Tesi sul tema "Marquês de Sad"
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Vieira, Marcela. "A obra de Marquês de Sade no Brasil do século xxi – aspectos culturais e linguísticos da tradução em português de Justine ou os tormentos da virtude". Electronic Thesis or Diss., Paris 8, 2022. http://www.theses.fr/2022PA080090.
This doctoral thesis aims to investigate questions present in the translation from French to Brazilian Portuguese of the novel Justine ou les malheurs de la vertu, by the Marquis de Sade. The thesis is organized in three parts: the first, entitled "Contextual Elements for a Libertarian Philosophy", is dedicated to an analysis of literary, philosophical, and social phenomena in 18th century France. The second, "Translation and conflict" seeks to stimulate a reading that addresses the discursive content of Sadean characters and, in parallel, confronts them with linguistic aspects that were prominent during translation. In the third part, "The translator as an actor of his time", the emphasis shifts to cultural aspects in Brazil at the beginning of the 21st century. The thesis attempts to establish an analysis of the contemporary Brazilian context regarding the reception of works of art in the contemporary period. The thesis presents a hybrid theoretical approach, since its analysis draws on semiotic, linguistic, philosophical, social, and comparative literature references. From the internal subdivisions of each part of this research, to the comparative dynamics between the first and the third part, the thesis is motivated by questions related to the reception, via translation, of Sade's work in contemporary Brazil, considering linguistic equivalences and concepts of morality both in the contemporary sense and of the period
Mattos, Elizângela Inocêncio. "O Contra-iluminismo do Marquês de Sade". Universidade Federal de São Carlos, 2017. https://repositorio.ufscar.br/handle/ufscar/9331.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
This work aims to analyze the theoretical bases by which the Marquis de Sade built his philosophy, namely precisely the influence of La Mettrie and Holbach, which includes a study of nature and the mechanical question in the composition of beings, incurring to a fundamental determinism in the materialist current of the eighteenth century. It is important to understand how he took the thesis of mankind as a machine and the idea of a creative-destructive nature which allowed him to have a declared immoralism, based not only on nature, but also on militant atheism. The consequences of this path, incurs on the thesis of the counter-enlightenment of the Marquis de Sade who, man of his time, built a work based on combat, on denunciation, on the dominant discourse that characterizes the difference between strong and weak. The happiness demand is achieved by the total flow of passions, exploring all the dimensions of the corporal machine that can be happy, under the libertine optics, in the practice of crime. The way how Sade anticipates on treating evil as a component of nature, source of pleasure, also results in the intolerance of the libertine towards the victim.
O objetivo deste trabalho é analisar as bases teóricas pelas quais o Marquês de Sade edificou sua filosofia, a saber, precisamente, a influência de La Mettrie e Holbach, o que compreende um estudo da natureza e a questão mecânica na composição dos seres, incorrendo a um determinismo fundamental na corrente materialista do século XVIII. Importa compreender de que maneira tomou a tese do homem como máquina e a ideia de uma natureza criadora-destruidora, que lhe permitiu um imoralismo declarado, pautado não somente na natureza mas em um ateísmo militante. As consequências desse percurso incorrem na tese do contra-iluminismo do Marquês de Sade que, homem de seu tempo, edificou uma obra pautada no combate, na denúncia, no discurso dominante que caracteriza a diferença entre fortes e fracos. A exigência de felicidade tem a realização do pleno curso das paixões, explorando todas as dimensões da máquina corporal que pode ser feliz, sob a ótica libertina, na prática do crime. O modo como Sade se antecipa em tratar do mal sendo um componente da natureza, fonte de prazer, resulta também na intolerância do libertino em relação à vítima.
CAPES: BEX 3857/15-8
Batista, Ana Carolina Rosa. "Filosofia da natureza em os 120 dias de Sodoma: uma leitura da estética da destruição em Marquês de Sade". Universidade Federal de Goiás, 2018. http://repositorio.bc.ufg.br/tede/handle/tede/8987.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
Donatien-Alphonse François, the Marquis of Sade is one of the great names of the French libertine literature of the eighteenth century. He was a compulsive writer, being his bibliography characterized between diverse literary genres like novels, short stories, tales, and even theatrical plays. His texts were symptomatic, reflecting the problems and criticisms of his time. Sade criticized the absolutist political model in crisis of the French of the eighteenth century. The interference of religious morality and the Catholic Institution in this period, as well as criticism of a declining aristocracy. All this backed up by a philosophical thought, its philosophy of the nature, of materialistic influence. Sade links philosophical discourses with sexual practices in his texts, where everything is allowed and the imagination knows no bounds. And here, it Will be to the good marquis, this unique spirit, whether in his time or in the history of western thought, that we will look for in the present reflection, taking his work as object – about everything: the novel The 120 Days of Sodom – in order to understand how this author makes use of a destructive aesthetics, protected in the philosophy of nature, to propose a dechristianized social practice. To achieve this objective, contextual discussion of the eighteenth- century France Will be necessary, from Christian religious morality to materialistic philosophy. We Will also talk about the life and work of the marquis, as well as a study of the concept of literature, characterization of the novel, and the language of the grotesque, which is so used by Sade. Finally, we shall come to the analysis of the concept of aesthetics, and to think how Sade Will make of this aesthetic a destructive system, proposing a new social practice, exempt from a religious morality.
Donatien-Alphonse François, o Marquês de Sade é um dos grandes nomes da literatura libertina do século XVIII francês. Foi um escritor compulsivo, sendo sua bibliografia caracterizada entre diversos gêneros literários como romances, contos, novelas, e até mesmo peças teatrais. Seus textos foram sintomáticos, refletindo os problemas e as críticas de seu tempo. Sade criticou o modelo político absolutista em crise do século XVIII francês. A interferência da moral religiosa e da Instituição Católica nesse período, além da crítica a uma aristocracia decadente. Tudo isso respaldado por um pensamento filosófico, sua filosofia da natureza, de influência materialista. Os textos de Sade intercalam discursos filosóficos com práticas sexuais, onde tudo é permitido e a imaginação desconhece limites. E será justamente ao bom marquês, este espírito ímpar, seja em seu próprio tempo, seja na história do pensamento, que pretendemos aqui revisitar e tomar por objeto – tendo por enfoque principal o romance Os 120 dias de Sodoma – para assim, compreendermos como este autor faz uso de uma estética destrutiva, resguardada na filosofia da natureza, para propor uma prática social descristianizada. Para alcançarmos tal objetivo discussões contextuais da França do século XVIII serão necessárias, desde a moral religiosa cristã, até a filosofia materialista. Falaremos também da vida e obra do marquês, além de um estudo do conceito de literatura, caracterização do romance, e a linguagem do grotesco, sendo esta tão utilizada por Sade. Para for fim, chegarmos à análise do conceito de estética, e pensarmos como Sade fará dessa estética um sistema destrutivo, propondo uma nova prática social, isenta de uma moral religiosa.
Page, Rosalyn Geraldine Media & Communications UNSW. "The Marquis de Sade and the Cinema of Transcendence". Awarded by:University of New South Wales. Media and Communications, 2002. http://handle.unsw.edu.au/1959.4/18656.
Page, Rosalyn. "The Marquis de Sade and the cinema of transcendence". Connect to this title online, 2002. http://www.library.unsw.edu.au/~thesis/adt-NUN/public/adt-NUN20021210.152101/index.html.
Mattos, Elizangela Inocencio. "Imaginação e interdito na obra do Marques de Sade". [s.n.], 2003. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281599.
