of the fantastic (including the forest, the island, the castle, the churchyard) and of its actors (including monstrous animals, semi-humans, giants and agents of the devil) reveals two great categories : the fantastic whic involves facts (the blee- ding spear, diabolic shows, "deablies"), and the fantastic which involves beings (the fatherless child : merlin). The study of the links subsisting between the fantastic and the allegorical narrative reveals to what considerable extent the potential of images outweighs christian
Boutet, Dominique. "Mythes et ideologies de la royaute dans la litterature francaise medievale (1100-1250) : charlemagne et arthur". Paris 3, 1991. http://www.theses.fr/1992PA030023.
This study aims to highlight the conditions which lead to the formation of both literary myths of charlemagne and arthur, to define their nature and to assess the function of the ideologies (augustinism, feodalism, indo-euroepan thought). The ambiguities of the king's estate (royal blood versus divine election) is reflected in the functioning of institutions (justice, war, feodal relationships). Augustinism is the prevaling ideology, in conflict with feodalism. The courtly mutation of the king's figure fruitlessly tries to overcome this contradiction. This crisis can explain the reappearance of indo-european schemes. The epic fiction and the arthurian romance investigate ideal, crises and discrepancies, in relation with the ambiguity of kingship. Hence, from 1180, grows a crisis of the image of kingship, which is by no means an ideological contestation of the king's office. Aesthetical and narrative needs often alter the royal figures. Charlemagne and arthur appear like crystallisations of concerns and research of a society which is questionning itself on its own signification and fate. Therefore, they are quite mythical figures. The present analysis involves about thirty chansons de geste and as many arthurian romances
POPIN, AUDBOURG MARIE. "La fonction de la musique dans la lyrique courtoise : la chanson au temps de charles vi". Paris 8, 1989. http://www.theses.fr/1989PA080580.
This work seeks to determine the importance of the french song at the end of the 14th century and, more specifically, its function in the life of the courts and individuals, its nature and the changes it underwent. While not neglecting any information contained in the 14th century manuscripts, particular emphasis has been placed on two of them, chantilly and turin, separated in time by almost twenty years and very different in conception. One of our aims was to understand how the text and the music operate independently without any pre-conditions as two distinct forms of expression. This examination confirms the fact that the music cannot merge with the words apart from the few rare occasions when language lends itself to this. At another level an attempt has been made to establish the relation between written counterpoint and performance. With the help of a dual approach the composer acheives rationalisation which is subtilitas or exteriorisation in his search for effects
Cheikh-Moussa, Abdallah. "De l'adab. Litterature arabe et societe a l'epoque classique". Paris 3, 1997. http://www.theses.fr/1998PA030029.
Considered as a social and historical discourse, adab literature in the classical period, can enlighten us on some social or cultural practices and phenomena as they were perceived by the khassa, the production and reception milieu of this literature. The works presented here and devoted to the representation of negative figures, such as eunuchs, the mob, ayyarun, madmen, singing-slaves or sophist misers try to define more accurately the "idelogy" of one of the components of arabic-islamic society and culture, by bringing out the supposed common norms of this "social semiotic group", and describing his global vision of the world and the society
Schrevelius, Ally. "Balladspår i modern svensk litteratur : Intertextuella influenser". Thesis, Växjö University, School of Humanities, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-1986.
The purpose of this study is to investigate the distribution of medieval ballads as semiotics of intertextuality in modern Swedish literature, here represented by August Strindberg, Erik Axel Karlfeldt, Kerstin Ekman and Katarina Frostenson. They are famous authors from different epochs, ranging from the period called “the modern breakthrough” in the 1880s until the postmodernism of the present time. My aim is to expose their attraction to medieval balladry, and their different ways of using form, language and style from this old poetry in poems, prose and plays, explicit as well as implicit.
Banniard, Michel. "Viva voce. Communication orale et communication ecrite du ive au ixe siecle en occident latin". Paris 4, 1988. http://www.theses.fr/1988PA040057.
Calle, Calle Francisco Vicente. "Les representations du diable et des etres diaboliques dans la litterature et l'art en france au xiie siecle". Caen, 1997. http://www.theses.fr/1997CAEN1221.
This thesis in intended to study ideas and images related to the devil which existed in the 12th century. The term "representation(s)" has to be understood in a broad sense : this term refers not only to ideas about devil existing in the mentality of men that time, ideas which are reflected especially in some treatises on theology, but to specific descriptions of devil an diabolical beings which appear in the literary works and the iconography of that time. In our title, apart from devil, there is a mention to "diabolical beings". We use this expression in senso lato. According to our opinion "diabolical beings" are some characters as varied as pagans, jews, traitors, giants or some animals related to the diabolical world, as snakes and even monsters. Representations of devil and diabolical beings are studied through "genres" - that is to say in the differents forms of writing because each form of writing has different characteristics according to the "genres" and the audience
Jacquart, Danielle. "Lectures médiévales du Canon d'Avicenne : la médecine parisienne aux XVIe et XVe siècles". Paris 4, 1998. http://www.theses.fr/1998PA040086.
Payne, Marie-Christine. ""Par le femmenin gendre" : étude des personnages féminins dans le Roman de Perceforest". Electronic Thesis or Diss., Paris 3, 2023. http://www.theses.fr/2023PA030075.
