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Letteratura scientifica selezionata sul tema "Medieval History and criticism"

Autore: Grafiati

Pubblicato: 4 giugno 2021

Ultima modifica: 28 gennaio 2023

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Articoli di riviste sul tema "Medieval History and criticism"

1

Hornsby, Joseph, e David Aers. "Medieval Literature: Criticism, Ideology and History". South Atlantic Review 53, n. 1 (gennaio 1988): 107. http://dx.doi.org/10.2307/3200408.

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Samson, Anne, e David Aers. "Medieval Literature: Criticism, Ideology and History". Modern Language Review 84, n. 4 (ottobre 1989): 917. http://dx.doi.org/10.2307/3731173.

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Strohm, Paul. "Medieval Literature: Criticism, Ideology and History. David Aers". Speculum 63, n. 2 (aprile 1988): 352–54. http://dx.doi.org/10.2307/2853226.

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4

Emerton, J. A., e Hava Lazarus-Yafeh. "Intertwined Worlds. Medieval Islam and Bible Criticism". Vetus Testamentum 44, n. 1 (gennaio 1994): 129. http://dx.doi.org/10.2307/1519436.

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Schwerhoff, Gerd, Benjamin Seebröker, Alexander Kästner e Wiebke Voigt. "Hard numbers? The long-term decline in violence reassessed. Empirical objections and fresh perspectives". Continuity and Change 36, n. 1 (27 aprile 2021): 1–32. http://dx.doi.org/10.1017/s0268416021000096.

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AbstractOver the last decades social scientists have alleged that violence has decreased in Europe since late medieval times. They consider homicide rates a valid indicator for this claim. Thorough source criticism, however, raises serious doubts about the decline thesis having any substantial empirical foundation. Forms and contents of the sources are immensely heterogeneous and a closer look at the alleged richness of the data uncovers remarkable gaps. Furthermore, medieval and early modern population estimates are highly unreliable. Thus, we argue that historical research on violence should return to focus on specific historical constellations, accept the need for painstaking source criticism and pay careful attention to the contexts of violence.

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Bakri, Nabil. "MAGISTERIUM AS THE ENEMY OF LIBERAL THOUGHTS IN PHILLIP PULLMAN’S NORTHERN LIGHTS". Rubikon : Journal of Transnational American Studies 6, n. 2 (30 settembre 2019): 116. http://dx.doi.org/10.22146/rubikon.v6i2.61493.

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Pullman’s Northern Lights is considered by many as a representation of negative criticism toward religion, especially Christianity, for its depictions of the Magisterium. Many researches aim to unravel Pullman’s criticism and prove whether or not the novel is about ‘killing God’, resulting in the general perception that Northern Lights is a condemnation of religion. By comparing the novel to the history of Medieval Church and the power of Magisterium to the Bible, this analysis means to prove whether or not the criticism is addressed to religion and to figure out who really ‘kills God’ that becomes the essential point of Pullman’s criticism in the novel. Using Marxism and its relation to power abuse, this analysis attempts to relate Pullman’s Magisterium to the real Magisterium and how the institution gains its power from God as mentioned in the holy Bible. Magisterium in Northern Lights does not represent God’s will. It serves instead as a critic of who kills God and therefore, it is not a form of literature to condemn religion.Keywords: magisterium; medieval church; scripture; fantasy; power abuse

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Jinhan Lee. "Minse’s Understanding on the Korean Medieval History and Criticism of the Historical Materialism". SA-CHONG(sa) ll, n. 70 (marzo 2010): 59–84. http://dx.doi.org/10.16957/sa..70.201003.59.

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Driedger, Michael, e Johannes C. Wolfart. "Reframing the History of New Religious Movements". Nova Religio 21, n. 4 (1 maggio 2018): 5–12. http://dx.doi.org/10.1525/nr.2018.21.4.5.