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: O presente trabalho tem por objetivo, situar a obra de Sade na história das idéias, explorando as aproximações de seu pensamento com os principais fIlósofos do iluminismo. Em seguida, propõe uma análise do, caráter emancipador do ateísmo na obra. Para depois, analisar a imaginação em seu contexto, como principal instrumento para a verdadeira liberdade do homem. De posse destes elementos, propomos uma análise da critica de Sade à idéia de pacto social, tomando como exemplo, a idéia de pacto descrita por Rousseau em seu Contrato Social
Abstract: The present work has for objective to point out the workmanship of the Marquis of Sade in the history of the ideas, being explored the approaches of its workmanship with the main philosophers of the Iluminism. After that, it considers an analysis of emancipador carater of the ateísm in the workmanship. It stops later, to analyze the imagination in its context, as main instrument for the true freedom of the mano Of ownership of these elements, we consider an analysis of criticizes of Sade the idea of social pact, taking as example, the described ide_ of pact for Rousseau in its Social Contract
Mestrado
Filosofia
Mestre em Filosofia
Avoni, Koblan. "Le Marquis de Sade et la philosophie des Lumières". Besançon, 1986. http://www.theses.fr/1986BESA1010.
DERSON, DIDIER HENNEQUIN JACQUES. "La théâtralisation dans les romans du Marquis de sade". [S.l.] : [s.n.], 1998. ftp://ftp.scd.univ-metz.fr/pub/Theses/1998/Derson.Dider.LMZ9809_1.pdf.
Castro, Clara Carnicero de. "Os libertinos de Juliette e a libertina de Sade". Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-12112012-101549/.
This research intends to analyze the protagonists from the novel Histoire de Juliette, ou Les prospérités du vice (1801) by the Marquis de Sade. Our goal is to evidence the development of the philosophical statements of the characters, within the libidinous scenes where they take place, relating the theory and practice of each hero with his/her personality. This approach assumes an interplay between the libertine\'s arguments and their construction in the fictional narrative. Each person presents a unique set of ideas, determined by his/her moral and physical traits, in addition to all the other aspects found in the philosophical novel gender. We, therefore, do not present a specific interpretation for the thinking of Sade, rather, we stress the opposition and convergence of ideas in his work, underlining the debate among the characters to point out the diversity of discourse amidst the libertines.
Souza, Ruth Maria Pina e. "Sade : o poder do gozo". [s.n.], 1993. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279555.
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: Não informado
Abstract: Not informed.
Mestrado
Mestre em Filosofia
Roche, Geoffrey T. "An unblinking gaze: on the philosophy of the Marquis de Sade". Thesis, University of Auckland, 2004. http://hdl.handle.net/2292/5305.
Whole document restricted, but available by request, use the feedback form to request access.
Joaquim, Ana Cristina. "Sade = o filósofo e o imaginário". [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278870.
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: A problemática discursiva na qual se insere a obra de Donatien Alphonse François de Sade (Marquês de Sade: 1740-1814) é considerada mediante os aspectos filosóficos e literários dos quais se compõem os seus textos. Levando em conta o romance filosófico enquanto gênero frequentemente praticado entre diversos autores do século XVIII francês que, como Voltaire, Diderot e Rousseau - para citar os mais expressivos - almejavam o largo alcance de suas idéias mediante a popularização da filosofia, pretende-se complexificar esse intento em Sade. Uma vez que no caso do Marquês existe a dificuldade ou impossibilidade de transposição do seu pensamento para o campo da política e da moral (dada a precedência do prazer em detrimento de uma convivência pacífica, e até mesmo em detrimento da vida - valores caros a qualquer comunidade política), considera-se de grande importância o caráter fictício de seus escritos: de acordo com o ponto de vista proporcionado pela ficção, descortina-se uma nova leitura de proposta política e moral em sua obra. Para tanto, tomam-se emprestadas algumas noções da hermenêutica Ricoeuriana, entre elas, a idéia de uma 'ontologia da obra de arte'; a noção de fictício de Wolfagang Iser; e as noções de verdade e interpretação de Luigi Pareyson; diretrizes que desembocam numa idéia de ficção tanto como ação política, quanto como forma de conhecimento. Pensar a obra sadiana mediante os artifícios ficcionais possibilita, assim, uma redimensionalização da sua filosofia. Os textos de Sade mais frequentemente utilizados para o propósito foram Nota sobre romances e Os 120 dias de Sodoma, além dos circunstancialmente evocados: A filosofia na alcova, Histoire de Juliette, Diálogo entre um padre e um Moribundo e Os infortúnios da virtude
Abstract: The problematic discoursive in which falls the work of Donatien Alphonse François de Sade (Marquis de Sade: 1740-1814) is regarded by the literary and philosophical aspects of which are composed his texts. Taking into account the philosophical novel as a genre often practiced among many authors of the french eighteenth century who, like Voltaire, Diderot and Rousseau - to name the most significant - longed for the wide reach of their ideas through the popularization of philosophy, it is necessary to problematize this intent on Sade. Since in the case of the Marquis there is the difficulty or impossibility of transposing their thinking to the field of politics and morality (as since he gives precedence over the pleasure of a peaceful coexistance, and even at the expense of life - values appreciated to any political community), it is very important the fictitious character of his writings, according to the view afforded by fiction, opens up a new reading of politics and moral proposal of his work. For that, it is necessary to take some borrowed notions of Ricoeur's hermeneutics, among them, the idea of an 'ontology of the artwork', the notion of fictitious of Wolfagang Iser, and the notions of truth and interpretation of Luigi Pareyson; guidelines that lead an idea of fiction as much as political action, and as a form of knowledge. To think Sade's work through the fictional devices enables thus a re-reading of his philosophy. Sade's texts most often used for the purpose of note were the An Essay on Novels and The 120 Days of Sodom, in addition to the evoked eventually: Philosophy in the Bedroom, Histoire de Juliette, Dialogue between a Priest and a Dying Man and The Misfortunes of the Virtue
Mestrado
Historia da Filosofia
Mestre em Filosofia
Almeida, Luana Aparecida de [UNESP]. "Tradução anotada de Les infortunes de la vertu (1787), do Marquês de Sade (1740-1814)". Universidade Estadual Paulista (UNESP), 2013. http://hdl.handle.net/11449/94058.
Este trabalho apresenta a tradução anotada do livro Les infortunes de la vertu (1787) do Marquês de Sade (1740 – 1814), seguido de um estudo introdutório que tem o objetivo de familiarizar o leitor brasileiro com a narrativa sadiana. Sabemos que a polêmica que sempre acompanhou o Marquês de Sade era seguida pela constatação de sua originalidade que produziu, a partir de suas ideias libertinas, suas polêmicas obras. Les infortunes de la vertu se caracteriza como uma das obras emblemáticas de Sade, uma narrativa que apresenta os elementos da perversão denominada a partir do nome do autor, o sadismo. Na atividade de tradução buscamos valorizar a tendência que preconiza o sentido e o estilo original, optando pela corrente que defende a tradução estrageirizadora
It is presented here the annotated translation of Les infortunes de la vertu (1787) of Marquis de Sade (1740 – 1814), followed by introductory study that intends to familiarize the Brazilian reader with the Sadean narrative. The controversy surrounding Marquis de Sade has always been accompanied by the realization of the originality he produced, sparked his libertine ideals and his infamous works. Les infortunes de la vertu is one of Sade’s emblematic works, with a narrative that presents elements of the perversion named after the author, Sadism. During the translation, we valued the original meanings and style by opting for a foreignizing translation
Almeida, Luana Aparecida de. "Tradução anotada de Les infortunes de la vertu (1787), do Marquês de Sade (1740-1814) /". Assis : [s.n.], 2013. http://hdl.handle.net/11449/94058.