This thesis is dedicated to the study of female characters in the Roman de Perceforest. The Perceforest is a romance that pretends to be the genesis of the arthurian lineage where even Alexander the Great is King Arthur’s ancestor. To fulfill this purpose, the author of the Perceforest uses a lot of techniques and narrative patterns but the originality of this text lies above all in the way female characters are presented. To this end, our analysis will focus on elements that constitute the essence of the female character in the Perceforest. Our study will be divided into four parts in which we will draw on theories of character but also on studies about the concept of voice, narrative theory or gender studies. We will see that far from being simple narrative tools dedidacted to the sole purpose of chivalric prowess, female characters in the Perceforest not only ensure the internal cohesion of the story but also allow to read again and reinvigorate other texts and other genres. While keeping the advent of the Arthurian lineage as the main goal, the Perceforest rereads literary genres through gender
ZBIRI, NOUZHA. "La theorie poetique et rhetorique de mose ibn izra a travers son livre "al-muhadara wal mudakara" et ses sources dans la litterature et la critique arabe medievale". Paris 8, 1989. http://www.theses.fr/1990PA080482.
Abu harun mose ben jacob ibn izra is a spanish philosoher, linguist and poet, born at grenada about 1070, died after 1138. He was a pupil of ishaq ibn giyyat. Far more successful was the "kitab al-muhadara wal-mudakara", a treatise on rhetoric and poetry, which was composed on the lines of the adab writings of the arabes and is the only work of its kind in hebrew literature. In our study we have examined ibn ezra and his sources in arabic literary criticism. Our work shows that ibn ezra drew freely on the seminal arabics of the 9th-11th centuries: ibn al mutaz (kitab al-badi, 869), ibn qutayba (kitab al siru wa suara, 22), qudama ibn gafar (kitab naqd al sir, 922), al hatimi (hilyat al-muhadara) and in particular mose's close contemporary ibn rasiq al qayrawani (kitab al umda, 1070)
Weber, Edgard. "Aspects de l'imaginaire arabe". Paris 3, 1989. http://www.theses.fr/1990PA030031.
Aspects of the arabic imaginary is a collection of studies submitted in equivalence of a thesis, which analyse the speech of the law in the notion of resurection in the koran and crusades of yesterday and djihad of to-day, as well as the speech of desire studied in the secret of the thousand and one nights, violence in the secret of speech and the arabic imaginary and erotic tales. A symbolic and psycho-analytical approch explains the specific side of the arabic imaginary. The intercultural approach of these two faces of the same culture : the law and desire, highlights the originality of the arabo-muslim imaginary. In this order, such notions as the person, the body, the subject, space and time appear as fundamental to understand two different cultures. The study of the arabic imaginary invites the reader to become conscious of the mecanisms leading ato a deeper comprehension, to a finer understanding of a foreign civilisation according to criteria void of any ethnocentrism
Hayoun, Maurice-Ruben. "La theologie et la philosophie de moise de narbonne (1300-1362)". Paris 8, 1987. http://www.theses.fr/1988PA080238.
Melldahl, Bernt. "Tracce italiane nella Svezia medievale : Documenti in italiano nel Diplomatario Svedese". Thesis, Stockholms universitet, Romanska och klassiska institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-180553.
Paulin, Lotta. "Den didaktiska fiktionen : Konstruktion av förebilder ur ett barn- och ungdomslitterärt perspektiv 1400–1750". Doctoral thesis, Stockholms universitet, Institutionen för litteraturvetenskap och idéhistoria, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-74273.
Ridoux, Charles. "Evolution des études médiévales en France de 1860 à 1914". Paris 3, 1998. http://www.theses.fr/1998PA030151.
The thesis is arranged in three sections of unequal length. The first section deals with the early stages of the development of the french school of romanic philology, from 1860 to 1872. Section 2 covers the period 1872-1903, from the creation of the romania to the death of gaston paris. Section 3 is devoted to the emergence of a new generation of philologists (1903-1914). Section 2 falls into 2 parts, one devoted to institutions and instruments of research, with a final survey of the expansion of the new school both in france and abroad, the other dealing with the debates within french romanist studies and their contribution to the various genres of medieval literature, with a portrait of the founding fathers and leading figures in the field. Such a wide ranging study, covering both medieval studies and the history of scholarly institutions in france, calls for a large reference section. It is made up of two separate bibliographies organized on a similar pattern. One is an exhaustive list of works, articles and accounts cited in the thesis, the other an additional bibliography listing books and articles likely to provide further insights into the subject (2280 items altogether). A detailed index of names (13 pages) is provided as well at the end of the thesis
Mardini, Nada Jammal. "L'influence de la litterature arabe sur quelques chansons occitanes". Thesis, 1995. http://hdl.handle.net/1911/17053.
"Le gilos, les lauzengiers et la jalousie dans la litterature occitane des douzieme et treizieme siecles". Tulane University, 1991.
acase@tulane.edu
Leney-Granger, Christoff-Johann. "La Diègèsis sur la construction de Sainte-Sophie : analyse et héritage". Thèse, 2019. http://hdl.handle.net/1866/22503.
Tanase, Gabriela. "Jeux de masques, jeux de ruses dans la litterature francaise medievale XIIe--XVe siecles". 2009. http://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=968343&T=F.