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In this special issue of Nova Religio four historians of medieval and early modern Christianities offer perspectives on basic conceptual frameworks widely employed in new religions studies, including modernization and secularization, radicalism/violent radicalization, and diversity/diversification. Together with a response essay by J. Gordon Melton, these articles suggest strong possibilities for renewed and ongoing conversation between scholars of “old” and “new” religions. Unlike some early discussions, ours is not aimed simply at questioning the distinction between old and new religions itself. Rather, we think such conversation between scholarly fields holds the prospect of productive scholarly surprise and perspectival shifts, especially via the disciplinary practice of historiographical criticism.

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Chiesa, Paolo. "La Filologia mediolatina: una disciplina di frontiera". AION (filol.) Annali dell’Università degli Studi di Napoli “L’Orientale” 42, n. 1 (14 ottobre 2020): 109–27. http://dx.doi.org/10.1163/17246172-40010033.

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Abstract This article sketches a short history of Latin literature of the Middle Ages (as academic discipline) in Italy; defines its possible boundaries and relationships with other disciplines; lists the peculiarities of textual criticism when applied in the specific field of Latin medieval texts; highlights the methodological contribution brought by the scholars of this discipline, in order to build a ‘global philology’.

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Bland, Kalman. "Welcoming Images: Medievally". IMAGES 1, n. 1 (2007): 1–2. http://dx.doi.org/10.1163/187180007782347575.

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AbstractInformed by theoretical considerations distinguishing "visual culture" from "art history" as articulated by W. J. T. Mitchell, this essay compares the editorial programs of two neonatal, overlapping, yet distinct journals: Ars Judaica and Images. The essay concludes by considering passages from two medieval Jewish authorities, Joseph Albo and Judah Alharizi, that suggest new horizons in criticism made possible by Images. Among these horizons are "investigations of the negative and repellent."

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Tesi sul tema "Medieval History and criticism"

1

Byrne, Aisling Nora. "The otherworlds of medieval insular literature". Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610076.

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Meir, Amira. "Medieval Jewish interpretation of pentateuchal poetry". Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28842.

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This dissertation studies parts of six medieval Jewish Torah commentaries in order to examine how they related to what we call Pentateuchal poetry. It examines their general approaches to Bible interpretation and their treatments of all Pentateuchal poems. It focusses on qualities we associate with poetry--parallelism, structure, metaphor, and syntax--and explores the extent to which they treated poems differently from prose.
The effort begins by defining Pentateuchal poetry and discussing a range of its presentations by various ancient writers. Subsequent chapters examine its treatment by Rabbi Saadia Gaon of Baghdad (882-942), Abraham Ibn Ezra of Spain (1089-1164), Samuel Ben Meir (1080-1160) and Joseph Bekhor Shor (12th century) of Northern France, David Kimhi of Provence (1160-1235), and Obadiah Sforno of Italy (1470-1550).
While all of these commentators wrote on the poetic passages, none differentiated systematically between Pentateuchal prose and poetry or treated them in substantially different ways. Samuel Ben Meir, Ibn Ezra, Bekhor Shor, and Kimhi did discuss some poetic features of these texts. The other two men were far less inclined to do so, but occasionally recognized some differences between prose and poetry and some phenomena unique to the latter.

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Turner, Kerry Lynn. "Pagan Nostalgia and Anti-Clerical Hostility in Medieval Irish Literature". Youngstown State University / OhioLINK, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1008344167.

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Neidorf, Leonard. "The Origins of Beowulf: Studies in Textual Criticism and Literary History". Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11366.

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Beowulf is preserved in a single manuscript written out around the year 1000, but there are many reasons to believe that the poem was composed several centuries before this particular act of manual reproduction. Most significantly, the meter of Beowulf reveals that the poet regularly observed distinctions of etymological length that became phonologically indistinct before 725 in Mercia. This dissertation gauges the explanatory power of the hypothesis that Beowulf was composed about three centuries before the production of the extant manuscript. The following studies test the hypothesis of archaic composition by determining whether it is able to accommodate independent forms of evidence drawn from the fields of linguistics, textual criticism, and literary history.