Coorientador: Brigitte Monique Hervot
Banca: Antonio Roberto Esteves
Banca: Norma Wimmer
Resumo: Este trabalho apresenta a tradução anotada do livro Les infortunes de la vertu (1787) do Marquês de Sade (1740 - 1814), seguido de um estudo introdutório que tem o objetivo de familiarizar o leitor brasileiro com a narrativa sadiana. Sabemos que a polêmica que sempre acompanhou o Marquês de Sade era seguida pela constatação de sua originalidade que produziu, a partir de suas ideias libertinas, suas polêmicas obras. Les infortunes de la vertu se caracteriza como uma das obras emblemáticas de Sade, uma narrativa que apresenta os elementos da perversão denominada a partir do nome do autor, o sadismo. Na atividade de tradução buscamos valorizar a tendência que preconiza o sentido e o estilo original, optando pela corrente que defende a tradução estrageirizadora
Abstract: It is presented here the annotated translation of Les infortunes de la vertu (1787) of Marquis de Sade (1740 - 1814), followed by introductory study that intends to familiarize the Brazilian reader with the Sadean narrative. The controversy surrounding Marquis de Sade has always been accompanied by the realization of the originality he produced, sparked his libertine ideals and his infamous works. Les infortunes de la vertu is one of Sade's emblematic works, with a narrative that presents elements of the perversion named after the author, Sadism. During the translation, we valued the original meanings and style by opting for a foreignizing translation
Mestre
Silva, Rodrigo D’Avila Braga. "O marquês de Sade no Brasil: tradução, recepção e crítica de Historiettes, Contes et Fabliaux". reponame:Repositório Institucional da UnB, 2016. http://repositorio.unb.br/handle/10482/21839.
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Donatien Alphonse François de Sade, mais conhecido por Marquês de Sade, foi um escritor francês do século XVIII que teve diversas de suas obras censuradas devido à sua escrita considerada por muitos como sendo “depravada”. Muitas dessas obras apresentam descrições eróticas que põem em cena a excitação e o prazer através do sofrimento alheio. Essa parafilia ficou conhecida na história como “sadismo”, termo derivado do nome do Marquês e cunhado pelo psiquiatra austro-húngaro Richard von Krafft-Ebing em 1886. Todavia, vale salientar que as obras do escritor francês não se limitam apenas ao erotismo sádico, elas também criticam a sociedade francesa do final do século XVIII e início do XIX, constituindo uma das modalidades do romance filosófico. Em razão do banimento imposto à publicação de suas obras no período napoleônico (1799-1815), muitas delas foram esquecidas e, por vezes, perdidas. O processo de redescoberta e reapropriação das obras do Marquês na França teve como responsáveis: Guillaume Apollinaire, Maurice Heine, Gilbert Lely e Jean-Jacques Pauvert, já no início do século XX. E como consequência dessa redescoberta, surgem as primeiras traduções da obra sadiana no Brasil na década de 1960. O objetivo principal desta dissertação é estudar a coletânea de pequenos relatos intitulada Historiettes, Contes et Fabliaux, publicada pela primeira vez em 1926 na França por Maurice Heine e publicada no Brasil por diversas editoras. Tendo em vista o longo processo que vai da redescoberta de Sade até a divulgação e estudo das obras no século XX, esta pesquisa busca estudar (1) a presença e inserção das obras do Marquês de Sade no Brasil, por meio do levantamento de suas traduções publicadas, (2) sua recepção por meio da análise dos paratextos do corpus desta dissertação (Historiettes, Contes et Fabliaux – HCF), e (3) propor uma tradução comentada de Dorci, ou la Bizarrerie du sort, texto inédito nas edições brasileiras de HCF. _________________________________________________________________________________________________ ABSTRACT
Donatien Alphonse François de Sade, better known as the Marquis de Sade, was an eighteenth century French writer who had several works banned because his “depraved” writing. Many of these works have erotic descriptions that put on scene both excitation and pleasure through someone else’s suffering. This paraphilia is known as “sadism”, a term derived from the Marquis’ name and coined by the Austro-Hungarian psychiatrist Richard von Krafft-Ebing in 1886. However, it is important to point out that this French writer’s works are not limited to sadistic eroticism, but they do also criticize the late eighteenth and early nineteenth centuries French society, which characterizes one of the philosophical novel categories. Due to the censorship imposed on Sade’s works during the Napoleonic period (1799-1815), many of them have been forgotten and, sometimes, lost. Guillaume Apollinaire, Maurice Heine, Gilbert Lely and Jean-Jacques Pauvert were responsible for the rediscovery and reappropriation process of the Marquis’ works in France in the beginning of the nineteenth century. And, as a result of this rediscovery, the first translations of Sade’s works were published in Brazil on 1960s. The main purpose of this Master’s thesis is to study the collection of small stories entitled Historiettes, Contes et Fabliaux, published, for the first time in France, in 1926 by Maurice Heine, which was translated and published in Brazil by some publishing houses. Given Sade’s long rediscovery process until diffusion and study of the works on the twentieth century, this research seeks (1) to study the presence and insertion of the Marquis de Sade’s works in Brazil, through the list of his published Brazilian translations; (2) to study its reception through the analysis of the paratexts of the corpus of this research (Historiettes, Contes et Fabliaux – HCF), and (3) to propose a commented translation Dorci, ou la Bizarrerie du sort, the unpublished text on HCF in Brazilian editions. _________________________________________________________________________________________________ RÉSUMÉ
Donatien Alphonse François de Sade, plus connu comme le marquis de Sade, était un écrivain français du XVIIIe siècle qui a eu plusieurs de ses oeuvres censurées à cause de son écriture considérée par beaucoup de gens comme « dépravé ». Plusieurs de ses oeuvres ont des descriptions érotiques qui mettent en scène l’excitation et le plaisir à travers la souffrance des autres. Cette paraphilie a été connue dans l’histoire comme « sadisme », un terme dérivé du nom du Marquis et inventé par le psychiatre austro-hongrois Richard Von Krafft-Ebing en 1886. Cependant, on peut noter que les travaux de cet écrivain français ne se limitent pas à l’érotisme sadique, ils critiquent aussi la société française de la fin du XVIIIe et du début du XIXe siècle, constituant l’un des modes du roman philosophique. En raison de l’interdiction imposée à la publication de ses oeuvres dans la période napoléonienne (1799-1815), beaucoup d’entre eux ont été oubliés et parfois perdus. Le processus de redécouverte et de réappropriation des oeuvres du marquis au début du XXe siècle en France avait comme responsables Guillaume Apollinaire, Maurice Heine, Gilbert Lely et Jean-Jacques Pauvert. À la suite de cette redécouverte, les premières traductions de l’oeuvre de Sade ont été publiées au Brésil dans les années 1960. L’objectif principal de ce mémoire est d’étudier la collection de récits brefs intitulée Historiettes, Contes et Fabliaux, d’abord publiée en 1926 en France par Maurice Heine et publier au Brésil par plusieurs maisons d’édition. Compte tenu du long processus de la redécouverte de Sade à la diffusion et à l’étude des oeuvres dans le XXe siècle, cette recherche vise à (1) étudier la présence et l’insertion des oeuvres traduites du marquis de Sade au Brésil (2) étudier la réception de l’oeuvre par l’analyse des paratextes du corpus de ce mémoire (Historiettes, Contes et Fabliaux - HCF), et (3) proposer une traduction commentée de Dorci, ou la Bizarrerie du sort, texte inédit dans les éditions brésiliennes de HCF.
