Letteratura scientifica selezionata sul tema "Marlowe, Lara"

CATEGORIA PAINELP 01. NÓDULOS PULPARES - CALCIFICAÇÕES. TAVARES, THAÍS RUAS; SEKI, NATHALIA MARIKO ASSAKAWA; SOUZA, EDMARA REGINA DIAS; SIVA, AMANDA SOUZA; SIMONATO, LUCIANA ESTEVAM; MORETI, LUCIENI CRISTINA TROVATI. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 02. ACIDENTES E COMPLICAÇÕES NA ABERTURA CORONÁRIA. SOUZA, EDMARA REGINA DIAS; SEKI, NATHALIA MARIKO ASSAKAWA; TAVARES, THAÍS RUAS; SIVA, AMANDA SOUZA; SIMONATO, LUCIANA ESTEVAM; MORETI, LUCIENI CRISTINA TROVATI. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 03. DOENÇAS INFECTO CONTAGIOSAS. SOUZA, ISABELE TEODORO DE; SANTOS, BEATRIZ MAGRI DOS; ARANTES, GABRIELI DE MAGALHAES; FERREIRA, LARISSA QUEIROZ; SILVA, WAGNER RAFAEL DA. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 04. GENES MARCADORES DE RESISTÊNCIA À TETRACICLINA NO BIOFILME DE DEPENDENTES QUÍMICOS E NÃO DEPENDENTES. SOUZA, ISABELE TEODORO DE; BRUZADIN, LEONARDO NASCIMENTO; SILVA, WAGNER RAFAEL DA; BOER, NAGIB PEZATI; RANIERI, ROBSON VARLEI; OKAMOTO, ANA CLÁUDIA; JÚNIOR, ELERSON GAETTI-JARDIM; CUNHA-CORREIA, ADRIANA SALES. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 05. GENES MARCADORES DE RESISTÊNCIA A ANTIMICROBIANOS NO BIOFILME DE OVINOS SAUDÁVEIS OU COM PERIODONTITE. BRUZADIN, LEONARDO NASCIMENTO; BRUZADIN, LETÍCIA NASCIMENTO; SILVA, WAGNER RAFAEL DA; RANIERI, ROBSON VARLEI; OKAMOTO, ANA CLÁUDIA; DUTRA, IVERALDO DOS SANTOS; JÚNIOR, ELERSON GAETTI-JARDIM; CUNHA-CORREIA, ADRIANA SALES. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 06. ANATOMIA COMPARADA DA REGIÃO CERVICAL DE AVES E HUMANOS. FRANCISCO, CAROLINE SANCHES VICK; SPAZIANI, AMANDA OLIVA; FRANCISCO, JAQUELINE SANCHES VICK; VERONESI, CAMILA LUCCHESE; PEREIRA, ALEXANDRE MIRANDA; TALIARI, JEAN DONIZETE SILVEIRA. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 07. INVESTIGAÇÃO DA PREVALÊNCIA DO MÚSCULO PIRAMIDAL EM CADÁVERES HUMANOS. FRANCISCO, CAROLINE SANCHES VICK; SPAZIANI, AMANDA OLIVA; ANDREANI, GIOVANNA; FRANCISCO, JAQUELINE SANCHES VICK; RAMOS, ROGÉRIO RODRIGO; BATIGÁLIA, FERNANDO; CHACON, ERIVELTO LUÍS. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 08. FISSURAS PULMONARES E PARIETAIS COM ADERÊNCIA DOS FOLHETOS VISCERAIS: RELATO DE CASO. FRANCISCO, JAQUELINE SANCHES VICK; SPAZIANI, AMANDA OLIVA; ANDREANI, GIOVANNA; FRANCISCO, CAROLINE SANCHES VICK; TALIARI, JEAN DONIZETE SILVEIRA; RAMOS, ROGÉRIO RODRIGO; PEREIRA, ALEXANDRE MIRANDA. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 09. ANÁLISE DOS VASOS RENAIS EM CADÁVERES HUMANOS: RELATO DE CASO. FRANCISCO, JAQUELINE SANCHES VICK; FRANCISCO, CAROLINE SANCHES VICK; SPAZIANI, AMANDA OLIVA; BOER, LUIS FERNANDO RICCI; RAMOS, ROGÉRIO RODRIGO; BATIGÁLIA, FERNANDO. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 10. ESTRATÉGIA PARA DESCARTE E TRATAMENTO ECOLÓGICO DE EFLUENTE DE FORMOL EM LABORATÓRIO DE ANATOMIA. MOREIRA, PABLO DE SOUZA; RAMOS, ROGÉRIO RODRIGO; BOER, LUÍS FERNANDO RICCI; PAVÃO, GUSTAVO DALAN; MIORIN, ANA PAULA GOBATE; BATIGÁLIA, FERNANDO. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 11. DISTRIBUIÇÃO DOS GENES LIGADOS ÀS B-LACTAMASES DE AMPLO ESPECTRO DE AÇÃO ENTRE OS ANAERÓBIOS BUCAIS OBRIGATÓRIOS. BRUZADIN, LETÍCIA NASCIMENTO; BRUZADIN, LEONARDO NASCIMENTO; SILVA, WAGNER RAFAEL DA; OKAMOTO, ANA CLAUDIA; SCHWEITZER, CHRISTIANE MARIE; JÚNIOR, ELERSON GAETTI-JARDIM; CUNHA-CORREIA, ADRIANA SALES. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 12. SINCERIDADE DOS PACIENTES DURANTE A ANAMNESE. BASI, LAYNI ANDRADE; MARTINS, YASMIN DUTRA; MOTA, BIANCA MARQUES; RIBEIRO, RAIANIFER APARECIDA GARCIA; FERRARI, MIRELLA TAIS SIQUEIRA FIDELIS; SILVA, WAGNER RAFAEL DA. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 13. A IMPORTÂNCIA DA ODONTOLOGIA HOSPITALAR PARA A PREVENÇÃO DA PNEUMONIA NOSOCOMIAL. DINIZ, GABRIEL EUGENIO MANIGA; SILVA, FELIPE HENRIQUE QUIRINO DA; BATISTA, AMANDA DA FONSECA MORAES; BELONI, MARIA CRISTINA VERMEJO; SOUZA, EDUARDO GIOVANI DE; SILVA, GABRIELA FERNANDA ISMARSI DA; BENTO, JACQUELINE CRISTINA DA SILVA; TEMPEST, LEANDRO MOREIRA. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 14. LIMAS EASY PRODESING LOGIC - NOVA TECNOLOGIA EM LIMAS - PROPOSTA DE LIMA ÚNICA. MARCELINO, VANESSA CRISTINA DA SILVA; BOER, NILTON CÉSAR PEZATI; OGATA, MITSURO; BOAS, LARISSA VILAS; MORETI, LUCIENI CRISTINA TROVATI; FERNANDES, KARINA GONZALEZ CAMARA. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 15. ANÁLISE DA PREVALÊNCIA VARIAÇÃO ANATÔMICA DO MÚSCULO PALMAR LONGO EM SERES HUMANOS: UMA REVISÃO BIBLIOGRÁFICA. CAETANO, NELIZE MAIOLI; SPAZIANI, AMANDA OLIVA; ANDREANI, GIOVANNA; ARAUJO, ISABELLA MOREIRA; MULLER, KARLA MARIA; RAMOS, ROGÉRIO RODRIGO; TALIARI, JEAN DONIZETE SILVEIRA. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 16. ANÁLISE DA VARIAÇÃO ANATÔMICA DO MÚSCULO PLANTAR EM CADÁVERES HUMANOS. CAETANO, NELIZE MAIOLI; ANDREANI, GIOVANNA; SPAZIANI, AMANDA OLIVA; FRANCISCO, JAQUELINE SANCHES VICK; FRANCISCO, CAROLINE SANCHES VICK; RAMOS, ROGÉRIO RODRIGO; BATIGÁLIA, FERNANDO; BOER, NAGIB PEZATI. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 17. CÁLCULO DO SERVIÇO ODONTOLÓGICO. BRUZADIN, LEONARDO NASCIMENTO; BRUZADIN, LETÍCIA NASCIMENTO; BOER, NILTON CESAR PEZATI. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 18. PROPRIEDADES E PERSPECTIVAS ATUAIS DAS CÉLULAS-TRONCO DERIVADAS DE POLPA DENTÁRIA HUMANA. CARNEIRO, MARIA CAROLINA; PACCHIONI, HENRIQUE VILLAR TELLES LUNARDELI; RODRIGUEZ, LARISSA SANTANA. Fundação Municipal e Cultural de Santa Fé do Sul - FUNEC.P 19. PREVALÊNCIA DA DOENÇA CÁRIE EM PACIENTES COM NECESSIDADES ESPECIAIS. MARCOS, FABIANY CARINA; CORREIA, ADRIANA SALES CUNHA; CRUZ, MARLENE CABRAL COIMBRA DA; SAKASHITA, MARTHA SUEMI. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 20. IMPORTÂNCIA DA ATUAÇÃO ODONTOLÓGICA NA PREVENÇÃO DA PNEUMONIA ASSOCIADA À VENTILAÇÃO MECÂNICA. PROCÓPIO, MONIQUE SOUZA; GIACHETTO, FELIPE; SILVA, WAGNER RAFAEL DA; BOER, NAGIB PEZATI; GAETTI-JARDIM, ELLEN CRISTINA; JÚNIOR, ELERSON GAETTI-JARDIM; CUNHA-CORREIA, ADRIANA SALES. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 21. FORMALIZAÇÃO E GLICERINAÇÃO: ESTUDO DE PREFERÊNCIA DE TÉCNICA DE CONSERVAÇÃO ANATÔMICA POR ACADÊMICOS. SPAZIANI, AMANDA OLIVA; FRANCISCO, CAROLINE SANCHES VICK; ANDREANI, GIOVANNA; CAETANO, NELIZE MAIOLI; CARVALHO, BRUNA KLINGELFUS; FRANCISCO, JAQUELINE SANCHES VICK; TALIARI, JEAN DONIZETE SILVEIRA; PEREIRA, ALEXANDRE MIRANDA. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 22. PREVALÊNCIA DO MÚSCULO PALMAR LONGO EM ANTEBRAÇOS DE CADÁVERES HUMANOS. SPAZIANI, AMANDA OLIVA; FRANCISCO, CAROLINE SANCHES VICK; ANDREANI, GIOVANNA; CAETANO, NELIZE MAIOLI; FRANCISCO, JAQUELINE SANCHES VICK; RAMOS, ROGÉRIO RODRIGO; TALIARI, JEAN DONIZETE SILVEIRA; BATIGÁLIA, FERNANDO. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 23. VARIAÇÃO ANATÔMICA: ORIGEM DA ARTÉRIA RADIAL EM CADÁVER HUMANO. PAVÃO, GUSTAVO DALAN; MINGATOS, GISELA SANT´ANA; FERREIRA, AUGUSTO SÉTTEMO; BOER, LUIS FERNANDO RICCI; BATIGÁLIA, FERNANDO; RAMOS, ROGÉRIO RODRIGO. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 24. AVALIAÇÃO COMPARATIVA IN VITRO DA AÇÃO DE SUBSTÂNCIAS ANTIMICROBIANAS INTRACANAIS UTILIZADAS COMO AGENTES CURATIVOS TRADICIONAIS COM O OTOCIRIAX®.DUNGUE, JULIANA ROMERA; MORETI, LUCIENI CRISTINA TROVATI; BOER, NILTON CÉSAR PEZATI. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 25. RECONSTRUÇÃO DE MAXILA ATRÓFICA POR ENXERTIA AUTÓGENA. REIS, WILLYAM FONTES; SIMONATO, LUCIANA ESTEVAM; INGRACI, MARIÂNGELA BORGHI; FABRIS, ANDRÉ LUÍS DA SILVA. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 26. RELATO DE CASO DE PROCESSO ESTILOIDE ALONGADO. MOREIRA, PABLO DE SOUZA; MEDINA, THIAGO; PASTRELLO, FERNANDO HENRIQUE HONDA; CARVALHO, BRUNA KLINGELFUS; BOER, NAGIB PEZATI; BATIGÁLIA, FERNANDO. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 27. DIAGNÓSTICO DIFERENCIAL DE LIMITAÇÃO DA ABERTURA BUCAL: RELATO DE CASOS. OLIVEIRA, EVELYN GONÇALVES DE; ARIKAWA, YARA MATSU TORRES; JACOMETO, WILLIAN HENRIQUE; SANTOS, RAFAEL CID DOS; ZUIM, PAULO ROBERTO JUNQUEIRA; CARVALHO, KARINA HELGA TURCIO DE. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 28. ACIDENTES E COMPLICAÇÕES EM ENDODONTIA: SOBREOBTURAÇÃO. RELATO DE CASO CLÍNICO. MARIN, RENATA MARIA CRISTINA; MERENDA, ALINE DENICE; OGATA, MITSURU; PEZATI, NILTON CEZAR; MORETI, LUCIENE CRISTINA TROVATI. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 29. RADIOLOGIA DIGITAL. NETO, JOÃO ABADIO DE OLIVEIRA; FILIPPIN, CAROLINA; HOSHINO, ISIS ALMELA ENDO; FERNANDES, JENIFFER CRISTINA; GUBOLIN, SIMONE. Centro Universitário do Noroeste Paulista – UNORP.P 30. DIAGNÓSTICO DEFINITIVO FRENTE A LESÃO EM PALATO – RELATO DE CASO. QUEIROZ, MARCELA BLINI DE SOUZA; LIMA, LAÍS FERNANDA CASTILHO; MORAES, LAIS MILLIANA DOS SANTOS; SANTOS, RAFAEL CID DOS; BORTOLUZO, PAULO HENRIQUE; BOER, NAGIB PEZATI; SIMONATO, LUCIANA ESTEVAM. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 31. CORRELAÇÃO ENTRE ORTODONTIA E PERIODONTIA - RELATO DE CASO CLÍNICO. OLIVEIRA, EVELYN GONÇALVES DE; SOUZA, JOÃO MARCELO DE FRANCESCO; SILVA, HELOISI FRANÇA MARQUES DA; DUNGUE, JULIANA ROMERA; JACOMETO, WILLIAN HENRIQUE; ROLIM, VALÉRIA CRISTINA LOPES DE BARROS. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 32. A INCIDÊNCIA CÁRIE NA PRIMEIRA INFÂNCIA. MULATO, BÁRBARA DIAS; FRANCESCHINI, ANA CAROLINA ALVES; SOUZA, JÉSSICA PEREIRA DE; SILVA, JÉSSICA CRISTINA DA; CARREIRA, HEITOR DE SOUZA; SILVA, LUIZ FELIPE OLIVEIRA DA; ANTONIO, REGINA ROBERTA; ROSA, ANA PAULA BERNARDES. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 33. AVALIAÇÃO DO GRAU DE CONHECIMENTO DE MONITORAS DE CEMEI SOBRE PRIMEIROS SOCORROS. CRUZ, MARINA COIMBRA DA; NETO, PEDRO BRANDEMARTI; GIRALDELLI, SHIZUMI ISERI; FERREIRA, AUGUSTO SÉTTEMO; JOSÉ, BRUNO BRAGA; FERREIRA, FLÁVIO CARLOS RUY. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 34. SEDAÇÃO MÍNIMA NO ATENDIMENTO ODONTOLÓGICO DE PACIENTE ESQUIZOFRÊNICO – RELATO DE CASO. ALVES, TATIANE MARIA SILVA; BOER, NAGIB PEZATI; OLIVEIRA, ELEN DAIANE DE; CORREIA, THIAGO MEDEIROS; CUNHA-CORREIA, ADRIANA SALES. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 35. TERAPIA ENDODÔNTICA EM DENTE PERMANENTE COM MORTE PULPAR E RIZOGÊNESE INCOMPLETA: RELATO DE CASO CLÍNICO. COSTA, ANTONIO HENRIQUE CAMPOS DA; BORTOLO, AMANDA FLAVIA; PIMENTA, CAROLINA BASSO RODRIGO; FERNANDES, KARINA GONZALES CÂMARA; BOER, NILTON CÉSAR PEZATE; MORETI, LUCIENI CRISTINA TROVATI. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 36. INFECÇÕES RESPIRATÓRIAS E DISSEMINAÇÃO DE MICRORGANISMOS SUPERINFECTANTES E OPORTUNISTAS NA BOCA DE PACIENTES HOSPITALIZADOS. GIACHETTO, FELIPE; SILVA, WAGNER RAFAEL DA; BOMBARDA, FÁBIO; GAETTI-JARDIM, ELLEN CRISTINA; SCHWEITZER, CHRISTIANE MARIE; JÚNIOR, ELERSON GAETTI-JARDIM; BOER, NAGIB PEZATI; CUNHA-CORREIA, ADRIANA SALES. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis / FOA-UNESP – Campus Araçatuba.P 37. AS PLANTAS MEDICINAIS NO CONTROLE DO BIOFILME BUCAL. ESTEVES, EDMILSON DA SILVA; ESTEVES, ÉDRYLA MORAES; GALBIATTI, JULIANA SILVA; BASSO, TATIANE; AGRELI, KAMILLA CARNEIRO; LOPES, RAFAELLA PANTOJA; SILVA, NATIELE FERREIRA DA; COVIZZI, UDERLEI. Universidade do Norte Paulista - UNORP - Jd Alto Rio Preto - São José do Rio Preto.P 38. MUCOCELE EM VENTRE LINGUAL DE PACIENTE PEDIÁTRICO - TRATAMENTO CIRÚRGICO. FERREIRA, JULIANA PAULA; CORREIA, ADRIANA SALES CUNHA; SIMONATO, LUCIANA ESTEVAM; SANTOS, RAFAEL CID DOS; SOARES, RODOLFO POLLO; PEGORETTO, MARCELO PERLES; LUCIA, MARIÂNGELA BORGHI INGRACI DE. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 39. VISITA ACADÊMICA AO HOSPITAL DO CÂNCER DE BARRETOS - RELATO DE EXPERIÊNCIA. PONCIANO, VITÓRIA DE ARAUJO; BRUZADIN, LEONARDO NASCIMENTO; SIMONATO, LUCIANA ESTEVAM; CRUZ, MARLENE CABRAL COIMBRA DA. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 40. ENDODONTIA REGENERATIVA NO TRATAMENTO DE DENTE COM RIZOGÊNESE INCOMPLETA: RELATO DE CASO CLÍNICO. FANTI, LARISSA BARRADAS; FERNANDES, KARINA GONSALEZ CÂMARA; MORETI, LUCIENI CRISTINA TROVATI. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 41. ODONTOLOGIA EM MISSÃO HUMANITÁRIA EM DOURADOS-MS. PIGARI, ANA LAURA; CRUZ, MARLENE CABRAL COIMBRA DA. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 42. FRATURA RADICULAR OBLÍQUA EM PRIMEIRO PRÉ-MOLAR INFERIOR ESQUERDO PERMANENTE. ADAMI, BRUNA CARLA PEREIRA; MERENDA, ALINE DENICE; MORETI, LUCIENI CRISTINA TROVATI. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 43. USO DA RESSONÂNCIA MAGNÉTICA NA AVALIAÇÃO DO NERVO ALVEOLAR INFERIOR EM PACIENTES COM PARESTESIA APÓS EXODONTIA DO TERCEIRO MOLAR. CRUZ, LUCAS COIMBRA DA; CRUZ, MARINA COIMBRA DA; CRUZ, DANIELA MOREIRA DA; LALIER, RAFAEL TEODORO LOPES; SANO, RUBENS SATO; SANO, RENATO SATO; JÚNIOR, ARIOVALDO JOSÉ DO NASCIMENTO; CRUZ, MARLENE CABRAL COIMBRA DA. Santa Casa de Misericórdia de Fernandópolis / Centro de Diagnóstico por Imagem de Fernandópolis.P 44. PAPILOMA ESCAMOSO EM MUCOSA LABIAL SUPERIOR: RELATO DE CASO. OLIVEIRA, BRUNA IRIS DE; JUSTE, LARISSA CRISTINA; TOMO, SAYGO; STEFANINI, ALINE REIS; CRUZ, MARLENE CABRAL COIMBRA DA; SIMONATO, LUCIANA ESTEVAM. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 45. FIBROMA EM VENTRE LINGUAL DECORRENTE DE PIERCING LINGUAL. MAFRA, ANA CLARA FONTES; SILVA, LAURA; STEFANINI, ALINE REIS; MORETI, LUCIENI CRISTINA TROVATI; BOER, NILTON CESAR PEZATI; SIMONATO, LUCIANA ESTEVAM. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 46. CLAREAMENTO DE DENTES DESVITALIZADOS: RELATO DE CASO CLÍNICO. SOUZA, JUNIO FABIANO RIBEIRO DE; SILVA, JULIANA RODRIGUES DE ALMEIDA; FERNANDES, KARINA GONZALES CÂMARA; OGATA, MITSURU; MORETI, LUCIENI CRISTINA TROVATI. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 47. FENÔMENO DE EXTRAVASAMENTO DE SALIVA: RELATO DE CASO. TAGLIARI, EDILAINE RITA DA MATA; SILVA, SILVANA LUIZ DA; TOMO, SAYGO; STEFANINI, ALINE REIS; CRUZ, MARLENE CABRAL COIMBRA DA; SIMONATO, LUCIANA ESTEVAM. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 48. DISPLASIA CEMENTO ÓSSEA FLORIDA: RELATO DE CASO CLÍNICO. DUNGUE, JULIANA ROMERA; BARBOSA, PEDRO AUGUSTO CAETANO; OLIVEIRA, EVELYN GONÇALVES DE; BOER, NILTON CÉSAR PEZATI; FERNANDES, KARINA GONZALES CAMARA; MORETI, LUCIENI CRISTINA TROVATI. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 49. DIAGNÓSTICO E CONDUTA CLÍNICA FRENTE A NÓDULO EM MUCOSA LABIAL – RELATO DE CASO. QUEIROZ, GEOVANIA MELO; MENEZES, CAROLINE PEREIRA; TOMO, SAYGO; STEFANINI, ALINE REIS; BOER, NAGIB PEZATI; SIMONATO, LUCIANA ESTEVAM. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 50. DIAGNÓSTICO DE ÚLCERA MALIGNA EM LÍNGUA DE PACIENTE SEM HÁBITOS DE RISCO. NOGUEIRA, CARLA MONISE; GOBERO, RAFAELA CORTELASSI; TOMO, SAYGO; STEFANINI, ALINE REIS; FERNANDES, KARINA GONZALES CAMARA; SIMONATO, LUCIANA ESTEVAM. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 51. TRATAMENTO DE CARCINOMA EPIDERMÓIDE BUCAL EM LÁBIO INFERIOR. ARMELIN, ANGELA MARIA LAURINDO; SILVEIRA, LUCAS DE JESUS DA; SANTOS, RAFAEL CID DOS; STEFANINI, ALINE REIS; BORTOLUZO, PAULO HENRIQUE; SIMONATO, LUCIANA ESTEVAM. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 52. ATENDIMENTO MÉDICO PRÉ-HOSPITALAR NO BRASIL: EVOLUÇÃO HISTÓRICA. FERREIRA, AUGUSTO SÉTTEMO; CRUZ, MARINA COIMBRA DA; CAMARGO, RENAN PAES DE; CRUZ, LUCAS COIMBRA DA; CRUZ, DANIELA MOREIRA DA; CRUZ, MARLENE CABRAL COIMBRA DA. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 53. AVALIAÇÃO DO GRAU DE CONHECIMENTO DE MONITORAS DE CEMEI SOBRE MAUS TRATOS INFANTIL. JOSÉ, BRUNO BRAGA; FERREIRA, AUGUSTO SÉTTEMO; CRUZ, MARINA COIMBRA DA; GIRALDELLI, SHIZUMI ISERI; FERREIRA, FLÁVIO CARLOS RUY. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.P 54. FATORES DE RISCO PARA ACIDENTE VASCULAR ENCEFÁLICO (AVE). CAMARGO, RENAN PAES DE; CRUZ, MARINA COIMBRA DA; CRUZ, LUCAS COIMBRA DA; CRUZ, DANIELA MOREIRA DA; CRUZ, MARLENE CABRAL COIMBRA DA. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.CATEGORIA ORALOr 1. SEDAÇÃO INALATÓRIA COM ÓXIDO NITROSO EM CLÍNICA UNIVERSITÁRIA – RELATO DE CASO. ALVES, TATIANE MARIA SILVA; BOER, NAGIB PEZATI; SANTOS, RAFAEL CID DOS; CORREIA, THIAGO MEDEIROS; FABRIS, ANDRÉ LUIS DA SILVA; CUNHA-CORREIA, ADRIANA SALES. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.Or 2. CISTO DENTÍGERO DIAGNÓSTICO E TRATAMENTO – RELATO DE CASO. SOARES, RODOLFO POLLO; SANTOS, RAFAEL CID DOS; STEFANINI, ALINE REIS; FABRIS, ANDRÉ LUIS DA SILVA; BORTOLUZO, PAULO HENRIQUE; SIMONATO, LUCIANA ESTEVAM. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.Or 3. FOTOGRAFIA ODONTOLÓGICA COM SMARTPHONE. SANTOS, RAFAEL CID DOS; SOARES, RODOLFO POLLO; TOMO, SAYGO; MARCELINO, VANESSA CRISTINA DA SILVA; BARROS, RAISA MENDONÇA; SIMONATO, LUCIANA ESTEVAM; BORTOLUZO, PAULO HENRIQUE; ROLIM, VALÉRIA CRISTINA LOPES DE BARROS. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.Or 4. DIAGNÓSTICO E TRATAMENTO DE NEOPLASIA LIPOMATOSA INCOMUM EM ASSOALHO BUCAL. SANTOS, RAFAEL CID DOS; SOARES, RODOLFO POLLO; TOMO, SAYGO; STEFANINI, ALINE REIS; FABRIS, ANDRÉ LUIS DA SILVA; BORTOLUZO, PAULO HENRIQUE; SIMONATO, LUCIANA ESTEVAM. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.Or 5. SEDAÇÃO CONSCIENTE COM MIDAZOLAM EM ODONTOPEDIATRIA: RELATO DE CASO. MAIA, JESSICA ANSELMO; CORREIA, THIAGO MEDEIROS; CUNHA-CORREIA, ADRIANA SALES. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.Or 6. CONDUTA DO CIRURGIÃO-DENTISTA FRENTE ÀS COMPLICAÇÕES BUCAIS ADVINDAS DA RADIOTERAPIA EM REGIÃO DE CABEÇA E PESCOÇO. PONCIANO, VITÓRIA DE ARAUJO; GIACHETTO, FELIPE; FREITAS, ALANA GARCIA; SUEMI SAKASHITA, MARTHA; ANTONIO, RAQUEL CARROS; SIMONATO, LUCIANA ESTEVAM; CUNHA-CORREIA, ADRIANA SALES. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.Or 7. FRATURA DE COMPLEXO ZIGOMÁTICO-ORBITÁRIO DECORRENTE DE ACIDENTE DE TRABALHO “CHIFRADA DE BOI”. FERNANDES, GABRIELA CAROLINE; MOMESSO, GUSTAVO ANTONIO CORREA; POLO, TÁRIK OCON BRAGA; DUAILIBE, CIRO; JÚNIOR, IDELMO RANGEL GARCIA; FAVERANI, LEONARDO PEREZ. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis / Universidade Estadual Paulista “Júlio de Mesquita Filho” – Campus de Araçatuba Departamento de Cirurgia e Clínica Integrada.Or 8. MICOSE PROFUNDA EM BOCA: DIAGNÓSTICO E CONDUTA CLÍNICA. RODRIGUES, TAWANA GOMES; JUNIOR, CARLOS LEITE DA SILVA; SANTOS, RAFAEL CID DOS; STEFANINI, ALINE REIS; MORETI, LUCIENI CRISTINA TROVATI; BORTOLUZO, PAULO HENRIQUE; SIMONATO, LUCIANA ESTEVAM. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.Or 9. ANAERÓBIOS BUCAIS GRAM-NEGATIVOS EM PACIENTES HIV POSITIVOS COM DIFERENTES CONDIÇÕES IMUNOLÓGICAS. GIACHETTO, FELIPE; SILVA, WAGNER RAFAEL DA; BOER, NAGIB PEZATI; BOSQUE, ALINE VALSECHI; MECA, LIVIA BUZATI; GAETTI-JARDIM, ELLEN CRISTINA; JÚNIOR, ELERSON GAETTI-JARDIM; CUNHA-CORREIA, ADRIANA SALES. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis/ FOA-UNESP – Campus Araçatuba.Or 10. TRATAMENTO CIRÚRGICO DE CARCINOMA ESPINOCELULAR EM LÁBIO – RELATO DE CASO. MARCELINO, VANESSA CRISTINA DA SILVA; STEFANINI, ALINE REIS; LUCIA, MARIANGELA BORGHI INGRACI DE; FABRIS, ANDRÉ LUIS DA SILVA; SIMONATO, LUCIANA ESTEVAM. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.Or 11. APRESENTAÇÃO CLÍNICA SEVERA DE LÍQUEN PLANO: RELATO DE CASO. HERNANDES, ANA CAROLINA PUNHAGUI; GOMES, LARA STORTE; SANTOS, RAFAEL CID DOS; TOMO, SAYGO; BORTOLUZO, PAULO HENRIQUE; SIMONATO, LUCIANA STEVAM. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.Or 12. TRATAMENTO DE HEMANGIOMA EM LÁBIO SUPERIOR COM AGENTE ESCLEROSANTE. TONIOLI, ISABELA BOMBONATO; TOMO, SAYGO; BOER, NAGIB PEZATI; SIMONATO, LUCIANA ESTEVAM; LUCIA, MARIÂNGELA BORGHI INGRACI DE. Universidade Camilo Castelo Branco - UNICASTELO - Campus Fernandópolis.Or 13. OBLITERAÇÃO DE TÚBULOS DENTINÁRIOS UTILIZANDO DENTIFRÍCIOS CONTENDO TRIMETAFOSFATO DE SÓDIO APÓS DESAFIO ÁCIDO. ESTUDO IN VITRO. TOLEDO, PRISCILA TONINATTO ALVES DE; FAVRETTO, CARLA OLIVEIRA; SILVA, MÁRJULLY EDUARDO RODRIGUES DA; DANELON, MARCELLE; MORAIS, LEONARDO ANTÔNIO DE; DELBEM, ALBERTO CARLOS BOTAZZO; PEDRINI, DENISE. Faculdade de Odontologia de Araçatuba, Universidade Estadual Paulista “Júlio de Mesquita Filho” - UNESP.Or 14. EFEITO DA ADIÇÃO DO HEXAMETAFOSFATO DE SÓDIO NO CIMENTO DE IONÔMERO DE VIDRO SOBRE A DESMINERALIZAÇÃO DO ESMALTE. MORAIS, LEONARDO ANTONIO DE; HOSIDA, THAYSE YUMI; TOLEDO, PRISCILA TONINATTO ALVES DE; DANELON, MARCELLE; SOUZA, JOSÉ ANTÔNIO SANTOS; DELBEM, ALBERTO CARLOS BOTAZZO; PEDRINI, DENISE. Faculdade de Odontologia de Araçatuba - Universidade Estadual Paulista “Júlio de Mesquita Filho” - UNESP.

Bracketed by a quotation from famed 1950s West German soccer coach S. Herberger and the word "Ende", the running length of the 1998 film Run Lola Run, directed by Tom Tykwer, is 9 minutes short of the official duration of a soccer match. Berlin has often been represented, in visual art and in cinematic imagery, as the modern metropolis: the Expressionist and Dadaist painters, Walter Ruttmann, Fritz Lang and Rainer Werner Fassbinder all depicted it as the modernising city. Since the '60s artists have staged artworks and performances in the public space of the city which critiqued the cold war order of that space, its institutions, and the hysterical attempt by the German government to erase a divided past after 1990. Run Lola Run depicts its setting, Berlin, as a cyberspace obstacle course or environment usually associated with interactive video and computer games. The eerie emptiness of the Berlin of Run Lola Run -- a fantasy projected onto a city which has been called the single biggest construction site in Europe -- is necessary to keep the protagonist Lola moving at high speed from the West to the East part of town and back again -- another fantasy which is only possible when the city is recast as a virtual environment. In Run Lola Run Berlin is represented as an idealised space of bodily and psychic mobility where the instantaneous technology of cyberspace is physically realised as a utopia of speed. The setting of Run Lola Run is not a playing field but a playing level, to use the parlance of video game technology. Underscored by other filmic devices and technologies, Run Lola Run emulates the kinetics and structures of a virtual, quasi-interactive environment: the Berlin setting of the film is paradoxically rendered as an indeterminate, but also site specific, entertainment complex which hinges upon the high-speed functioning of multiple networks of auto-mobility. Urban mobility as circuitry is performed by the film's super-athletic Lola. Lola is a cyber character; she recalls the 'cyberbabe' Lara Croft, heroine of the Sega Tomb Raider video game series. In Tomb Raider the Croft figure is controlled and manipulated by the interactive player to go through as many levels of play, or virtual environments, as possible. In order for the cyber figure to get to the next level of play she must successfully negotiate as many trap and puzzle mechanisms as possible. Speed in this interactive virtual game results from the skill of an experienced player who has practiced coordinating keyboard commands with figure movements and who is familiar with the obstacles the various environments can present. As is the case with Lara Croft, the figure of Lola in Run Lola Run reverses the traditional gender relations of the action/adventure game and of 'damsel in distress' narratives. Run Lola Run focusses on Lola's race to save her boyfriend from a certain death by obtaining DM 100,000 and delivering it across town in twenty minutes. The film adds the element of the race to the game, a variable not included in Tomb Raider. Tykwer repeats Lola's trajectory from home to the location of her boyfriend Manni thrice in the film, each time ending her quest with a different outcome. As in a video game, Lola can therefore be killed as the game unwinds during one turn of play, and