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Grange, Huw Robert. "Sublime and abject bodies : saints and monsters in late medieval French and Occitan hagiography". Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.607654.

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Gornall, Alastair Malcolm. "Buddhism and grammar : the scholarly cultivation of Pāli in Medieval Laṅkā". Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608160.

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Thomson, David (David Ker). "The language of loss : reading medieval mystical literature". Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59912.

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One of the unfortunate corollaries of poststructuralist theorizing about literary texts has been the equation of a skepticism concerning language with a skepticism concerning meaning. The menace of unrestrained relativism has tended to polarize the critical community into proponents of a 'logo-diffuse' onto-epistemology and proponents of a 'logo-centric' one, and critical practice has followed this lead. The critic who attempts to situate literature within the parameters of such a debate is likely to fail unless he or she appeals to a much more extensive discourse, one which antedates the provincial contours of the current discussion. Medieval mysticism is a significant entry in the lineage of influence which comprises the western tradition. This thesis looks at the apophatic or negative strategies of mystical texts in order to locate meaning in the interplay of negation and affirmation with which they are concerned.

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Brooks, Kathryn L. "Anticlerical Sentiment in Castilian and Galician-Portuguese Medieval Literature". PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5084.

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Clerical sexual incontinence was a prevalent satirical theme during the Middle Ages manifested by anticlerical sentiment towards reprobate clergymen and the laws that they disobeyed. This satirical genre of literature targeted not only the cleric of a small town, but bishops and cardinals who were also abusers of canon law. The anticlerical theme originated in Western Europe in the time of Constantine when early Christianity was competing with many religions for dominance. In the fourth century, Constantine, through the Edict of Milan, granted religious tolerance to all, thus allowing Christianity to become a major religion. Clerical celibacy originated from the writings of early church fathers such as Augustine of Hippo, Origen, and Tertullian, who determined that celibacy provided greater spiritual access to God. Early patristic church fathers supported the ideal of sexual celibacy for Christians in order to spiritually overcome the other religions. In the fourth century A.D., the church demanded that the clerics remain celibate even though they were married. By the twelfth century, canonical laws demanded that clerics not marry and remain celibate. These laws initiated an extreme sexual repression of clerics who began to sexually seek women, refusing them absolution for their sins if they refused the clerics' sexual advances. The purpose of this thesis is to establish that the corrupt clerics victimized the laity, who, although fearing for their salvation, produced satirical poetry expressing their anticlerical sentiment. This thesis also will present literature that discusses the pros and cons of clerical concubinage. There are three different forms of articulation in this thesis. The first is didactic and teaches the reader by demonstrating literature that encouraged clerical celibacy. The second illustration is satirical poems with the seven deadly sins as a recurrent theme. These poems are divided into two groups: the first is the poems written by the nobility, and the second is the popular anonymous poems, sung to music for peasant entertainment. The third articulation is the proponents of clerical concubinage. This poetry reflects the human side of companionship and need during a tumultuous time when people banded together in order to survive.

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Charlier, Marie-Madeleine. "La lettre de rémission : un problème d'intertextualité". Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63304.

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Djordjevic, Ivana. "Mapping medieval translation : methodological problems and a case study". Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82856.