Castro, Clara Carnicero de. "O sistema filosofico do Marques de Sade : estudo da elaboração do sistema filosofico do Marques de Sade a partir das filosofias iluminista e libertina da França no seculo XVIII". [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278867.
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: A pesquisa, a ser aqui exposta, pretende analisar a elaboração do sistema filosófico do Marquês de Sade, tendo como base o estudo das filosofias iluminista e libertina da França do século XVIII. O estudo foi dividido em dez temas principais, entendidos como os mais pertinentes para se examinar a argumentação de uma ética sadeana. São eles: (1) a consciência moral, (2) a natureza, (3) o remorso, (4) o sangue-frio em oposição à paixão, (5) o discurso do poder, (6) a teoria do excesso e a doutrina da predestinação, (7) a elaboração do crime, (8) a dissimulação, (9) o diálogo libertino e (10) o sexo como estímulo da inteligência ou a ascensão libertina. Sendo assim, propomo-nos a descrever e analisar detalhadamente cada um desses temas aplicados à obra de Sade e relacionados às filosofias libertina e iluminista
Abstract: This research intends to analyse the development of Marquis de Sade¿s philosophical system based upon the enlightenment¿s and the libertine¿s philosophies on the eighteenth century France. The study has been divided in ten main themes, understood as the most appropriate to provide a detailed argumentative examination of Sade¿s ethic, such as: (1) the moral conscience, (2) the nature, (3) the remorse, (4) cold-bloodedness against passion, (5) the power discourse, (6) the excess theory and the predestination doctrine, (7) the crime¿s development, (8) the disguise, (9) the libertine¿s dialogue and (10) sex as an intellectual stimulus or the libertine¿s ascension. Therefore, this study claims to describe and analyse in detail each one of these themes applied to Sade¿s work and related to the enlightenment¿s and libertine¿s philosophies
Mestrado
Filosofia
Mestre em Filosofia
Costa, Marcela de Andrade. "O despotismo na alcova : reconfiguração dos espaços público e privado na obra do Marquês de Sade". reponame:Repositório Institucional da UnB, 2008. http://repositorio.unb.br/handle/10482/4604.
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O marquês de Sade é um desses autores que pouca gente leu, mas quase todos têm uma opinião a respeito. Escritor polêmico e controverso, seu nome é associado à libertinagem cruel, na qual o prazer sexual é obtido à custa do sofrimento e humilhação dos outros. Porém, a obra sádica não se resume a mera apologia dessa sexualidade primitiva e visceral. Em seus textos, Sade dialogava com a produção intelectual de seu tempo, tratando de questões que ocupavam também outros escritores, tais como ordem social, natureza humana, liberdade e despotismo. E sobre cada uma dessas questões o marquês mantinha um posicionamento filosoficamente justificado. O objeto principal dessa dissertação é a reconfiguração sádica dos espaços público e privado, ou seja, como essas esferas foram redefinidas em sua obra e quais os papéis que podem, e devem, ser desempenhados em cada uma delas. Para isso, foi analisado o discurso sádico sobre três dualidades que considerei basilares para essa redefinição: natureza e civilização, vício e virtude e liberdade e despotismo. Ao entender como Sade reconfigurou essas esferas e a importância que conferiu a cada uma delas, busca-se ampliar a compreensão sobre a conformação social que estava sendo delineada no período revolucionário. E da qual os Estados ocidentais herdaram a permanente tensão entre os seus interesses e direitos e as garantias individuais de seus cidadãos. __________________________________________________________________________________________ ABSTRACT
The marquis of Sade is one of these authors whom few people read, but almost everyone has an opinion about. Controversial writer, his name is associated with the cruel licentiousness, in which the sexual pleasure is obtained at the expense of the suffering and humiliation of others. However, the sadistic work does not consist only of the mere eulogy of this primitive and visceral sexuality. Through his texts, Sade maintained a dialogue with the intellectual production of his time, dealing with subjects that were also approached by other writers, such as social order, human nature, freedom and despotism. And on each one of these issues the marquis has a philosophically justified position. The main object of this dissertation is the sadistic reconfiguration of the public and private spaces, in other words, how these spaces were re-defined in his work and which roles one can or must play in each one of them. In order to accomplish that, the sadistic speech was analyzed along three axis that were taken as the basis for that redefinition: nature and civilization, vice and virtue, and freedom and despotism. Understanding how Sade has re-shaped the public and private spaces and the importance that he tallied to each one of them might help to understand the social configuration that was outlined in the French revolutionary period, one of the roots of the constant tension between interests of the State and individual rights in the Western World.
Dias, Anne Louise. "Torcer, romper, escrever : tecendo as narrativas de violência de Gabrelle Wittkop e do Marquês de Sade". reponame:Repositório Institucional da UnB, 2016. http://repositorio.unb.br/handle/10482/21370.
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Ainda clandestina na esfera canônica, a leitura da obra de Sade, como afirma Eliane Robert Moraes, pode levar a inúmeros equívocos, reduzindo o autor a reflexões sobre o sadismo ou fundindo-o à discursos científicos. As reverberações das escritas do marquês de Sade, entretanto, não se restringem às tentativas de sua compreensão; influente e vivamente presente em diversos escritores, o modelo sadiano é recuperado e homenageado em La marchande d’enfants, romance epistolar de Gabrielle Wittkop e publicado em 2003. O estilo de escrita de Wittkop abre-nos espaço para o estudo de sua obra como ambas uma retomada e uma atualização do próprio marquês. Desejamos no presente trabalho abarcar as representações dos desvios sexuais preconizados em Sade como um duplo jogo da linguagem: Sade e Wittkop teatralizam as ações violentas de suas personagens, jogando com a imagética, a representação e a imaginação, mas, para além disso, manejando a linguagem de forma a testar todos seus limites. Gabrielle Wittkop tentaria, em La marchande d’enfants, alcançar, pelo grotesco, pelo mal e pela perversão, o absurdo fazendo conscientemente uso da violência própria à linguagem, atacando, penetrando e testando as fronteiras do eu, do leitor e, finalmente, da literatura. _________________________________________________________________________________________________ ABSTRACT
Still foreign to the canon of Western Literature, the examination of the oeuvre of the Marquis de Sade can lead to numerous misunderstandings, as stated by Eliane Robert Moraes, such as reducing his output to reflections on sadism or merging it with scientific discourse. The repercussions of De Sade’s work, however, are not limited to critical attempts toward its understanding; influential and strongly present in several writers, De Sade’s model is recovered and honored in La marchande d'enfants, an epistolary novel authored by Gabrielle Wittkop and published in 2003. Wittkop`s writing style opens the space for the study of her work as both a renewal and an update of the Marquis himself. In the present work we wish to encompass the representations of sexual deviancy professed in Sade as a double play on language: De Sade and Wittkop dramatize the violent actions of their characters, playing with imagery, representation and imagination, but, in addition, manipulating the language in order to test all of its limits. Gabrielle Wittkop would attempt to achieve absurdity through the grotesque, evil and perversion, consciously making use of the language inherent violence in La marchande d'enfants, attacking, penetrating and testing the boundaries of the ego, the reader and finally literature itself.
Gillan, Robert McDonald. "Marquis de Sade : a transgressive writer and his influence in the nineteenth century". Thesis, University of Manchester, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.706127.