on the next attempt she, and also we as viewers or would-be interactive players, would have learned from her previous 'mistakes' and adjust her actions accordingly. The soundtrack of Run Lola Run underscores the speed and mobility of Berlin by means of the fast/slow/fast rhythm of the film, which proceeds primarily at the pace of techno music. This quick rhythm is syncopated with pauses in the forward-moving action brought on by Lola's superhuman screams or by the death of a protagonist. These events mark the end of one turn of 'play' and the restart of Lola's route. Tykwer visually contrasts Lola's linear mobility and her physical and mental capacity for speed with her boyfriend Manni's centripetal fixity, a marker of his helplessness, throughout the film. Manni, a bagman-in-training for a local mafioso, has to make his desperate phone calls from a single phone booth in the borough of Charlottenburg after he bungles a hand-off of payment money by forgetting it on the U-Bahn (the subway). In a black and white flashback sequence, viewers learn about Manni's ill-fated trip to the Polish border with a shipment of stolen cars. In contrast to his earlier mobility, Manni becomes entrapped in the phone booth as a result of his ineptitude. A spiral store sign close to the phone booth symbolizes Manni's entrapment. Tykwer contrasts this circular form with the lines and grids Lola transverses throughout the film. Where at first Lola is also immobilised after her moped is stolen by an 'unbelieveably fast' thief, her quasi-cybernetic thought process soon restores her movement. Tykwer visualizes Lola's frantic thinking in a series of photographic portraits which indicates her consideration of who she can contact to supply a large sum of money. Lola not only moves but thinks with the fast, even pace of a computer working through a database. Tykwer then repeats overhead shots of gridded pavement which Lola follows as she runs through the filmic frame. The grid, emblem of modernity and structure of the metropolis, the semiconductor, and the puzzles of a virtual environment, is necessary for mobility and speed, and is performed by the figure of Lola. The grid is also apparent in the trajectories of traffic of speeding bikes, subway trains,and airplanes passing overhead, which all parallel Lola's movements in the film. The city/virtual environment is thus an idealised nexus of local, national and global lines of mobility and communication.: -- OR -- Tykwer emphasised the arbitrariness of the setting of Run Lola Run, insisting it could easily have been set in any other urban centre such as New York City or Beijing. At no point does the film make explicit that the space of action is Berlin; in fact the setting of the film is far less significant than the filmic self-reflexivity Tykwer explores in Run Lola Run. Berlin becomes a postmodernist filmic text in which earlier films by Lang, Schlöndorff, von Sternberg and Wenders are cited in intertextual fashion. It is not by chance that the protagonist of Run Lola Run shares the name of Marlene Dietrich's legendary character in von Sternberg's The Blue Angel. The running, late-20th-century Lola reconnects with and gains power from the originary Lola Lola as ur-Star of German cinema. The high overhead shots of Run Lola Run technologically exceed those used by Lang in M in 1931 but still quote his filmic text; the spiral form, placed in a shop window in M, becomes a central image of Run Lola Run in marking the immobile spot that Manni occupies. Repeated several times in the film, Lola's scream bends events, characters and chance to her will and slows the relentless pace of the narrative. This vocal punctuation recalls the equally willful vocalisations of Oskar Matzerath in Schlöndorff's Tin Drum (1979). Tykwer's radical expansions and compressions of time in Run Lola Run rely on the temporal exploitation of the filmic medium. The film stretches 20 minutes of 'real time' in the lives of its two protagonists into the 84 minutes of the film. Tykwer also distills the lives of the film's incidental or secondary characters into a few still images and a few seconds of filmic time in the 'und dann...' [and then...] sequences of all three episodes. For example, Lola's momentary encounter with an employee of her father's bank spins off into two completely different life stories for this woman, both of which are told through four or five staged 'snapshots' which are edited together into a rapid sequence. The higher-speed photography of the snapshot keeps up the frenetic pace of Run Lola Run and causes the narrative to move forward even faster, if only for a few seconds. Tykwer also celebrates the technology of 35 mm film in juxtaposing it to the fuzzy