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The extent to which translation moulded Middle English romance as an emerging genre remains largely unexamined. In this dissertation I identify the principal methodological difficulties that have prevented scholars from giving due attention to this problem, and offer a case study in which I look at how translational procedures shaped the romance of Sir Beves of Hampton, a translation of the Anglo-Norman Boeve de Haumtone .
Having outlined the practical difficulties posed by the intricate textual tradition of Boeve and Beves, the multilingualism of medieval England, and the scarcity of concrete evidence regarding the audience for Middle English romance, I focus on methodological issues: the inability of equivalence-based definitions of translation to accommodate medieval translation practice, the futility of attempts to demarcate translation from adaptation, and the difficulty of integrating different textual levels in the study of translations.
In the first two analytical chapters of the dissertation I concentrate on those aspects of Beves that can best highlight the importance of translation processes in the constitution of the genre. I begin by examining the way in which the translator dealt with the most important translational constraints, some of which, like language, were beyond his control, while others, such as versification, were partly self-imposed. I then proceed to study the workings of the so-called laws of translation (explicitation, simplification, and repertorization) in the process whereby Boeve became Beves. The analyses carried out in these two chapters allow me to contest the received opinion according to which the author of Beves treated his original very freely. I show that, on the contrary, the distinctive features of the Middle English text result from a constant productive tension between source and target.
My study ends with an analysis of what happens when the translator's impulse to be faithful to his source is frustrated by the inaccessibility of the socio-historical context of the original. I examine the most closely translated sections of the poem to show how unrecognized topical references are flattened into literary cliches, which bring into the text their own generic connotations and disassemble some of the carefully constructed thematic parallels and analogies of the Anglo-Norman romance.

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Libri sul tema "Medieval History and criticism"

1

Company, Gale Research. Classical and medieval literature criticism. Detroit, Mich: Gale Research Co., 1988.

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Medieval romance, medieval contexts. Cambridge: D.S. Brewer, 2011.

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B, Hardison O., a cura di. Medieval literary criticism: Translations and interpretations. New York: F. Ungar Pub. Co., 1987.

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Krstovic, Jelena O. Classical and medieval literature criticism. Detroit, Mich: Gale, 2010.

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Classical and medieval literature criticism. Detroit, Mich: Gale, 2010.

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Krstovic, Jelena O. Classical and medieval literature criticism. Detroit, Mich: Gale, 2010.

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Krstovic, Jelena O. Classical and medieval literature criticism. Detroit, Mich: Gale, 2010.

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Krstovic, Jelena O. Classical and medieval literature criticism. Detroit, Mich: Gale, 2010.

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Krstovic, Jelena O. Classical and medieval literature criticism. Detroit, Mich: Gale, 2010.

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Krstovic, Jelena O. Classical and medieval literature criticism. Detroit, Mich: Gale, 2010.

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Capitoli di libri sul tema "Medieval History and criticism"

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Millgate, Jane. "Biography, History, Criticism". In Macaulay, 98–115. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003335412-6.

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Capecchi, Danilo. "Poinsot’s criticism". In History of Virtual Work Laws, 335–51. Milano: Springer Milan, 2012. http://dx.doi.org/10.1007/978-88-470-2056-6_14.

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Bowring, Jacky. "History of landscape architectural criticism". In Landscape Architecture Criticism, 9–18. Milton Park, Abingdon, Oxon ; New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429450983-2.

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Rajan, B. "6. Scholarship and Criticism". In Literary History of Canada, a cura di William New, Carl Berger, Alan Cairns, Francess Halpenny, Henry Kreisel, Douglas Lochhead, Philip Stratford e Clara Thomas, 133–58. Toronto: University of Toronto Press, 1990. http://dx.doi.org/10.3138/9781487589547-008.

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de Roo, Jos. "Antillean Literary Criticism". In Comparative History of Literatures in European Languages, 645–50. Amsterdam: John Benjamins Publishing Company, 2001. http://dx.doi.org/10.1075/chlel.xv.62roo.

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Gayk, Shannon. "Lollard Writings, Literary Criticism, and the Meaningfulness of Form". In Medieval Church Studies, 135–52. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.mcs-eb.4.3009.

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Rowland, Susan. "Jung for history and historicity in literary studies". In Jungian Literary Criticism, 115–53. 1 Edition. | New York : Routledge, 2019. | Series: Jung: The essential guides: Routledge, 2018. http://dx.doi.org/10.4324/9781315561752-6.