Colas-Blaise, Marion. "Le discours de la transgression : lecture sémiotique des historiettes du Marquis de Sade". Metz, 1990. http://docnum.univ-lorraine.fr/public/UPV-M/Theses/1990/Colas_Blaise.Marion.LMZ906.pdf.
In the light of semiotics, the discourse of transgression, as it takes shape in the historiettes of the Marquis de Sade, destined to non-clandestine publihing, enhances external constraints perpetuating classical episteme and writing (in particular, through emphasizing their veridictory character) and giving the basis for innovation. Thus emerges a major component of the persuasive strategy of "detour (-nement)" (diversion and subversion), which implies, furthermore, the graduation of transgressive steps and, especially, modal and axiological compromise as a type of mediation to be grasped and described on different levels of the generative process (multiplication of superposed parallel thematizations, modifications of figurative configurations and paths). The discourse of transgression is characterized by an oscillating movement (recursiveness of transgression), implying "domesticated" trangressions subordinated to some general finality, positively connoted (from the point of view of society), and "independent" ones, perfectly gratuitous and therefore durably provocative. This leads, finally, to a precarious situation of axiological indetermination
Fukuda, Daisuke. "L'envers de l'éthique sadienne : essai sur la lecture lacanienne du Marquis de Sade". Paris 8, 2011. http://octaviana.fr/document/163816999#?c=0&m=0&s=0&cv=0.
For the first part of this thesis, we analyzed the series of major acts that Sade has done in his life. The reconstruction of the causality of his actions can illuminate the value of the factual final act of Sade. The major stake was therefore to find out after what acts the testamentary act emerges from Sade at the end of his life. So we try to clarify the actions that marked his life, one by one, in three different registers - love, politics and theater - to highlight the singularity of the testamentary act de Sade. For the second part of this thesis, we will attempt to locate the Sadian in relation to other acts performed by Sade antagonists. For this, we refer to the diagram known as the quadripartite four discourses, which aims at clarifying the nature of social ties in the four different ways that are connected with each other: the master's discourse of the hysteric, of the academic, and of the analyst. This analysis of different intersubjectivities around Sade leads to the elucidation of the psychoanalytic discourse. We will address in particular the discrepancy that exists between the ultimate Sadian act and the analytic act. To check the gap between the two types of discourses we proceed, at the end of this thesis, to the reading of History of Juliet. Although the Marquis touches the transferential dimension (there is a series of falls of the subject supposed to know), the adventure of this Sadian character takes place outside the analytical framework. Sade does not know how to discern the creativity in the death drive, contrary to the analyst who can see it in and by the analytic act
Colas-Blaise, Marion Petitjean André. "LE DISCOURS DE LA TRANSGRESSION : LECTURE SEMIOTIQUE DES HISTORIETTES DU MARQUIS DE SADE /". [S.l.] : [s.n.], 1990. ftp://ftp.scd.univ-metz.fr/pub/Theses/1990/Colas_Blaise.Marion.LMZ906.pdf.
Giannattasio, Gabriel. "Sade, um anjo negro da modernidade". reponame:Repositório Institucional da UFPR, 2012. http://hdl.handle.net/1884/24637.
Kozul, Mladen. "Le corps dans le monde : espace et récit dans l'œuvre du marquis de Sade". Paris 10, 1996. http://www.theses.fr/1996PA100190.
Three models of the spatial figuration in sade's works are analysed : the closed space, the space of travellings, and the theatrical space. The elaboration of the sadeian closed space is linked to the changes affecting the architecture at the end of the century. The study of the narrativity of the closure is centered on the fortress of cent vingt journees de sodome. The coincidence of narrative, spatial and libidinal mouvements establishes the analogy between the fragmentation of the narrative and the fragmentation of the victimal body whose stages are indissociable of the spatial organisation of the fortress. Through the tensions between the journeys and the confinements, the space of travellings influences already the narrative discours of les infortumes de la vertu and of justine. But the topography of travellings becomes fully linked to the narrative form in l'histoire de juliette and in aline et valcour. By organizing the cladestine sade's works as well as the licit ones, the voyage modifies and expends the signification of the sadeian libertinage. The constructing of the theatrical space in sade's works is linked to the theatralisation of the action, common to sade's dramatic peaces and his clandestin novels. In both cases, theatralisation is associated to the symbolic values of the theatrical place. The spatial dispositions of sadeian theatres superpose the narrative pragnatics on the thatrical space and transformes the writing into a way of aggressing the reader changed into the spectator. The relations between the fictional topography and the narrative form are to be considered in
Russell, Melissa Michele. "The divine Marquis' ethical project: Sade and the "turn to religion" in postmodernist philosophy". Thesis, Curtin University, 2014. http://hdl.handle.net/20.500.11937/357.
Vallenthini, Michele. "Sade dans l'Histoire : du temps de la fiction à la fiction du temps". Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040031.
This thesis wants to propose a new perspective on the oeuvre of the Marquis de Sade by taking into account his late works La Marquise de Gange, Adélaïde de Brunswick, princess of Saxony and the Histoire secrète d'Isabelle de Bavière, queen of France.In a first approach his more known libertine novels are examined from a historical point of view. In the course of reading Sades texts one can observe not only a heterogeneous formal character tending towards an overload into all genres. In particular one also finds the manner of expounding the problems of history and time (in the sense of an acute consciousness for the passing of time, combined with reflections on truth and moral) typical of the literature of Enlightenment. In every text one rediscovers the same ambivalence of intention - be it the escape from time and the denial of history, be it an acute and lucid conscience that finds refuge in the letters of the text and behind bodily metaphors and lubricious biographies.The second part of the present thesis wants to understand the three historic novels of the Marquis de Sade as unique documents of the literary and ideological development of an author in post-revolutionary France, a man of letters henceforth in his seventies confronted with new structures of a world in plain process of reforming.By means of the categories analyzed here, it is possible to remove from these three historic novels the common substrate of what I, in the wake of Paul Ricoeur, have in fact defined as the fiction of time. In a particularly acute manner the fiction of time suffers the aporia of time. This is the symptom of a historic faintness - that of the overwhelming experience of the Revolution, of the obscurity of a world in change and in the end of an irremediable escape from time
Meyer, Ronald. "Sexualität und Gewalt : Formen der Sexualität und Gewalt in der Fiktion und Biographie des Marquis de Sade /". St-Ingbert : Röhrig universitätsverl, 1999. http://catalogue.bnf.fr/ark:/12148/cb376290735.
Mazières, Frédéric. "Humour pervers, prison et écriture. Une analyse psychobiographique de l'œuvre romanesque du marquis de Sade". Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCA052.
Our doctoral thesis suggests a Freudian analysis of Marquis de Sade novels. Our analysis is more precisely a work of psychobiography, which favours writers’ conflicts with their parents, and the subsequent psychological traumas. Sade novels and writing are the results of many parameters : a multi-pathogen childhood, a multi-pathological borderline personality (psychopathic and perverse), being a multi-recidivist, imprisonment or internment in asylums. Among all those psycho-socio-pathological parameters, prison, is the one that worsened his morbid tendencies and the violence of his writing, thus creating a prison psychosis. Threatened by the development of his personality towards a structural psychosis, Sade attempts to distance himself from those parameters, making them absurd, crazy instinctual representations coming from his dreams and reveries. The cathartic and therapeutic methods of humour and/or perverse comic played a part at that very moment. Owing to these symbolic methods he has developed in his correspondence with his wife and with « Milly », one of his friends, Sade stages himself and his sexual objects in pre-Oedipal fantasies. The stranger the aesthetics of Oedipal (or genital) sexuality are, the funnier it becomes. By means of perverse humour, Sade manages to mimic an illusory narcissistic victory. The perverse humour facilitates the psychic, emotional and moral murders of his readers. We completed our study by providing an analysis of an extreme form of perverse humour, necrophiliac perverse humour
Kirkham, Neil. "Simple pornographers? : the Marquis de Sade and the evolution of the hard-core pornographic film narrative". Thesis, University of the Arts London, 2011. http://ualresearchonline.arts.ac.uk/5137/.