imprecision of video in Run Lola Run. The viewer not only notes how scenes shot on video are less visually beautiful than the 35 mm scenes which feature Lola or Manni, but also that they seem to move at a snail's pace. For example, the video-shot scene in Lola's banker-father's office also represents the boredom of his well-paid but stagnant life; another video sequence visually parallels the slow, shuffling movement of the homeless man Norbert as he discovers Manni's forgotten moneybag on the U-Bahn. Comically, he breaks into a run when he realises what he's found. Where Wim Wenders's Wings of Desire made beautiful cinematographic use of Berlin landmarks like the Siegessäule in black and white 35 mm, Tykwer relegates black and white to flashback sequences within the narrative and rejects the relatively meandering contemplation of Wenders's film in favour of the linear dynamism of urban space in Run Lola Run. -- OR -- Tykwer emphasised the arbitrariness of the setting of Run Lola Run, insisting it could easily have been set in any other urban centre such as New York City or Beijing. Nevertheless he establishes the united Berlin as the specific setting of the film. While Run Lola Run does not explicitly indicate that the space of action is Berlin, viewers are clear of the setting: a repeated establishing shot of the Friedrichstrasse U-Bahn stop, a central commuting street near the Brandenburg Gate in the former East Berlin which has undergone extensive reconstruction since 1990, begins each episode of the film. The play between the locality of Berlin and its role as the universal modernist metropolis is a trope of German cinema famously deployed by Fritz Lang in M, where the setting is also never explicitly revealed but implied by means of the use of the Berlin dialect in the dialogue of the film1. The soundtrack of Run Lola Run underscores the speed and mobility of Berlin by means of the fast/slow/fast rhythm of the film which proceeds primarily at the pace of techno music. Techno is also closely identified with the city of Berlin through its annual Techno Festival, which seems to grow larger with each passing year. Quick techno rhythm is syncopated with pauses in the forward-moving action brought on by Lola's superhuman screams or by the death of a protagonist. Berlin is also made explicit as Tykwer often stages scenes at clearly-marked street intersections which identify particular locations or boroughs thoughout east and west Berlin. The viewer notes that Lola escapes her father's bank during one episode and faces Unter den Linden; several scenes unfold on the banks of the river Spree; Lola sprints between the Altes Museum and the Berlin Cathedral. Manni's participation in a car-theft ring points to the Berlin-focussed activity of actual Eastern European and Russian crime syndicates; the film features an interlude at the Polish border where Manni delivers a shipment of stolen Mercedes to underworld buyers, which has to do with the actual geographic proximity of Berlin to Eastern European countries. Tykwer emphasised the arbitrariness of the setting of Run Lola Run, insisting it could easily have been set in any other urban centre such as New York City or Beijing. Nevertheless he establishes the united Berlin as the specific setting of the film. While Run Lola Run does not explicitly indicate that the space of action is Berlin, viewers are clear of the setting: a repeated establishing shot of the Friedrichstrasse U-Bahn stop, a central commuting street near the Brandenburg Gate in the former East Berlin which has undergone extensive reconstruction since 1990, begins each episode of the film. The play between the locality of Berlin and its role as the universal modernist metropolis is a trope of German cinema famously deployed by Fritz Lang in M, where the setting is also never explicitly revealed but implied by means of the use of the Berlin dialect in the dialogue of the film1. The soundtrack of Run Lola Run underscores the speed and mobility of Berlin by means of the fast/slow/fast rhythm of the film which proceeds primarily at the pace of techno music. Techno is also closely identified with the city of Berlin through its annual Techno Festival, which seems to grow larger with each passing year. Quick techno rhythm is syncopated with pauses in the forward-moving action brought on by Lola's superhuman screams or by the death of a protagonist. Berlin is also made explicit as Tykwer often stages scenes at clearly-marked street intersections which identify particular locations or boroughs thoughout east and west Berlin. The viewer notes that Lola escapes her father's bank during one episode and faces Unter den Linden; several scenes unfold on the banks of the river Spree; Lola