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Sauerberg, Lars Ole. "Literary History, Criticism and Canon". In Versions of the Past — Visions of the Future, 165–85. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-25030-1_7.

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Plaice, Andy. "A history of arts criticism". In Arts Reviewing, 22–36. New York : Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315560830-3.

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Wimsatt, William K., e Cleanth Brooks. "Further Medieval Themes". In Literary Criticism: A Short History, 139–54. Routledge, 2021. http://dx.doi.org/10.4324/9781003140931-2.

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Atti di convegni sul tema "Medieval History and criticism"

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Kenyhercz, Róbert. "Interpretation of data and sources in etymological research". In International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/39.

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The aim of the paper is to emphasize the importance of source criticism in etymological research. It is widely known that the main sources for the early history of toponyms in the Carpathian Basin are the charters created in the medieval Hungarian Kingdom, because these official documents contained a large number of vernacular proper names embedded in the Latin text. However, it is important to mention that the medieval charters were produced by the chancery and places of authentication along specific principles and needs. I argue that this circumstance must always be considered during the interpretation of the data. I will show some examples illustrating that – in certain cases – we have to take into account the nature of the sources in the reconstruction of the genesis of place names. My goal is to offer a brief outline of this issue through my own investigations.

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Zou, Jie, e Shunhui Wang. "History of Feminist Criticism in Japan". In Proceedings of the 4th International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iccessh-19.2019.245.

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Anosova, Tatyana V. "Institutionalization of public opinion in European medieval and modern society". In Communication and Cultural Studies: History and Modernity. Novosibirsk State University, 2021. http://dx.doi.org/10.25205/978-5-4437-1258-1-24-27.

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Alemany, Agustí. "A Prosopographical Approach to Medieval Eurasian Nomads (II)". In 7thInternational Conference on the Medieval History of the Eurasian Steppe. Szeged: University of Szeged, 2020. http://dx.doi.org/10.14232/sua.2019.53.11-35.

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Chernenko, Ya V. "Overview of the Study of History of the Medieval University". In Proceedings of the Internation Conference on "Humanities and Social Sciences: Novations, Problems, Prospects" (HSSNPP 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/hssnpp-19.2019.5.

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Fredrich, Augustine J. "Restoration and Preservation of Medieval Churches: Responding to Natural Disasters". In Third National Congress on Civil Engineering History and Heritage. Reston, VA: American Society of Civil Engineers, 2001. http://dx.doi.org/10.1061/40594(265)30.

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Kradin, Nikolay N. "Some Aspects of Xiongnu History in Archaeological Perspective". In 7thInternational Conference on the Medieval History of the Eurasian Steppe. Szeged: University of Szeged, 2020. http://dx.doi.org/10.14232/sua.2019.53.149-165.

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Volkova, Olga. "From Craft to Institution: Institutional Analysis and the Medieval Accounting History". In 5th International Conference on Accounting, Auditing, and Taxation (ICAAT 2016). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icaat-16.2016.48.

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"Micro-history and Lebenswelten as approaches to late medieval Dalmatian history: a case study of Korčula". In Visions of Community. Vienna: Austrian Academy of Sciences Press, 2018. http://dx.doi.org/10.1553/0x003901af.

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Denisov, Andrei. "Scythia as the Image of a Nomadic Land on Medieval Maps". In 7thInternational Conference on the Medieval History of the Eurasian Steppe. Szeged: University of Szeged, 2020. http://dx.doi.org/10.14232/sua.2019.53.73-83.

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Rapporti di organizzazioni sul tema "Medieval History and criticism"

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Español, Darío. New perspectives for the Dissemination of medieval History: Re-enactment in southern Europe, a view from the perspective of Didactics. Edicions de la Universitat de Lleida, 2019. http://dx.doi.org/10.21001/itma.2019.13.15.