Le, Grandic Eric. "Les crimes de l'amour de sade : tradition litteraire et travail d'ecriture". Paris 10, 1997. http://www.theses.fr/1997PA100140.
This thesis is meant to study a work often considered as minor in relation to the most famous, shocking novels by sade. Choosing les crimes de l'amour comes from the desire to fight against that apriorism, and to show that the collection of the tragic short stories published in 1800 remarkably highlights sade's imagination and his extraordinary art of writing, the originality of which is brought out behind the compromise with the moral and aesthetic conventions. First, i shall study the relationships between les crimes de l'amour and the convention of tragic short stories and that of literary critics defending the fictional art. Thus, "l'idee sur les romans", the preface to les crimes de l'amour, follows that literary tradition giving a definition and the historical background of a genre often questioned by the moral authorities. It also gives a new portrayal of the novelist. I shall also study the links with the world of the baroque short stories, with the legacy of historical short stories and i shall see how sade manages to transfigure the evildoer, an omnipresent character in his precursors' fiction. Second, basing myself on the comparison of the 1787-1788 manuscript with the 1800 edition, i shall cast light on the text's genesis and underline the unflagging effort to improve his style associated with the need to compromise with the reader : by working cleverly without ever renouncing his beliefs, sade beautifully enhances the virtue of suffering. Third, i shall show that this collection of short stories is firmly attached to the esoteric writing. I shall see how the narrative is handled, for instance the role of the embedded narrative, and i shall deal with women's destiny and the libertine character. Literary history, genetic criticism and thematic approach shall be dealt with to have a better understanding of sade
Coutant, Alexandre. "Les marques identitaires à l'épreuve de leur consommation : consommateur identitaire, transculturalité". Lyon 3, 2007. https://scd-resnum.univ-lyon3.fr/out/theses/2007_out_coutant_a.pdf.
The main purpose of this thesis is to make a global approach to a specific actualization of the advertising phenomenon, more precisely of highly identitarian brands advertising. A global approach, because this study tries to put together the different logics that include these messages producers goals, their actualization as a created advertising object and main reasons of brands users. Firstly, this thesis will analyse the work methods used by advertisers, the image they have about their target and their work efficiency. Secondly, it will search to find out how these frames are used by discourses in identitarian advertising. A corpus analysis will be made. Finally, it will analyse brands consumers. It will try to observe/explain the homology and variations between language purposes and effective individual brand consumption reasons
Blumberg, Lucy E. "A Tale of Two Sisters: An Exploration of the Marquis de Sade and 21st Century Western Cultural Production". Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/717.
Heesen, Sabine te. "Der Blick in die kannibalische Welt : Anthropophagie in Daniel Defoes Robinson Crusoe, den Reisebeschreibungen zu James Cooks Weltumsegelungen und bei Marquis de Sade /". Freiburg, Br. ; Berlin Wien : Rombach, 2008. http://d-nb.info/991053265/04.
Gatti, Daniela 1967. "Sade na dança = um processo artístico em redes de saberes". [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284972.
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
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Resumo: A presente pesquisa traz o processo de criação de Vícios e Virtudes - Drama em Dança como objeto de reflexão e análise. O espetáculo é uma apropriação dos romances do autor iluminista francês Marquês de Sade (1740 - 1814): Justine, os Infortúnios da Virtude e Juliette, a Prosperidade do Vício com o intuito de transpor para a linguagem do corpo-cênico, o universo antagônico sadiano entre o vício e a virtude, representados pelas personagens Justine e Juliette. A primeira parte da tese fundamenta a transposição do universo literário para o corpo que dança, ou seja, um corpo-texto a partir de eventos como a imaginação, a polaridade, a apropriação e o dialogismo. A segunda parte descreve o processo do espetáculo, apresentando os elementos materiais, procedimentos e as idéias como subsídios na representação ficcional e simbólica através do drama em dança. A tese propõe o diálogo entre as diferentes áreas das artes: dança, música, teatro e literatura como um caminho metodológico para o desenvolvimento de um processo artístico em redes de saberes
Abstract: The present research brings the creative process of Vícios e Virtudes - Drama em Dança as an object of reflection and analysis. The performance is a gathering of the French Illuminist author Marques of Sade (1740 - 1814)'s novels Justine, the misfortunes of virtue and Juliette, the prosperity of vice aiming to transpose to the scenic-body language the Sadian antagonic universe between vice and virtue, represented by characters Justine and Juliette. The first part of the thesis gives base to the transposition of the literary universe to the dancing body, or a text-body based on events like imagination, polarity, appropriation and dialogue. The second part describes the performance process, presenting the material elements, procedures and ideas as subsides in the fictional and symbolical representation through drama in dance. The thesis proposes the dialogue between the different areas of art: dance, music, theater and literature as a methodological way to the development of an artistic process in a knowledge net
Doutorado
Artes Cenicas
Doutor em Artes
Butcher, Dick. "Mapping the shadow in the work of de Sade & Sacher-Masoch constellating sociological & psychological possibilities /". Connect to this title online, 1998. http://wwwlib.umi.com/cr/yorku/fullcit?pNQ33525.
Typescript. Includes bibliographical references (leaves 260-274). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL:http://wwwlib.umi.com/cr/yorku/fullcit?pNQ33525.
Conrod, Frederic. "Baroque orders of corruption: Formation, diffusion, transformation, and negation of Loyola's "Spiritual Exercises" (Saint Ignatius of Loyola, Miguel de Cervantes Saavedra, Spain, Baltasar Gracian, Marquis de Sade, France)". Diss., Connect to online resource, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3207694.
Máñez, Testor Santiago. "LA PARROQUIA DE SAN ESTEBAN DE VALENCIA Y EL PALACIO DEL MARQUES DE CARO: UNA HISTORIA PARALELA_ PROPUESTAS E HIPÓTESIS PARA UNA RECONSTRUCCION URBANÍSTICA Y ARQUITECTÓNICA 1238 _ 1519". Doctoral thesis, Universitat Politècnica de València, 2016. http://hdl.handle.net/10251/62684.
[ES] La presente tesis estudia la evolución urbanística del ámbito de la Parroquia de San Esteban desde la conquista de la Valencia por Jaime I en 1238, hasta el advenimiento de las Germanías en 1519. Se incide en la imagen de la ciudad islámica, estudiando su urbanismo y la influencia posterior dentro de la circunscripción de la Parroquia, haciendo especial hincapié en la muralla islámica, tanto taifa cómo almohade, así como los hitos que sirvieron para la definición del distrito parroquial. Se analizan las fases de urbanización del sector:las primeras donaciones recogidas en el Llibre del Repartiment que se identifican y grafían, los procesos de urbanización privada a través de las Poblas, el levantamiento de la nueva muralla cristiana y la fijación de los nombres de las calles en el siglo XV y los albores del XVI. De forma paralela se estudia la evolución constructiva del Palacio del Marqués de Caro, sus antecedentes, su imagen al momento de la conquista, y las diferentes fases y modelos por los que atravesó desde la torre islámica que le sirvió de base, pasando por la primera construcción cristiana en el siglo XIII y las intervenciones del siglo XIV, hasta la gran transformación del edificio a finales del siglo XV y principios del XVI. Derivado de este trabajo se proponen además hipótesis sobre la ubicación de la puerta islámica de Bab al-Carrac, del portal d'EnEsplugues, de la dimensión de la segunda y tercera judería, y de la pobla de Jaume Marc y de la Almoyna en la Xerea.