sprints between the Altes Museum and the Berlin Cathedral. Manni's participation in a car-theft ring points to the Berlin-focussed activity of actual Eastern European and Russian crime syndicates; the film features an interlude at the Polish border where Manni delivers a shipment of stolen Mercedes to underworld buyers, which has to do with the actual geographic proximity of Berlin to Eastern European countries. Yet the speed of purposeful mobility is demanded in the contemporary united and globalised Berlin; lines of action or direction must be chosen and followed and chance encounters become traps or interruptions. Chance must therefore be minimised in the pursuit of urban speed, mobility, and commications access. In the globalised Berlin, Tykwer compresses chance encounters into individual snapshots of visual data which are viewed in quick succession by the viewer. Where artists such Christo and Sophie Calle had investigated the initial chaos of German reunification in Berlin, Run Lola Run rejects the hyper-contemplative and past-obsessed mood demanded by Christo's wrapping of the Reichstag, or Calle's documentation of the artistic destructions of unification3. Run Lola Run recasts Berlin as a network of fast connections, lines of uninterrupted movement, and productive output. It is therefore perhaps not surprising that Tykwer's idealised and embodied representation of Berlin as Lola has been politically appropriated as a convenient icon by the city's status quo: an icon of the successful reconstruction and rewiring of a united Berlin into a fast global broadband digital telecommunications network4. Footnotes See Edward Dimendberg's excellent discussion of filmic representations of the metropolis in "From Berlin to Bunker Hill: Urban Space, Late Modernity, and Film Noir in Fritz Lang's and Joseph Losey's M." Wide Angle 19.4 (1997): 62-93. This is despite the fact that the temporal parameters of the plot of Run Lola Run forbid the aimlessness central to spazieren (strolling). See Walter Benjamin, "A Berlin Chronicle", in Reflections. Ed. Peter Demetz. Trans. Edmund Jephcott. New York: Schocken, 1986. 3-60. See Sophie Calle, The Detachment. London: G+B Arts International and Arndt & Partner Gallery, n.d. The huge success of Tykwer's film in Germany spawned many red-hair-coiffed Lola imitators in the Berlin populace. The mayor of Berlin sported Lola-esque red hair in a poster which imitated the one for the film, but legal intercession put an end to this trendy political statement. Brian Pendreigh. "The Lolaness of the Long-Distance Runner." The Guardian 15 Oct. 1999. I've relied on William J. Mitchell's cultural history of the late 20th century 'rebuilding' of major cities into connection points in the global telecommunications network, City of Bits: Space, Place, and the Infobahn. Cambridge: MIT P, 1995. Citation reference for this article MLA style: Claudia Mesch. "Racing Berlin: The Games of Run Lola Run." M/C: A Journal of Media and Culture 3.3 (2000). [your date of access] <http://www.api-network.com/mc/0006/speed.php>. Chicago style: Claudia Mesch, "Racing Berlin: The Games of Run Lola Run," M/C: A Journal of Media and Culture 3, no. 3 (2000), <http://www.api-network.com/mc/0006/speed.php> ([your date of access]). APA style: Claudia Mesch. (2000) Racing Berlin: the games of Run Lola run. M/C: A Journal of Media and Culture 3(3). <http://www.api-network.com/mc/0006/speed.php> ([your date of access]).

This chapter discusses the three kinds of cinematic ‘look’ that Laura Mulvey associated with the ‘male gaze’. Mulvey's psychoanalytic examination of the pleasures generated by cinema included scopophilic, voyeuristic, and narcissistic pleasures. She argued that fetishistic scopophilia, unlike voyeurism, emphasises the physical beauty of the object. The object is transformed into something satisfying in itself, set apart from story and character involvement. This is illustrated with reference to Helen Faraday (Marlene Dietrich) in Josef von Sternberg's Blonde Venus (1932). Despite the story being about a woman and her predicament in patriarchal society, viewer identification is exclusively with male characters, and Helen is always an object for male spectators within the film and within the cinema. The chapter then contrasts von Sternberg with Mulvey's other key example, Alfred Hitchcock. Instead of merely presupposing male scopophilia/voyeurism, Hitchcock knowingly comments on these phenomena, making them the subject of his films. Though not mentioned by Mulvey, Psycho (1960) is offered as a case study in how the horror/slasher genre developed conventions that generated scopophilic and narcissistic pleasures for male viewers, perhaps catering to violent male fantasies.