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Halych, Valentyna. SERHII YEFREMOV’S COOPERATION WITH THE WESTERN UKRAINIAN PRESS: MEMORIAL RECEPTION. Ivan Franko National University of Lviv, febbraio 2021. http://dx.doi.org/10.30970/vjo.2021.49.11055.

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The subject of the study is the cooperation of S. Efremov with Western Ukrainian periodicals as a page in the history of Ukrainian journalism which covers the relationship of journalists and scientists of Eastern and Western Ukraine at the turn of the XIX-XX centuries. Research methods (biographical, historical, comparative, axiological, statistical, discursive) develop the comprehensive disclosure of the article. As a result of scientific research, the origins of Ukrainocentrism in the personality of S. Efremov were clarified; his person as a public figure, journalist, publisher, literary critic is multifaceted; taking into account the specifics of the memoir genre and with the involvement of the historical context, the turning points in the destiny of the author of memoirs are interpreted, revealing cooperation with Western Ukrainian magazines and newspapers. The publications ‘Zoria’, ‘Narod’, ‘Pravda’, ‘Bukovyna’, ‘Dzvinok’, are secretly got into sub-Russian Ukraine, became for S. Efremov a spiritual basis in understanding the specifics of the national (Ukrainian) mass media, ideas of education in culture of Ukraine at the end of XIX century, its territorial integrity, and state independence. Memoirs of S. Efremov on cooperation with the iconic Galician journals ‘Notes of the Scientific Society after the name Shevchenko’ and ‘Literary-Scientific Bulletin’, testify to an important stage in the formation of the author’s worldview, the expansion of the genre boundaries of his journalism, active development as a literary critic. S. Yefremov collaborated most fruitfully and for a long time with the Literary-Scientific Bulletin, and he was impressed by the democratic position of this publication. The author’s comments reveal a long-running controversy over the publication of a review of the new edition of Kobzar and thematically related discussions around his other literary criticism, in which the talent of the demanding critic was forged. S. Efremov steadfastly defended the main principles of literary criticism: objectivity and freedom of author’s thought. The names of the allies of the Ukrainian idea L. Skochkovskyi, O. Lototskyi, O. Konyskyi, P. Zhytskyi, M. Hrushevskyi in S. Efremov’s memoirs unfold in multifaceted portrait descriptions and function as historical and cultural facts that document the pages of the author’s biography, record his activities in space and time. The results of the study give grounds to characterize S. Efremov as the first professional Ukrainian-speaking journalist.

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Carty, Anthony, e Jing Gu. Theory and Practice in China’s Approaches to Multilateralism and Critical Reflections on the Western ‘Rules-Based International Order’. Institute of Development Studies (IDS), ottobre 2021. http://dx.doi.org/10.19088/ids.2021.057.

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Abstract (sommario):

China is the subject of Western criticism for its supposed disregard of the rules-based international order. Such a charge implies that China is unilateralist. The aim in this study is to explain how China does in fact have a multilateral approach to international relations. China’s core idea of a community of shared future of humanity shows that it is aware of the need for a universal foundation for world order. The Research Report focuses on explaining the Chinese approach to multilateralism from its own internal perspective, with Chinese philosophy and history shaping its view of the nature of rules, rights, law, and of institutions which should shape relationships. A number of case studies show how the Chinese perspectives are implemented, such as with regards to development finance, infrastructure projects (especially the Belt and Road Initiative), shaping new international organisations (such as the Asian Infrastructure Investment Bank), climate change, cyber-regulation and Chinese participation in the United Nations in the field of human rights and peacekeeping. Looking at critical Western opinion of this activity, we find speculation around Chinese motives. This is why a major emphasis is placed on a hermeneutic approach to China which explains how it sees its intentions. The heart of the Research Report is an exploration of the underlying Chinese philosophy of rulemaking, undertaken in a comparative perspective to show how far it resembles or differs from the Western philosophy of rulemaking.

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