[CAT] La present tesi estudia l'evolució urbanística de l'àmbit de la Parròquia de ''San Esteban'' des de la conquesta de la València per Jaume I en 1238, fins a l'adveniment de les Germanies a 1519. S'incideix en la imatge de la ciutat islàmica, estudiant el seu urbanisme i la influència posterior dins de la circumscripció de la Parròquia, fent especial èmfasi en la muralla islàmica, tant taifa com almohade, així com les fites que van servir per a la definició del districte parroquial . S'analitzen les fases d'urbanització del sector: les primeres donacions recollides en el Llibre del Repartiment que s'identifiquen i grafien, els processos d'urbanització privada a través de ''les Pobles'', l'aixecament de la nova muralla cristiana i la fixació dels noms dels carrers en el segle XV i els albors del XVI. De forma paral·lela s'estudia l'evolució constructiva del Palau del Marqués de Caro, els seus antecedents, la seua imatge al moment de la conquesta, i les diferents fases i models pels quals va travessar des de la torre islàmica que li va servir de base, passant per la primera construcció cristiana al segle XIII i les intervencions del segle XIV, fins la gran transformació de l'edifici a la fi del segle XV i principis del XVI. Derivat d'aquest treball es proposen a més hipòtesis sobre la ubicació de la porta islàmica de Beb al-Carrac, del portal d'en Esplugues, de la dimensió de la segona i tercera jueria, i de la pobla de Jaume Marc i de la Almoyna a la Xerea
Máñez Testor, S. (2016). LA PARROQUIA DE SAN ESTEBAN DE VALENCIA Y EL PALACIO DEL MARQUES DE CARO: UNA HISTORIA PARALELA_ PROPUESTAS E HIPÓTESIS PARA UNA RECONSTRUCCION URBANÍSTICA Y ARQUITECTÓNICA 1238 _ 1519 [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/62684
TESIS
Caron, Elaine Cristina [UNESP]. "Rimbaud, Molière e Sade lidos pelos brasileiros: aspectos da representação literária dos escritores franceses homenageados na coleção Literatura ou Morte". Universidade Estadual Paulista (UNESP), 2015. http://hdl.handle.net/11449/136799.
Résumé: Rimbaud, Molière et Sade. Ces sont les trois écrivans français qui ont été honorés, respectivement, par les brésiliens Leandro Konder, Rubem Fonseca et Bernardo Carvalho, dans la collection Literatura ou morte, de 2000, publiée par Companhia das Letras. L'idée de la collection est apparue lorsque Leandro Konder a soumis à son éditeur l'originel de son roman A morte de Rimbaud, où il cite le poète français dans le titre, et en plus, il fait plusieurs références à la littérature française. Heureux du résultat, le rédacteur Luis Schwarcz a contacté plusieurs écrivains pour créer des romans qui doivent suivre le même modèle de A morte de Rimbaud, en prenant deux prémisses fondamentales: qu'ils soient des romans policiers et qu'ils contiennent le nom d'un écrivain consacré par la critique et par le public. Parmi les sept volumes qui ont suivi la proposition, on a O doente Molière et Medo de Sade. Dans la construction de ces romans leurs auteurs ont été menés à revoir les biographies et les oeuvres de chacun des écrivains honorés, en fournissant des relectures et de nouvelles significations pour elles. Le but de notre travail est d'étudier les raisons qui ont fait que Konder, Fonseca et Carvalho choisissent comme thème de leurs oeuvres littéraires précisément ces trois écrivains, en essayant de démontrer que ce choix n'a pas été arbitraire, mais dirigé par l'éditeur, qui à part la promotion obtenue grâce aux références faites aux noms des auteurs classiques, atteint un nouveau type de lecteurs. La collection permet à ses écrivains de suivre deux propositions de récit en même temps, elle se caractérise à la fois comme une littérature de divertissement, marquée par le choix de la forme, le roman policier et la biographie, et une littérature de proposition, marquée par le thème, concernant les oeuvres de auteurs classiques...
Rimbaud, Molière e Sade. Estes são os três escritores franceses homenageados, respectivamente, por Leandro Konder, Rubem Fonseca e Bernardo Carvalho, na coleção Literatura ou morte, de 2000, da editora Companhia das Letras. A ideia da coleção teria surgido quando Leandro Konder apresentou a seu editor os originais do romance A morte de Rimbaud, em que, além de citar o poeta francês no título, inclui referências à literatura francesa. Contente com o resultado, o editor Luís Schwarcz contatou vários escritores para criarem romances que seguissem o mesmo modelo de A morte de Rimbaud, atendendo a duas premissas fundamentais: que fossem romances policiais e envolvessem o nome de um escritor consagrado pela crítica e pelo público, já falecido. Entre os sete volumes que seguiram a proposta, estão O doente Molière e Medo de Sade. Na construção destes romances seus autores foram levados a revisitar as biografias e as obras de cada um dos escritores homenageados, proporcionando releituras e novos significados a elas. O objetivo de nosso trabalho é investigar os motivos que levaram Konder, Fonseca e Carvalho a escolherem como tema de seus trabalhos literários justamente estes três escritores, além de constatar que esta escolha não foi arbitrária, mas direcionada pela editora, que além de se promover com a referência aos nomes dos escritores clássicos, coloca diante de si um novo nicho de leitores. A coleção possibilita a seus escritores seguirem duas propostas narrativas ao mesmo tempo, pois se caracteriza tanto como uma literatura de entretenimento, marcada pela escolha da forma, narrativa policial e biografia, e uma literatura de proposta, marcada pelo tema, que são as obras de escritores clássicos. São romances escritos tanto para aquele que busca na leitura um passatempo de viagem, como o acadêmico que procura nas entrelinhas citações e alusões a outros escritores...
Rimbaud, Molière and Sade. These are the three french writers honored, respectively, by Leandro Konder, Rubem Fonseca and Bernardo Carvalho, at the collection Literatura ou morte (2000 published by Companhia das Letras. The idea of the collection would have appeared when Leandro Konder submitted to his publisher the original novel A morte de Rimbaud, in that in addition to quote the french poet in the title, includes references to french literature. Enthusiastic with the result, the publisher Luis Schwarcz contacted several writers to create novels that follow the same model of A morte de Rimbaud, serving two fundamental assumptions: that they were crime novels and involved the name of an established writer by critics and the public, now deceased. Between the seven volumes that followed the proposal are O doente Molière and Medo de Sade. In constructing these novels his authors were brought to revisit the biographies and works of each of the honored writers, providing readings and new meanings to them. The goal of our work is to investigate the reasons Konder, Carvalho and Fonseca to choose the theme of his literary works precisely these three writers, and demonstrated that these choices was not arbitrary, but directed by the publisher, which besides promoting with the reference to the names of classical writers, sets before itself a new group of readers. The collection allows its writers follow two narratives proposals at the same time, it is characterized both as an entertainment literature, marked by the choice of form, crime novel, and biography, and a proposal literature, marked by the theme, which are the classical writers works. These are novels written for both the reader who search a traveling hobby, as to the academic who seeks the references and allusions to other writers. In addition, we aimed to draw a reading that considers the three works together, this perspective that glimpse the formation of a historical-literary...
Seruya, José. "La marque interne éPT! au service du management de l'identité organisationnelle du groupe Portugal Telecom". Lyon 3, 2008. https://scd-resnum.univ-lyon3.fr/out/theses/2008_out_seruya_jm.pdf.
A single case marked by its uniqueness is studied, which concerns the management of the organizational identity of the main Portuguese group in the telecommunications sector. Its context led us to two intertwined fields of theoretical discussion: in the first one, the implementation of the strategy brings about the relevance of the group's organizational identity; in the second one, the organizational identity is managed with the support of an original tool, the so-called internal brand. The central question that guides our work is then, why and how the group's organizational identity can be managed with the support of an internal brand? Such a specific tool of the organizational's identity management establishes a new concept, both on a theoretical and on a managerial perspective. It is at the intersection of the theoretical fields of the organizational identity and of the corporate brand that the internal brand gets its full strength as a conceptual innovation
Pelegrín, Abellón Juan Antonio. "Las élites de poder en Caravaca en la segunda mitad del siglo XVIII: patrimonio, poder político y actitudes ante la muerte". Doctoral thesis, Universidad de Murcia, 1999. http://hdl.handle.net/10803/10893.
This thesis is intended as a study of power elites in Caravaca during the second half of the 18th century from the perspective of the families involved and the relationship between their political and patrimonial powers. The main families that shaped local power have been analysed and the bonds and marriages between their members have been brought to light. The core of the thesis, however, is the study of local merchants from a double perspective: (i) their role as economic agents that encouraged traffic and commerce in the area by introducing it in the main inland routes of wool trade; and (ii) the gradual increase of their political power, as shown by the fact that they tended to hold the most relevant posts in the local council.
André, Nadine. "Politique territoriale et enjeux stratégiques sous le mandat de Lord Dalhousie en Inde : 1848-1856". Lyon 3, 2003. https://scd-resnum.univ-lyon3.fr/in/theses/2003_in_andre_n.pdf.
This study aims at reappraising the territorial policy carried out by Lord Dalhousie from 1848 to 1856 by assessing the ideological and political constraints imposed by the two autorities he was accountable to, the East India Company and the British Government's India Board. It considers the political, historical, strategic context within and without the subcontinent's borders, the Government of India's attitude toward native states and neighbouring countries, as welle as the motives for Dalhousie's political and strategic choices. Decisions that reveal Dalhousie's new conception of the Indian subcontinent as a whole which he endeavoured to shape into a nation
Doménech, Villa Vicente Ramón. "Gustos y disgustos del Lentiscar de Cartagena (1689), de Ginés Campillo de Bayle. Estudio y edición crítica". Doctoral thesis, Universidad de Alicante, 2017. http://hdl.handle.net/10045/73411.
Bois, Christophe Charles Armand. "La construction de l'illusion dans les récits de Madame de Tencin". Lyon 3, 2005. https://scd-resnum.univ-lyon3.fr/out/theses/2005_out_bois_c.pdf.
Ginoux, Anne-Céline Guérin. "De l'identité d'entreprise à la gestion à la gestion de la marque, quelle déclinaison d'image adopter lors d'un rapprochement d' entreprises B to B : le cas de Soltim-Proval". Lyon 3, 2010. https://scd-resnum.univ-lyon3.fr/in/theses/2010_in_becuwe_a.pdf.
Soltim-Proval, the french leader software maker for personal insurance, must accomplish the merger of the two companies and adopt a communication approach to establish the new entity’s fame and image for its target market. Soltim-Proval is set against several questions of communication concerning the concept of identities, brand, accompaniment of change, image and communications approach, to be able to act in consistency with its stakeholders’ speeches. In an evolving economic environment, the “know well” being as important as the ”know-how” for the B-to-B market and the reputation playing a business-critical part
Haj, Sassi Taïeb. "Récit de rouerie, machination et représentation de la machination dans la fiction et la gravure libertines, de Crébillon à Sade". Thesis, Aix-Marseille, 2016. http://www.theses.fr/2016AIXM3028.
The libertine novels ornated with figures grew dramatically in the eighteenth century. According to Goncourt brothers it is “the century of the vignette”. The development of this genre of illustrated books changed, both aesthetic sensibility of the reader and the material conditions of reading a trick story, for our conception of libertine literature as a system of representation is no more exclusively textual nor discursive but triggers a dialogue with the image. The study of this duplication of representation is at stake, using the text-and-image devices it operates, as a new method to analyse their interconnection in the libertine trick stories. One could imagine such narratives are the most distant from the image, since the machination and trickery need to act covertly, whereas the logic of the image appears to be at the very heart of the operative devices of representation which govern the eighteenth century libertine novel. Following that scientific approach, we’ll try to complete the existing studies on poetics of the erotic or intimate scene, and how gazing and theatricality interact within classical fiction, with the hypothesis that, in the trick stories, the representation of the libertine plot faces two strategies: the one that lures with showing something and the other with concealing
Schwalm, Tanja. "Animal writing : magical realism and the posthuman other". Thesis, University of Canterbury. English, 2009. http://hdl.handle.net/10092/4470.
"Imaginação e interdito na obra do Marques de Sade". Tese, Biblioteca Digital da Unicamp, 2003. http://libdigi.unicamp.br/document/?code=vtls000349740.
Toscano, Marta 1975. "Para além dos limites, Sade e arte contemporânea". Master's thesis, 2006. http://hdl.handle.net/10451/7884.
This dissertation has, for its starting point, the literary essays of the Marquis de Sade (1740-1814). After an analyses and reflection about the premisses found in his books, I will try to make a connection between his language of rupture to another world, the world of contemporary art, world that is also made of transgressions, turning points...and limits. The work is divided in three different sections, although they are complementary between them: the first one is a reflection about a possible map of erotism, taking a careful look at its mythological “root”, followed by the study of the platonic and the Christian eros; the second part is a reflection about the sadean “erotism” — we shall see that it is more correct to talk about a sadean “anti-erotism” —, and it’s based, by one side, on writers who recouped him on a philosophical or literary level, as Pierre Klossowski, Georges Bataille, or Jean-Jacques Pauvert, and on the other side on authors who consolidated him, like Octavio Paz, Jean Paulhan, Roland Barthes, Annie le Brun, Marcel Hénaff, to mention the most important ones; the third part of the thesis consists of a project involving Sade and contemporary art. Keeping away from the viscerality that is usually linked with Sade, and focusing on the sadean concept of apathy (an insensibility towards emotions), I will investigate until what point the works of certain artists are in debt with the heritage of the French writer. The six artists that give body to this project (that, in a way, can be understood as a fictional curatorial project) are Julião Sarmento, Nobuyoshi Araki, Hans Bellmer, Marina Abramovic´, Michaël Borremans and Douglas Gordon. At last, I will lean over on the philosophical/ethical question on the limits of art. Sade showed us a world that went beyond all limits (is that really so?); and the works of art, are they also unlimited?
Pham, Kim. "The Marquis de Sade and materialism : a reading into the unreadable". Thesis, 2017. http://hdl.handle.net/1959.7/uws:45814.
"La Surjouissance: The Marquis de Sade's Method to Overcome Reduced Space". Master's thesis, 2011. http://hdl.handle.net/2286/R.I.9225.
Dissertation/Thesis
M.A. French 2011